Popularity: 6 (history)
Director: | Robert Zemeckis |
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Writer: | Robert Zemeckis, Bob Gale |
Staring: |
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents -- again. | |
Release Date: | Nov 22, 1989 |
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Director: | Robert Zemeckis |
Writer: | Robert Zemeckis, Bob Gale |
Genres: | Comedy, Adventure, Science Fiction |
Keywords | flying car, car race, guitar, time travel, car crash, alternate history, nostalgic, high school dance, 2010s, suspenseful, exhilarated, skateboarding, lightning, inventor, diner, sequel, thunderstorm, tunnel, hoverboard, playful, enthusiastic, optimistic |
Production Companies | Universal Pictures, Amblin Entertainment |
Box Office |
Revenue: $332,000,000
Budget: $40,000,000 |
Updates |
Updated: Jul 25, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Michael J. Fox | Marty McFly / Marty McFly Junior / Marlene McFly |
Christopher Lloyd | Doctor Emmett Brown |
Lea Thompson | Lorraine |
Thomas F. Wilson | Biff Tannen / Griff |
Elisabeth Shue | Jennifer |
James Tolkan | Strickland |
Jeffrey Weissman | George McFly |
Casey Siemaszko | 3-D |
Billy Zane | Match |
J.J. Cohen | Skinhead |
Charles Fleischer | Terry |
E. Casanova Evans | Video Waiter (Michael Jackson) |
Jay Koch | Video Waiter (Ronald Reagan) |
Charles Gherardi | Video Waiter (Ayatollah Khomeini) |
Ricky Dean Logan | Data (Griff Gang) |
Darlene Vogel | Spike (Griff Gang) |
Jason Scott Lee | Whitey (Griff Gang) |
Elijah Wood | Video Game Boy |
John Thornton | Video Game Boy |
Theo Schwartz | Hoverboard Girl |
Lindsey Whitney Barry | Hoverboard Girl |
Judy Ovitz | Antique Store Saleswoman |
Stephanie Williams | Officer Foley |
Marty Levy | Cab Driver |
Flea | Needles |
Jim Ishida | Fujitsu |
Nikki Birdsong | Loretta |
Al White | Dad |
Junior Fann | Mom |
Shaun Hunter | Harold |
George Buck Flower | Bum |
Neil Ross | Museum Narrator (voice) |
Tamara Carrera | Jacuzzi Girl |
Tracy Dali | Jacuzzi Girl |
Jennifer Brown | Basketball Kid |
Irina Cashen | Basketball Kid |
Angela Greenblatt | Basketball Kid |
Cameron Moore | Basketball Kid |
Justin Mosley Spink | Basketball Kid |
Lisa Freeman | Babs |
John Erwin | Radio Sportscaster (voice) |
Harry Waters, Jr. | Marvin Berry |
David Harold Brown | Starlighter |
Tommy Thomas | Starlighter |
Lloyd L. Tolbert | Starlighter |
Granville 'Danny' Young | Starlighter |
Wesley Mann | CPR Kid |
Joe Flaherty | Western Union Man |
Kevin Holloway | Marty Photo Double |
Charles F. FitzSimons | Biff Photo Double |
Crispin Glover | George McFly (archive footage) |
Marc McClure | Dave McFly (uncredited) |
Mary Ellen Trainor | Officer Reese (uncredited) |
Name | Job |
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Valorie Massalas | Casting |
Judy Taylor | Casting |
Harry Keramidas | Editor |
Margie Stone McShirley | Art Direction |
Linda DeScenna | Set Decoration |
Dorothy Byrne | Hairstylist |
Hazel Catmull | Hairstylist |
Nancy J. Hvasta Leonardi | Makeup Artist |
Ellis Burman Jr. | Makeup Artist |
Steve Irwin | Video Assist Operator |
Larry Singer | ADR Supervisor |
Ralph Nelson Jr. | Still Photographer |
Mary Andrews | ADR Editor |
Lynn Christopher | Assistant Art Director |
Walt Hadfield | Construction Coordinator |
Jerry Sargent | Construction Foreman |
Larry Lennert | Greensman |
Tom McCown | Leadman |
Cary Conway | Painter |
Jonas David | Production Illustrator |
Beverli Eagan | Set Designer |
Jerry Gadette | Standby Painter |
Casey Hotchkiss | Additional Camera |
Raymond Stella | Camera Operator |
Clyde E. Bryan | First Assistant Camera |
Ron Cardarelli | Key Grip |
Marty Dobkousky | Grip |
Nancy McArdle | Costume Supervisor |
Ken Chase | Makeup Designer |
Larry Boyd | Set Dressing Artist |
Marc Fambro | Carpenter |
Brad Jeffries | Choreographer |
Tim Gonzales | Craft Service |
Richard Burch | Driver |
Martin Cohen | Post Production Supervisor |
Bonne Radford | Production Controller |
Neil Garland | Propmaker |
John Zemansky | Property Master |
Albert Romero | Sound Recordist |
Dale Henry | Transportation Captain |
Keith O'Brien | Transportation Co-Captain |
Russell McEntyre | Transportation Coordinator |
Joan Bradshaw | Unit Production Manager |
Michael Klastorin | Unit Publicist |
Bobby Aldridge | Utility Stunts |
Timothy Eaton | Visual Effects Editor |
David McGiffert | First Assistant Director |
Marion Tumen | Script Supervisor |
Dale E. Grahn | Color Timer |
Dawn Oltman | Editorial Coordinator |
