Popularity: 6 (history)
Director: | Paul Verhoeven |
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Writer: | Dan O'Bannon, Gary Goldman, Ronald Shusett |
Staring: |
Construction worker Douglas Quaid's obsession with the planet Mars leads him to visit Recall, a company that manufactures memories. When his memory implant goes wrong, Doug can no longer be sure what is and isn't reality. | |
Release Date: | Jun 01, 1990 |
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Director: | Paul Verhoeven |
Writer: | Dan O'Bannon, Gary Goldman, Ronald Shusett |
Genres: | Adventure, Action, Science Fiction |
Keywords | oxygen, falsely accused, based on novel or book, resistance, planet mars, double life, telepathy, mutant, hologram, space colony, utopia, space travel, fake identity, secret agent, dystopia, futuristic, villainess, cyberpunk, fictional war, false memory, robot cop, implanted memory, action hero, virtual world, 2080s, metro cdmx |
Production Companies | Carolco Pictures, TriStar Pictures, Estudios Churubusco Azteca, Ronald Shusett/Gary Goldman Productions |
Box Office |
Revenue: $261,317,921
Budget: $65,000,000 |
Updates |
Updated: Aug 02, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Arnold Schwarzenegger | Douglas Quaid / Hauser |
Rachel Ticotin | Melina |
Sharon Stone | Lori Quaid |
Ronny Cox | Vilos Cohaagen |
Michael Ironside | Richter |
Marshall Bell | George / Kuato |
Mel Johnson Jr. | Benny |
Michael Champion | Helm |
Roy Brocksmith | Dr. Edgemar |
Ray Baker | Bob McClane |
Rosemary Dunsmore | Dr. Lull |
David Knell | Ernie |
Alexia Robinson | Tiffany |
Dean Norris | Tony |
Mark Carlton | Bartender |
Debbie Lee Carrington | Thumbelina |
Lycia Naff | Mary |
Robert Costanzo | Harry |
Michael LaGuardia | Stevens |
Priscilla Allen | Fat Lady |
Ken Strausbaugh | Immigration Officer |
Marc Alaimo | Everett |
Michael Gregory | Rebel Lieutenant |
Ken Gildin | Hotel Clerk |
Mickey Jones | Burly Miner |
Parker Whitman | Martian Husband |
Ellen Gollas | Martian Wife |
Gloria Dorson | Woman in Phone Booth |
Erika Carlsson | Miss Lonelyhearts |
Benny Corral | Punk Cabbie |
Bob Tzudiker | Doctor |
Erik Cord | Lab Assistant |
Frank Kopyc | Technician |
Chuck Sloan | Scientist |
Dave Nicolson | Scientist |
Paula McClure | Newscaster |
Rebecca Ruth | Reporter |
Milt Tarver | Commercial Announcer |
Roger Cudney | Agent |
Monica Steuer | Mutant Mother |
Sasha Rionda | Mutant Child |
Linda Howell | Tennis Pro |
Robert Picardo | Johnnycab (voice) |
Kamala Lopez | Additional Voices (voice) |
Morgan Lofting | Additional Voices (voice) |
Patti Attar | Additional Voices (voice) |
Bob Bergen | Additional Voices (voice) |
Joe Unger | Additional Voices (voice) |
Karlyn Michelson | Additional Voices (voice) |
Joel Kramer | Harry's Henchman (uncredited) |
Andy Armstrong | Richter's Henchman (uncredited) |
Graeme Crowther | Richter's Subway Agent (uncredited) |
Thomas Ebert | Subway Rider (uncredited) |
Frank Allen Forbes | Vestron Soldier (uncredited) |
Allan Graf | Harry's Henchman (uncredited) |
Peter Kent | Richter's Subway Agent (uncredited) |
Steven Lambert | Man Standing Behind Fat Lady (uncredited) |
Billy D. Lucas | Richter's Subway Agent (uncredited) |
Bennie Moore | Richter's Subway Agent (uncredited) |
Terry Richards | Henchman at Cementfactory (uncredited) |
Name | Job |
---|---|
Dan O'Bannon | Screenstory, Screenplay |
Dragon Dronet | Special Props |
Miles Teves | Conceptual Illustrator |
Ron Bartlett | Sound Effects Editor |
Mike Elizalde | Special Effects Technician |
