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Conan the Barbarian Poster

Conan the Barbarian

Thief. Warrior. Gladiator. King.
1982 | 129m | English

(169429 votes)

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Popularity: 5 (history)

Details

A horde of rampaging warriors massacre the parents of young Conan and enslave the young child for years on The Wheel of Pain. As the sole survivor of the childhood massacre, Conan is released from slavery and taught the ancient arts of fighting. Transforming himself into a killing machine, Conan travels into the wilderness to seek vengeance on Thulsa Doom, the man responsible for killing his family. In the wilderness, Conan takes up with the thieves Valeria and Subotai. The group comes upon King Osric, who wants the trio of warriors to help rescue his daughter who has joined Doom in the hills.
Release Date: Apr 02, 1982
Director: John Milius
Writer: Edward Summer, John Milius, Oliver Stone
Genres: Fantasy, Adventure, Action
Keywords based on novel or book, gladiator, repayment, fight, mythology, magic, black magic, warlord, stone age, despot, epic, thief, barbarian, wizard, warrior, serpent, action hero, sword and sorcery, mysticism, good versus evil, irreverent, grand, admiring
Production Companies Universal Pictures, Pressman Film, The De Laurentiis Company
Box Office Revenue: $73,951,475
Budget: $20,000,000
Updates Updated: Aug 08, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Arnold Schwarzenegger Conan
James Earl Jones Thulsa Doom
Max von Sydow King Osric
Sandahl Bergman Valeria
Ben Davidson Rexor
Cassandra Gava The Witch
Gerry Lopez Subotai
Mako The Wizard / Narrator
Valérie Quennessen The Princess
William Smith Conan's Father
Luis Barboo Red Hair
Franco Columbu Pictish Scout
Leslie Foldvary Sacrificial Snake Girl
Gary Herman Osric's Guard
Erik Holmey Turanian War Officer
Akio Mitamura Mongol General
Nadiuska Conan's Mother
Jorge Sanz Young Conan
Jack Taylor Priest
Sven-Ole Thorsen Thorgrim
Kiyoshi Yamasaki Sword Master
Pilar Alcón Orgy Slave Girl (uncredited)
Florencio Amarilla Man (uncredited)
Ron Cobb Black Lotus Street Peddler (uncredited)
Fabián Conde Merchant at Tavern (uncredited)
Dragon Dronet Pit Fighter (uncredited)
Donald Gibb Osric's Guard (uncredited)
Andrea Guzon Breeding Woman (uncredited)
Corrie Jansen Beautiful Woman Jumping to her Death (uncredited)
Olvido Lorente Guerrera (uncredited)
Isabel Luque Woman (uncredited)
Celia Milius High Priestess
John Milius Foodseller in Old City (uncredited)
Sab Shimono Subotai (voice, uncredited)
Diamanda Galás Witch (voice)
Name Job
Duke Callaghan Director of Photography
Carroll Timothy O'Meara Editor
Edward Summer Story
Pier Luigi Basile Art Direction
Veljko Despotović Art Direction
Benjamín Fernández Art Direction
Giorgio Postiglione Set Decoration
John Bloomfield Costume Design
Paquita Núñez Hair Department Head
José Antonio Sánchez Hairstylist, Makeup Supervisor
Pepe Escriva Unit Production Manager
Vicente Escrivá hijo Production Manager
Roberto Cirla Assistant Director
