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Terminator 2: Judgment Day Poster

Terminator 2: Judgment Day

It's nothing personal.
1991 | 137m | English

(1251483 votes)

TMDb IMDb

Popularity: 14 (history)

Details

Ten years after the events of the original, a reprogrammed T-800 is sent back in time to protect young John Connor from the shape-shifting T-1000. Together with his mother Sarah, he fights to stop Skynet from triggering a nuclear apocalypse.
Release Date: Jul 03, 1991
Director: James Cameron
Writer: James Cameron, William Wisher
Genres: Action, Science Fiction, Thriller
Keywords man vs machine, cyborg, shotgun, dystopia, moral ambiguity, post-apocalyptic future, villain, time travel, mental institution, juvenile delinquent, fictional war, urban setting, troubled teen, morphing, nuclear weapons, shape shifter, savior, catch phrase, aggressive, action hero, complex, good versus evil, sinister, depressing, commanding, compassionate, exhilarated
Production Companies Le Studio Canal+, Carolco Pictures, Lightstorm Entertainment, Pacific Western
Box Office Revenue: $520,000,000
Budget: $102,000,000
Updates Updated: Aug 25, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Arnold Schwarzenegger The Terminator
Linda Hamilton Sarah Connor
Edward Furlong John Connor
Robert Patrick T-1000
Earl Boen Dr. Silberman
Joe Morton Miles Dyson
S. Epatha Merkerson Tarissa Dyson
Castulo Guerra Enrique Salceda
Danny Cooksey Tim
Jenette Goldstein Janelle Voight
Xander Berkeley Todd Voight
Leslie Hamilton Gearren Twin Sarah
Ken Gibbel Douglas
Robert Winley Cigar Biker
Pete Schrum Lloyd
Shane Wilder Trucker
Michael Edwards Old John Connor
Jared Lounsbery Kid
Casey Chavez Kid
Ennalls Berl Bryant
Don Lake Mossberg
Richard Vidan Weatherby
Tom McDonald Cop
Jim Palmer Jock
Gerard 'Gus' Williams Jock
Gwenda Deacon Night Nurse
Don Stanton Lewis, the Guard
Dan Stanton Lewis as T-1000
Colin Patrick Lynch Attendant
Noel Evangelisti Hospital Guard
Nikki Cox Girl
Lisa Brinegar Girl
DeVaughn Nixon Danny Dyson
Tony Simotes Vault Guard
Diane Rodriguez Jolanda Salceda
Dalton Abbott Infant John Connor
Ron Young Pool Cue Biker
Charles Robert Brown Tattoo Biker
Abdul Salaam El Razzac Gibbons
Mike Muscat Moshier
Dean Norris SWAT Team Leader
Charles A. Tamburro Police Chopper Pilot
J. Rob Jordan Pickup Truck Driver
Terrence Evans Tanker Truck Driver
Denney Pierce Burly Attendant
Mark Christopher Lawrence Burly Attendant
Pat Kouri SWAT Leader
Van Ling Cyberdyne Tech
Martin DeLuca Cyberdyne Tech (uncredited)
Joel Kramer Male Nurse (uncredited)
Richard Ruskin Frisbee Player (uncredited)
Scott Shaw Cyberdyne Tech (uncredited)
Sven-Ole Thorsen Mall Security Guard (uncredited)
Randy Walker SWAT Officer (uncredited)
William Wisher Galleria Photographer / Cop (uncredited)
Dalton Hamilton Baby John Connor (uncredited)
Mic Rodgers Policeman (uncredited)
Michael Albanese SWAT Officer (uncredited)
Ed Arneson SWAT Officer (uncredited)
Debra Casey Mohawk Girl at Biker Bar (uncredited)
Anne Merrem Psychiatric (uncredited)
Gavin Kelly Gamer (uncredited)
Bret A. Arnold Future Coda Man (uncredited)
Dean Blanke Baby John Connor (uncredited)
Jim Dahl SWAT Officer (uncredited)
Jennifer Jacono Mother in Mall (uncredited)
Takao Komine Mall Employee Shot by T-1000 (uncredited)
Steven Stear SWAT Officer (uncredited)
Name Job
Kelly Cantley-Kashima Assistant Director Trainee
Steven C. McGee Best Boy Electric