Colin Arthur | Special Effects |
Tim McGovern | CGI Director |
Fred Lerner | Stunts |
Billy D. Lucas | Stunt Double, Stunts |
Steve Picerni | Stunts |
Walter Robles | Stunts |
Gary J. Wayton | Stunts |
George P. Wilbur | Stunts |
Vince Deadrick Jr. | Stunts |
Anette Haellmigk | Camera Operator |
Rob Bottin | Makeup Effects Designer, Character Designer |
Frank J. Urioste | Editor |
Valorie Massalas | Casting |
Judy Taylor | Casting |
William Sandell | Production Design |
José Rodríguez Granada | Art Direction |
James E. Tocci | Art Direction |
Erica Edell Phillips | Costume Design |
Jon Povill | Screenstory |
Joan Thomas | Costume Supervisor |
Gary Goldman | Screenplay |
Peter Tothpal | Key Hair Stylist |
Michael White | Hairstylist |
Robin Weiss | Makeup Artist |
Rosemary Campbell | Makeup Artist |
Craig Berkeley | Makeup Artist |
David Rodgers | Creative Producer |
Judy Cammer | Assistant Art Director |
Cal DiValerio | Construction Coordinator |
Thomas B. DiValerio | Construction Foreman |
Larry Clark | Painter |
Steve Burg | Production Illustrator |
Antonio Mata | Property Master |
Henry Alvarez | Special Effects, Sculptor |
Miguel Chang | Set Designer |
J. Fernando Solorio | Set Dresser |
Steve Slocomb | Visual Effects Camera, Camera Operator |
W.C. 'Chunky' Huse | Key Grip |
Taneia Lednicky | Set Costumer |
Heriberto Cárdenas | Cableman |
John R. Elliott | Carpenter |
John Downey | Driver |
Jim Davidson | Production Controller |
Mazzareno Sgolacchia | Propmaker |
Trudy Ramirez | Script Supervisor |
Jorge Mancilla | Security |
Scott R. Fisher | Special Effects |
Thomas L. Fisher | Special Effects Coordinator |
Alan Collis | Transportation Captain |
Alan B. Samuels | Video Assist Operator |
Miguel Lima | First Assistant Director |
Ron Lambert | Color Timer |
Ignazio Maccarone | Electrician, Gaffer |
Bob Bremner | Gaffer |
David McMillan | Lighting Technician |
James W. Kristoff | Executive In Charge Of Production |
Lily Flaschner | Location Manager |
Judith Goodman | Production Coordinator |
Anuar Badin | Production Manager |
Juan Clemente Prosper | Unit Manager |
Dana Gustafson | Assistant Sound Editor |
Fred Runner | Boom Operator |
David A. Arnold | Dialogue Editor |
Judee Flick | Foley Editor |
Kenneth Hall | Music Editor |
Steve Love | Music Supervisor |
Arthur Morton | Orchestrator |
David Bartlett | Sound Effects Editor |
George Merkert | Visual Effects Producer |
Raúl Sarmiento | Assistant Makeup Artist |
Haleen K. Holt | Costume Illustrator |
Efren del Moral | Second Assistant Director |
Wayne Fitzgerald | Title Designer |
Hank Salerno | ADR Editor |
Dean Drabin | ADR Mixer |
Jason Bentley | Assistant Music Supervisor |
Vanessa Theme Ament | Foley Artist |
David W. Alstadter | Foley Mixer |
Norman B. Schwartz | Supervising ADR Editor |
Sergio Jara Jr. | Special Effects Assistant |
Marlo Pabon | Visual Effects Compositor |
Teodoro García | Second Assistant Camera |
Joni Kearney | Casting Assistant |
Derek Brechin | Assistant Editor |
Noori Dehnahi | Post Production Coordinator |
Chris Boardman | Music Arranger |
Donna Tracy | Digital Compositor |
Melissa Smith | Director of Operations |
Scott Ross | General Manager |
Eric Clarke | Production Assistant |
Rosa Lilia Pérez Ortega | Production Secretary |
Thierry Coup | Modeling |
Chere Rae | Stunts |
Philip K. Dick | Short Story |
José Everardo Mora Barredo | Assistant Makeup Artist |
Vincent Prentice | Special Effects, Special Effects Makeup Artist |
Alfred Sousa | Special Effects Makeup Artist |
