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Interstellar Poster

Interstellar

Mankind was born on Earth. It was never meant to die here.
2014 | 169m | English

(2408104 votes)

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Popularity: 73 (history)

Details

The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
Release Date: Nov 05, 2014
Director: Christopher Nolan
Writer: Jonathan Nolan, Christopher Nolan
Genres: Adventure, Science Fiction, Drama
Keywords race against time, expedition, black hole, astronaut, space adventure, cornfield, artificial intelligence (a.i.), space travel, quantum mechanics, scientist, time paradox, time manipulation, spacecraft, dystopia, hibernation, robot, space station, 2060s, future, time warp, famine, space, farmer, father daughter relationship, rescue, nasa, wormhole, family relationships, single father, cryonics
Production Companies Legendary Pictures, Syncopy, Lynda Obst Productions
Box Office Revenue: $746,606,706
Budget: $165,000,000
Updates Updated: Aug 04, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Matthew McConaughey Cooper
Anne Hathaway Brand
Michael Caine Professor Brand
Jessica Chastain Murph
Casey Affleck Tom
Wes Bentley Doyle
Topher Grace Getty
Mackenzie Foy Murph (10 Yrs.)
Ellen Burstyn Murph (older)
John Lithgow Donald
Bill Irwin TARS (voice)
David Gyasi Romilly
Timothée Chalamet Tom (15 Yrs.)
Matt Damon Mann
Josh Stewart CASE (voice)
Leah Cairns Lois
Liam Dickinson Coop
Francis X. McCarthy Boots
William Devane Williams
Andrew Borba Smith
Elyes Gabel Administrator
David Oyelowo School Principal
Collette Wolfe Ms. Hanley
Jeff Hephner Doctor
Russ Fega Crew Chief
Lena Georgas Nurse Practitioner
Brooke Smith Nurse
Flora Nolan Girl on Truck
Griffen Fraser Boy on Truck
Kristian Van der Heyden Scientist (uncredited)
William Patrick Brown NASA Employee (uncredited)
Benjamin Hardy NASA Scientist (uncredited)
Joseph Oliveira Astronaut (uncredited)
Alexander Michael Helisek Construction Boss (uncredited)
Name Job
Kendelle Elliott Art Direction
Eggert Ketilsson Art Direction
David F. Klassen Art Direction
Gary Kosko Art Direction
Josh Lusby Art Direction
Eric Sundahl Set Designer, Art Direction
Gary Fettis Set Decoration
Patricia DeHaney Hairstylist
Jose Zamora Hairstylist
Jay Wejebe Makeup Artist
Casey Grant Production Manager
Michelle Brattson Production Supervisor
Jenne Lee Art Department Coordinator
Lynda Foote Costume Supervisor
Heather Moore Costume Supervisor
Hans Bjerno Helicopter Camera
Dane Bjerno Camera Technician
Joel Tobman Art Department Coordinator
Travis Witkowski Assistant Art Director
Craig Henderson Construction Coordinator
Brian Walker Construction Coordinator
Nathan Davey Greensman
Steven Hanks Greensman
Lauren Abiouness Assistant Art Director
Christopher Morente Greensman
Mark Weissenfluh Leadman
Ernie Avila Set Designer
Andrew Birdzell Set Designer
Martha Johnston Set Designer
Noelle King Set Designer
Paul Sonski Set Designer
Sally Thornton Set Designer
Robert Woodruff Set Designer
Dan Engle Sculptor
Cuitlahuac Morales Velazquez Sculptor
Alyson Dee Moore Foley
Ken J. Johnson Sound Effects Editor
Michael W. Mitchell Sound Effects Editor
Jeff Sawyer Sound Effects Editor
Gregg Landaker Sound Re-Recording Mixer
Andrew Bock First Assistant Sound Editor
Linda Yeaney First Assistant Sound Editor
James Paradis Special Effects Coordinator
Dan Neal CG Supervisor
Eugénie von Tunzelmann CG Supervisor
Fabio Zangla Sequence Supervisor
Seth Dubieniec Sequence Supervisor
Evan Clover Animation
Trystan James Animation
Andrew McEvoy Animation
Tom Barrett Visual Effects Editor
Lai Lok Chau Animation
Dorian Knapp Animation
Crystal Hadcroft Visual Effects Editor
Steve Miller Visual Effects Editor
Ann Podlozny Visual Effects Producer
Graeme Puttock Line Producer, Visual Effects Producer
Jenny Basen Line Producer, Visual Effects Producer
Harrison Goldstein Line Producer, Visual Effects Producer
Harold Skinner Gaffer
Martin Keough Gaffer
Sean Oxenbury Rigging Gaffer
Mark Avery Set Costumer
Leigh Bell Set Costumer
Tom Cummins Set Costumer
Sahar Halabi Set Costumer
Kelly Porter Set Costumer
Eric A. Lewy First Assistant Editor
Alex Gibson Music Editor
Ryan Rubin Music Editor
Denny Caira Transportation Coordinator
Bruce L. Brownstein Location Manager
Mandi Dillin Location Manager
Rick Lipton Dialect Coach
Mark Scoon Executive In Charge Of Production
Deanna Brigidi Casting Associate
Frank Reina Production Office Assistant
Donald Likovich Assistant Editor
Paul Healy Set Decoration
Dean Wolcott Supervising Art Director
Andrew Kinney Orchestrator
Bruce Fowler Orchestrator
David E. Hall Post Production Supervisor
