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The Empire Strikes Back

The Star Wars saga continues.
1980 | 124m | English

(1465892 votes)

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Popularity: 5 (history)

Details

The epic saga continues as Luke Skywalker, in hopes of defeating the evil Galactic Empire, learns the ways of the Jedi from aging master Yoda. But Darth Vader is more determined than ever to capture Luke. Meanwhile, rebel leader Princess Leia, cocky Han Solo, Chewbacca, and droids C-3PO and R2-D2 are thrown into various stages of capture, betrayal and despair.
Release Date: May 20, 1980
Director: Irvin Kershner
Writer: George Lucas, Lawrence Kasdan, Leigh Brackett
Genres: Adventure, Action, Science Fiction
Keywords rebellion, android, spacecraft, asteroid, rebel, space battle, snowstorm, space colony, swamp, space opera, nostalgic, artic, excited
Production Companies Lucasfilm Ltd.
Box Office Revenue: $538,400,000
Budget: $18,000,000
Updates Updated: Aug 04, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Mark Hamill Luke Skywalker
Harrison Ford Han Solo
Carrie Fisher Princess Leia
Billy Dee Williams Lando Calrissian
Anthony Daniels C-3PO
David Prowse Darth Vader
Peter Mayhew Chewbacca
Kenny Baker R2-D2
Frank Oz Yoda (Voice)
Alec Guinness Obi-Wan Kenobi
Jeremy Bulloch Boba Fett
Jason Wingreen Boba Fett (voice - uncredited)
John Hollis Lando's Aide
Jack Purvis Chief Ugnaught
Des Webb Snow Creature
Kathryn Mullen Performing Assistant for Yoda
Marjorie Eaton Emperor (uncredited)
Clive Revill Emperor (voice)
Kenneth Colley Admiral Piett
Julian Glover General Veers
Michael Sheard Admiral Ozzel
Michael Culver Captain Needa
John Dicks Captain Lennox
Milton Johns Bewil
Mark Jones Commander Nemet
Oliver Maguire Cabbel
Robin Scobey Lieutenant Venka
Bruce Boa General Carlist Rieekan
Christopher Malcolm Zev Senesca
Denis Lawson Wedge Antilles
Richard Oldfield Derek "Hobbie" Klivian
John Morton Dak Ralter
Ian Liston Wes Janson
John Ratzenberger Major Derlin
Jack McKenzie Cal Alder
Jerry Harte Rebel Force Head Controller
Norman Chancer Tamizander Rey
Norwich Duff Jeroen Webb
Ray Hassett Tigran Jamiro
Brigitte Kahn Toryn Farr
Burnell Tucker Wyron Serper
Bob Anderson Imperial Officer (uncredited)
Lightning Bear Stormtrooper (uncredited)
Richard Bonehill Stormtrooper / Snowtrooper / Rebel Soldier / ... (uncredited)
John Cannon Holographic Imperial Officer (uncredited)
Mark Capri Officer M'kae (Captain Needa's Communications Officer) (uncredited)
Martin Dew Cloud City Guard (uncredited)
Peter Diamond Snowtrooper Gunner (uncredited)
Stuart Fell Snowtrooper (uncredited)
Doug Robinson Snowtrooper (uncredited)
Tony Smart Snowtrooper (uncredited)
Alan Harris Bossk / Bespin Security Guard (uncredited)
James Earl Jones Darth Vader (voice) (uncredited)
Mac McDonald Rebel Pilot (uncredited)
Ralph McQuarrie General McQuarrie (uncredited)
Ralph G. Morse Stormtrooper / Imperial Comms Officer / Rebel Soldier (uncredited)
Terry Richards Wampa (uncredited)
Treat Williams Echo Base Trooper (uncredited)
Shaun Curry Hoth Rebel Commander (uncredited)
Alan Austen Stormtrooper/Snowtrooper
Jim Dowdall Stormtrooper/Snowtrooper
Tom Egeland Hoth Trooper (uncredited)
Alan Flyng Stormtrooper (uncredited)
Trevor Butterfield Imperial Officer / Stormtrooper (uncredited)