Charles Carter | Special Effects Makeup Artist |
Pablo Buelna | Head of Production |
Terry Collis | Production Manager |
Issy Shabtay | Unit Manager |
Michael R. Sloan | Post Production Supervisor |
Guillermo 'Memo' Carreño | Second Assistant Director |
Matthew Feitshans | Second Unit Director |
Ileana Franco U. | Second Assistant Director |
A. Hugo Gutierrez Cuellar | Second Assistant Director |
Kuki López Rodero | First Assistant Director |
Íñigo Vallejo-Nájera | Second Assistant Director |
Scott Bobbitt | Leadman |
Alfred Borg | Storyboard Artist |
Donna Cline | Production Illustrator |
Bruce DiValerio | Construction Coordinator |
Carlos Echeverria | Set Designer |
Tim Flattery | Production Illustrator |
Dominic Gerace | Carpenter |
Giacomo G. Ghiazza | Storyboard Artist |
Scott Goodale | Carpenter |
Ronald Shusett | Screenstory, Screenplay |
Neil Lamont | Assistant Art Director |
Marco Antonio Granados | Painter |
George E. Hanson | Painter |
Daniel Hermosillo | Painter |
Mentor Huebner | Production Illustrator |
Enrique Lechuga | Painter |
Etta Leff | Assistant Set Decoration |
Francisco Marinas Romero | Painter |
Antonio Mata Jr. | Props |
Jonathan McKinstry | Assistant Art Director |
Robert Miller | Props |
Ron Miller | Production Illustrator |
Dennis J. Parrish | Property Master |
Daniel R. Pemberton | Construction Coordinator, Construction Foreman |
Carlos Romero | Painter |
Héctor Romero | Assistant Art Director |
Anna Sanchez Genard | Assistant Set Dresser |
Marco Trentini | Set Designer |
Theresa Wachter | Set Dresser |
Warren Williams | Carpenter |
Chris Buchinsky | Storyboard Artist |
Michael W. Moore | Prop Maker |
John Brilhante | Sound Re-Recording Mixer |
James Christopher | Sound Effects Editor |
Carlos Delarios | Sound Re-Recording Mixer |
Ezra Dweck | Sound Recordist |
Donald Flick | Sound Effects Editor |
Nicholas James | Sound Effects Editor |
Doug Kent | Assistant Sound Editor |
Michael J. Kohut | Sound Effects Editor |
Susan Mazzei | Assistant Sound Editor |
John Pospisil | Special Sound Effects |
Steve Richardson | Foley Editor |
Aaron Rochin | Sound Re-Recording Mixer |
Dan Sharp | Sound Re-Recording Mixer |
George Simpson | Sound Effects Editor |
Gina Spiro | Assistant Sound Editor |
Nelson Stoll | Production Sound Mixer |
Rosemarie Wheeler | Assistant Sound Editor |
Butch Wolf | Foley Editor |
Matthew Harrison | Foley Editor |
Jason King | Assistant Sound Designer |
Oscar Mitt | Sound |
Anthony Allen Barlow | Special Effects |
James Belohovek | Special Effects |
Roland Blancaflor | Special Effects Technician |
Rich E. Cordobes | Special Effects Best Boy |
William Gregory Curtis | Special Effects |
Stephan Dupuis | Special Effects |
Greg Figiel | Special Effects |
Tamara Fites | Special Effects |
Erick Geisler | Creature Effects Technical Director |
Bruce Y. Kuroyama | Special Effects Technician |
John Lundberg | Special Effects Technician |
Dale L. Martin | Special Effects |
Tricia McFarlin | Special Effects |
Becky Ochoa | Special Effects |
Dennis Pawlik | Special Effects |
Andy Perillo | Special Effects |
Art Pimentel | Special Effects |
Margaret Prentice | Special Effects |
Jim Rollins | Special Effects |
Loran Soman | Special Effects |
Richard Stutsman | Special Effects Manager |
Blake Torney | Special Effects |
Andrea Toste | Special Effects |
Robert DeVine | Special Effects |
Gerald Endler | Special Effects |
Johan Klingler | Special Effects |
Ted Koerner | Special Effects |
Paul Wurtzel | Special Effects |
Philip Bartko | Mechanical Designer |
