Popularity: 8 (history)
Director: | Quentin Tarantino |
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Writer: | Quentin Tarantino, Roger Avary |
Staring: |
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel. | |
Release Date: | Sep 02, 1992 |
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Director: | Quentin Tarantino |
Writer: | Quentin Tarantino, Roger Avary |
Genres: | Crime, Thriller |
Keywords | traitor, jewelry, psychopath, thief, heist, betrayal, escape, gang, plan gone wrong, nonlinear timeline, warehouse, told in flashback, heist gone wrong, botched robbery, foreshadowing, rendezvous, iconic, uneasy alliance, rag tag group, based on short |
Production Companies | Miramax, Carolco Pictures, Live Entertainment, Dog Eat Dog Productions |
Box Office |
Revenue: $2,859,750
Budget: $1,200,000 |
Updates |
Updated: Jun 22, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Harvey Keitel | Mr. White / Larry Dimmick |
Tim Roth | Mr. Orange / Freddy Newandyke |
Michael Madsen | Mr. Blonde / Vic Vega |
Chris Penn | "Nice Guy" Eddie Cabot |
Steve Buscemi | Mr. Pink |
Lawrence Tierney | Joe Cabot |
Randy Brooks | Detective Holdaway |
Kirk Baltz | Officer Marvin Nash |
Edward Bunker | Mr. Blue |
Quentin Tarantino | Mr. Brown |
Rich Turner | Sheriff #1 |
David Steen | Sheriff #2 |
Tony Cosmo | Sheriff #3 |
Stevo Polyi | Sheriff #4 |
Michael Sottile | Teddy |
Robert Ruth | Shot Cop |
Lawrence Bender | Young Cop |
Linda Kaye | Shocked Woman |
Suzanne Celeste | Shot Woman |
Steven Wright | K-Billy DJ (voice) |
Laurie Lathem | Background Radio Play (voice) |
Maria Strova | Background Radio Play (voice) |
Burr Steers | Background Radio Play (voice) |
Craig Hamann | Background Radio Play (voice) |
Rowland Wafford | Diner Patron (uncredited) |
Scott McElroy | Cop (uncredited) |
Name | Job |
---|---|
David Wasco | Production Design |
Quentin Tarantino | Writer, Additional Dialogue, Director |
Sandy Reynolds-Wasco | Set Decoration |
Ken Kaufman | Production Design |
Wayne Toth | Special Effects Makeup Artist |
Howard Berger | Special Effects Makeup Artist |
Edward J. Protiva | Swing |
Greg Wilkinson | Assistant Property Master |
Michael Salvetta | Foley Artist |
Donald Ortiz | Assistant Sound Editor |
Moose Enright | Special Effects Technician |
Dave Gregory | Visual Effects Supervisor |
Marcia Holley | Stunts |
Pat McGroarty | Stunts |
Katie Nilson | Best Boy Electric |
Chris J. Rossi | Grip |
Alan Sherrod | Second Unit Director of Photography |
Miles Thomas | Best Boy Grip |
Frank H. Woodward | Electrician |
Cheryl Faye | Extras Casting |
Melinda Eshelman | Wardrobe Assistant |
Carrie Elizabeth Foresman | First Assistant Editor |
Boyd Steer | Negative Cutter |
William W. Williams | First Assistant Editor |
Nancy Perry | First Assistant Editor |
Kathy Nelson | Music Supervisor |
Robert John Speer | Generator Operator, Driver |
Ken Lesco | Stunt Coordinator, Stunts |
Betsy Heimann | Costume Design |
Paul Hellerman | Production Manager |
Stephen DeLollis | Special Effects |
Larry Fioritto | Special Effects Coordinator |
Karyn Rachtman | Music Supervisor |
Brett C. Smith | Leadman |
Marino Pascal | Location Scout |
Ric Urbauer | Key Grip |
Mark Emery Moore | Steadicam Operator |
Iain Jones | Hair Designer |
Rachel Tanner | Hairstylist |
Michelle Bühler | Makeup Artist |
Jacqueline Aronson | Set Costumer |
Jeannie H. Kelly | Craft Service |
Suzanne Celeste | Dialect Coach |
David Coffee | Driver |
Wayne Alexander | Legal Services |
Jennifer Pyken | Post Production Assistant |
Jonathan R. Hodges | Property Master |
Warren Betts | Public Relations |
Melanie Molyneux | Set Medic |
Ben C. Giller | Transportation Captain |
James Lowder | Transportation Coordinator |
Marina Bailey | Unit Publicist |
Jamie Beardsley | First Assistant Director |
Martin Kitrosser | Script Supervisor |
Chuck Winston | Color Timer |
Kelley Dixon | First Assistant Editor |
Jay Dahlquist | Best Boy Electric |
Joey D. Brown | Electrician |
Greg R. McCullough | Gaffer |
Peggy Kennedy | Casting Associate |
Billy A. Fox | Location Manager |
R. Blaine Currier | Production Accountant |
Enid L. Kantor | Production Coordinator |
Dwayne S. Henkel | Boom Operator |
John Hulsman | Assistant Sound Editor |
Bruce Comtois | Security |
Ken Segal | Production Sound Mixer |
Curt Schulkey | Sound Editor |
Steve F.B. Smith | Dolby Consultant |
John Lieberman | Thanks |
Geoffrey G. Rubay | Supervising Sound Editor |
Charles Ewing Smith | Sound Editor |
David E. Stone | Sound Editor |
Kelly Kiernan | Second Assistant Director |
Andy Spilkoman | Second Second Assistant Director |
Jonathan Bobbitt | Swing |
Nancy Lynn Hurlbut | Assistant Music Supervisor |
Mary Louise Rodgers | Foley Artist |
Cecilia Perna | Foley Mixer |
Dink Adams | Best Boy Grip |
Dennis K. Wilson | Dolly Grip |
Randall Guth | Second Assistant Camera |
Mark Lass | Negative Cutter |
Judith E. Goldman | Assistant Location Manager |
Debra Grieco | Assistant Accountant |
Mary Santiago | Extras Casting |
Pat Domenico | Key Special Effects |
Wendy Baker | Production Assistant |
Francis R. Mahony III | First Assistant Director |
Steven K. Thomas | Second Second Assistant Director |
Andrzej Sekula | Director of Photography |
Sally Menke | Editor |