Mato Color Timer
R.J. Kizer Dialogue Editor
Hugo Weng Dialogue Editor
Ritchie Kremer Property Master
Scott Wesley Ross Visual Effects Assistant Editor
Jill Christensen Coordinating Producer
Kim Goddard-Rains Coordinating Producer
Inga Bjork Solnes Coordinating Producer
Agata Maliauka Art Direction
Helen Kozora Set Decoration
Kevin Abercrombie Stunts
Mark Fichera Stunts
Greg Harris Stunts
Terry Jackson Stunts
Sean Morrissey Stunts
Frank Torres Stunts
Michael Benton Adler Thanks
Dayton Duncan Thanks
Allissoon Lockhart Additional Production Assistant
Dillon Neaman Additional Second Assistant Director
Kimberly Lennox Costumer
Emily Kwong Art Department Coordinator
Anthea Strangis Assistant Accountant
Jill Hahn Assistant Accountant
Linda Griffis Assistant Accountant
Edward V. Pannozzo Assistant Accountant
Lisa Kisner Assistant Accountant
Pamela DesVigne Assistant Accountant
Brenda McClellan Assistant Accountant
Stefani Rockwell Assistant Accountant
Vicki Platero Assistant Accountant
Brian Mussetter Assistant Camera
Jackson Yu Assistant Editor
Paula Suhy Assistant Editor
William Fletcher Assistant Editor
Justin Harrold Assistant Location Manager
Lori Russell Assistant Location Manager
Michael Glaser Assistant Location Manager
Jorge Luis Alvarezzo Assistant Location Manager
Silja Hauksdуttir Assistant Location Manager
Marjorie Rudick Assistant Production Coordinator
Curtis Corbitt Assistant Property Master
Kelly Wills Assistant Property Master
Olafur Jуnasson Assistant Property Master
Evan Godfrey Executive Producer's Assistant
John Lee Associate Editor
Shannon Deats Best Boy Grip
Kelly Mitchell Camera Production Assistant
John Thellend Carpenter
Keith Church Catering
Erlingur Orn Karlsson Catering
Gudmundur Kokkur Catering
Nathaniel West Concept Artist
Steve Burg Concept Artist
Darrel D. Bricker Construction Foreman
Dawna Hammond Construction Foreman
Charlie Campbell Construction Foreman
Jim Bruder Construction Foreman
Jody Schoffner Costumer
Laura Wong Costumer
Lauren Pratto Costumer
Leticia Sandoval Costumer
Maureen O'Heron Costumer
Sophia Coronado Costumer
Maria K.M. Sundeen Costumer
Laura Bagano Craft Service
Avar Johannsson Dolly Grip
Peter Clemence Dolly Grip
Ryan Monro Dolly Grip
Tim Milligan Dolly Grip
George Santo Pietro Dolly Grip
Cammie Caira Driver
Kevin Caira Driver
Richard Maginnis Driver
Bruce Toy Driver
C.J. Hannis Driver
Andrew Thom Electrician
Jerardo Gomez Electrician
Paul Postal Electrician
Steven D. Castaneda Electrician
Thorir G. Agustsson Electrician
Sean Ricigliano Epk Camera Operator
Jonathan Clark Loader
Jan Gillan First Assistant Accountant
Nolan B. Medrano First Assistant Accountant
Jennifer Omoth First Assistant Accountant
Lena Schmigalla First Assistant Accountant
Philip Shanahan First Assistant "B" Camera
Doug Lavender First Assistant Camera
Nilo Otero First Assistant Director
Laura Rindner First Assistant Editor
Phillis Lehmer Graphic Designer
Brandon Flohr Grip
Chris Cotterman Grip
Don Telles Grip
Donald Jones Grip
Erica Thurlow Grip
Erik F. Hill Grip
Hallgrimur Oddsson Grip
James Viera Grip
Jeffrey A. Johnson Grip
Justin Moran-Duquette Grip
Nick Liampetchakul Grip
Robert Ikeda Grip
Sean Frohardt Grip
Wilson Weaver Grip
Alex Kuchera Grip
Helgi G. Thoroddsen Grip
Deborah Kliewer Hairstylist
David Paris Pilot
Linda Benavente-Notaro Key Costumer
Robin Borman-Wizan Key Costumer
Stacia Lang Key Costumer
Atli Thor Key Grip
Herb Ault Key Grip
John Kuchera Key Grip
Oscar Gomez Key Rigging Grip
Mike Larrabee Lead Painter
Raff Sarabia Lead Painter
Amelia Doescher Lighting Technician
Egill Antonsson Lighting Technician
Francis Padilla Lighting Technician
Ingvar Stefánsson Lighting Technician
Joshua Whitford Lighting Technician
Landin Walsh Lighting Technician
Stefan Wilking Lighting Technician
Vincent Varga Lighting Technician
Dustin Gardner Lighting Technician
Árni Björn Helgason Line Producer
Keomanee Vilaythong Location Manager
Fridrik Ásmundsson Location Manager
Tammy Fox Makeup Artist
Kentaro Yano Makeup Artist, Prosthetics
Pearl Louie Makeup Artist
Adam Mull Modeling
Gregory Jein Modeling
Adam Gelbart Modeling
Andrea Ficele Negative Cutter
Jim Hall Negative Cutter
Mo Henry Negative Cutter
Todd Baillere Negative Cutter
Tom Callinicos On Set Dresser
Steven Kajorinne On Set Dresser
Jeremy Turley Painter
Chauntel Swann Painter
Bobbie Shay Post Production Assistant
Katrina Carrasco Post Production Assistant
Christian Feldhaus Production Accountant
Gene Strange Production Accountant
Alex Solano Production Assistant
Brandon Stewart Production Assistant
Chris Raby Production Assistant
Emily Hoang Production Assistant
Ron Landry Production Assistant