Richard A. Harris Editor
Conrad Buff IV Editor
Mali Finn Casting
Joseph P. Lucky Art Direction
John M. Dwyer Set Decoration
Nicholas R. Allen Boom Operator
Joseph C. Nemec III Production Design
Bruce R. Hogard Costume Supervisor
Steve LaPorte Makeup Artist
Robert L. Stevenson Hairstylist
Peter Tothpal Key Hair Stylist
Pamela Easley Post Production Supervisor
Dan Garde Music Editor
Tim Boyle Scoring Mixer
Knox White Cableman
Michael Gleason VFX Editor, Visual Effects Editor
Andrew Schmidt Animation
Steve Bonner Picture Car Coordinator
E. Larry Oatfield Sound Effects Editor
Carla S. Nemec Art Department Coordinator
Steve Callas Construction Coordinator
Charles Stewart Property Master
Barbara McBane ADR Editor
Michele Perrone ADR Editor
Sara Bolder Dialogue Editor
Paige Sartorius Dialogue Editor
Ewa Sztompke Dialogue Editor
Stacey A. Foiles Dialogue Editor
Sandina Bailo-Lape Foley Editor
Diana Pellegrini Foley Editor
Marian Wilde Foley Editor
Teresa Eckton Sound Effects Editor
Ken Fischer Sound Effects Editor
Tim Holland Sound Effects Editor
Thomas L. Fisher Special Effects Coordinator
Gail Currey Visual Effects Coordinator
Miller Drake VFX Editor, Visual Effects Editor
Leslie Huntley Visual Effects Producer
Alison Savitch Visual Effects Producer, Visual Effects Production Manager
Gene Warren Jr. Visual Effects Supervisor
Christopher Duddy Camera Technician
Gary Tandrow Chief Lighting Technician
Sal Orefice Chief Lighting Technician
Donald L. Hartley Dolly Grip
Paul C. Babin Additional Camera
Robert Gray Key Grip
Scott M. Robinson Key Grip
Kevin J. Lang Rigging Gaffer
Rodney Veto Rigging Grip
J. Michael Muro Steadicam Operator
Zade Rosenthal Still Photographer
Greg Hall Set Costumer
Dawn Y. Line Set Costumer
Trudy Ramirez Script Supervisor
Jane Kass First Assistant Editor
Caroline Ross First Assistant Editor
Duncan Kennedy Art Department Assistant
Charles William Breen Assistant Art Director
Barton M. Susman Leadman
George Jenson Production Illustrator
Carole Lee Cole Set Designer
Bill 'Kauhane' Hoyt Standby Painter
Michael A. FauntLeRoy Sr. First Assistant Camera
Richard Crompton Grip
David L. Butler Aerial Director of Photography
Craig Baron Set Dresser, Set Dressing Artist
John Moy Craft Service
George Grenier Driver
Marty Shindler Executive in Charge of Finance
Stephen Sfetku Camera Loader
Maryellen Aviano Stand In, Stunts
Gene R. Johnson Transportation Coordinator
Dirk Petersmann Unit Production Manager
Bobby Aldridge Utility Stunts
Rick Dungan Video Assist Operator
J. Michael Haynie First Assistant Director
Art Tostado Color Timer
James M. Cox Electrician
George S. Neil VFX Lighting Artist, Gaffer
Ed Jones Executive In Charge Of Post Production
Stephen C. Dawson Location Manager
Pam Kaye Production Accountant
John Rotondi Sound Engineer
Gloria S. Borders Sound Effects, Supervising Sound Editor, Sound Supervisor
Joe Viskocil Special Effects Supervisor, Pyrotechnic Supervisor
Geoff Campbell CG Animator
Dustin Bernard Second Assistant Director
Xochi Blymyer Second Second Assistant Director
Linda Waxman Assistant Property Master
Steve Burg Concept Artist
Paul Olsen Graphic Designer
Phillip Norwood Storyboard Artist
C.J. Appel ADR Editor
Dennie Thorpe Foley Artist
Phil Benson Sound Assistant
Bob Ahmanson Special Effects Technician
Larry Arpin Additional Visual Effects
Andrew Kennedy VFX Artist
Jim May Visual Effects Assistant Editor
