Popularity: 10 (history)
Director: | Steven Spielberg |
---|---|
Writer: | Philip Kaufman, George Lucas, Lawrence Kasdan |
Staring: |
When Dr. Indiana Jones – the tweed-suited professor who just happens to be a celebrated archaeologist – is hired by the government to locate the legendary Ark of the Covenant, he finds himself up against the entire Nazi regime. | |
Release Date: | Jun 12, 1981 |
---|---|
Director: | Steven Spielberg |
Writer: | Philip Kaufman, George Lucas, Lawrence Kasdan |
Genres: | Adventure, Action |
Keywords | saving the world, riddle, nepal, himalaya mountain range, cairo, moses, egypt, whip, treasure, medallion, leather jacket, nazi, hat, mediterranean, ark of the covenant, ten commandments, treasure hunt, excavation, swastika, archaeologist, adventurer, archeology, religious history, 1930s, dramatic |
Production Companies | Lucasfilm Ltd., Paramount Pictures |
Box Office |
Revenue: $389,925,971
Budget: $18,000,000 |
Updates |
Updated: May 19, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Harrison Ford | Indiana Jones |
Karen Allen | Marion Ravenwood |
Paul Freeman | Dr. René Belloq |
John Rhys-Davies | Sallah |
Ronald Lacey | Major Arnold Toht |
Wolf Kahler | Colonel Dietrich |
Anthony Higgins | Gobler |
Denholm Elliott | Dr. Marcus Brody |
Alfred Molina | Satipo |
Vic Tablian | Barranca / Monkey Man |
Don Fellows | Col. Musgrove |
William Hootkins | Major Eaton |
George Harris | Katanga |
Fred Sorenson | Jock |
Anthony Chinn | Mohan |
Eddie Tagoe | Messenger Pirate |
Bill Reimbold | Bureaucrat |
Patrick Durkin | Australian Climber |
Matthew Scurfield | 2nd. Nazi |
Malcolm Weaver | Ratty Nepalese |
Sonny Caldinez | Mean Mongolian |
Pat Roach | Giant Sherpa / 1st Mechanic |
Christopher Frederick | Otto |
Tutte Lemkow | Imam |
Ishaq Bux | Omar |
Kiran Shah | Abu |
Souad Messaoudi | Fayah |
Terry Richards | Arab Swordsman |
Steve Hanson | German Agent |
Frank Marshall | Pilot |
Martin Kreidt | Young Soldier |
John Rees | Sergeant |
Tony Vogel | Tall Captain |
Ted Grossman | Peruvian Porter |
Vic Armstrong | German Soldier (uncredited) |
Peter Diamond | German Soldier (uncredited) |
Nick Gillard | German Soldier (uncredited) |
Romo Gorrara | German Soldier (uncredited) |
Rick Lester | German Soldier (uncredited) |
Rocky Taylor | German Soldier (uncredited) |
Reg Harding | German Lieutenant (uncredited) |
Harry Fielder | German (uncredited) |
Billy Horrigan | Gobler's Gunner (uncredited) |
Terry Leonard | Driver of German Truck (uncredited) |
Sergio Mioni | Driver of German Truck (uncredited) |
Dennis Muren | Nazi Spy on the Airplane (uncredited) |
Glenn Randall Jr. | Flying Wing Mechanic (uncredited) |
Michael Sheard | U-Boat Captain (uncredited) |
Frank Welker | Special Vocal Effects (voice) (uncredited) |
Name | Job |
---|---|
John Williams | Original Music Composer |
Mike Fenton | Casting |
Norman Reynolds | Production Design |
Douglas Slocombe | Director of Photography |
Steven Spielberg | Director |
Michael Kahn | Editor |
Mary Selway | Casting |
Richard L. Anderson | Supervising Sound Effects Editor |
Vic Armstrong | Stunts |
Peter Diamond | Stunts |
Rocky Taylor | Stunts |
Terry Leonard | Stunts |
Sergio Mioni | Stunts |
Philip Kaufman | Story |
Paul Weston | Stunts |
Chuck Waters | Stunts |
Michael D. Moore | Second Unit Director |
Roy Button | Second Assistant Director |
Michael Bay | Production Intern |
Ben Burtt | Sound Designer |
Ron Cobb | Production Artist |
Simon Atherton | Armorer |
Tarak Ben Ammar | Production Coordinator |
Richard Graydon | Stunts |
Graham Churchyard | Costume Assistant |
Joe Johnston | Visual Effects Art Director |
Duwayne Dunham | Assistant Editor |
Romo Gorrara | Stunts |
Bill Weston | Stunts |
Mohamed Ali Cherif | Production Supervisor |
Abdelkrim Baccar | Location Manager |
Harry Ueshiro | Transportation Captain |
Michael Lamont | Assistant Art Director |
Albert Clark | Still Photographer |
Richard Mills | Makeup Artist |
Chris Walas | Special Effects Makeup Artist |
Bob McMillian | Color Timer |
J. Daniel Nichols | Production Coordinator |
Pat McDermott | Key Hairdresser |