Ashley MacMillan Production Assistant
Mark Laws Production Assistant
Sarah Jane Trohimchuck Production Assistant
Stephen Kievit Production Assistant
Zach Clossin Production Assistant
Finnur Karlsson Production Assistant
Metusalem Bjornsson Production Assistant
Heidrun T. Haralsdottir Production Assistant
Sigridur Sigga Marrow Production Assistant
Helen Medrano Production Controller
Karla Torres Production Coordinator
Sonny Nguyen Prop Maker
Ken Wills Property Master
Brent Heyning Props
John R. Manocchia Rigging Gaffer
Bernie Hagadorn Rigging Grip
Chris Duffy Rigging Grip
Don Domino Rigging Grip
Hugh McCallum Rigging Grip
Jeff Therieau Rigging Grip
Jose F. Barrios Rigging Grip
Matt Almas Rigging Grip
Craig Abele Sculptor
Gianna Isabella Set Production Assistant
Duncan Crawford Sculptor
Richard S. Wilson Second Assistant Accountant
Dan Schroer Second Assistant "B" Camera
Brandon Lambdin Second Assistant Director
Gregory J. Pawlik Jr. Second Second Assistant Director
Valgeir Gunnlaugsson Second Second Assistant Director
Edwin Amell Security Coordinator
Mary Hyde-Kerr Set Costumer
Jack Crowells Set Dresser
Mark Blaydes Set Medic
Kevin A. Canamar Set Medic
George Williams III Set Production Assistant
Hrefna Hagalin Set Production Assistant
Jana Maria Gudmundsdottir Set Production Assistant
K. Hennessy Set Production Assistant
Mitchell Kelly Set Production Assistant
Lindsey Fredieu Set Production Assistant
Spencer Taylor Set Production Assistant
Scott Corban Sikma Set Production Assistant
Amanda Paller Special Effects
Dom Smart Special Effects
Don Dolan Special Effects
Gary Paller Special Effects
Rodney Dolan Special Effects
Todd Bilawchuk Special Effects
Jeffrey Butterworth Special Effects
Stewart DePass Special Effects
Matthew J. Downey Special Effects Assistant
Arthur Clever Special Effects Technician
Darren McCormick Special Effects Technician
Francis J. Ayre Jr. Special Effects Technician
Jуn Andri Guрmundsson Special Effects Technician
Mark Stanton Special Effects Technician
Michael Rifkin Special Effects Technician
Neil Garland Special Effects Technician
Robin Reilly Special Effects Technician
Ronald Epstein Special Effects Technician
Ryan Arndt Special Effects Technician
Scott Roark Special Effects Technician
Terry Hambleton Special Effects Technician
David Jonasson Special Effects Technician
Robert L. Slater Special Effects Technician
David B. Clark Standby Painter
Marsha Ivins Technical Advisor
Jason Z. Kemp Third Assistant Director
Megan Shank Third Assistant Director
Steinarr Logi Nesheim Transportation Captain
Tyler Miller Transportation Captain
Robert J. Morton Transportation Captain
Clyde R. Maliauka Transportation Coordinator
Grant McPhee Transportation Coordinator
Birna Paulina Einarsdóttir Unit Production Manager
Alex M. Cacciarelli Video Assist Operator
Mike Pickel Video Assist Operator
Matt Hillyer Video Assist Operator
James Carlson Additional Music
Gavin Greenaway Conductor
Christian Wenger Score Engineer
Mark Berrow Musician
Nicholas Bucknall Musician
Benedict Cruft Musician
Boguslav Kostecki Musician
Anna Noakes Musician
Andrew Pask Musician
Frank Ricotti Musician
Mary Scully Musician
Yasmeen Al-Mazeedi Musician
Wood Andy Musician
Steve Mair Musician
Roger Sayer Musician
David Arch Musician
Chas Smith Musician
Tom Pigott-Smith Musician
Carl Rydlund Orchestrator
Geoff Foster Scoring Mixer
Alan Meyerson Scoring Mixer
Chuck Choi Score Engineer
Chris Craker Music Score Producer
Leland Cox Score Engineer
Jacqueline Friedberg Score Engineer
Stephanie McNally Score Engineer
Michael Babcock Additional Sound Re-Recording Mixer
Thomas J. O'Connell ADR Mixer
Michael Primmer Boom Operator
Murray Forward Boom Operator
David Lowry Animation Supervisor
Benjamin Charles Color Assistant
Sam Horgan Color Assistant
Scott R. Anderson Color Assistant
Colin P. Brown Colorist
Julia Reinhard Compositing Supervisor
Camille Paleni Compositor
Jon Chesson Compositor
Kalle Peterson Compositor
Thomas Banner Compositor
Joe Wehmeyer Data Wrangler
Garry Maddison Digital Color Timer
Alessandro Zanforlin Digital Compositor
Claudio Bassi Digital Compositor
Frank Petit Digital Compositor
Jaume Creus Digital Compositor
Jim O'Hagan Digital Compositor
Jonathan Bot Digital Compositor
Laide Agunbiade Digital Compositor
Nic Hodgkinson Digital Compositor
Olivier Ryard Digital Compositor
Sebastian Schütt Digital Compositor
Sinisa Radosavljevic Digital Compositor
Thomas R. Steiner Digital Compositor
Thomas Salama Digital Compositor
Tom Whittington Digital Compositor
Travis Porter Digital Compositor
Samual Dawes Digital Compositor
Jeffrey Jasper Digital Effects Supervisor
Blake Winder Compositing Lead