Merie Weismiller Wallace Additional Still Photographer
Rick Rader Best Boy Grip
Gavin Alcott Second Assistant Camera
Skip Kimball Digital Intermediate Colorist
Roberto McGrath Negative Cutter
Crystal Dowd Post Production Coordinator
Reginald Harber Jr. Stereoscopic Editor
Robert Foulkes Assistant Location Manager
Marc Cohen Location Assistant
Allan K. Rosen Supervising Music Editor
Dean Wright Assistant Production Coordinator
Stuart Robertson Digital Supervisor
Lisa Dennis Executive Assistant
Richard Kilroy Matte Painter
Denyse Rossi Payroll Accountant
Robert Hutchins Pyrotechnician
Tom Bertino Roto Supervisor
Tim Scannell Visual Effects Camera, Rotoscoping Artist
Rustin Devendorf Stereoscopic Technical Director
Michael Albanese Technical Advisor
Steve Newman Publicist
Scott R. Fisher Special Effects Assistant
Harry Lu Weapons Master
Dan Frye Sculptor
James Marlowe Location Scout
Lane Leavitt Stunts
Cotton Mather Stunts
Doc D. Charbonneau Stunts
Tommy J. Huff Stunts
Bobby Porter Stunts
Gary Diamond Assistant Art Director
Mike Benson "A" Camera Operator, Second Unit Director of Photography
Gary Summers Sound Re-Recording Mixer
Robert Shoup Sound Effects Editor
Christopher Warren Visual Effects Camera
Joseph Berger-Davis Post Production Assistant
Jon Curtis Price Special Effects, Mechanical Designer
Randall Badger Second Unit First Assistant Director
Frank Davis Second Assistant Director
David Fudge Second Second Assistant Director
Grant Gilmore Second Second Assistant Director
James Lansbury Second Assistant Director
Chip Scott Laughlin Second Assistant Director
Terry Miller First Assistant Director
George Parra Second Unit First Assistant Director
Tony Perez Second Assistant Director
Barry K. Thomas Second Unit First Assistant Director
Vince Catlin Props
Mike Cameron Props
William K. Dolan Set Dresser
Anthony Gaudio Painter
Walter P. Martishius Set Designer
R. Patrick McGee On Set Dresser
Joe Pizzorusso Set Dresser
Paul Duchemin Set Dresser
Chris R. Green Storyboard Assistant
Marc Meisels Assistant Property Master
Robert Van Dyke Propmaker
Chris Woodworth Paint Coordinator
Scott Chandler Assistant Sound Designer
Clare C. Freeman Sound Assistant, Foley Editor
J.R. Grubbs Sound Assistant
Samuel H. Hinckley Sound Assistant
Vanessa James Sound Assistant
Hael Kobayashi Sound Assistant
Sean Landeros Sound Re-Recording Assistant
Marilyn McCoppen Dialogue Editor
Marnie Moore Assistant Foley Artist
Philip Olbrantz Sound Assistant
Susan Popovic Sound Assistant
Larry Rennick Sound Assistant
Kevin Rose-Williams Sound, Sound Assistant
Claire Sanfilippo Sound Assistant
Susan Sanford Sound Assistant
Jim Seymour Sound Assistant
David Slusser Assistant Sound Designer
Dianna Stirpe Sound Assistant, Dialogue Editor
Patti Tauscher Sound Assistant
Pam Uzzell Sound Assistant
Thierry J. Couturier Supervising Sound Editor
Nicholas James Sound Effects Editor
Brent Baker Special Effects
Bill Basso Special Effects
David Beneke Special Effects
Evan Brainard Special Effects
Len Burge Special Effects
Rob Burman Special Effects
Craig Caton Special Effects
Chris Cowan Special Effects
Richard Davison Special Effects
Glen Eisner Special Effects
Greg Figiel Special Effects
Bruce Spaulding Fuller Special Effects
Mark Goldberg Special Effects
Armando González Special Effects
David Grasso Special Effects
Rhonda C. Gunner CG Artist
Roger Hansen Special Effects Assistant
Phillip Hartmann Special Effects Technician
