Popularity: 6 (history)
Director: | Antoine Fuqua |
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Writer: | David Ayer |
Staring: |
On his first day on the job as a narcotics officer, a rookie cop works with a rogue detective who isn't what he appears. | |
Release Date: | Oct 05, 2001 |
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Director: | Antoine Fuqua |
Writer: | David Ayer |
Genres: | Action, Drama, Crime |
Keywords | drug dealer, california, poker, war on drugs, police corruption, gang member, narcotics cop, cholo, admiring, police brutality, bratva (russian mafia), drug trafficking, los angeles, california, rookie cop, mexican american, neo-noir, audacious |
Production Companies | Village Roadshow Pictures, NPV Entertainment, Warner Bros. Pictures, Outlaw Productions, WV Films II |
Box Office |
Revenue: $104,900,000
Budget: $45,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Denzel Washington | Alonzo |
Ethan Hawke | Jake |
Scott Glenn | Roger |
Tom Berenger | Stan Gursky |
Harris Yulin | Doug Rosselli |
Raymond J. Barry | Lou Jacobs |
Cliff Curtis | Smiley |
Dr. Dre | Paul |
Snoop Dogg | Blue |
Macy Gray | Sandman's Wife |
Charlotte Ayanna | Lisa |
Eva Mendes | Sara |
Nick Chinlund | Tim |
Jaime Gomez | Mark |
Raymond Cruz | Sniper |
Noel Gugliemi | Moreno |
Samantha Esteban | Letty |
Richard Browner | Waiter (Dining Car) |
Ronald Ellis | Gangster |
William English | Dice Player #4 |
Kyjel N. Jolly | Alonzo's Son |
Fran Kranz | College Driver |
Janeen Krikorian | Waitress (Diner) |
Princera Lee | Wig Store Owner |
Robert Leon | Veterano |
Seidy López | Dreamer |
Kenneth Allen Madden | Dice Player #1 |
Sarah Danielle Madison | Female College Passenger |
Chris Patterson | Dice Player #2 |
Rudy Perez | PeeWee |
Darrell Sellers | Dice Player #3 |
Ben Skorstad | LAPD Pilot |
Cle Sloan | Bone |
Brett Sorenson | Male College Passenger |
Abel Soto | Neto |
Will Stewart | Crackhead #2 |
Denzel Whitaker | Dimitri |
Garland Whitt | Crackhead #1 |
Peter Greene | Jeff (uncredited) |
Terry Crews | Gang Member (uncredited) |
Jon A. Barnes | LAPD Street Cop (uncredited) |
Greg Bronson | Homeless Man (uncredited) |
Michael Ray Clark | Gang Member (uncredited) |
David Ayer | First Russian Hitman (uncredited) |
Namrata Singh Gujral | Latina Beauty (uncredited) |
Gary Rodriguez | Precision Driver (uncredited) |
Vince Romo | Cholo (uncredited) |
Julie Stranahan | Female Cop (uncredited) |
Nancy Young | Russian Driver (uncredited) |
George Meyers | Cop (uncredited) |
Name | Job |
---|---|
Michael Trisler | Stunts |
Spiro Razatos | Stunt Coordinator, Stunts |
Michele Michel | Costume Design |
Conrad Buff IV | Editor |
Maritza Garcia-Roddy | Costume Supervisor |
Randy Fletcher | First Assistant Director |
Jan Pascale | Set Decoration |
David Lazan | Art Direction |
Kirk R. Gardner | Steadicam Operator |
Emil Hampton | First Assistant "A" Camera |
Maurice K. McGuire | Camera Operator |
Mark Spath | First Assistant "B" Camera |
David O'Brien | Second Assistant "B" Camera |
Robert Zuckerman | Still Photographer |
Tony McCovey | Boom Operator |
Dempsey Tillman | Video Assist Operator |
Chris Wagganer | Video Assist Operator |
Michael Bauman | Chief Lighting Technician |
Thomas M. Dangcil | Assistant Chief Lighting Technician |
Victor Svimonoff | Rigging Gaffer |
Stuart Abramson | Key Grip |
Ken Diaz | Key Makeup Artist |
John Rizzo | Makeup Artist |
Carl Fullerton | Makeup Artist |
Dino Ganziano | Key Hair Stylist |
Larry Waggoner | Hairstylist |
Larry M. Cherry | Hairstylist |
Malou Magnusson | Key Costumer |
Frank Perry Rose | Wardrobe Master |
Martin Bresin | Special Effects Coordinator |
Michael Haro | Location Manager |
David Wisnievitz | Unit Production Manager |
Don Wilkerson | Second Assistant Director |
Jay Wejebe | Makeup Artist |
Alan Burg | Set Dresser |
Robert C. Goldstein | Set Designer |
Susan Lomino | Set Designer |
Edward Tamayo | Set Dresser |
John P. Fasal | Sound Effects Editor |
Michael Herbick | Sound Re-Recording Mixer |
Michael Jonascu | Sound Effects Editor |
Daniel J. Leahy | Sound Re-Recording Mixer |
Steve Lee | Sound Effects Editor |
Piero Mura | Sound Effects Editor |
Steve Pederson | Sound Re-Recording Mixer |
Eric Potter | Sound Effects Editor |