Kathy Chasen-Hay | VFX Editor |
C. Marie Davis | VFX Editor |
Christopher Duddy | Visual Effects |
Paul Gentry | VFX Director of Photography |
Tom L. Hutchinson | VFX Artist |
Patric Kenly | Visual Effects Camera |
Carole A. Kenneally | Visual Effects Coordinator |
Rexford L. Metz | Visual Effects Camera |
Derrick Mitchell | Visual Effects Assistant Editor |
David A. Poole | Visual Effects |
B.J. Rack | Visual Effects Producer |
Andy Armstrong | Stunts |
Linda Renaud | Visual Effects Assistant Editor |
Dobbie Schiff | Executive Visual Effects Producer |
Mary Siceloff | Visual Effects Producer |
Jesse Silver | Matte Painter |
George Trimmer | Modeling |
James Valentine | Roto Supervisor |
Laurel Schneider | VFX Production Coordinator |
Alejandro Avendano | Stunts |
Dickey Beer | Stunts |
Roger Callard | Stunts |
Simon Crane | Stunts |
Gary Baxley | Stunts |
Simone Boisseree | Stunts |
Clay Boss | Stunts |
May Boss | Stunts |
Richard E. Butler | Stunts |
Ignacio Carreño | Stunts |
Jordi Casares | Stunts |
Ann Chatterton | Stunts |
Graeme Crowther | Stunts |
Vince Deadrick Sr. | Stunts |
Leon Delaney | Stunts |
Stephanie Epper | Stunts |
Jose Gallegos | Stunts |
Johnny Hock | Stunts |
Buddy Gilyard | Stunts |
Ed Hamilton | Stunts |
Roy E. Harrison | Stunts |
Swan Hefner | Stunts |
Marcia Holley | Stunts |
Robert Jauregui | Stunts |
Jeff Jensen | Stunts |
A. Michael Lerner | Stunts |
Wendy Leech | Stunts |
Lars Lundgren | Stunts |
Mauricio Martínez | Stunts |
Mike H. McGaughy | Stunts |
Bronco McLoughlin | Stunts |
Wayne Michaels | Stunts |
Bennie Moore | Stunts |
Gabriela Moreno | Stunts |
Gerardo Moreno | Stunts |
Gábor Piroch | Stunts |
Terry Richards | Stunts |
Gregg Sargeant | Stunts |
Cherie Tash | Stunts |
Rafael Valdez | Stunts |
David Webster | Stunts |
Danny Weselis | Stunts |
David LeBell | Stunts |
Richard A. Anderson | Grip |
Donald Bryant | Camera Operator |
Gustavo Covarrubias | Best Boy Grip |
Jesus 'Moroco' Gonzalez | Lighting Technician |
Adolfo Lara | Electrician |
Hector M. Garcia Marin | First Assistant Camera |
Carlos Montaño | Camera Operator |
Enrique Morales | Electrician, Gaffer |
Francisco Roble Mota | Electrician, Gaffer |
Guillermo Moysen | First Assistant Camera |
Álex Phillips Jr. | Second Unit Director of Photography |
Juan Manuel Priego | Second Assistant Camera |
Bill Thornhill | Best Boy Electric |
Claudia Becker | Casting |
Jorge Guerrero | Extras Casting Assistant |
Ismael Jardon | Wardrobe Master |
Abel Melo | Wardrobe Master |
Teressa Longo | Assistant Editor |
Edgar Pavón | Assistant Editor |
Carlos Puente | Assistant Editor |
Jerry Goldsmith | Orchestrator, Original Music Composer, Music Producer, Conductor |
Florent Danny Retz | Assistant Editor |
Mark Eggenweiler | Assistant Editor |
Tommy Johnson | Musician |
Anna Roth | Location Manager |
John Barclay | Musician |
Marc Bonilla | Musician, Additional Music |
Perry Montague Mason | Musician |
Alexander Courage | Orchestrator |
Bruce Botnick | Score Engineer |
Mike Deasy | Musician |
George Doering | Musician |
Darrell Hall | Music Editor |
Henry Schuman | Musician |
James Thatcher | Musician |
Don Williams | Musician |
Jerry Williams | Musician |
Skaila Kanga | Musician |
Henry Lowther | Musician |
Emil Richards | Musician |
Allen Walley | Musician |
Lilia Soto Aragón | Script Supervisor |
Steven Pressfield | Script Editor |
David Trevino | Transportation Captain |
Tony Didio Jr. | Armorer |
Steve Lionetti | Production Assistant |
Steven Ladish | Props |
Mike Fenton | Casting |
Robert Gould | Set Decoration |