Beth Hathaway Special Effects
Richard E. Hollander CG Artist
Mark Jurinko Special Effects
Eileen Kastner-Delago Special Effects
Joseph Kelly Special Effects
Bob King Special Effects Assistant
Jay King Special Effects Assistant
Terry W. King Special Effects Assistant
Brad Krisko Special Effects
Richard J. Landon Special Effects
Mark Lohff Special Effects Assistant
Frank Charles Lutkus III Special Effects
Shane Mahan Special Effects
Greg Manion Special Effects
Karen Mason Special Effects
Curt Massof Special Effects
J.C. Matalon Special Effects
Gregory L. McMurry CG Artist
Tara Meaney-Crocitto Special Effects Assistant
Paul Mejias Special Effects
Hal Miles Special Effects
Bruce Minkus Special Effects Assistant
Mark Noel Special Effects Assistant
Jeff Periera Special Effects
Joe Reader Special Effects
Dan Rebert Special Effects
Sean Rodgers Special Effects
Steve Sanders Special Effects Technician
Andy Schoneberg Special Effects
Paul Sciacca Special Effects
Shannon Shea Special Effects
Michael Spatola Special Effects
Ian Stevenson Special Effects
David Stinnett Special Effects
Christopher Swift Special Effects
Michiko Tagawa Special Effects
Joseph Patrick Todd Special Effects
Mike Trcic Special Effects
John C. Wash CG Artist
Robert E. Watson Special Effects
N. Brock Winkless IV Special Effects
Thomas Zell Special Effects Technician
Greg Aronowitz Sculptor
David Chameides Special Effects
Gary L. King Special Effects
George Zamora Special Effects Technician
Michael Possert Jr. Special Props
Andrew Miller Special Effects Manager
Diana Ace CG Engineer
Tony Alderson Pyrotechnic Supervisor
Bret Alexander Modeling
Scott E. Anderson CG Supervisor
Sean Applegate Animation Director
Paul Ashdown Visual Effects Producer
Gordon Baker VFX Artist
James Belkin VFX Director of Photography
Jennifer Bell Visual Effects Coordinator
Brian N. Bentley Visual Effects Technical Director, Visual Effects Compositor
John Andrew Berton Jr. CG Animator
Scott Beverly Visual Effects Production Assistant
Ken Beyer CG Engineer
Beth Block VFX Production Coordinator
Barbara Brennan VFX Artist
Geoff Burdick Visual Effects Production Assistant
Daniel Burridge Stereoscopic Coordinator
Jeremy P. Carroll Stereoscopic Supervisor
Dan Carter Modeling
Anthony Chaney Modeling
Terry Chostner Visual Effects Camera
Richard L. Cohen CG Animator
Steve Cohen Visual Effects Production Assistant
Susan Adele Colletta Visual Effects Coordinator
Tim Conrad Modeling
James Cook Visual Effects Production Assistant
Robert Costa Effects Supervisor
Jim Davidson Modeling
George D. Dodge VFX Director of Photography
Sandra Duque Visual Effects Compositor
Jonathan French CG Animator
Paul Gentry Visual Effects Camera
Pete Gerard Modeling
Matthew E. Gill Roto Supervisor
Megan Graham Visual Effects Compositor
Glenn Guenette Visual Effects Compositor
Joanne Hafner Rotoscoping Artist
James Hagedorn VFX Artist
Alex Heffner Stereoscopic Supervisor
Christian Hogue CG Animator
Robert Hill Visual Effects Camera
Sandy Houston Rotoscoping Artist
Lincoln Hu CG Supervisor
George H. Joblove CG Supervisor
Kirby Jones Visual Effects Production Assistant
Michael Joyce Modelling Supervisor
Emmet Kane Effects Supervisor
Michael Karp Visual Effects Camera
Douglas S. Kay CG Supervisor
Elizabeth Maxwell Keith CG Animator
Pete Kleinow Animation
Yael Majors Compositing Lead
David Zen Mansley Modeling
Brian McFadden Modeling