John D. Todd | Best Boy Electric |
Robert P. Quiroz | Electrician |
Peter Clarson | Gaffer |
Steve Chandler | Lighting Technician |
Paul Pav | Location Manager |
Stevie Lazo | Production Accountant |
Lata Ryan | Production Coordinator |
Earl Sampson | Boom Operator |
Peter C. Barbour | Assistant Sound Editor |
Kenneth Karman | Music Editor |
James B. Campbell | Orchestrator |
William B. Kaplan | Production Sound Mixer |
Gregg Baxter | Sound Editor |
Wes Takahashi | Animation Supervisor |
Michael Lantieri | Special Effects Supervisor |
Kim Bromley | Visual Effects Coordinator |
Suella Kennedy | Visual Effects Producer |
John Bell | Visual Effects Art Director |
Karen Kubeck | Assistant Makeup Artist |
Gala Autumn | Costumer |
Richard Leon | Assistant Property Master |
Ellen Heuer | Foley Artist |
Greg Orloff | Foley Mixer |
Carolyn Tapp | Foley Recordist |
Thomas R. Homsher | Special Effects Technician |
Loring Doyle | VFX Artist |
Jalal Pashandi | Assistant Camera |
Sid Lucero | Best Boy Grip |
Al LaVerde | Dolly Grip |
Larry D. Davis | Second Assistant Camera |
Judith Weaver | Animation Coordinator |
Joni Kearney | Casting Assistant |
Janet Fiona Mason | Assistant Editor |
Peter Lonsdale | Associate Editor |
Kevin Havner | Negative Cutter |
Colleen Arnaud | Assistant Accountant |
Thomas Marshall | Assistant Chief Lighting Technician |
Susan Spencer Robbins | Assistant Production Coordinator |
Mark Walthour | Chief Lighting Technician |
Scott Ross | General Manager |
Bill Baker | Key Rigging Grip |
Elizabeth Ann Bundschu | Production Assistant |
R.L. Tolbert | Stunts |
Greg Wayne Elam | Stunts |
Will Cascio | Stunts |
John-Clay Scott | Stunts |
Robert Zemeckis | Characters, Story, Director |
Dean Cundey | Director of Photography |
Alan Silvestri | Conductor, Original Music Composer |
Mike Fenton | Casting |
Arthur Schmidt | Editor |
Bob Gale | Characters, Screenplay, Story |
Joanna Johnston | Costume Design |
Allen Payne | Hairstylist |
Rick Carter | Production Design |
Walter Scott | Stunt Coordinator |
Tony Brubaker | Stunts |
Charles L. Campbell | Supervising Sound Editor |
Ken Ralston | Visual Effects Supervisor |
Cara Giallanza | Second Assistant Director |
Cheryl Wheeler Duncan | Stunt Double |
Max Kleven | Second Unit Director |
Mike Watson | Stunts |
Pat Romano | Stunts |
Gary Morgan | Stunts |
Karen E. Laine | Stunts |
Richie Gaona | Stunts |
Charles Croughwell | Stunts |
Dennis Sands | Scoring Mixer |
Jolanda Wipfli | Camera Loader |
David Rowden | Stunts |
Drew Struzan | Art Designer |
Name | Title |
---|---|
Neil Canton | Producer |
Bob Gale | Producer |
Kathleen Kennedy | Executive Producer |
Steven Spielberg | Executive Producer |
Steve Starkey | Associate Producer |
Frank Marshall | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 50 | 66 | 35 |
2024 | 5 | 58 | 80 | 40 |
2024 | 6 | 47 | 71 | 35 |
2024 | 7 | 98 | 164 | 35 |
2024 | 8 | 49 | 94 | 37 |
2024 | 9 | 51 | 75 | 36 |
2024 | 10 | 39 | 49 | 25 |
2024 | 11 | 47 | 84 | 30 |
2024 | 12 | 40 | 75 | 30 |
2025 | 1 | 42 | 56 | 33 |
2025 | 2 | 37 | 55 | 8 |
2025 | 3 | 16 | 47 | 2 |
2025 | 4 | 9 | 12 | 7 |
2025 | 5 | 7 | 9 | 6 |
2025 | 6 | 7 | 8 | 6 |
2025 | 7 | 6 | 8 | 5 |
2025 | 8 | 7 | 11 | 5 |
2025 | 9 | 7 | 10 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 85 | 307 |
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2025 | 8 | 71 | 449 |
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2025 | 7 | 66 | 487 |
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2025 | 6 | 167 | 519 |
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2025 | 5 | 627 | 798 |
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2025 | 4 | 607 | 827 |
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2025 | 3 | 84 | 507 |
Year | Month | High | Avg |
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2025 | 2 | 137 | 429 |
Year | Month | High | Avg |
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2025 | 1 | 132 | 362 |
Year | Month | High | Avg |
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2024 | 12 | 91 | 426 |
Year | Month | High | Avg |
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2024 | 11 | 123 | 436 |
Year | Month | High | Avg |
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2024 | 10 | 192 | 328 |
Year | Month | High | Avg |
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2024 | 9 | 643 | 843 |
Year | Month | High | Avg |
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2024 | 8 | 455 | 750 |