Richard Edlund | Visual Effects Supervisor |
Jane Feinberg | Casting |
Paul Huston | Visual Effects |
Rick Lester | Stunts |
Reg Harding | Stunts |
Billy Horrigan | Stunts |
Glenn Randall Jr. | Stunt Coordinator |
Leslie Dilley | Art Direction |
Michael Ford | Set Decoration |
Deborah Nadoolman Landis | Costume Design |
Mike Lockey | Hairstylist |
Tom Smith | Makeup Artist |
Sue Wain | Wardrobe Assistant, Assistant Costume Designer |
John Ott | Driver |
Terry Pritchard | Driver |
Bryan Coates | Location Manager |
Paul Beeson | Additional Photography |
Jim Gillespie | Makeup Artist |
Herbert W. Spencer | Orchestrator |
Chic Waterson | Camera Operator |
Douglas Twiddy | Production Supervisor |
Carl Fortina | Orchestrator |
Bruce Green | Assistant Editor |
Peter Brace | Stunts |
Gerry Crampton | Stunts |
Martin Grace | Stunts |
Jack Dearlove | Stand In |
London Symphony Orchestra | Music |
David Tomblin | First Assistant Director |
Patricia Carr | Assistant Production Manager |
Patrick Cadell | Second Assistant Director |
Mark Mangini | Sound Effects Editor |
Pamela Mann | Continuity |
Robin Vidgeon | Assistant Camera |
Danny Shelmerdine | Second Assistant Camera |
Colin Manning | Dolly Grip |
Martin Evans | Gaffer |
Red Lawrence | Rigging Supervisor |
Bill Welch | Construction Manager |
Frank Bruton | Property Master |
Fred Hole | Assistant Art Director |
John Fenner | Assistant Art Director |
Ken Court | Assistant Art Director |
Ed Verreaux | Production Illustrator |
Andrew Garnet-Lawson | Scenic Artist |
George Djurkovic | Draughtsman |
Sharon Cartwright | Art Department Assistant |
Rita Wakely | Wardrobe Supervisor |
Ian Hickinbotham | Wardrobe Assistant |
Andy Patterson | Dialogue Editor |
John Dunn | Foley Editor |
Kenneth Wannberg | Supervising Music Editor |
Peter Grives | Apprentice Sound Editor |
Deborah Fine | Researcher |
Gill Case | Production Assistant |
Daniel Parker | Production Assistant |
Arthur Carroll | Production Accountant |
Michael Larkins | Assistant Accountant |
Derek Robbins | Unit Publicist |
Samuel Comstock | Animation Supervisor |
Deitrich Friesen | Animation Supervisor |
Patricia Blau | Production Coordinator, Visual Effects Coordinator |
Nilo Rodis-Jamero | Assistant Art Director |
Laurie Vermont | Production Coordinator |
Terry Chostner | Still Photographer |
David Kakita | Production Accountant |
Shirley Lee | Production Accountant |
Laura Kaysen | Production Accountant |
Chrissie England | Administrative Assistant |
Thaine Morris | Pyrotechnician |
Brian Ralph | Negative Cutter |
Louis G. Friedman | Second Assistant Director |
Dorothy Marchini | Production Manager |
Vincent Joliet | First Assistant Director |
Hassine Soufi | Production Manager |
Naceur Ktari | First Assistant Director |
Habib Chaari | Location Manager |
Hassen Soufi | Assistant Art Director |
Ridha Turki | Accountant |
Stella Quef | Accountant |
Bonne Radford | Accountant |
Maile Semitokol | Location Manager |
Alan Brady | Gaffer |
Junior Charles | Production Assistant |
Michael Lloyd | Production Artist |
Wendy Leech | Stunts |
Kit West | Special Effects Supervisor |
George Gunning | Construction Manager |
Keith Short | Modeling |
David Lusby | Set Buyer |
Eric Shirtcliffe | Painter |
Dave Middleton | Construction Foreman |
Peter Hancock | Property Master |
Charles Torbett | Property Master |
Peter Dawson | Special Effects Technician |
Terry Schubert | Special Effects Technician |
Rodney Fuller | Special Effects Technician |
Trevor Neighbour | Special Effects Technician |
Terry Glass | Special Effects |
Bill Warrington | Special Effects |
Chris Condon | Special Effects |
Roy Coombes | Special Effects |
Yves De Bono | Special Effects |
Ken Gittens | Special Effects Assistant |
Ray Hanson | Special Effects Assistant |
Curt Schulkey | Supervising Dialogue Editor |
Eric Whitfield | Assistant Dialogue Editor |
Roy Charman | Production Sound Mixer |
John Salter | Boom Operator |
Bill Varney | Sound Re-Recording Mixer |
Steve Maslow | Sound Re-Recording Mixer |
Gregg Landaker | Sound Re-Recording Mixer |
Eric Tomlinson | Sound Recordist |
Phil Sanderson | Assistant Editor |