Adolfo Cofiño Construction Coordinator
Tomas Lorenzo Propmaker
Peter Voysey Sculptor
Wayne Artman Sound Re-Recording Mixer
Bub Asman Sound Effects Editor
Fred J. Brown Supervising Sound Editor
Michele Sharp Sound Editor
Jim Willis Sound mixer
Katherine Kean Animation
Ricardo Navarrete Camera Operator
Bob Penn Still Photographer
Micky Wilson Gaffer
María Eugenia Escrivá Assistant Costume Designer
Conrad M. Gonzalez Supervising Film Editor
Christopher Holmes Additional Editing
Richard Ritchie Color Timer
Greig McRitchie Orchestrator
Robert Randles Music Editor
Emilio Marquerie Transportation Coordinator
Manuel Paredes Murillo Driver
Carlos Ponce de León Transportation Captain
Miguel Ángel Alonso Production Office Assistant
Yvonne Axeworthy Script Supervisor
Barbara Back Production Office Coordinator
Santiago DeBenito Production Accountant
Michael B. Gladych Researcher
Juan Clemente Prosper Location Manager
Anne Strick Unit Publicist
Antonio Fernández Santamaría Key Grip
Franco Antonelli Wardrobe Supervisor
Humberto Gurza Animal Wrangler
Francesca DeLaurentiis Continuity
Víctor Albarrán Second Assistant Director
Donah Bassett Negative Cutter
Shelley Brown Apprentice Sound Editor
Juno J. Ellis Assistant Sound Editor
Carlo De Marchis Effects Supervisor, Special Effects Supervisor
Emilio Ruiz del Río Special Effects
Julián Mateos Property Buyer
Margie O'Malley Foley Artist
Antonio Balandín Special Effects Technician
José Luis Aguilar Assistant Camera
Stephen Jackson Wardrobe Assistant
Martín Díaz Wardrobe Master
Carl Graham Location Coordinator
Margarita McDermott Production Secretary
L. Sprague De Camp Technical Advisor
Graham Sumner Property Master
Caryl Wickman Dialogue Editor
Bob Terhune Stunts
Larry Randles Stunts
Juan Maján Stunt Coordinator
Corrie Jansen Stunts
Ángel Gómez Fernández Stunts
Ricardo Cruz Stunts
Bettina Brenner Stunts
Francisco Ardura Animal Wrangler
Steven Scott Smalley Orchestrator
John Milius Director, Screenplay
Basil Poledouris Original Music Composer, Conductor
Ron Cobb Production Design
Colin Arthur Makeup Effects
Terry Leonard Stunt Coordinator, Second Unit Director
José Luis Ayestarán Stunts
José López Rodero First Assistant Director
Robert E. Howard Characters
William Stout Production Artist
Nick Allder Special Effects Supervisor
Dino De Laurentiis Presenter
Walter Scott Stunts
Ben Scott Stunts
José Luis Chinchilla Stunts
Tony Brubaker Stunts
Jim Burk Stunts
Kiyoshi Yamasaki Weapons Master
Oliver Stone Screenplay
Pamela Peitzman Makeup Artist
John-Clay Scott Stunts
Name Title
D. Constantine Conte Executive Producer
Buzz Feitshans Producer
Edward Summer Associate Producer
Dino De Laurentiis Executive Producer
Raffaella De Laurentiis Producer
Edward R. Pressman Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 45 58 35
2024 5 58 71 42
2024 6 45 71 30
2024 7 50 70 28
2024 8 41 55 27
2024 9 35 69 22
2024 10 39 64 25
2024 11 33 41 26
2024 12 33 46 22
2025 1 37 52 28
2025 2 29 41 5
2025 3 10 35 3
2025 4 7 10 5
2025 5 5 11 4
2025 6 5 7 4
2025 7 4 5 3
2025 8 5 5 5

