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Trainspotting Poster

Trainspotting

Choose life.
1996 | 94m | English

(754371 votes)

TMDb IMDb

Popularity: 6 (history)

Director: Danny Boyle
Writer: John Hodge, Irvine Welsh
Staring:
Details

Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends -- Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.
Release Date: Feb 23, 1996
Director: Danny Boyle
Writer: John Hodge, Irvine Welsh
Genres: Drama, Crime
Keywords london, england, scotland, based on novel or book, drug addiction, anti hero, drug dealer, nightclub, junkie, heroin, cold turkey, edinburgh, scotland, modern society, hallucination, friendship, surrealism, dark comedy, stealing, drug rehabilitation, drug dealing, drugs, schoolgirl, recovering addict, illegal drugs, social realism, aggressive, drug culture, complex, irreverent, provocative
Production Companies Channel Four Films, Figment Films, The Noel Gay Motion Picture Company
Box Office Revenue: $71,981,823
Budget: $4,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Ewan McGregor Renton
Ewen Bremner Spud
Jonny Lee Miller Sick Boy
Kevin McKidd Tommy
Robert Carlyle Begbie
Kelly Macdonald Diane
Peter Mullan Swanney
James Cosmo Renton's Father
Eileen Nicholas Renton's Mother
Susan Vidler Allison
Pauline Lynch Lizzy
Shirley Henderson Gail
Stuart McQuarrie Gavin
Irvine Welsh Mikey Forrester
Dale Winton Game Show Host
Keith Allen Dealer
Kevin Allen Andreas
Annie Louise Ross Gail's Mother
Billy Riddoch Gail's Father
Fiona Bell Diane's Mother
Vincent Friell Diane's Father
Hugh Ross Man
Victor Eadie Man
Kate Donnelly Woman
Finlay Welsh Sheriff
Eddie Nestor Estate Agent
Name Job
Paul Curren Painter
Bobby Gee Painter
Danny Boyle Director
John Hodge Screenplay
Andy Pryor Casting
Paul Heasman Stunts
Brian Tufano Director of Photography
Masahiro Hirakubo Editor
Kave Quinn Production Design
Tracey Gallacher Art Direction
Robert McCann Makeup Artist, Hairstylist
Lesley Stewart Production Manager
Rachael Fleming Costume Design
Irene Harris Art Department Assistant
Niki Longmuir Assistant Art Director
Adrian McCarthy Grip
Simon Bray Steadicam Operator
Liam Longman Still Photographer
Mike Valentine Underwater Camera
Graham Johnston Makeup Designer
Brian Adams Carpenter
Eric Smith Driver
Stuart Clarke Scenic Artist
William Adams Security
Colin Nicolson Sound Recordist
Scott Cowan Utility Stunts
David Gilchrist First Assistant Director
Anne Coulter Script Supervisor
Richard Fettes Dialogue Editor
Mark Ritchie Best Boy Electric
Arthur Donnelly Electrician
Willie Cadden Gaffer
Andrew Bainbridge Location Manager
Jenifer Booth Production Accountant
Shellie Smith Production Coordinator
Tony Cook Boom Operator
James Boyle Assistant Sound Editor
Jonathan Miller Sound Effects Editor
David Aukin Thanks
Claire Hughes Second Assistant Director
Ben Johnson Third Assistant Director
Stephen Wong Art Department Trainee
Mat Bergel Dressing Prop
Neil Davidson Camera Trainee
Lewis Buchan Clapper Loader
Bob Shipsey Focus Puller
Stephen Noble Wardrobe Supervisor
Denton Brown Assistant Editor
Charlie Hiscott Location Assistant
Allen Dam Music Consultant
Michael Queen Floor Runner
John Duncan Generator Operator
Kirstin McDougall Production Runner
Tony Steers Visual Effects
Grant Mason Visual Effects
Penny Crawford Set Dresser
Lorna J. Stewart Art Department Assistant
Brian Saunders Sound Re-Recording Mixer
Ray Merrin Sound Re-Recording Mixer
Mark Taylor Sound Re-Recording Mixer
Gordon Fitzgerald Property Master
Piero Jamieson Dressing Prop
Stewart Cunningham Standby Property Master
Scott Keery Standby Property Master
Bert Ross Standby Carpenter
Richard Hassall Carpenter
Peter Knotts Carpenter
John Watt Carpenter
James Patrick Painter
Terry Forrestal Stunt Coordinator
Tom Delmar Stunts
Nrinder Dhudwar Stunts
Richard Hammatt Stunts
Tom Lucy Stunts
Andreas Petrides Stunts
Gail Stevens Casting
Irvine Welsh Novel
Name Title
Andrew Macdonald Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 40 63 27
2024 5 46 77 31
2024 6 41 55 28
2024 7 51 77 29
2024 8 37 69 24
2024 9 28 37 22
2024 10 37 60 22
2024 11 36 62 21
2024 12 31 48 25
2025 1 36 52 29
2025 2 28 42 5
2025 3 10 32 4
2025 4 8 13 5
2025 5 7 14 5
2025 6 7 10 6
2025 7 6 7 5
2025 8 7 7 6