Colin Wilson | Assistant Editor |
Gary Summers | Sound Effects |
Stefano Priori | Accountant |
Wally Byatt | Camera Operator |
Jerry Dunkley | Camera Operator |
David Worley | Camera Operator |
Chris Tanner | Assistant Camera |
Eamonn O'Keeffe | Second Assistant Camera |
Jim Kane | Dolly Grip |
Carlos Gil | Second Unit First Assistant Director |
Michael Hook | Second Assistant Director |
Maggie Jones | Continuity |
Bruce Nicholson | Visual Effects Supervisor |
Thomas G. Smith | Visual Effects Supervisor |
Alan Maley | Matte Painter |
Conrad Buff IV | Visual Effects Editor |
Miki Herman | Visual Effects Production Assistant |
Jim Veilleux | Visual Effects Camera |
Bill Neil | Visual Effects Camera |
Don Dow | Visual Effects Camera |
Clint Palmer | Visual Effects Camera |
John T. Van Vliet | Animation |
Kim Knowlton | Animation |
Garry Waller | Animation |
Loring Doyle | Animation |
Scott Caple | Animation |
Judy Elkins | Animation |
Sylvia Keulen | Animation |
Scott Marshall | Animation |
Peter Amundson | Visual Effects Assistant Editor |
Howard Stein | Visual Effects Assistant Editor |
George Lucas | Editor, Story |
Stephen Hunter Flick | Sound Effects Editor |
Lawrence Kasdan | Screenplay |
Drew Struzan | Art Designer |
Name | Title |
---|---|
Frank Marshall | Producer |
Howard G. Kazanjian | Executive Producer |
Robert Watts | Associate Producer |
George Lucas | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 72 | 91 | 53 |
2024 | 5 | 83 | 115 | 57 |
2024 | 6 | 79 | 105 | 60 |
2024 | 7 | 78 | 105 | 52 |
2024 | 8 | 66 | 88 | 50 |
2024 | 9 | 54 | 82 | 41 |
2024 | 10 | 69 | 135 | 45 |
2024 | 11 | 63 | 108 | 42 |
2024 | 12 | 67 | 108 | 53 |
2025 | 1 | 142 | 822 | 52 |
2025 | 2 | 652 | 1520 | 68 |
2025 | 3 | 66 | 245 | 4 |
2025 | 4 | 15 | 23 | 11 |
2025 | 5 | 13 | 24 | 10 |
2025 | 6 | 13 | 17 | 10 |
2025 | 7 | 12 | 15 | 9 |
2025 | 8 | 11 | 13 | 10 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 140 | 405 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 107 | 429 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 75 | 389 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 79 | 366 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 45 | 308 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 61 | 351 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 54 | 202 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 84 | 270 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 70 | 222 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 93 | 222 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 270 | 442 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 193 | 393 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 265 | 407 |
**Trailblazers of a Lost Art** Little wonder James Cameron and Joss Whelon movies are the biggest box-office earners. They are masters of cinematic rhetoric. The unfolding dramatic situations and controlled dialogue are meticulously contrived. Cameron could probably have potted more if it wasn't ... for his earnest, simplistic messages (rich bad; nature good). All three movies (_Titanic_, _Avatar_, _Avengers_) plot along comfortably then suddenly spike spectacularly. But no one has ever laid on the cinematic charm and cajolery like Stephen Spielberg. He was by far the craftiest manipulator of action and melodrama there ever was. He was the progenitor of summer blockbusters and all-ages, all-nations spectacles. At his best he had a gift for re-living and realizing that ethereal and irresistible childhood awe. If _Raiders of the Lost Ark_ (NOT the sequels... NO, not even the father- son one) was made today, exactly the same way, okay maybe in 3D with updated CGI, it would surely land at the top of the box-office heap. It is essentially the first comic book movie that wasn't a comic book (bespectacled mild-mannered Archaeology prof by day and globe-trotting whip-wielding action hero on sabbatical). _Raiders of the Lost Ark_ (the first and only) is arguably the greatest adventure movie ever cooked up. And we, the abject audience, servile participants of the artifice, were licking its boots. We wanted Spielberg and his