W. Peter Miller VFX Editor
Bret Mixon Roto Supervisor
Tony Moffett Visual Effects Production Assistant
Terry Molatore Rotoscoping Artist
Jack Mongovan Rotoscoping Artist
Siddhartha Maganti VFX Production Coordinator
Doug Moore Modeling
Richard Mula VFX Lighting Artist
John Nelson CG Animator
Michael Novotny Visual Effects Designer
Joe Pasquale CG Animator
Dana Passarella Visual Effects Compositor
Steve Petruzates Modeling
Paula Pirok Visual Effects Production Assistant
Dan Platt Sculptor
Jeryd Pojawa Visual Effects Design Consultant
Derek N. Prusak Post-Production Manager
Gary Rhodaback Modeling
Jay Riddle CG Supervisor
Rick Rische Matte Painter
Leslie Schor Visual Effects Production Assistant
Dennis Schultz Modeling
Alex Seiden CG Animator
Annabella Serra CG Animator
Mark A. Shelton VFX Lighting Artist
Dwight Shook Modeling
Monty Shook Modeling
Dennis Skotak VFX Director of Photography
Robert Skotak Visual Effects Supervisor
Anthony R. Stabley Modeling
William Stromberg Modeling
Troy Summersett Visual Effects Compositor
Dipak Tarpara Visual Effects Compositor
Ginger Theisen CGI Director
Joseph Thompson Modeling
Judith Weaver CGI Director
Julie J. Webb Visual Effects Assistant Editor
Lou Zutavern Modeling
Miriam Alvarez 3D Artist
Miguel Basulto Visual Effects Compositor
Nelson Broskey Visual Effects Production Assistant
James Clowater Compositing Lead
Krystyna Demkowicz Executive In Charge Of Production
Wade Howie VFX Artist
Dorn Merrill Kennison Modeling
Zeke Morales Visual Effects Production Assistant
Daniel Schrepf Stereoscopic Supervisor
Amie Slate Animation
Donna Tracy Animation
Harry Walton VFX Artist
Janet Brady Stunts
Billy Hank Hooker Stunts
Steve Williams Animation Supervisor
Larry Johnson Stunts
David Webster Stunts
Perry Barndt Stunts
Jack Carpenter Camera Car, Stunts
Terry Jackson Stunts
Monty Jordan Stunts
Kevin Larson Stunts
Larry Linkogle Stunt Double
Gary Robert Stunts
Mike Ryan Stunts
David Zellitti Stunts
Alan Cohen Second Assistant Camera
Bruce DeAragon Second Assistant Camera
David Dunbar Electrician
Brad Emmons Electrician
Moose Enright Lighting Artist, Rigging Gaffer
Todd M. Gavin Second Assistant Camera
Jason Gunn Electrician
Steve Hastings Best Boy Electric
Ted H. Hauser First Assistant Camera
David E. Hengstellar Electrician
Tyrone Jackson Grip
Hilary Klym Grip
Frank Krejsa Electrician
Dennis J. Laine Assistant Camera
Brian Liberman Grip
Bruce Manning First Assistant Camera
Pete Martinez Video Assist Operator
John Nash Grip
Darrin Pulford Electrician
Joe Rowan Electrician
Ryan Russill Grip
John Smock Electrician
Michael St. Hilaire "A" Camera Operator
Donald T. Stanford Electrician
Daniel E. Teaze Second Assistant Camera
Scott Warner Video Assist Operator
Eric Blum Electrician
Bruce Byall Grip
Scott Dale Camera Technician
Adam Glick Lighting Technician
Mark Gutterud Camera Operator
Eldon Hansen Rigging Gaffer
Lee Johnson Rigging Gaffer
Steven C. Hodge Lighting Technician
Horace Jordan First Assistant Camera
Ron Kunecke Lighting Technician
Christopher J. Lama Rigging Gaffer
Bill-Brady Majors Grip
Lee Redmond Camera Operator
László Regos Steadicam Operator
Randall Robinson Camera Operator
Mark Shankel Electrician
Brett Hisey Animation
Abra Edelman Extras Casting
Paul Cruz Background Casting Director
Colin Booth Costumer
Patricia Moon Costumer
Sue Miller Costumer
Lyvonne Klingler Post Production Assistant
Clay Rawlins Assistant Editor
