Popularity: 3 (history)
Director: | Jonathan Demme |
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Writer: | Thomas Harris, Ted Tally |
Staring: |
Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out. | |
Release Date: | Feb 14, 1991 |
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Director: | Jonathan Demme |
Writer: | Thomas Harris, Ted Tally |
Genres: | Drama, Crime, Thriller |
Keywords | based on novel or book, fbi, kidnapping, scientific study, psychopath, murder, serial killer, psychological thriller, brutality, cannibal, psychiatrist, moth, virginia, disturbed, neo-noir, twisted, skinning, past history, suspenseful, foreboding, ominous, psychological profiling |
Production Companies | Orion Pictures, Strong Heart |
Box Office |
Revenue: $272,742,922
Budget: $19,000,000 |
Updates |
Updated: May 29, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Jodie Foster | Clarice Starling |
Anthony Hopkins | Dr. Hannibal Lecter |
Scott Glenn | Jack Crawford |
Ted Levine | Jame Gumb |
Anthony Heald | Dr. Frederick Chilton |
Brooke Smith | Catherine Martin |
Diane Baker | Senator Ruth Martin |
Kasi Lemmons | Ardelia Mapp |
Frankie Faison | Barney |
Tracey Walter | Lamar |
Charles Napier | Lt. Boyle |
Danny Darst | Sgt. Tate |
Alex Coleman | Sgt. Pembry |
Dan Butler | Roden |
Paul Lazar | Pilcher |
Ron Vawter | Paul Krendler |
Roger Corman | FBI Director Hayden Burke |
Lawrence A. Bonney | FBI Instructor |
Lawrence T. Wrentz | Agent Burroughs |
Don Brockett | Friendly Psychopath |
Frank Seals Jr. | Brooding Psychopath |
Stuart Rudin | Miggs |
Maria Skorobogatov | Young Clarice |
Jeffrie Lane | Clarice's Father |
Leib Lensky | Mr. Lang |
George 'Red' Schwartz | Mr. Lang's Driver |
Jim Roche | TV Evangelist |
James B. Howard | Boxing Instructor |
Bill Miller | Mr. Brigham |
Chuck Aber | Agent Terry |
Gene Borkan | Oscar |
Pat McNamara | Sheriff Perkins |
Kenneth Utt | Dr. Akin |
Adelle Lutz | TV Anchor Woman |
Obba Babatundé | TV Anchor Man |
George Michael | TV Sportscaster |
Jim Dratfield | Sen. Martin's Aide |
D. Stanton Miranda | 1st Reporter |
Rebecca Saxon | 2nd Reporter |
Cynthia Ettinger | Officer Jacobs |
Brent Hinkley | Officer Murray |
Steve Wyatt | Airport Flirt |
David Early | Spooked Memphis Cop |
Andre B. Blake | Tall Memphis Cop |
Bill Dalzell | Distraught Memphis Cop |
Chris Isaak | SWAT Commander |
Daniel von Bargen | SWAT Communicator |
Tommy Lafitte | SWAT Shooter |
Josh Broder | EMS Attendant |
Buzz Kilman | EMS Driver |
Harry Northup | Mr. Bimmel |
Lauren Roselli | Stacy Hubka |
Lamont Arnold | Flower Delivery Man |
John Hall | State Trooper (uncredited) |
Ted Monte | FBI Agent (uncredited) |
George A. Romero | FBI Agent in Memphis (uncredited) |
John W. Iwanonkiw | Orderly (uncredited) |
Robert W. Castle | Priest on Chilton's Plane (uncredited) |
Chris McGinn | Autopsy Victim (uncredited) |
Gary Goetzman | Guido Paonessa (uncredited) |
Darla | Precious |
Name | Job |
---|---|
Tim Galvin | Art Direction |
Karen O'Hara | Set Decoration |
Howard Feuer | Casting |
Russell Engels | Gaffer |
Sharon Boyle | Music Supervisor |
Suzana Peric | Music Editor |
Ken Regan | Still Photographer |
Ron Bozman | Assistant Director |
Tom Fleischman | Sound Re-Recording Mixer |
Chris Newman | Production Sound Mixer |
Kathleen Gerlach | Assistant Costume Designer |
James Deeth | Thanks |
Alan D'Angerio | Hair Designer |
Allen Weisinger | Makeup Artist |
Todd Kleitsch | Makeup Effects |
Marshall Persinger | Post Production Supervisor |
Thomas Harris | Novel |
Dwight Benjamin-Creel | Special Effects |
Michael Cassidy | Stunts |
Hartsell Taylor | Costume Supervisor |
John Leonidas | Transportation Captain |
Denny Caira | Transportation Coordinator |
Michael F. Burke | Electrician |
Ken Connors | Best Boy Electric |
Francine Byrne | Art Department Coordinator |
Gary Kosko | Assistant Art Director |
S. Bruce Wineinger | Construction Coordinator |
Brian Hartman | Location Scout |
Chris Call | Painter |
C.A. Kelly | Standby Painter |
Bruce MacCallum | First Assistant Camera |
Richard Aversa | Grip |
Mark Streapy | Aerial Camera |
Larry McConkey | Steadicam Operator |
Ed Lohrer III | Set Dressing Artist |