Indy to rope us in, reel us into the action, and completely have their way with us. We overlooked the emotional manipulation and contrived trappings because it was a pure freaking joy to watch, a Lucas produced godsend. Harrison Ford was born to play it just as Steven was born to direct it. It's really too bad they had to brand and knock off inferior sequels that, while making oodles of money, tarnished the shine of the unsurpassed prototype. Indiana Jones was the perfect reluctant action hero on a selfless mission. A whip-snapping, truck-wrangling, swordster-gunning, Nazi- brawling adventurer who was matched only by his headstrong and sassy love interest, one pistol of a gal who could drink any man under the table. Not enough credit has been given to the great Lawrence Kasdan as the writer of this marvellous adventure. The script is as close to perfect as anybody could scribe. Even a dialogue-heavy expository scene (poisoned dates) was infused with a tense element of suspense. Yes, the story was hyper-fictional, completely contrived, shamelessly far-fetched... and altogether delightful. I wasn't expecting much when I went in to watch it back in 1981, but it had me wanting to do do back-flips on the way out. America's own Fab Four, Larry, Steve, Harrison and George, put on an action-adventure clinic. Possibly the only weak spot in the movie is the climax which had our hero and heroine tied to a stake while God, the almighty Mcguffin from the Old Testament, magically wrapped things up for them. "Don't look" Indy warns, with his patented crooked grin. Are you kidding? We can't possibly take out eyes off of this. With respect to lost Teddy Bears from space and anti-Nazi machinators, Raiders is Spielbergs greatest achievement. It is one of the finest films ever made, of its or any kind. It is, hands down, my desert island movie.
I think for a lot of people, Raiders is their favourite (x) movie. Be that their favourite adventure movie, favourite '80s movie, favourite Spielberg movie, whatever. None of those ring true for me, but it is my favourite Indiana Jones movie. I was a mad fiend for Temple of Doom as a kid, and I've m ... anaged to make multiple teachers put The Last Crusade on in class, so I'm quite a fan of the franchise, but Raiders is the most enjoyable to me... I've never even seen Crystal Skull... So maybe it's dishonest to say I'm a fan of the franchise... I'm a fan of the trilogy! _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Good watch, could watch again, and can recommend. For Spielberg's American Alan Quartermaine, I can certainly understand what the hype is about, but I've never been a big fan myself. For starters, Nazis are boring. I'm sure they were all the rage once upon a time as a classic villain, but it ... doesn't do much for me. Harrison Ford, of course, carries the movie, but Karen Allen plays really well with him throughout the movie and is amazing in her own right. If nothing else, Spielberg is able to shoot a powerful atmosphere, and the movie is captivating and engaging. It's not something I can watch over and over, but when I do watch it I know I'm going to get drawn in and have a great time.
5 stars ⭐️⭐️⭐️⭐️⭐️ My favorite action film of all time due to one of the most iconic death scenes at the end being my personal favorite and being featured in my melt movie lists on many different websites!!! ...
This is trailblazing stuff - a great action film in the vein of earlier Technicolor swashbucklers. Harrison Ford is engaging and hugely charismatic and his battles with Karen Allen and Paul Freeman make for a considered, slightly dark but funny and memorable piece of cinema. So many great films have ... a depth in the cast that offers a multi-layered approach to storytelling. Spielberg cast John Rhys-Davies and Denholm Elliott excellently as Ford's stalwarts. John Williams has a golden baton when it comes to action-scores (akin to Korngold) and the story clearly has a tint of George Lucas' imagination to it. Historically, there is plenty of fiction but that spoils nothing. Not the best of the series, but a very good start...