Mercedes Burleigh Female Hoth Control Room Tech (uncredited)
Jane Busby Ugnaught (uncredited)
Maurice Bush Dengar (uncredited)
Tony Clarkin Stormtrooper (uncredited)
Mike Edmonds Ugnaught (uncredited)
Walter Henry Rebel Technician on Hoth (uncredited)
Paul Jerricho AT-AT Driver (uncredited)
Joe Johnston Hoth Rebel (uncredited)
Steven Meek Stormtrooper / Chewbacca / Treva Horme / Solomahal (uncredited)
Peter Roy Snowtrooper (uncredited)
Stephanie English Hoth Rebel Technician (uncredited)
Michael Leader Imperial Crewman (uncredited)
Egbert Sen Willrow Hood (uncredited)
Elaine Alexander Emperor (uncredited)
Colin Hunt Snowtrooper (uncredited)
Name Job
Brian Johnson Special Effects
Bob Edmiston Casting
Irene Lamb Casting
Terry Liebling Casting
Norman Reynolds Production Design
Leslie Dilley Art Direction
Harry Lange Art Direction
Alan Tomkins Art Direction
Michael Ford Set Decoration
John Mollo Costume Design
Nick Maley Makeup Artist
Patricia Carr Production Manager
Bruce Sharman Production Supervisor
Richard Edlund Visual Effects
Terry Pritchard Driver
Tiny Nicholls Costume Supervisor
Herbert W. Spencer Orchestrator
Paul Huston Camera Operator
David H. Watkins Special Effects
Bonnie Koehler Sound Editor
Eileen Sullivan Wardrobe Supervisor
Laurie Shane Gaffer
George Whitear Still Photographer
David Tomblin First Assistant Director
Steve Lanning Second Assistant Director
Kay Rawlings Continuity
Pamela Mann Continuity
Frank Bruton Property Master
Graham Freeborn Makeup Department Head
Kay Freeborn Makeup Artist
Stuart Freeborn Makeup Artist
Barbara Ritchie Hairdresser
Richard Burrow Sound Editor
Gregg Landaker Sound Re-Recording Mixer
Reg Bream Draughtsman
Philip Kohler Location Manager
John Barry Second Unit Director
London Symphony Orchestra Musician
Gary Summers Sound Recordist
Stephen Calcutt Stand In
Liz Coke Stand In
Jack Dearlove Stand In
Stuart Fell Stunt Double
Jim Dowdall Stunts
Reg Harding Stunts
Terry Richards Stunts
Richard Hammatt Stunts
Tony Smart Stunts
Doug Robinson Stunts
Selwyn Eddy Visual Effects Camera
Marc Boyle Stunts
Irvin Kershner Director
John Williams Original Music Composer
Paul Hirsch Editor
Peter Suschitzky Director of Photography
Bob Anderson Stunts
Peter Diamond Stunt Coordinator
Ralph McQuarrie Visual Effects
Phil Tippett Makeup Effects, Animation
Ben Burtt Sound Designer
Svend Johansen Production Manager
Roy Button Second Assistant Director
Harley Cokeliss Second Unit Director
Peter MacDonald Second Unit Director
Rick Baker Makeup Artist
Robert Elswit Visual Effects Lineup
Alan Harris Stand In
Deep Roy Stand In
Marcia Lucas Editor
Bill Hargreaves Propmaker
Richard Bonehill Stunts
Colin Skeaping Stunt Double
Graham Churchyard Costume Assistant
George Hull Visual Effects Art Director
George Lucas Story
Peter Sutton Sound
Lawrence Kasdan Screenplay
Leigh Brackett Screenplay
Name Title
Jim Bloom Associate Producer
Gary Kurtz Producer
Robert Watts Associate Producer
Howard G. Kazanjian Producer
George Lucas Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 47 84 37
2024 5 56 96 39
2024 6 46 62 32
2024 7 54 102 35
2024 8 45 79 29
2024 9 43 59 32
2024 10 47 92 26
2024 11 40 59 32
2024 12 47 67 35
2025 1 45 60 33
2025 2 39 82 7
2025 3 14 47 2
2025 4 8 10 6
2025 5 10 13 9
2025 6 9 11 7
2025 7 7 9 6
2025 8 7 10 6
2025 9 7 10 5