Richard Fishwick | Craft Service |
Trish Breganti | Post Production Assistant |
Matthew Myers | Production Intern |
Ann Miller | Property Master |
Eileen Garrigan | Scenic Artist |
Catherine Marie McDonald | Set Production Assistant |
John Fundus | Sound Recordist |
Dennis Radesky | Transportation Co-Captain |
Judy Arthur | Unit Publicist |
Colleen Sharp | First Assistant Editor |
Larry Jackson | Executive In Charge Of Production |
Neri Kyle Tannenbaum | Location Manager |
Dennis Maitland II | Boom Operator |
Brian Johnson | Assistant Sound Editor |
Homer Denison | Orchestrator |
Robert F. Warren | Dolby Consultant |
David Orr | Color Timer |
Billy Miller | Key Grip |
Marissa Littlefield | Dialogue Editor |
Deborah Wallach | ADR Editor |
Fred Rosenberg | Dialogue Editor |
Philip Stockton | Dialogue Editor |
Jeffrey Stern | Dialogue Editor |
Gail Showalter | ADR Editor |
Kenneth Turek | Set Dresser |
Carl Fullerton | Makeup Effects Designer |
Neal Martz | Makeup Effects Designer |
Ray Mendez | Animal Wrangler |
Kyle McCarthy | Second Assistant Director |
Gina Maria Leonetti | Second Second Assistant Director |
Missy Cohen | Apprentice Sound Editor |
Marko Costanzo | Foley Artist |
Natasha Kinne | Playback Singer |
Brian S. Osmond | Camera Trainee |
John Donohue | Dolly Grip |
Tom O'Halloran | Second Assistant Camera |
Donna M. Belajac | Additional Casting |
Benjamin Wilson | Wardrobe Assistant |
Mark Burchard | Wardrobe Supervisor |
Lisa Bromwell | Associate Editor |
John Crowder | Location Coordinator |
Dana Sano | Music Coordinator |
Lisa Bradley | Assistant Production Coordinator |
Jonathan Sheinberg | Head of Production |
Frederika Gray | Key Scenic Artist |
Walt Oggier | Police Consultant |
Jeffrey T. Barabe | Production Assistant |
David Boulton | ADR Recordist |
Steven Visscher | Foley Editor |
Frank Kern | Foley Editor |
Jonathan Demme | Director |
Tak Fujimoto | Director of Photography |
Craig McKay | Editor |
Ted Tally | Screenplay |
Kristi Zea | Production Design |
Colleen Atwood | Costume Design |
Howard Shore | Original Music Composer |
John Robotham | Stunt Coordinator |
Walter Robles | Stunts |
George P. Wilbur | Stunts |
Kenneth Utt | Unit Production Manager |
Mary A. Kelly | Continuity |
Kalina Ivanov | Storyboard Artist |
Skip Lievsay | Sound Designer |
Anthony Jannelli | Camera Operator |
Name | Title |
---|---|
Grace Blake | Associate Producer |
Ron Bozman | Producer |
Kenneth Utt | Producer |
Edward Saxon | Producer |
Gary Goetzman | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Director | Jonathan Demme | Won |
Academy Awards | Best Actor | Anthony Hopkins | Nominated |
Academy Awards | Best Actress | Jodie Foster | Won |
Academy Awards | Best Supporting Actor | Anthony Hopkins | Nominated |
SAG Awards | Best Picture | N/A | Nominated |
Cannes Film Festival | Best Picture | Jonathan Demme | Nominated |
Cannes Film Festival | Best Director | Jonathan Demme | Nominated |
Venice Film Festival | Best Picture | N/A | Won |
Venice Film Festival | Best Actress | Jodie Foster | Won |
BAFTA Awards | Best Picture | N/A | Won |
BAFTA Awards | Best Actor | Anthony Hopkins | Won |
BAFTA Awards | Best Director | Jonathan Demme | Won |
BAFTA Awards | Best Supporting Actress | Jodie Foster | Nominated |
Berlin International Film Festival | Best Picture | N/A | Won |
Popularity History
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2024 | 4 | 17 | 21 | 12 |
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2024 | 11 | 19 | 35 | 14 |
2024 | 12 | 16 | 26 | 13 |
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2025 | 2 | 17 | 27 | 3 |
2025 | 3 | 8 | 50 | 0 |
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2025 | 7 | 3 | 3 | 3 |
2025 | 8 | 3 | 3 | 2 |
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2024 | 8 | 120 | 263 |