Chris Cooper Matchmove Supervisor
Simon Pynn Matchmove Supervisor
Bret Lu Matte Painter
Sullivan Richard Matte Painter
Faraz Hameed Pre-Visualization Supervisor
Katie Linahon Production Coordinator
Leah Sargent Visual Effects Coordinator
Aaron Noordally Rotoscoping Artist
Abhishek Chaturvedi Rotoscoping Artist
Andrea Chua Rotoscoping Artist
Jerrod Tan Rotoscoping Artist
Kew Lin Rotoscoping Artist
Kross Wong Rotoscoping Artist
Mary Mullan Rotoscoping Artist
Matt Cameron Rotoscoping Artist
Michael Jeff Baldemoro Rotoscoping Artist
Muhammad Hidayat Bin Isnin Rotoscoping Artist
Nicolas Millot Rotoscoping Artist
Riccardo Mascia Rotoscoping Artist
Ruiting Wang Rotoscoping Artist
Sammy Wu Rotoscoping Artist
Sim Chuan Xiong Rotoscoping Artist
Wayne Chan Rotoscoping Artist
Brandon Seifert Senior Modeller
Chris Hawthorne Senior Modeller
Adam Broderick VFX Artist
Carl Fairweather VFX Artist
David Schott VFX Artist
Eliot Speed VFX Artist
Jon Capleton VFX Artist
Kenzo Tee VFX Artist
Leigh Russell VFX Artist
Pete Polyakov VFX Artist
Robin Aristorenas VFX Artist
Joe DeWalt Brown Visual Effects
Joseph A. Zaki Visual Effects
Will Lucas Visual Effects
Jim Thibo Visual Effects Camera
Gretel Ng Visual Effects Coordinator
Katie Stetson Visual Effects Coordinator
Kirsty Davies Visual Effects Coordinator
Linda Barsotti Visual Effects Coordinator
Mariluz Noto Visual Effects Coordinator
Maximillian McNair MacEwan Visual Effects Coordinator
Monica Østbø Østgård Visual Effects Coordinator
Monifa Andrew Visual Effects Coordinator
Sze Jia Eng Visual Effects Coordinator
Timothy Trimmings Visual Effects Coordinator
Tyler Ott Visual Effects Coordinator
Mark H. Weingartner VFX Director of Photography
Tim Angulo VFX Director of Photography
Simon J. Williams Visual Effects Editor
Anne Putnam Kolbe Executive Visual Effects Producer
Kimberly Nelson LoCascio Executive Visual Effects Producer
David Sanger Visual Effects Producer
Kevin Elam Visual Effects Producer
Tien Nguyen Visual Effects Production Assistant
Allison Gardner Visual Effects Production Manager
Daniel Maund Visual Effects Technical Director
David Moraton Visual Effects Technical Director
Lee Tibbetts Visual Effects Technical Director
Thomas J. Burton Visual Effects Technical Director
Tosin Akinwoye Visual Effects Technical Director
Adam Cole Post Production Coordinator
Jonathan Gomez Rigging Grip
Adriene Wyse Camera Loader
Tighe Gill Production Assistant
Hoyte van Hoytema Director of Photography
Lee Smith Editor
Nathan Crowley Production Design
Mary Zophres Costume Design
John Papsidera Casting
P. Scott Sakamoto Camera Operator
Jonathan Nolan Writer
Christopher Nolan Writer, Director
Todd Rex Sculptor
Gábor Kiss Animation
Darryl Stogre Greensman
John Roesch Foley
Richard King Supervising Sound Editor
Andrew Lockley Visual Effects Supervisor
Kevin Kaska Orchestrator
Gary Rizzo Sound Re-Recording Mixer
Steve DeCastro Stunts
Marie Fink Stunts
Diz Sharpe Stunts
Luis Tinoco Digital Compositor
Dan Brown Stunts
Ed Duran Stunts
Jess King Stunts
Aaron Toney Stunts
Craig Hosking Pilot
Jeremy Gladen Post Production Assistant
Daniel M. Stillman Unit Production Manager
Rachel Bolt Musician
Alicia Vela-Bailey Stunts
Michelle Faye Fraser Still Photographer
Czarina Russell Music Consultant
Laura Lee Connery Stunt Coordinator
Mark Norby Stunts
Richard Harvey Conductor
Ken Burns Thanks
John Isaacs Key Hair Stylist
Gary Hawes Second Assistant Director
Thorunn Gudlaugsdottir Set Production Assistant
Ann Marie Simpson Musician
Junaid Syed Visual Effects Technical Director
Ian Hunter Visual Effects Supervisor
Mark Weingarten Sound Mixer
Gregory Irwin First Assistant "A" Camera
Hans Zimmer Original Music Composer
Melinda Sue Gordon Still Photographer
George Cottle Stunt Coordinator
Dixie Webster-Davis Casting
Tulio Dueñas Second Assistant "A" Camera
Paul J. Franklin Visual Effects Supervisor
Olivia McCallum Set Production Assistant
Graham Page Compositing Supervisor
Luisa Abel Makeup Department Head
Michael Li Stunts
Scott R. Fisher Special Effects Supervisor
Name Title
Jordan Goldberg Executive Producer
Jake Myers Executive Producer
Debbie Schwab Supervising Producer
Christopher Nolan Producer
Emma Thomas Producer
Kip Thorne Executive Producer
Thomas Tull Executive Producer
Kaari M. Autry Producer
Lynda Obst Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 241 391 176
2024 5 411 492 365
2024 6 286 406 181
2024 7 193 250 128
2024 8 192 285 154
2024 9 206 287 146
2024 10 172 261 136
2024 11 229 433 147
2024 12 218 339 169
2025 1 329 461 206
2025 2 258 371 45
2025 3 84 288 4
2025 4 45 50 36
2025 5 37 44 33
2025 6 38 47 32
2025 7 37 52 31
2025 8 42 52 36
2025 9 53 76 36