Trending Position


Year Month High Avg
2025 9 53 228
Year Month High Avg
2025 8 50 221
Year Month High Avg
2025 7 50 221
Year Month High Avg
2025 6 43 151
Year Month High Avg
2025 5 9 94
Year Month High Avg
2025 4 41 135
Year Month High Avg
2025 3 36 221
Year Month High Avg
2025 2 42 301
Year Month High Avg
2025 1 68 261
Year Month High Avg
2024 12 65 285
Year Month High Avg
2024 11 89 290
Year Month High Avg
2024 10 156 290
Year Month High Avg
2024 9 94 172
Year Month High Avg
2024 8 130 224

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Reviews

IanBeale
4.0

**Overrated ** An enjoyable film - just not as engaging as parts IV and VI. The argument that Jedi was ruined by little furry creatures is laughable as this instalment features a _little green muppet_. I was expecting Kermit and Miss Piggy to show up. Once we get the impressive Hoth battle ove ... r with the film meanders and crawls along - padding out its running time with predictable romantic sparring and an extended and dull sequence on Degobah. Things finally pick up again at Cloud City but not enough to justify the worship this film receives. I much prefer _Return of the Jedi_ to this one - at least Return of the Jedi gets the emotional juices flowing. This one leaves me as cold as the snow on Hoth. - Ian Beale

Jun 23, 2021
mindfroth
10.0

A masterpiece of cinema. The film transcends the franchise, seamlessly combining elements of myth, science fiction, fantasy, war film, romance, bildungsroman, epic and tragedy in a way that its sequels have been unable to replicate. It is a move without a moment of fluff. Cut anything and the film w ... ould suffer. Story, character, effects, cinematography, music, screenplay, acting, editing and action are all superb. One of the most artistically poignant films ever made. And because its style cannot be replicated, it will continue to appreciate with age. This was a time when George Lucas still had integrity, as evidenced in this 1980 Rolling Stone interview (he has since contradicted much of what he espouses in both word and deed): https://www.rollingstone.com/movies/news/the-empire-strikes-back-and-so-does-george-lucas-19800612 Here's a blog article shows Empire's cinematic chiasmus, or narrative symmetry: https://dejareviewer.com/2014/05/20/cinematic-chiasmus-the-empire-strikes-back-is-a-perfectly-symmetrical-film/ My favorite version is the Team Negative1 Renegade Grindhouse Edition, an unrestored 35mm scan complete with damage and dust. The Despecialized version is okay too. All official releases are desecrations. People may say that Star Wars is dead, but The Empire Strikes Back is deathless.

Jun 23, 2021
John Chard
10.0

It's a dark time for the rebellion; and us the audience as well. Luke, Leia and Han are fighting with the rebels in the hope of defeating the Imperial forces. But Luke gets a calling to the planet Dagobah, where under the tutelage of Jedi Master, Yoda, he hopes to become a Jedi himself, but that ... also brings him closer to his, and Leia's, destiny. Lets tell it as it is, The Empire Strikes Back is a better film than Star Wars, not as impacting of course, but most definitely better. Technically, in story telling and in tone, it holds up well today and certainly warrants the amount of times it crops up in best sequels debates. That it's not actually a sequel is irrelevant, it is of course the filler in a wonderful sci-fi sandwich, because as second instalments go, Empire has few peers. With Empire Strikes Back we get all the whizz bang adventure strewn heart of Star Wars, but George Lucas (stepping aside for Irvin Kershner to direct) has also fleshed the story out with a serious dark tone that oddly becomes a bedfellow to the romantic fun on offer, where new and engaging characters (and creatures) add spice to this wonderful fantastical broth. Aided by the considerable writing talent of Leigh Brackett (The Long Goodbye, Rio Bravo, The Big Sleep), Lucas took the bold and ingenious step of giving the bad guys the upper hand, in fact it could be argued that he was taking a considerable risk with his ending. Forcing his viewers to wait for the final chapter (three years later), after tantalisingly setting us up with a corker of plot twist (one which is still to this day as potent as it was back on release), Lucas pulled perhaps one of the cheekiest carrot dangles in cinema history. Though more famed for its dark undertones, Empire is for sure still a very fun movie, C3PO goes into camp overdrive and Han Solo ups his quip quota by some margin. Then of course there is Yoda, in himself a comedic joy. The action sequences beg for repeat viewings, a battle on the ice laden planet Hoth is a marvel and the choreography for Skywalker's fight with Darth Vader is out of the top draw. But ultimately it's with the dark side that the picture excels. Complex and amazingly posing moral quandary's, The Empire Strikes Back is quite an experience, one that will forever hold up to repeat viewings for this particular viewer. 10/10