Unlike a lot of viewers, I first saw _The Silence of the Lambs_ at five years old. So, for me, _The Silence of the Lambs_ is a childhood favorite. Some would say I had an unusual childhood, in this age where some people actually **avoid** R-rated movies like the plague. The fact that I saw _Somethin ... g Wild_, which Jonathan Demme directed five years before _The Silence of the Lambs_, as well as the original _Alien_ (alone at that), at the same age probably indicates that they were okay with me watching pretty much anything that wasn't rated X, though, honestly, I've **never** had any interest in that stuff. It was probably due to the fact that, like the movie's protagonist, I don't "spook easily," and many so-called "scary" movies, including this one, never scared me, but (many of them) definitely thrilled me. Granted, I'd seen _Saving Private Ryan_ a few months before, which probably gave me a strong stomach. Well, enough about my wild, albeit fun, childhood. How does _The Silence of the Lambs_ hold up all these years later? For me personally, _The Silence of the Lambs_ is every bit as good as it was the first time I saw it at five years old. On the off chance you don't already know the plot by now, Jodie Foster stars as Clarice Starling, a rookie FBI agent with a degree in psychology who is called from training by her boss Jack Crawford (Scott Glenn) in the middle of a string of murders by a man nicknamed "Buffalo Bill" (Ted Levine) who skins his victims, all of whom happen to be women. Crawford tells her to interview the psychotic Dr. Hannibal "the Cannibal" Lecter (Anthony Hopkins) in prison, hoping he might have an answer of some kind. Lecter brushes her off. After Catherine Martin (Brooke Smith), the daughter of a senator is kidnapped, Lecter agrees to give Starling information about Buffalo Bill on the condition that she tell him personal information about herself. If I had to pick the greatest Best Picture Oscar winner ever, it would most likely be _The Silence of the Lambs_. Well-acted, well-written, and well-directed, it's definitely my favorite. Let's look at the acting to start. Jodie Foster, unsurprisingly, won a well-deserved Oscar for her performance as Starling. Foster plays Starling as a little scared yet strong at the same time, definitely not a coward as Julianne Moore later played the character in the movie _Hannibal_, and definitely not someone who would turn cannibal as Thomas Harris wrote the character as doing in the novel Hannibal. Movie or novel, in my honest opinion, the Clarice Starling depicted in _Hannibal_ is an insult to what this Clarice Starling stands for. As we find out about what's been nagging Starling since childhood, Foster plays it especially well where another actress may have overdone it. Anthony Hopkins, like Foster, won an Oscar for his performance as Lecter, and I speak for a lot of people, if not everybody, when I say it was also well-deserved. Hopkins plays Lecter as brilliant yet insane, making him one of the more interesting villains in movie history. Scott Glenn plays Crawford very well for the time he's onscreen. Ted Levine plays "Buffalo Bill" as straight up crazy, and does a very good job of making us hate him. Brooke Smith is only supposed to play Catherine Martin as scared and she does - with dead-on accuracy. Ted Tally won a well-deserved Oscar for his screenplay, adapted from Thomas Harris' novel of the same name. Tally doesn't feel the need to focus on violence and gore, which is one of the movie's strengths. Instead he focuses on the characters, and I'd be lying if I said he didn't flesh them out very, very, very, well. Jonathan Demme also won an Oscar for his directing and he does a very good job of it. _The Silence of the Lambs_ is relentlessly thrilling and it holds me to my seat until the last frame every time I see it, all without relying on excessive gore. I've already mentioned that _The Silence of the Lambs_ doesn't scare me, so it may - or may not - scare you, depending on what you're afraid of. Admittedly, there are a few creepy things displayed onscreen so I can see why it would scare some viewers. Either way, I can't recommend _The Silence of the Lambs_ enough, and everybody should see it at least once. _The Silence of the Lambs_ is a childhood favorite of mine, and it holds up very, very well almost 25 years after its release. It's relentlessly thrilling, flawlessly acted, flawlessly written, flawlessly directed, and one of the few movies that actually deserved all the Oscars it won.