You gotta go forward to save the past and back to alter the future. Yikes! Back to the Future Part II sees Marty & Jennifer coerced by Doc into travelling forward in time to correct the future. But Biff is still around and spies an opportunity for untold riches; which he takes. Meaning our thr ... ee time travelling wonders have to find a way back to the past to stop Biff from changing the course of history. The gargantuan, and deserved, success of Back To The Future ensured {demanded} that a sequel would follow. So taking the bull by the horns, Robert Zemeckis and Bob Gray crafted not only a sequel, but a trilogy, of which part two is ultimately a sort of interim plot filler for the finale to come a year later. There's no doubt about it, part two is at first a puzzle box of a picture, one that had this particular viewer back in the day venturing in for multiple viewings to unravel the deft, daft, but intricate plot. I have grown to love part two very much as I have got older, with each viewing tending to reward me just a little bit more. Directed with absolute keenness by Zemeckis, the film moves at such a pace there is barely time to catch breath, something that hardly helps one to follow exactly what is going on. But it does make sense under scrutiny, and as we lurch from one magnificent set piece to another, we find a dark undercurrent of bleakness in amongst the froth. The makers offer up two visions of the future, one is all colourful and swamped in glorious 80s nostalgia, yet it's knowingly enveloped in consumerism and hi-tech reliability. The other is bitten by greed and almost under despotic control, it's food for thought and rather wry in its telling. Not content with that, the makers whisk us back to 1955 just to remind us that a time of innocence and hope did exist; and simultaneously with skill they repeat the ending of part one with the additional story of part two! Clever eh? The returning cast are again uniformly strong {Michael J. Fox, Thomas F. Wilson & Christopher Lloyd} while Elisabeth Shue confidently steps into Jennifer's shoes after Claudia Wells {Jennifer in part one} fell ill and was unable to continue the role. Alan Silvestri's score still packs a cross dimension's punch and the effects crew again come up trumps {it's ace in HD}. It now can be seen as the bridge between two better movies, that's for sure, but I liken it to Spielberg's Temple Of Doom-more darker than the more favourable films in a series; but one that is crucially still having fun. It may be a high-tempo ball of funny confusion at times, but this one, courtesy of it's ream of homages and sly observations, is one of the best trilogy sandwich fillers going. Munch it. 8/10
This was one I think I was slightly disappointed in when I first saw it in theaters back in '89 and even with subsequent viewings on VHS and DVD, however I've come to appreciate it more over the years post-2000s. Lots of fun though feels disjointed at times going back and forth in time from 1985 to ... 2015 to alternate 1985 and back to 1955. But I did like the technical aspects re-creating the events of the first movie. **4.0/5** PS: Still remember back in the day seeing a TV special and believing the hoverboard was real, lol.
My favorite out of the series. I like this one better, because your rewatching the 1st one as the 2nd one is helping the 1st one at the same time. So you get to enjoy the 1st one again with new twists added from the 2nd one. But you can't see yourself watching the 1st one while watching the 2nd one, ... because the 1st one is not suppose to see the 2nd one watching it, and vice versa. Otherwise something bad will happen if the 1st and 2nd one see each other. Lol you get what I'm saying!
Don't bother. Just rewatch the original again and be thankful. ...
"Back to the Future Part II" is a refreshing and inexhaustible source of entertainment and inventive fun for everyone. It features an abundance of memorable action sequences which have been brought to the screen with innovation and skill and great visual imagination. It also draws upon events featur ... ed in the original film to create an entirely different slant on the same sequences, but this time around the motivating factors in doing this retread are entirely different. Of course such sequences as these could mean a distinct lack of creative inspiration, but fortunately that is never the case here because they are visually inspired and they only add to the overall fabulous enjoyment to be had.