May 16, 2024
Wuchak
7.0

_**Fun, imaginative, iconic space adventure with a kick-axx cast**_ "Star Wars V: The Empire Strikes Back" (1980) was the anticipated follow-up to the initial mega-hit blockbuster from 1977. It’s an epic, but simplistic space fantasy about an evil empire and the noble souls who dare to fight it. ... The main cast features Mark Hamill (Luke Skywalker), Harrison Ford (Han Solo), Carrie Fisher (Princess Leia), Billy Dee Williams (Lando Calrissian), Alec Guinness (Obi-Wan Kenobi) and the voice work of James Earl Jones (Darth Vader), Frank Oz (Yoda) and Clive Revill (Emperor). This is an amusing, inventive, iconic space adventure with a stellar cast. While I prefer the adult-oriented space science-fiction of Star Trek, I can’t deny that this space fantasy grants you an entertaining two hours with lots of sci-fi action, space ships, a snowy planet, asteroid caves and mysterious swamps. I also appreciate the mind-powers angle. It doesn’t hurt that Fisher is in her prime and easy on the eyes, not to mention Ford and Williams are at their charismatic best. Even the more obscure Hamill shines in his boyish youth. Then there’s RD-D2, C-3PO and Chewbacca. The film runs 2 hours, 7 minutes. GRADE: B

Jun 23, 2021
r96sk
9.0

Terrific, again. <em>'The Empire Strikes Back'</em> follows up on the greatness of <em>'Star Wars'</em> with a highly enjoyable sequel. This one feels like a big moment in the franchise, at least to someone who doesn't know what's upcoming, as we get sizeable moments alongside some cool character ... reveals. Mark Hamill, Harrison Ford and Carrie Fisher continue to impress in their respective roles, as does James Earl Jones. Elsewhere, Billy Dee Williams and Frank Oz make for strong additions. There are, once again, fun roles for Anthony Daniels, Peter Mayhew and Kenny Baker. I'd say its predecessor has aged better - though that's not to say this film looks even the slightest bit bad, as it still looks fantastic throughout. The plot is as great as before, as is everything else really - namely the music, for one. I think I prefer the 1977 film over this, but there's barely anything separating the two in my thoughts to be honest. Both are awesome!

Jun 23, 2021
GenerationofSwine
10.0

So, I was almost 1 when this movie dropped and, well, it started the opening night tradition. OK, well, how to do this? I guess we will start with the hate. I like to address the hate in movies, especially ones that are well regarded and loved. Now, I'll excuse it for the people that just don' ... t like Star Wars. Everyone is entitled to their own opinion. But then there are the people that really hate Empire because of...reasons. And those reasons are Revenge of the Sith. I'm sorry, panning Empire because of loyalty to the prequels--misplaced as it is--doesn't make I-III any better. It just makes you petty. Now, why its loved and, I'll admit, I am one of those fanboys that really do love this movie. For starters, Empire went dark. It was the really the episode that the good guys lost and, that made it unique among, well, among just about every movie not made in the 1970s. I guess that is what made the 70s such a wonderful time for movies. We could use a little more of that. We could use a lot more of that. We use a lot more gritty in cinema. And, we could use a lot more "lived in" Everything looks too clean. Empire had that. And then it had that big, legendary, reveal that made all those kisses between Luke and Leia utterly wrong once the second big reveal hit in 1983...which explained that look Han gave Leia when she told him in the next installment. Moving on... We have the Battle of Hoth, which, yeah, nerd awesomeness with kind of a WWI trench warfare v tanks feel and a WWII Evacuation of Dunkirk feel with the rebels on the run and the Empire forcing its way across the galaxy with brute strength. And that prolonged time on the Falcon, well, that was just brilliant for character development and, incest blocking. So, really, honestly, there was way too much to love not to put Empire on the throne.

Jan 13, 2023
Geronimo1967
9.0

I have reviewed this film before but I thought that it deserved an extra special mention. Yesterday, this was the first film I saw in a cinema since we were all confined to barracks - and boy what a cracker. Where to start with the superlatives? It's fantastic - right from the opening bars of John W ... illiams' score; on through the three mini-adventures rolled into one, we are treated to a marvellous feast of well-written, snappily directed, entertaining action packed adventure. Picking up from the first film, our rebels are holed up on a frozen planet being relentlessly pursued by Darth Vader. When one of his probes discovers their icebound base, they've got to get the hell out of there. Now sure, the CGI suffers a bit after 40 years; and can someone please tell me what the point of these lumbering Imperial Walkers is? They are like metal polar bears that constantly trip over their own shoelaces, but aside from those most minor of criticisms we have a great story; characters that we care about (personally, I'm an huge Vader fan) and who develop plausible, credible personalities; the detailed animations of "Yoda" are superb to see again on the big screen and it builds excellently to a sword fight the like of which has not been seen since "The Adventures of Robin Hood" (1938). It is, I think, better then the first film and for my money is the best sci-fi film ever made. Made for the big screen - and brilliantly made at that!

Jun 07, 2023