Trending Position


Year Month High Avg
2025 9 2 26
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2025 8 19 47
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2025 7 25 51
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2025 6 20 46
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2025 5 20 64
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2025 4 15 39
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2025 3 14 37
Year Month High Avg
2025 2 10 46
Year Month High Avg
2025 1 14 36
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2024 12 17 42
Year Month High Avg
2024 11 25 46
Year Month High Avg
2024 10 50 121
Year Month High Avg
2024 9 33 51
Year Month High Avg
2024 8 46 69

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Reviews

Rangan
9.0

Well, one off from two of this year's most expected movies alongside 'The Battle of Five Armies'. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was mo ... re dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother. As we know many had liked 'Inception', to me that was a simple multi-layered action movie, that's all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience. It all begins like Shyamalan's 'Signs' movie with a family living surrounded by corn field. Then switches to 'The Astronaut Farmer' and going through 'Gravity', finally meets the 'Inception'. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference. As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought '2001: A Space Odyssey' is a boring piece, Cleverly written cinematic piece especially for science geeks. I don't know how perfect the movie to the actual present astrophysics, but will justify for the common people's capacity of understanding with an encourageable amount of commercial elements in it to entertain as well. The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction. There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie 'Inception'. In a perfect way to say the first 75% was 'The Tree of Life' and the remains are 'Inception'. ‘‘This world's a treasure, but it's been telling us to leave for a while now.’’ All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There's no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon's was the crucial one. Remember the movie 'Contact', a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can't run backwards, so that's the trouble. Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace '2001: A Space Odyssey' for sometime till another one make this way. I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from 'Cloud Atlas'. But still independently stands strong and falls in a never seen before category. ‘‘Maybe we've spent too long trying to figure all this out with theory.’’ The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I. The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I'm no one fan, I just love watching everyone's every movie. I would have went to see it again if it was converted into digital 3D, since I'm modern tech geek when it comes to the films. It will become a talk of the week, perhaps month all over the world, so don't leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone's recommendation because his movies usually sell itself like the hot samosa.