Jeff Dawn | Makeup Department Head |
David Appleby | Still Photographer |
Xavier Grobet | First Assistant Camera |
Mayes C. Rubeo | Assistant Costume Designer |
Alan Howarth | Special Sound Effects |
Vic Armstrong | Stunt Coordinator, Second Unit Director |
Tom Boyd | Musician |
Elissa Bello | Visual Effects |
Eric Brevig | Visual Effects Supervisor |
Peter Kent | Stunt Double |
Mario Kassar | Presenter |
Ron Cobb | Concept Artist |
Gerardo Albarrán | Stunts |
Steven Lambert | Stunts |
Donna Evans | Stunts |
Nick Dimitri | Stunts |
Erik Cord | Stunts |
Gene LeBell | Stunts |
Dana Dru Evenson | Stunts |
Tony Brubaker | Stunts |
Freddie Hice | Stunts |
Doug Coleman | Stunts |
Ric Roman Waugh | Stunts |
Allan Graf | Stunts |
Kenny Endoso | Stunts |
Joel Kramer | Stunt Coordinator |
Jost Vacano | Director of Photography |
Stephen Hunter Flick | Supervising Sound Effects Editor |
Scott A. Hecker | Supervising Dialogue Editor |
Dick Ziker | Stunts |
Jeannie Epper | Stunts |
Ron Miller | Conceptual Illustrator |
Paul Verhoeven | Director |
Bruce Paul Barbour | Stunts |
Jesse V. Johnson | Stunts |
Andrew G. Vajna | Presenter |
Name | Title |
---|---|
Buzz Feitshans | Producer |
Robert Fentress | Associate Producer |
Elliot Schick | Associate Producer |
Mario Kassar | Executive Producer |
Ronald Shusett | Producer |
Andrew G. Vajna | Executive Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 101 | 207 | 62 |
2024 | 5 | 243 | 290 | 188 |
2024 | 6 | 174 | 343 | 67 |
2024 | 7 | 60 | 98 | 36 |
2024 | 8 | 47 | 100 | 30 |
2024 | 9 | 35 | 50 | 24 |
2024 | 10 | 45 | 87 | 24 |
2024 | 11 | 50 | 117 | 31 |
2024 | 12 | 39 | 51 | 30 |
2025 | 1 | 47 | 77 | 32 |
2025 | 2 | 32 | 40 | 7 |
2025 | 3 | 14 | 37 | 3 |
2025 | 4 | 10 | 18 | 6 |
2025 | 5 | 8 | 18 | 6 |
2025 | 6 | 8 | 19 | 6 |
2025 | 7 | 8 | 10 | 6 |
2025 | 8 | 6 | 9 | 5 |
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2024 | 9 | 330 | 596 |
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2024 | 8 | 227 | 562 |
Intrinsically Verhoeven, _Total Recall_ is a film from my youth that I probably shouldn't have been watching quite as early as I did, but that I still love to this day. All the practical effects, exquisite violence & nudity and provocative sci-fi themes you've come to expect from this sort of thing, ... but twists and turns that start just five minutes in and keep running all the way through to the end. _Total Recall_ is a must-see. _Final rating:★★★★ - Very strong appeal. A personal favourite._
Verhoeven bonkers adaptation of a P. K. Dick story. Doug Quaid keeps getting recurring dreams about a visit to Mars. In spite of his friends warnings, he decides to have a memory implanted Mars holiday. But during the implantation he remembers being a secret agent who is fighting evil Mars boss ... Vilos Cohaagen. Things are about to go very intergalactic bonkers indeed. Total Recall finds director Paul Verhoeven on particularly OTT form, with the often maligned director cranking up the action and violence to the max. So then, who better to play out the carnage than the big Austrian oak himself, Arnold Schwarzenegger? It was actually Schwarzenegger who brought Verhoeven into the picture. The idea for the film had been kicking around for years, a number of director's came and went, David Cronenberg famously worked on a screenplay for a year only to have it jettisoned for being too close to the P. K. Dick short story "We Can Remember It For You Wholesale". The makers wanted a high energy sci-fi blockbuster, a star vehicle for