Popularity: 6 (history)
Director: | Danny Boyle |
---|---|
Writer: | John Hodge, Irvine Welsh |
Staring: |
Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends -- Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows. | |
Release Date: | Feb 23, 1996 |
---|---|
Director: | Danny Boyle |
Writer: | John Hodge, Irvine Welsh |
Genres: | Drama, Crime |
Keywords | london, england, scotland, based on novel or book, drug addiction, anti hero, drug dealer, nightclub, junkie, heroin, cold turkey, edinburgh, scotland, modern society, hallucination, friendship, surrealism, dark comedy, stealing, drug rehabilitation, drug dealing, drugs, schoolgirl, recovering addict, illegal drugs, social realism, aggressive, drug culture, complex, irreverent, provocative |
Production Companies | Channel Four Films, Figment Films, The Noel Gay Motion Picture Company |
Box Office |
Revenue: $71,981,823
Budget: $4,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Ewan McGregor | Renton |
Ewen Bremner | Spud |
Jonny Lee Miller | Sick Boy |
Kevin McKidd | Tommy |
Robert Carlyle | Begbie |
Kelly Macdonald | Diane |
Peter Mullan | Swanney |
James Cosmo | Renton's Father |
Eileen Nicholas | Renton's Mother |
Susan Vidler | Allison |
Pauline Lynch | Lizzy |
Shirley Henderson | Gail |
Stuart McQuarrie | Gavin |
Irvine Welsh | Mikey Forrester |
Dale Winton | Game Show Host |
Keith Allen | Dealer |
Kevin Allen | Andreas |
Annie Louise Ross | Gail's Mother |
Billy Riddoch | Gail's Father |
Fiona Bell | Diane's Mother |
Vincent Friell | Diane's Father |
Hugh Ross | Man |
Victor Eadie | Man |
Kate Donnelly | Woman |
Finlay Welsh | Sheriff |
Eddie Nestor | Estate Agent |
Name | Job |
---|---|
Paul Curren | Painter |
Bobby Gee | Painter |
Danny Boyle | Director |
John Hodge | Screenplay |
Andy Pryor | Casting |
Paul Heasman | Stunts |
Brian Tufano | Director of Photography |
Masahiro Hirakubo | Editor |
Kave Quinn | Production Design |
Tracey Gallacher | Art Direction |
Robert McCann | Makeup Artist, Hairstylist |
Lesley Stewart | Production Manager |
Rachael Fleming | Costume Design |
Irene Harris | Art Department Assistant |
Niki Longmuir | Assistant Art Director |
Adrian McCarthy | Grip |
Simon Bray | Steadicam Operator |
Liam Longman | Still Photographer |
Mike Valentine | Underwater Camera |
Graham Johnston | Makeup Designer |
Brian Adams | Carpenter |
Eric Smith | Driver |
Stuart Clarke | Scenic Artist |
William Adams | Security |
Colin Nicolson | Sound Recordist |
Scott Cowan | Utility Stunts |
David Gilchrist | First Assistant Director |
Anne Coulter | Script Supervisor |
Richard Fettes | Dialogue Editor |
Mark Ritchie | Best Boy Electric |
Arthur Donnelly | Electrician |
Willie Cadden | Gaffer |
Andrew Bainbridge | Location Manager |
Jenifer Booth | Production Accountant |
Shellie Smith | Production Coordinator |
Tony Cook | Boom Operator |
James Boyle | Assistant Sound Editor |
Jonathan Miller | Sound Effects Editor |
David Aukin | Thanks |
Claire Hughes | Second Assistant Director |
Ben Johnson | Third Assistant Director |
Stephen Wong | Art Department Trainee |
Mat Bergel | Dressing Prop |
Neil Davidson | Camera Trainee |
Lewis Buchan | Clapper Loader |
Bob Shipsey | Focus Puller |
Stephen Noble | Wardrobe Supervisor |
Denton Brown | Assistant Editor |
Charlie Hiscott | Location Assistant |
Allen Dam | Music Consultant |
Michael Queen | Floor Runner |
John Duncan | Generator Operator |
Kirstin McDougall | Production Runner |
Tony Steers | Visual Effects |
Grant Mason | Visual Effects |
Penny Crawford | Set Dresser |
Lorna J. Stewart | Art Department Assistant |
Brian Saunders | Sound Re-Recording Mixer |
Ray Merrin | Sound Re-Recording Mixer |
Mark Taylor | Sound Re-Recording Mixer |
Gordon Fitzgerald | Property Master |
Piero Jamieson | Dressing Prop |
Stewart Cunningham | Standby Property Master |
Scott Keery | Standby Property Master |
Bert Ross | Standby Carpenter |
Richard Hassall | Carpenter |
Peter Knotts | Carpenter |
John Watt | Carpenter |
James Patrick | Painter |
Terry Forrestal | Stunt Coordinator |
Tom Delmar | Stunts |
Nrinder Dhudwar | Stunts |
Richard Hammatt | Stunts |
Tom Lucy | Stunts |
Andreas Petrides | Stunts |
Gail Stevens | Casting |
Irvine Welsh | Novel |
Name | Title |
---|---|
Andrew Macdonald | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 40 | 63 | 27 |
2024 | 5 | 46 | 77 | 31 |
2024 | 6 | 41 | 55 | 28 |
2024 | 7 | 51 | 77 | 29 |
2024 | 8 | 37 | 69 | 24 |
2024 | 9 | 28 | 37 | 22 |