May 16, 2024
decovision
10.0

People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn't really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie. Interstellar is up there in his top 3, with The Dark Kni ... ght being number 1 and Inception in number 2. I don't think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels. I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed. Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start. I read hat his next movie is to be released in July 2017, I can't wait to find out everything about it like i have since he began. If you're unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug.

Jun 23, 2021
tanty
7.0

Another grandiloquent movie from Christoper Nolan. The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan's movies. I think mistakes but it may be that they are the points Nolan fans enjoy th ... e most ... * The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical. * There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly. * To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome. All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan.

Jun 23, 2021
Spartan117
10.0

"Man kind was born on earth, it was never meant to die here." IT has been two days since I watched it and I still can't get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to ... somehow Re-Watch it again. This movie was surprisingly different from Christopher Nolan's recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn't felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I'll say this though, If it works for you, you'll be in heaven. The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too. Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded. Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which 'Time' had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I'm actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan's tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets. The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer's best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn't had a clue about my surroundings. I didn't want those scenes to end. Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it. With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year's best, one of Nolan's best work and one of the best movie I have seen in recent years. 9.5/10

Jun 23, 2021
shaunfrombklyn
10.0

This was my most anticipated film of 2014, and I was not disappointed. The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn't find its overall message - that love is ... the most powerful force in the universe which transcends space and time - to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they're in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn't think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through. But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the 'feel' of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer's best work yet, and although I'm not Christopher Nolan's biggest fan, I will continue to follow his work if he can pull off more movies like this. My only regret was not seeing this film in IMAX. 10/10

Jun 23, 2021
Dark Jedi
4.0

That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theat ... er (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either. Be warned that the rest of this review might contain a spoiler or two. The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience. The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense! The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie. The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design? The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea.

May 16, 2024
akashmahajan
N/A

Again hit produced by christopher nolan after batman. Storyline is great and also the science theory is perfectly showcased. ...

Jun 23, 2021
sybddlatfu
N/A

This might contain spoilers! --- Interstellar is my favorite movie. I'm really into space and everything about it, so this movie was my cup of tea. The soundtrack is the best of the movie. It points out flow of time, which is the most discussed issue in the movie. Special effects are breathtakin ... g. Even with some small mistakes, it is pretty accurate and expectable. There is some visually pleasing cinematography too, including Saturn, the curvature of spacetime or majestic black hole, which is really satisfying. Some scenes are loud and thrilling, but some moments are so quiet, that you actually think, you are in space! The movie is long but gripping. The plot, although it's complicated, is told easily and understandably. But the end of the movie is difficult to understand, since it contains time loop and time travel at the same time, but if you listen carefully, you will get it. I watched the movie 7 times and I still enjoy it!

Jun 23, 2021
MatthewL.Brady
9.0

"Do not go gentle into that good night; Old age should burn and rave at close of day. Rage, rage against the dying of the light". The story is about a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future am ... ong the stars. Christopher Nolan once said that 2001: A Space Odyssey was his all time favorite film and how he wanted to do a small tribute to he's next film. And then comes a movie called "Interstellar" that will put a smile on Kubrick face if he was alive today, because Interstellar is one of the best movie of 2014 and the best movie experience I've had at the cinema. I saw this movie in IMAX and all through out this film I felt like I was in space floating around with Mconaughey and Anne Hathaway. I had that feeling that I was going deep into space just like are main character's, going deep into space just like the viewing auditions and me. The visual effect's in this movie are some of the most stunning, beautiful and Jaw dropping effect's I've seen since 2001: A Space Odyssey. The performances were brilliant, The cinematography was breathtaking and hard to look away. The directing by Christopher Nolan and let me get this out there, this man is a true director; he knows cinema and knows how to interested people into seeing he's films and I'm still shocked that he hasn't won an Oscar yet. Now most people or critics have said that last third of this movie ruined the movie for them, but I actually like the ending to the movie. It's new for Nolan because he always ends on a deep and cold note, but this movie didn't and I didn't mind it. My only nick pick with the movie is some of the character's in this movie wasn't all that interesting. Matthew McConaughey, Anne Hathaway and Jessica Chastain are the only character's that to me were interesting and I cared for them, but the rest of the character's I didn't really care for. Overall Interstellar is a mind-blowing movie with fantastic visual's, interesting story line and the movie will keep you interested till the end.