George Simpson | Supervising Sound Editor |
David E. Stone | Sound Effects Editor |
Robert C. Mathews III | Key Hair Stylist |
Eric Leal | Assistant Makeup Artist |
Mark Scoon | Executive In Charge Of Production |
Ime Etuk | Second Second Assistant Director |
Bill Gray | Second Assistant Director |
James LaRocca | Second Unit First Assistant Director |
Michelene Mundo | Assistant Director |
Kenny Bates | Stunt Coordinator, Second Unit Director |
Robert Powell | Stunts |
William Barillaro | Stunts |
Richard Bucher | Stunts |
Brian Davis | Stunts |
Kofi Elam | Stunts |
Christopher Doyle | Stunts |
Bobby Hamilton | Stunts |
Wayne King | Stunts |
Jay Krueger | Stunts |
Tony Lazzara | Stunts |
Brock Little | Stunts |
Randolph LeRoi | Stunts |
Rusty McClennon | Stunts |
Michael Patterson | Stunts |
Mike Ryan | Stunts |
Justin Sundquist | Stunts |
Frank Torres | Stunts |
Dain Turner | Stunts |
Gino Woulard | Stunts |
Gene Williams | Stunts |
Daniel Boccoli | Assistant Editor |
Antoine Fuqua | Director |
David Ayer | Screenplay, Stunts |
Naomi Shohan | Production Design |
Mauro Fiore | Director of Photography |
Mark Mancina | Original Music Composer |
John Houlihan | Music Supervisor |
Nancy Young | Stunts |
Russell Williams II | Sound Mixer |
Kurt Bryant | Stunts |
Eugene Collier | Stunts |
Charlie Picerni | Stunts |
Diana R. Lupo | Stunts |
Scotty Richards | Stunt Coordinator |
Denney Pierce | Stunts |
Tony Brubaker | Stunts |
Alan D. Purwin | Stunts |
LaFaye Baker | Stunts |
Pete Antico | Stunts |
Wally Crowder | Stunts |
Dennis Keiffer | Stunts |
Ousaun Elam | Stunts |
Kevin L. Jackson | Stunts |
Gary Price | Stunts |
Austin Priester | Stunts |
Erik Rondell | Stunts |
Tierre Turner | Stunt Coordinator |
Mary Vernieu | Casting |
Nicole Cummins-Rubio | Script Supervisor |
Jason Sweers | Graphic Designer |
Name | Title |
---|---|
Susan E. Novick | Associate Producer |
David Wisnievitz | Co-Producer |
Scott Strauss | Co-Producer |
Robert Newmyer | Producer |
Jeffrey Silver | Producer |
Davis Guggenheim | Executive Producer |
Bruce Berman | Executive Producer |
David Ayer | Co-Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Actor | Denzel Washington | Won |
Academy Awards | Best Actress | Denzel Washington | Nominated |
Academy Awards | Best Supporting Actor | Vladimir Mashkov | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 54 | 107 | 38 |
2024 | 5 | 54 | 89 | 34 |
2024 | 6 | 47 | 74 | 32 |
2024 | 7 | 47 | 76 | 36 |
2024 | 8 | 44 | 82 | 31 |
2024 | 9 | 40 | 58 | 25 |
2024 | 10 | 49 | 96 | 33 |
2024 | 11 | 44 | 83 | 30 |
2024 | 12 | 44 | 85 | 28 |
2025 | 1 | 47 | 79 | 36 |
2025 | 2 | 33 | 54 | 5 |
2025 | 3 | 14 | 43 | 3 |
2025 | 4 | 6 | 8 | 5 |
2025 | 5 | 6 | 7 | 5 |
2025 | 6 | 6 | 7 | 6 |
2025 | 7 | 6 | 7 | 5 |
2025 | 8 | 6 | 8 | 5 |
2025 | 9 | 7 | 10 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 791 | 821 |
Year | Month | High | Avg |
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2025 | 7 | 965 | 965 |
Year | Month | High | Avg |
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2025 | 4 | 814 | 814 |
Year | Month | High | Avg |
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2025 | 3 | 360 | 759 |
Year | Month | High | Avg |
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2025 | 2 | 368 | 763 |
Year | Month | High | Avg |
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2025 | 1 | 94 | 645 |
Year | Month | High | Avg |
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2024 | 12 | 379 | 784 |
Year | Month | High | Avg |
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2024 | 11 | 335 | 766 |
Year | Month | High | Avg |
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2024 | 10 | 940 | 958 |
Year | Month | High | Avg |
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2024 | 9 | 894 | 930 |
Year | Month | High | Avg |
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2024 | 8 | 603 | 801 |
This Film has to be one of the most intense shows I’ve seen . Ethan Hawke and Denzel are a great match together. Ethan plays the supporting role majestically. Great cameos in the show too. With Snoop Dog. Macy Gray, Tom Berrenger . But the show is highly tense. But good entertainment. “Are Yo ... u a Wolf Or A Sheep?”