Schwarzenegger, and Verhoeven was only too happy to oblige. Total Recall is a fascinating concept as we find ourselves wondering what in fact is reality? Quaid himself is never quite sure as the film takes a delicious twist at the midpoint to further compound the confusion, but in true Verhoeven style, it all comes crashing together in a giant ball of bangs, crashes and explosions. It should be noted that the film is far removed from the cerebral essence of Dick's story, and really when one saw that Schwarzenegger was to star in a Verhoeven directed adaptation, one really should be prepared for the high octane brain dumb down that Total Recall is. Something which was beyond some highbrow critics who are still baffled by the gargantuan financial success of the film (it made over $260 million worldwide). Fleshing out the cast are a stoic reliable bunch. Rachael Ticotin, Ronny Cox, Sharon Stone & Michael Ironside deliver the expected tongue in cheek professionalism. While the effects prove to be a mixture of the poor and the decent; tho it's nice to see the often lost art of model work being of a pretty high standard. All of which leaves me personally with a film that I find to be a hugely enjoyable piece of uber violent popcorn fodder. 8/10
Aside from maybe "Predator" (1987) this is probably my favourite outing from Arnold Schwarzenegger. He ("Quaid") goes off to have an harmless implant of memories from an holiday on Mars (that he hasn't had) only to find that his life starts to unwind very quickly afterwards. Even his girlfriend "Lor ... i" (Sharon Stone) becomes a would-be assassin and he is soon under attack from just about every other quarter too. Why? Well, that's what we now explore as he decides that he - helped by a video iteration of himself - must travel back to the red planet and get to the bottom of things. My flaw - well Ronny Cox is just dreadful as "Cohaagen" which does prove important towards the end of the film, but for the main part it is an action packed and well directed vehicle for a very much on-form star. It's one of the first films I recall that started messing about with timelines. We are not quite sure what happened when or if, indeed, at all - and Paul Verhoeven keeps that tempo running well right from the start of the film. Arnie has a chance to deliver some quite fun one-liners and the visual effects enhance, sparingly, the production rather than impose themselves on it. It has dated a little, some of the sets do look a bit static, but thirty-odd years on, it's still standing up well and is well worth seeing.
Man, it's almost like Saw with it's torture-porn thing... only the over-the-top gore actually fits beautifully into the story in the most entertaining way possible, even when it is so 80s cheese that it's almost comical. But the ultra-violence is part of the fun of these types of films. It's part ... of the reason why people love them... and it's over-the-top in a way that can't really be done today. It's also pretty stylistic and fun and that brings you into the world that the story is trying to create, while at the same time it leaves the viewer thinking that they are watching one heck of a mystery. Like Blade Runner, if you wanted to, you could walk away thinking that it's all an illusion, that what you thought was real was fake... if you wanted to be that deep. But let's face it, no one really bothers to debate that because what we are watching is an action sci-fi movie that is so well done, we don't want it to be as deep as it really is.