2024 | 10 | 37 | 60 | 22 |
2024 | 11 | 36 | 62 | 21 |
2024 | 12 | 31 | 48 | 25 |
2025 | 1 | 36 | 52 | 29 |
2025 | 2 | 28 | 42 | 5 |
2025 | 3 | 10 | 32 | 4 |
2025 | 4 | 8 | 13 | 5 |
2025 | 5 | 7 | 14 | 5 |
2025 | 6 | 7 | 10 | 6 |
2025 | 7 | 6 | 7 | 5 |
2025 | 8 | 7 | 7 | 6 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 611 | 798 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 139 | 612 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 133 | 541 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 212 | 603 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 237 | 713 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 203 | 671 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 296 | 785 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 251 | 706 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 390 | 759 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 431 | 732 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 382 | 738 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 364 | 654 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 516 | 800 |
25 years on, and this Danny Boyle effort has lost little of it's authentic, gritty, potency. Set in mid 1990s Edinburgh it follows the antics of a disparate group of friends whose only goals in life are to survive, maybe get laid, and to take each day as it comes... "Begbie" (Robert Carlyle) is thei ... r psychopathically charged leader, who thinks nothing of smashing a glass in someone's face; "Spud" (Ewan Bremner) and "Sick Boy" (Jonny Lee Miller) just lurch from one day to the next looking for a fix; "Tommy" (Kevin McKidd) at least tries to live with some semblance of normality - he has a steady girlfriend "Diana" (Kelly Macdonald) and finally Ewan McGregor ("Renton"), whom along with his worldly, and in their way loving, parents, might just see a way of escaping from this relentless misery... What helps this stand out is the fact that director Boyle misses few opportunities to depict the grim depravity in which these people live. Its graphic, violent, distressing certainly, but it is also funny and eminently human - there is a definite sense of "there but for the grace of God" about many of the scenarios and they tugs at the heart strings whilst simultaneously making you cower and wince in disgust or sometimes even fear. The efforts from the talent in indistinguishably good - especially Bremner and JLM whose roles are not so significant as Messrs Carlyle & McGregor's, but who add a depth and richness to what could otherwise just prove to be a rather downbeat tale of hopelessness and emptiness. For once, the gratuitous (for, that it is) use of good old Anglo-Saxon expletives doesn't not appear merely to compensate for a lack of script-writing skills; here the language and violence add significantly to the plausibility of the whole thing - it's ghastly, yet compelling to watch and watch again. It works well again on a big screen, even though the cinematography doesn't really require anything to present scale or grandness, and the soundtrack adds a deliciously contemporaneous dollop of nostalgia, too. Not for the fainthearted, but - in my view - the finest work from all concerned that stands the test of time very well.
Not the most enthralling, but <em>'Trainspotting'</em> does have plenty to say - and boy does it portray it! There are particularly strong performances from Ewan McGregor, Ewen Bremner and Robert Carlyle. I didn't like watching the bunch of characters given how severely unlikeable they are. Of co ... urse, that is very much the intention so it's a credit to the actors and the filmmakers at how convincing it all is. The humour is weaker than expected, perhaps due to the horrors of the plot taking centre stage. Their struggles are showed in a heavy manner, to the point I did feel uncomfortable seeing them <em>do their thing</em>. I do feel post-watch that I'm missing something from it in regards to being able to appreciate it higher, I can't shake that feeling. That's probably the only negative at nailing the realness so much, you miss out on other bits to enjoy about a film; or at least to me. Cool to see this on the big screen, mind. I think it's the first movie I've ever watched at the cinema that isn't a contemporary release. I evidently hadn't seen this before so thought what better way to watch it for the opening time! Now for the sequel (albeit back in the doldrums of home release!😁).