This is one of a few movies I put off reviewing for years, because I honestly don't know what to say about a film this classic. So I'll be brief in my actual review, knowing that it comes from a place where I honestly believe that this is a movie that deserves its praise: Even if the A-plot of th ... e story wasn't one of the best crime thrillers put to screen, the Hannibal Lector moments alone would be enough to make _Silence of the Lambs_ a great movie, most especially his run in Memphis. _Final rating:★★★★ - Very strong appeal. A personal favourite._
It kind of reminds me of The Rocky Horror Picture Show, because Frank and Jame are drag queens who kill. ...
As a genre fan, there's a certain amount of satisfaction when a film is recognized by mainstream audiences. That's what it was like for me in 1992 when <i>Silence of the Lambs</i> swept the Oscar's (Best Picture, Director, Actor and Actress). And boy did the movie deserve it. Jonathan Demme's fa ... ntastic retelling of the classic book by Thomas Harris. Anthony Hopkins' scene-chewing Hannibal Lecter turned him into a pop culture icon (and unfortunately a slew of middling sequels). And Jodie Foster's grim and naive portrayal of Clarice. The final touch is that haunting score. Some of the best movies out there are elevated by a musical score that puts it another league. A phenomenal classic.
**Absolute Classic Film! I read the book before watching this thriller/horror classic film by Jonathan Demme. The film works on so many levels and at times feels very realistic in how it portraits law enforcers and the perverse criminals they pursue. Outstanding performances by Anthony Hopkins, Jo ... die Foster, Scott Glen, Ted Levine, etc.. I feel the director was influenced by Alfred Hitchcock's Psycho classic horror film by way of how grounded this film shows the deadly cat and mouse game and the overall arch of themes throughout. Fear and desire for sex, loathing of the human body, suppression of emotions, hatred for banality and towards women, etc. In this day of cartoon Marvel movies which have little or no connections to human experiences or reality, this classic film will stand the test of time because of how all of the creative artists involve respected the work. This one's on my all time top favorite list of must see films.
This is a brilliant screen adaptation of the Thomas Harris book with a cast impossible to improve upon. Anthony Hopkins plays "Hannibal Lecter", a murderous sophisticate with a penchant for eating the evidence and Jodie Foster as the novice FBI agent sent to try and elicit his help in tracking down ... a killer with a similar modus operandi to our now incarcerated "Lecter". The menace with which Hopkins portrays the role is spine-chilling. Foster conveys the transformation from scared young agent to hard-nosed detective with convincing aplomb and this really does make for a belter of a thriller. A clean sweep of 5 Oscars and the top 2 acting BAFTA awards can't be wrong!
The Silence of the Lambs is one of those movies that isn’t just great—it’s iconic. From the moment it starts, there’s an unsettling tension that never lets up. The plot is masterfully structured, pulling you into a psychological game of cat and mouse that keeps you engaged the entire time. It’s dark ... , intense, and layered with meaning, making it the kind of film that sticks with you long after the credits roll. This isn’t a casual weekend watch but rather a cinematic experience that deserves full attention. Jonathan Demme’s directing is sharp and precise, keeping the story tight without any wasted moments. Every scene feels deliberate, building suspense in a way that’s subtle yet incredibly effective. The cinematography plays a huge role in this, with its use of close-ups making the film feel personal and claustrophobic. There’s an intimacy to the way characters are shot, pulling you into their headspace and making the psychological tension hit even harder. The acting is what really elevates the movie to legendary status. Jodie Foster delivers an incredible performance, bringing both vulnerability and determination to her role. But it’s Anthony Hopkins who steals the show, creating one of the most chilling yet mesmerizing characters in film history. His screen presence is magnetic, proving that sometimes, the scariest thing isn’t loud or violent but calm, calculated, and intelligent. The script is airtight, filled with sharp dialogue that never feels forced. Every exchange has weight, and the conversations alone are enough to keep you on edge. The score and sound design play a crucial role in building atmosphere. The music is haunting yet subtle, never overdoing it but always enhancing the unease. Silence is used just as effectively as sound, making certain moments feel even more intense. It’s one of those films where everything, from the writing to the visuals to the performances comes together flawlessly. The Silence of the Lambs isn’t just a must-watch. It’s a masterpiece.