Arden Rynew Online Editor
Ron South Assistant Editor
Kelly Tartan Assistant Editor
Clarinda Wong First Assistant Editor
Dan Muscarella Color Timer
Richard Klotz Location Manager
Jim Morris Location Manager
Andre Gaudry Location Assistant
Joyce King Script Supervisor
Jerry F. Johnson Transportation Captain
Pete Johnson Transportation Captain
Tom Teeple Driver
Tony Didio Jr. Weapons Master
Chris Silver Finigan Production Accountant
Jane Prosnit Production Coordinator
Mary Nelson Negative Cutter
James Cameron Characters, Director, Writer
Adam Greenberg Director of Photography
Mark Goldblatt Editor
Brad Fiedel Music Producer, Original Music Composer
Marlene Stewart Costume Design
Ed French Makeup Artist
Tom Johnson Sound Re-Recording Mixer, Sound Designer
William Wisher Writer
Joel Kramer Stunt Coordinator
Dody Dorn Additional Editing
Emily Schweber Casting Associate
Glenn R. Wilder Stunts, Second Unit Director
Dick Ziker Stunts
Richard Hymns Sound Effects Editor
Ethan Van der Ryn Supervising Sound Editor, Sound Effects Editor
Janet Healy Visual Effects Producer
Don E. FauntLeRoy Camera Operator
Charles A. Tamburro Aerial Coordinator
Peter Flynn Propmaker
Jim Morris Executive In Charge Of Production
Dennis Muren Visual Effects Supervisor
John Bruno Visual Effects Designer
Gary Davis Stunt Coordinator, Second Unit Director
Christopher Boyes Foley Recordist
Debbie Evans Stunt Double, Stunts
Gilbert B. Combs Stunts
Gary Rydstrom Sound Re-Recording Mixer, Sound Designer, Sound Effects
Jeff Dawn Key Makeup Artist
Stan Winston Visual Effects Producer, Makeup Effects Designer, Special Effects
Lawrence Kasanoff Production Manager
Vic Armstrong Special Guest Director
Iain McCaig Concept Artist, Storyboard Artist
Tom Myers Assistant Sound Designer
John Roesch Foley Artist
Kent Sparling Sound Mix Technician
Adam Jones Special Effects
Mark 'Crash' McCreery Special Effects
John Rosengrant Special Effects
J. Alan Scott Special Effects
Betzy Bromberg Visual Effects Supervisor
Bart Mixon Sculptor
Craig Barron Visual Effects Supervisor
Norman Howell Stunt Double, Stunts
Peter Kent Stunt Double, Stunts
Billy D. Lucas Stunt Double, Stunts
Pat Romano Stunt Double
Gregory J. Barnett Stunts
Doug Chiang Visual Effects Art Director
Jeff 'JJ' Dashnaw Stunts
Rocky Capella Utility Stunts
Gene Hartline Stunts
Mike Justus Utility Stunts
Johnny Martin Stunts
Mike Martinez Stunts
Matt McColm Stunt Double
George Thorogood Musician
Axl Rose Musician
Duff McKagan Musician
Matt Sorum Musician
Izzy Stradlin Musician
Robin Bonaccorsi Stunts
Jon Null Assistant Sound Editor
Stephen Rosenbaum CG Animator
Doug Smythe CG Supervisor
Bob Brown Stunts
Lee Orloff Sound Mixer
Slash Musician
Van Ling Visual Effects Coordinator
Gwendolyn Yates Whittle ADR Editor, Dialogue Editor
Trey Batchelor Key Production Assistant
Mark A.Z. Dippé Visual Effects Assistant Editor
Stanley Moore Ager/Dyer
Gale Anne Hurd Characters
Name Title
B.J. Rack Co-Producer
Van Ling Producer
James Cameron Producer
Mario Kassar Executive Producer
Stephanie Austin Co-Producer
Gale Anne Hurd Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 86 107 65
2024 5 127 151 102
2024 6 106 149 77
2024 7 107 156 79
2024 8 89 136 62
2024 9 80 152 49
2024 10 77 131 55
2024 11 86 122 66
2024 12 80 104 66
2025 1 85 113 67
2025 2 75 102 17
2025 3 27 103 4
2025 4 17 26 14
2025 5 14 15 11
2025 6 13 18 11
2025 7 13 16 12
2025 8 13 19 11
2025 9 16 27 13