Trending Position


Year Month High Avg
2025 8 315 655
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2025 7 229 759
Year Month High Avg
2025 6 316 705
Year Month High Avg
2025 5 777 927
Year Month High Avg
2025 4 452 766
Year Month High Avg
2025 3 360 709
Year Month High Avg
2025 2 416 752
Year Month High Avg
2025 1 508 840
Year Month High Avg
2024 12 316 718
Year Month High Avg
2024 11 834 869
Year Month High Avg
2024 9 814 901
Year Month High Avg
2024 8 638 881

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Reviews

talisencrw
8.0

Though definitely a guilty pleasure from the cheesy 80's of which I grew up, this is such outstandingly fun. It's so unique a cinematic experience, knowing what we know of Schwarzenegger's life and career the 34 years since, seeing him at this juncture, as he's just starting out. (No, I haven't seen ... 'Stay Hungry' yet.) Part of me always wishes he had simply stuck to these films (as well as the 'Terminator' series), and was still making them. In his prime, I dare you to find anyone better at this kind of material. Director Milius has a fine feel for the swords-and-sandals/fantasy worldscape this material requires. An excellent and underrated supporting cast is here at well to help Arnie out, too.

Jun 23, 2021
Wuchak
8.0

***"Sit here... SIT HERE"*** I was hugely disappointed by "Conan the Barbarian" (1982) when I first viewed it because it deviated too far from the blueprint established by creator Robert E. Howard. Yeah, they got many things right, but the things they got wrong ruined the film for me. Yet I’ve wa ... rmed up to it over time because one can’t deny the film’s merits. If you’re a fan of the books and the faithful comics, it’s important to realize going in that this is an ALTERNATIVE Conan, similar to Howard's, but far from a strict interpretation. The flaws mostly have to do with John Milius and Oliver Stone's deviation from Howard. Consider the opening sequence of Conan as a little boy on his father’s knee getting advice about the trustworthiness of the sword: Sorry, but the lad looks like an average soft suburbanite boy, not a tough kid that grew up in the wilds of Cimmeria, land of darkness and deep night. Secondly, the "wheel of pain" sequence is just dumb. I have a bit more respect for this part now that I realize it's a metaphor for the cyclical drudgery of grade school but, c'mon, the REAL Conan wouldn't spend that many years in captivity! He would have escaped long before, not to mention slay his captors. I suppose it helps when consider that Stone & Milius were taking bits from Howard’s other creations, like Kull, who was a slave for a few years. Thirdly, when they first meet Valeria while robbing the temple of Set the flick cops a decidedly campy tone. Although Sandahl Bergman is great throughout the rest of the picture that initial meeting is pretty cringe-inducing. It was at this point that I really tuned out when I first viewed the film. Fourthly, one of the worst parts is when Conan grovels at Thulsa Doom's feet crying, "You killed my father; you killed my mother!" This in no way resembles Howard's Conan. But, in its defense, it does make Conan more human and therefore more relate-able to the viewer. Thankfully, the film has several strengths, starting with the magnificent and awe-inspiring score by Basil Poledouris. The movie's worth viewing just to hear this score. Secondly, despite acceptable discrepancies (e.g. Conan has black hair not brown), the casting is quite good; although Schwarzenegger doesn’t really reflect the air of REH’s character (Jason Momoa is far better). Thirdly, Milius & Stone show their brilliance by incorporating Genghis Khan's historical quote in Conan's response to "What is best in life?" Conan answers: "To crush enemies, see dem driven before you and to hear da lamentation of der women." Fourthly, the locations, sets and costuming are superb. They certainly got the LOOK of Robert E. Howard's Hyborian Age right. Fifthly, As long as one is prepared to accept the deviation from Howard's Conan, the story keeps your interest throughout (which is my way of determining the worthiness of ANY flick). Sixthly, Sandahl Bergman is super sharp and sexy; she possesses a certain barbaric beauty essential to the role and it's hard not to gaze at her shapely form in awe when she's on screen. Lastly, the overall tone of the film is quite serious and brooding. Despite Valeria's initial campy sequence mentioned earlier and a couple of amusing scenes with Mako, the film eludes the rut of camp (unfortunately the 1984 sequel cannot boast of this quality). SPECIAL MOMENTS AND INTERESTING ITEMS: •The love scene between Conan & Valeria and, later, the death/funeral pyre scenes are reverent, beautiful and moving. The accompanying piece by Poledouris is emotionally potent. •Conan's spiritual evolution in regards to sexuality and love is interesting: His first exposure is as a slave when beautiful women are occasionally thrown to him for the amusement of those watching. After he acquires his freedom his first (and presumably only) experience with casual sex goes horribly wrong. Later in Zamora he dismisses the solicitations of prostitutes with a wave and a derogatory word. Finally he meets Valeria and discovers true love and commitment, conveyed well in the love/death/funeral scenes noted above. •Both the battles inside the mountain fortress and, later, the showdown at the mounds are thrilling with the accompanying score getting your blood pumping. •Right before the battle at the mounds Conan and Subotai brace themselves as the 'riders of doom' trot forth. You can see the bold determination on their faces: They have no other recourse; they will stand and fight as men, come what may. (All men will eventually have to stand and fight in this manner one way or another, and we wuss out at our own peril). •After their unlikely victory Conan raises his arms (and weapons) in salute to the altar where Valeria was cremated. It gives you goosebumps. Both "The Complete Quest" and "Collector's Edition" contain an excellent 55-minute "Making Of" documentary wherein all of the principle actors and creators are interviewed, as well as an excellent commentary by Milius and Schwarzenegger. FINAL ANALYSIS: Like I said, I've finally come to see the magnificence of "Conan the Barbarian," but I had to get over my hang ups concerning the deviations from Howard's Conan to see it. As an ALTERNATIVE Conan it's a nigh masterpiece of cinematic art. One last thing: Um, don't use that first line of dialogue ("Sit here... SIT HERE") on your wife or girlfriend; I tried it and she didn't take too kindly to it! The film runs 2 hours, 9 minutes, and was shot in Spain. GRADE: A-

Jun 23, 2021