Ronnie Yeskel | Casting |
Rick Yale | Special Effects |
Ross Katz | Grip |
Mary Claire Hannan | Costume Supervisor |
Marian Green | Stunts |
Roger Avary | Writer, Additional Dialogue, Creator |
Ron Bartlett | Sound Re-Recording Mixer |
Ziad Doueiri | First Assistant Camera |
Stephen Hunter Flick | Supervising Sound Editor |
Name | Title |
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Richard N. Gladstein | Executive Producer |
Monte Hellman | Executive Producer |
Ronna B. Wallace | Executive Producer |
Lawrence Bender | Producer |
Harvey Keitel | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 70 | 114 | 48 |
2024 | 5 | 93 | 135 | 73 |
2024 | 6 | 67 | 88 | 42 |
2024 | 7 | 54 | 86 | 36 |
2024 | 8 | 40 | 54 | 29 |
2024 | 9 | 37 | 66 | 25 |
2024 | 10 | 40 | 64 | 29 |
2024 | 11 | 43 | 77 | 32 |
2024 | 12 | 41 | 53 | 30 |
2025 | 1 | 48 | 71 | 35 |
2025 | 2 | 37 | 52 | 8 |
2025 | 3 | 16 | 44 | 4 |
2025 | 4 | 11 | 16 | 8 |
2025 | 5 | 10 | 17 | 8 |
2025 | 6 | 9 | 13 | 7 |
2025 | 7 | 11 | 17 | 8 |
2025 | 8 | 11 | 14 | 8 |
Trending Position
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2025 | 8 | 265 | 524 |
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2025 | 7 | 42 | 410 |
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2025 | 6 | 45 | 403 |
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2025 | 5 | 187 | 618 |
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2025 | 4 | 192 | 585 |
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2025 | 3 | 222 | 614 |
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2025 | 2 | 177 | 669 |
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2025 | 1 | 245 | 627 |
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2024 | 12 | 344 | 769 |
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2024 | 11 | 215 | 540 |
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2024 | 10 | 580 | 727 |
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2024 | 9 | 402 | 679 |
Year | Month | High | Avg |
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2024 | 8 | 315 | 666 |
This unique take on the heist-film-gone-wrong was excellent--stylish and intelligently made, yet very funny and inexpensive. Tarantino's accolades from giving American cinema the resuscitation it needed mirrors what has happened, at least since the 70's, with Martin Scorsese's 'Mean Streets', both i ... n terms of entertaining violence and usage of music in the scoring of films. I greatly thank Harvey Keitel for taking a chance on Tarantino back then--It paid off in spades.
The cuss-oriented squabbles of lowlife crooks for 99 minutes (and no women) RELEASED IN 1992 and written/directed by Quentin Tarantino, "Reservoir Dogs” is a crime drama/thriller about a diamond heist gone disastrously wrong in Los Angeles wherein the surviving thugs bicker back-and-forth in a w ... arehouse about which of their members is a police informant. The main thieves are played by Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen and Chris Penn while Lawrence Tierney appears as the old salt mastermind. This was Tarantino’s first feature film, costing only $1,200,000, and it has quirky glimmerings of future greatness, as seen in “Pulp Fiction” (1994), “Jackie Brown” (1997), “Kill Bill” (2003/2004), “Inglourious Basterds” (2009) and “Django Unchained” (2012), but “Reservoir” didn’t work for me. It’s hampered by a low-budget vibe, which I can handle, but not the uninteresting lowlife characters, their self-made conundrum, their interminably dull dialogue and the one-dimensional setting where about 80% of the story takes place in an old warehouse, not to mention no females in the main cast. Still, it’s interesting to observe Tarantino’s first serious stab at filmmaking and it has its moments of genuine entertainment. It’s a lesson on humble beginnings, which shows potential while not being up to snuff. THE FILM RUNS 1 hour, 39 minutes and was shot in Los Angeles & Burbank. GRADE: C-
Nope, I didn't get the memo... After a jewellery heist goes wrong and the escaping funeral-attired hoodlums kill a couple of cops and one gets gut-shot in a car-jacking, they return to their hideout where they turn on each other with expletive-ridden venom. What now ensues is a recreation of the pla ... nning and execution of their raid, their introductions to each other and that all lays the seeds for this over-rated drama of brutal mistrust and duplicity. Tim Roth probably stands out as "Mr. Orange" but the rest of the fairly well established cast offer us little by way of sophistication or subtlety as they try to decide which - if any of them - informed the police. It's violent but so what - it's not Scorsese, nor does the story really hold up after it becomes glaringly obvious what is actually going to happen at the end. Quentin Tarantino's directorial debut has shock value, certainly, but I'm afraid I found the whole thing really quite dull. Sorry - but there's more to good writing and characterisation that loads of effing, jeffing, charm-free thuggery and bullets. Not for me!
I don't get it. Feels like nothing happens the whole film. Cool to see Buscemi in this though, I didn't realize he was in such an early one of Tarantino's films. ...