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Year Month High Avg
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2025 6 62 344
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2025 5 72 359
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2025 4 63 323
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2025 2 39 287
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2025 1 83 330
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2024 12 93 258
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2024 11 80 248
Year Month High Avg
2024 10 113 306
Year Month High Avg
2024 9 168 313
Year Month High Avg
2024 8 134 231

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Reviews

zag2me
10.0

Terminator 2 is basically one of the greatest films of all time, its an absolute must watch if you like Science Fiction, Action, or even Comedy films. It could have been so bad, but the film somehow pulls it off with crazy stunts, an amazing cast and a great story. The film really tackles the fa ... te of humanity straight on which gets you thinking about our path as a species but also what we can do today to change things. The story takes you on a journey which is one of the most believable time travel movies of all time. The action scenes are fantastic, with wall to wall fighting, car chases and military maneuvers that will keep you on the edge of your seat. That's mixed with a great cast and brilliant story telling from the directory. I would say its even better than the first movie which is also a classic. Overall I have probably seen this movie 20 or 30 times over the last 25 years(go is it that long!!) and still don't get bored. Its a timeless classic that I urge everyone to watch.

Jun 23, 2021
Ruuz
9.0

While I am in that minority which believes it is actually the first _Terminator_ movie which is the best of the franchise, don't let that for one minute convince you I don't absolutely love _Judgement Day_. It's honestly pretty crazy to me how just bonkers good these first two _Terminator_ movies ar ... e. Especially when you consider how completely every single sequel managed to miss the mark. I like to imagine that in the Good Timeline, where everything isn't Terrible™, this movie is exactly the same, but the trailer doesn't spoil the twist about Robert Patrick being a Terminator and Arnie being a good guy. I know that they also spoil the twist about who's a Terminator and who's not and who's a bad guy and who's not in the trailers for the 3rd, 4th, 5th, and 6th too, but I'm pretty sure that in the Good Timeline those never got made, so whatever. _Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._