Jun 23, 2021
narrator56
9.0

I will not add another in depth review to the several I see here on this movie. Nor will I try to evaluate the accuracy of the science behind the plot. Apparently a physicist was involved who had veto power if the script wandered out of the realm of what is at least theoretically true or possible. ... But I have never let inaccuracies get in the way of enjoying science fiction movies anyway, as long as the movie is entertaining and otherwise doesn’t insult my intelligence. In the movie Monsters, for example, I read that giant the aliens looking like octopuses could not have walked upright. Fair enough, but it is entertainment, not a documentary. So the human story of Interstellar held my attention in spite of the length of the film, and despite the elaborate special effects, that story drove the movie and my appreciation of it. I have always liked good time travel movies as well, and theories of space and time come into play in Interstellar as well. Oh, and I say it is entertainment rather than a documentary, but it is not light entertainment. If you want to give this movie a fair chance, give it your full attention. It is not Mars Attacks, where you can watch it while distracted by life and still pick up on plot details.

Nov 02, 2021
kheirnandez
10.0

I've got to say I have been wanting to watch this film for a while now and well it's 2021 and it's a Saturday morning and damn, safe to say this is one of the best films I have ever watched in my life. loved everything about It. The creativity and intelligence put into this film is just mind-blowing ... considering the fact it is a 2014 film. This clearly shows that mankind will one day achieve the most unexpected and unthought discoveries. Love and respect to the director Christopher Nolan you are a legend.

Nov 29, 2021
lowkimhoe
9.0

It opens my mind after I watched this movie. I have watched it twice to figure out everything on the movie. Basically, this is the movie talking about earth is not a good place to stay anymore. People have to go to space to find another homeland. It reminds me that we will be like them if we didn't ... care much on environment

Jul 15, 2022
Geronimo1967
7.0

As humanity faces an existential crisis, farmer "Cooper" (Matthew McConaughey) and his family are fighting a losing battle against an environment determined to destroy what is left of their corn crop. Mystery arrives after a sand storm leaves some magnetic clues to a secret location inhabited by NAS ... A scientists led by "Brand" (Sir Michael Caine) who manage to convince former pilot "Coop" to join a mission to go into space and, using a recently detected wormhole that he believes may have been deliberately sent to help mankind rescue itself, set off to find another home for us all. Leaving a seriously narked daughter behind, he accepts the mission and together with the daughter of "Brand" (Anne Hathaway) their perilous trek begins. This is a more solid sci-fi adventure from Christopher Nolan. Though it features doses of his usual time bending scenarios, for the most part it is an exciting action film with mishaps a-plenty as their mission sees danger at just about every junction. There is a decent chemistry between Hathaway and McConaughey allowing the characters to develop with some depth that helps to draw us into to their efforts. The visual effects are superb, it has TARS - a rather clunkily designed robot that proves a whizz when running and rescuing, and the ending has something of the Escher drawing to it. The narrative can be thought provoking offering quite an interesting series of choices, especially when Matt Damon ("Mann") joins the story and begins to challenge their approach to just what "humanity" might actually be! A host of celebrated co-stars prop it up well. John Lithgow is effective as the patriarch of the family and Casey Affleck and Wes Bentley help diffuse the intensity of the principal relationship as the space-bound menace gradually accumulates. It's all but three hours long, and there is no denying that it hits a barren spell at times during the middle hour, but for my money this is a Nolan film that does not over-complicate itself and is as good a science fiction thriller as I've seen in many a year.

Jul 28, 2022
tropicalicecedar
N/A

This mind-bending sci-fi masterpiece took me on an unforgettable journey through space and time. From its breathtaking visuals to the captivating performances, the film had me hooked from start to finish. I couldn't help but be inspired by its thought-provoking themes about love, sacrifice, and the ... boundless nature of human exploration. "Interstellar" truly left me in awe and is an absolute must-watch for any movie enthusiast.

Jul 27, 2023
r96sk
10.0

What a cracker! So glad to finally tick <em>'Interstellar'</em> off my theoretical list, took me far too long to get around to it but boy am I glad I finally have done - sensational film! The most obvious sign of that being the case is how the ~2hr30min run time goes by in an absolute flash... <e ... m>*insert joke about it like being aboard Endurance here*</em> I'm obviously not able to add anything new to what many, many others have already said gushingly about this 2014 flick, so I can only say I'm sure I agree with the vast majority of whatever praise this has received. As one would expect from Christopher Nolan & Co., it's incredibly well made, sounds amazing and looks out-of-this-world (ha!) stunning. Matthew McConaughey puts in an incredible performance as lead, most notably nailing all of the emotion-filled scenes - not that I care about these things personally, but I'm shocked to see the lack of high accolades that came his way from this... he merited more! Aside from him, there are very good showings from the likes of Jessica Chastain, Mackenzie Foy and Anne Hathaway. I will note one 'but', mind. I didn't love the bits at the end involving the dimensional tesseract, don't get me wrong at all it's still superb viewing... just a noticeable drop from all that preceeds it, which honestly simply says more about how outstanding everything else prior is really. I thought similarly about (the equally magnificent) <em>'<a href="https://letterboxd.com/film/everything-everywhere-all-at-once/" rel="nofollow">Everything Everywhere All at Once</a>'</em>, for example. In short: just a nit-pick, tbh. All in all, phenomenal!