_**Great urban thriller**_ Ethan Hawke plays Hoyt, a rookie cop on his first 24-hour training day with the L.A.P.D. narcotics division. Denzel Washington plays veteran Alonzo Harris whose methods seem questionable, to say the least. Harris argues that one has to become a wolf to take down a wolf. ... Will Hoyt make it through the day alive, let alone uncorrupted? "Training Day" had a lukewarm reception at the box office the first weekend of its release in 2001, but the profits steadily increased for the next six weeks as word-of-mouth spread. The greatness of "Training Day" is not simply due to the intriguing story and excellent writing, but also the superb casting. Hawke is perfect as the naive, but ambitious rookie and Washington is nothing short of stunning as Alonzo Harris, ranking with the best performances in cinematic history, like Jon Voight's Manny in "Runaway Train" or Robert Duvall's Col. Kilgore in "Apocalypse Now." As the training day continues Alonzo's methodology becomes increasingly dubious and you can just imagine Hoyt responding, "I... don't... see... any... method... at... all... Sir." How can anyone withstand the temptations he faces and not give in (and I don't mean the drugs)? Needless to say, the film scores high marks on the moral conundrum front. There's one obviously contrived element but that's par for the course with movies and it could've been worse. Of course, the action and thrills are amped-up, but the tone is thankfully realistic. BOTTOM LINE: "Training Day" is an excellent urban thriller with a captivating performance by Washington. It's fittingly ugly, raw and brutal, so stay away if you don't think you can stomach it. The film runs 2 hours, 2 minutes, and was shot in L.A. Peripheral actors include Scott Glenn, Tom Berenger, Eva Mendes, Charlotte Ayanna, Snoop Dogg and Dr. Dre. GRADE: A-
Denzel Washington is sensational in this, the plot might not quite match his performance but <em>'Training Day'</em> is still a great watch. It's a riveting 122 minutes, I'm just not in love with how the premise is played out. Washington's character, Alonzo, never really changes throughout, despi ... te a supposed problem of his. I kept waiting for a reason to change the opinion that the first act puts to you regarding him but it never came, there's never a point I cared for him and I assume I was supposed to... at least to some degree? Also, his issue is thrown at you in one scene and isn't really mentioned again until the end. I get the character, just not his arc. Ethan Hawke is very good, too, in this, even if I kept hearing Tom Cruise when he spoke... You also have a load of now familiar faces involved, including Eva Mendes, Raymond Cruz, Cliff Curtis, Dr. Dre, Snoop Dogg and Terry Crews. Quite an interesting cast list, that. Loved all of this, except the (still good) plot execution. Maybe that's just me though. From what I've seen, Washington's best performance so far. He's the main takeaway from this whatever way you look at it.
This movie is meh at best. The plot is so-so. This isn't anything to write home about. You could make it into a B-Movie and no one would care. No one likes Training Day for Training Day... they all just love Denzel Washington's performance in Training Day, and that is just an honest fact. ... The movie wouldn't be anything if he didn't deliver and what he delivered was so sensational that people are going to be talking about it decades after we pass. And that is what people like. They like how deliciously evil Denzel was in the role. They like that he had free reign, as a villain, to make the role as memorable as possible. And he did, he knocked it out of the park. So now, people watch Training Day, but let's be honest, they are only watching it for Denzel Washington, and that is as it should be, he was stellar in this, he deserves the recognition, and it's one of those movies that is otherwise so meh that his performance just shines out as the only thing really great about it. Even this rating, 10 out of 10 stars? It's not because the movie was good, it's 100% based on Denzel Washington.
Ethan Hawke is on great form here as the rookie "Jake" assigned to the street-wise "Alonzo" (Denzel Washington) so he can learn the ropes on the highly dangerous streets of Los Angeles. Unsure as to whether not he is the one being tested, he finds himself being placed in a series of increasingly dub ... ious scenarios by his new partner - each one testing how far he will go; how far he might "bend" the rules - just how ruthless can he be? What is soon clear is that "Alonzo" has few, if any, boundaries - and we are fairly rapidly immersed in a tale of police corruption and brutality. Will "Jake" join that lucrative club, or will he remain steadfast? I am not sure I remember Washington in such an ambiguous role before, and he plays it really well. The dynamic between the two men goes full circle from that of one dependant and slightly awe-inspired to one that puts lives, quite literally, on the line. Antoine Fuqua uses a combination of tautly played-out scenarios, spiky dialogue and plenty of attitude to deliver this solid and superior crime thriller. Well worth seeing on a big screen if you can find it.