Trending Position


Year Month High Avg
2025 8 611 798
Year Month High Avg
2025 7 139 612
Year Month High Avg
2025 6 133 541
Year Month High Avg
2025 5 212 603
Year Month High Avg
2025 4 237 713
Year Month High Avg
2025 3 203 671
Year Month High Avg
2025 2 296 785
Year Month High Avg
2025 1 251 706
Year Month High Avg
2024 12 390 759
Year Month High Avg
2024 11 431 732
Year Month High Avg
2024 10 382 738
Year Month High Avg
2024 9 364 654
Year Month High Avg
2024 8 516 800

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Reviews

Geronimo1967
7.0

25 years on, and this Danny Boyle effort has lost little of it's authentic, gritty, potency. Set in mid 1990s Edinburgh it follows the antics of a disparate group of friends whose only goals in life are to survive, maybe get laid, and to take each day as it comes... "Begbie" (Robert Carlyle) is thei ... r psychopathically charged leader, who thinks nothing of smashing a glass in someone's face; "Spud" (Ewan Bremner) and "Sick Boy" (Jonny Lee Miller) just lurch from one day to the next looking for a fix; "Tommy" (Kevin McKidd) at least tries to live with some semblance of normality - he has a steady girlfriend "Diana" (Kelly Macdonald) and finally Ewan McGregor ("Renton"), whom along with his worldly, and in their way loving, parents, might just see a way of escaping from this relentless misery... What helps this stand out is the fact that director Boyle misses few opportunities to depict the grim depravity in which these people live. Its graphic, violent, distressing certainly, but it is also funny and eminently human - there is a definite sense of "there but for the grace of God" about many of the scenarios and they tugs at the heart strings whilst simultaneously making you cower and wince in disgust or sometimes even fear. The efforts from the talent in indistinguishably good - especially Bremner and JLM whose roles are not so significant as Messrs Carlyle & McGregor's, but who add a depth and richness to what could otherwise just prove to be a rather downbeat tale of hopelessness and emptiness. For once, the gratuitous (for, that it is) use of good old Anglo-Saxon expletives doesn't not appear merely to compensate for a lack of script-writing skills; here the language and violence add significantly to the plausibility of the whole thing - it's ghastly, yet compelling to watch and watch again. It works well again on a big screen, even though the cinematography doesn't really require anything to present scale or grandness, and the soundtrack adds a deliciously contemporaneous dollop of nostalgia, too. Not for the fainthearted, but - in my view - the finest work from all concerned that stands the test of time very well.

Aug 27, 2023
r96sk
9.0

Not the most enthralling, but <em>'Trainspotting'</em> does have plenty to say - and boy does it portray it! There are particularly strong performances from Ewan McGregor, Ewen Bremner and Robert Carlyle. I didn't like watching the bunch of characters given how severely unlikeable they are. Of co ... urse, that is very much the intention so it's a credit to the actors and the filmmakers at how convincing it all is. The humour is weaker than expected, perhaps due to the horrors of the plot taking centre stage. Their struggles are showed in a heavy manner, to the point I did feel uncomfortable seeing them <em>do their thing</em>. I do feel post-watch that I'm missing something from it in regards to being able to appreciate it higher, I can't shake that feeling. That's probably the only negative at nailing the realness so much, you miss out on other bits to enjoy about a film; or at least to me. Cool to see this on the big screen, mind. I think it's the first movie I've ever watched at the cinema that isn't a contemporary release. I evidently hadn't seen this before so thought what better way to watch it for the opening time! Now for the sequel (albeit back in the doldrums of home release!😁).

May 30, 2024