Jan 01, 2024
madriyanto
9.0

Christopher Nolan's "Interstellar" (2014) isn't just a science fiction film; it's a cinematic experience that transcends genre boundaries. It's a breathtaking exploration of humanity's yearning for survival, the profound power of love, and the awe-inspiring mysteries of the universe. The film's g ... reatest strength lies in its seamless blend of a deeply personal story with cutting-edge scientific concepts. We follow Joseph Cooper (Matthew McConaughey), a former pilot turned farmer, who is chosen to lead a mission to find a new home for humanity. The film doesn't shy away from complex scientific ideas like wormholes, black holes, and the theory of relativity, but it presents them in a way that is both accessible and captivating. The scene where Cooper encounters his aged daughter while he himself remains relatively young is a poignant example of how the film masterfully intertwines science and emotion, leaving viewers pondering the nature of time and the enduring power of familial bonds. "Interstellar" is not for the casual viewer. It demands attention, patience, and a willingness to engage with complex ideas. The film's pacing is deliberate, its visuals are stunningly immersive, and its themes are profound. It's a film that rewards repeated viewings, as each watch unveils new layers of meaning and scientific detail. The film's impact is further amplified by Hans Zimmer's haunting score, which perfectly captures the vastness of space and the weight of humanity's fate. Nolan's direction is masterful, creating a sense of awe and wonder that is both captivating and emotionally resonant. McConaughey delivers a nuanced performance as Cooper, a man grappling with the weight of his mission and the sacrifices he must make. The supporting cast, including Anne Hathaway, Jessica Chastain, and Michael Caine, also deliver compelling performances that further elevate the film's emotional impact. "Interstellar" is a film that stays with you long after the credits roll. It's a testament to the power of human ingenuity, the enduring nature of love, and the endless possibilities that lie beyond our planet. It's a film that reminds us of our place in the universe, and the profound interconnectedness of all things. For those who appreciate thought-provoking science fiction with a strong emotional core, "Interstellar" is an absolute must-see.

Jun 21, 2024
RalphRahal
10.0

"Interstellar" is easily one of the best movies I’ve ever watched, definitely in my top 5 of all time. It’s a masterpiece that feels like every scene matters. Each moment carries an important message, whether it’s about love, sacrifice, or the endless curiosity of humans to explore the unknown. It’s ... not just a movie, it’s an experience. The performances by the actors were amazing. Matthew McConaughey as Cooper really made me feel every bit of his emotions; his love for his kids, his struggle, and his determination to save humanity. Anne Hathaway also nailed her role, and Jessica Chastain, as adult Murph, was just perfect. Even the smaller roles added so much depth to the movie. It felt like everyone gave their absolute best. Christopher Nolan’s direction? Flawless. You can see how much thought and care he put into every part of the movie. The production was top-notch, and the visuals of space were breathtaking. Even the robots, TARS and CASE, felt real and practical, not just fancy CGI. Fun fact: those robots were real models controlled by an actor, which is crazy to think about! The black hole, Gargantua, was also scientifically accurate thanks to physicist Kip Thorne, and it looked stunning on screen. The soundtrack by Hans Zimmer deserves its own shoutout. The way he used the church organ and ticking sounds created a mood that’s unforgettable. It felt like the music was alive and part of the story, pulling me deeper into every scene. The movie also taught me things. I love how it’s based on real science, like time dilation and wormholes, but it doesn’t feel boring or like a science lesson. Instead, it made me curious and left me thinking long after it ended. One thing that stood out for me is how the movie shows the power of love and connection. The relationship between Cooper and his daughter Murph was the heart of the story for me. It reminded me that even in the vastness of space, what truly matters are the people we care about. "Interstellar" isn’t just about saving the world; it’s about what it means to be human. Watching it makes you think about big questions: Why are we here? What’s our purpose? And how far are we willing to go for the ones we love? It’s rare to find a movie that’s this entertaining, emotional, and thought-provoking all at the same time. This is the kind of movie I could watch over and over again and still find new details to appreciate. It’s honestly hard to put into words how much I love it, but if you’ve seen it, you know what I mean. It’s a masterpiece that stays with you.

Dec 17, 2024