Jun 23, 2021
Kamurai
8.0

Great watch, will watch again, and can recommend. This is everything the original was turned up one notch. Now Arnold is a caring unfeeling robot, and we missed a whole movie where Sarah Connor went hard into training. This has twists, escapes, a liquid terminator, better special and practica ... l effects, some big explosions, active discussion of how to change the future, and some really iconic moments. The movie isn't chatty in the traditional sense, once Arnold gets involved, all the dialogue outside the asylum is very much to mechanically move the plot forward. The terminators don't voluntary "chat", they more vomit exposition dialogue. While I'll always remember this as a great movie, it isn't without its flaws. Hearing John's pre-pubescent voice cracking almost made me turn it off, and I know I found a couple of (small) problems while I was watching, but I couldn't remember them by the end of the movie, so they're clearly not that important. I may have been a bad foley sound on a weapon, and probably something that the T-800 that didn't seem robo-talk enough. I honestly don't know who isn't going to like this movie: it even has a low kill count.

Jun 23, 2021
GenerationofSwine
10.0

So, it is time to review the last good Terminator movie. When T3 came out, I swear that people forgot it was even released... but at least it felt like it belonged in the Terminator franchise. When Salvation dropped, it felt like it fit as well, but it was an MCG film, so it also felt like Ter ... minator meets Mickey Mouse. And when Terminator Typo was released, it kind of did it's best to completely alienate all the fans that the franchise had developed over the years. But this one, well, this one actually was great. The Robert Patrick T-1000 liquid metal thing looked amazing, Patrick acted ominous and frightening, and seemed like a legit threat despite the size difference between he and Arnold. And in the process the T-1000 managed to produce some truly creepy visuals. And this John Connor, Edward Furlong, was absolutely amazing. You really got the sense from him that he could be the man that leads the rebellion in the future. And, Sarah Connor was buff, and upped her game as the heroine that could do, well, actually do the action she was required to preform. And not only that she was creepy and obsessed as well. She looked and acted like the kind of survivalist that would train the future savior of the world. It all came together as a brilliant move with old Arnold playing the good guy this time, and, though it was an obvious bank on his star power, they pulled it off so no one would care. Right down to the first meeting where John didn't know if he could be trusted or not. It was a fantastic story with fantastic visuals, and it all made of a stellar and entertaining watch.

Jan 11, 2023
BryceSpencer
10.0

Behold what we like to call the Greatest Action Movie Ever Made, and for good reason. For me this sits without a doubt as one of the best movies (and movie sequels) I've ever seen. The action scenes, action set pieces, practical (and visual) effects are truly incredible for their time and still hold ... up today. Solid 10/10, highly recommend the full 2h 33m extended cut.

Jan 28, 2023
Geronimo1967
7.0

I'm never really a fan of kids in movies, but Edward Furlong turns in some attitude here with his performance as the ten year old "John Connor". Turns out that he is the target of the the latest "Skynet" plot to destroy the resistance to their impending world domination (in a worryingly close 2029!) ... . They have sent a new, improved, "T1000" (Robert Patrick) back in time to throttle him. Luckily, his future self has had the presence of mind to send one of the original models (Arnold Schwarzenegger) back on protection detail. As the devastation mounts and the bodies pile up, the young man convinces his protector to get his mother out of her secure institution - the authorities weren't convinced about her stories of futuristic "terminator" robots after last time - and also, to stop routinely killing people! It took James Cameron quite a while to put this sequel together, and it is almost as good as the original. Loads of action, some great visual and pyrotechnic effects as well as some quite engaging comedy moments that allow the story to deliver a surprising amount of characterisation for an action movie. You do feel just the tiniest bit invested in them, and though I did find the denouement dragged out just a little, it's a solidly entertaining piece of big screen cinema that allows a man who really cannot act to own the screen. Great fun.

Aug 30, 2023
Narate
10.0

"_I need your clothes, your boots and your motorcycle._" Just when you think the first one was great, this masterpiece shows up. Everything gets amped up in a good way. I will never forget watching this for the first time and thinking "how does it all look so damn cool?!" The first one is terrfiy ... ing where this is just awesome. Cameron's lighting and color grading is so sweet to look at. It's an infinite rewatchable classic.

Jan 01, 2025