Popularity: 7 (history)
Director: | Neil Burger |
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Writer: | Evan Daugherty, Vanessa Taylor, Veronica Roth |
Staring: |
In a world divided into factions based on personality types, Tris learns that she's been classified as Divergent and won't fit in. When she discovers a plot to destroy Divergents, Tris and the mysterious Four must find out what makes Divergents dangerous before it's too late. | |
Release Date: | Mar 14, 2014 |
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Director: | Neil Burger |
Writer: | Evan Daugherty, Vanessa Taylor, Veronica Roth |
Genres: | Adventure, Action, Science Fiction |
Keywords | futuristic, based on young adult novel, future, individuality, dystopia, caste system, based on novel or book, alternative reality |
Production Companies | Summit Entertainment, Red Wagon Entertainment |
Box Office |
Revenue: $288,885,818
Budget: $85,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Shailene Woodley | Beatrice 'Tris' Prior |
Theo James | Tobias 'Four' Eaton |
Zoë Kravitz | Christina |
Miles Teller | Peter Hayes |
Jai Courtney | Eric Coulter |
Ansel Elgort | Caleb Prior |
Ashley Judd | Natalie Prior |
Tony Goldwyn | Andrew Prior |
Ray Stevenson | Marcus Eaton |
Kate Winslet | Jeanine Matthews |
Maggie Q | Tori Wu |
Mekhi Phifer | Max |
Ben Lloyd-Hughes | Will |
Amy Newbold | Molly Atwood |
Ben Lamb | Edward |
Janet Ulrich Brooks | Erudite Teacher |
Clara Burger | Little Abnegation Girl |
Anthony Fleming III | Guard |
Christian Madsen | Al |
Ryan Carr | Dauntless Man |
Alexander Hashioka Oatfield | Erudite Guard |
Will Blagrove | Dauntless Patrol Man |
Rotimi | Ezra |
Justine Wachsberger | Lauren |
Michael Gideon Sherry | Bullied Abnegation Boy |
Lukas Burger | Jonathan Ziegler |
Austin Lyon | Zipline #1 |
Renee Morrison | Zipline #2 |
Lucas Ross | Zipline #3 |
Chris Hayes | Dauntless Instructor |
Ana Corbi | Factionless Girl |
Eric Kaldor | Factionless Man #1 |
Alice Bowden | Factionless Woman #2 |
Cleo Anthony | Dauntless Patrol #1 |
Alice Rietveld | Dauntless Patrol #2 |
Brad Greiner | Dauntless Patrol #3 |
Yasmine Aker | Dauntless Patrol #4 |
Michael James Bell | Erudite Scientist #1 |
Leigh Bush | Erudite Scientist #2 |
Bob Rumnock | Older Abnegation Man |
Elyse Cole | Ten-year-old Tris |
Efé | Candor Judge |
Christopher Weir | Candor Lawyer |
Doyle Brand | Candor Witness |
Faye Jackson | Abnegation Woman |
Scott Roberts | Abnegation Man |
Sophia Marzocchi | Candor Attorney #2 |
Name | Job |
---|---|
Nate Hitpas | Utility Stunts |
Josh Yadon | Utility Stunts |
Craig Henningsen | Utility Stunts |
Tara Macken | Utility Stunts |
Nito Larioza | Utility Stunts |
Matthew LeFevour | Utility Stunts |
Alicia Skirball | Utility Stunts |
Rob Mars | Utility Stunts |
Natascha Hopkins | Utility Stunts |
J.J. Perry | Fight Choreographer |
Gui DaSilva-Greene | Stunts |
Garrett Warren | Stunt Coordinator, Second Unit Director |
Ellie Goulding | Original Music Composer |
Chad Wiebe | Visual Effects Supervisor |
Michael Burgess | "B" Camera Operator |
Nick S. Cross | Art Direction |
Neil Burger | Director |
Alwin H. Küchler | Director of Photography |
Richard Francis-Bruce | Editor |
Eric Hoehn | Sound Effects Editor |
Wylie Stateman | Supervising Sound Editor |
Colin Follenweider | Stunt Coordinator |
Evan Daugherty | Screenplay |
Karin Silvestri | Stunt Double, Stunts |
Spencer Stone | Stunts |
Brad Einhorn | Property Master |
Tom Holkenborg | Original Music Composer |
Jake Polonsky | Second Unit Director of Photography |
Bing Liu | Camera Production Assistant |
Harry Cohen | Supervising Sound Editor |
Matt Mullins | Stunts |
Ronn Surels | Stunts, Utility Stunts |
Alicia Vela-Bailey | Stunt Double |
John Davis | Storyboard Artist |
Hector C. Gika | Sound Effects Editor |
Gary A. Hecker | Foley Artist |
Ranjani Brow | ADR Voice Casting |
Trevor Loomis | First Assistant "A" Camera |
Erik Audé | Utility Stunts |
Dan Brown | Utility Stunts |
Ashleigh Dejon | Utility Stunts |
Eddie J. Fernandez Jr. | Utility Stunts |
Justin Gant | Utility Stunts |
Mark Harper | Utility Stunts |
Adam Hart | Utility Stunts |
Natalie M. Meyer | Utility Stunts |
Erik Solky | Utility Stunts |
Greg Poljacik | Utility Stunts |
Paul Lacovara | Utility Stunts |
Luci Romberg | Utility Stunts |
Anita Hart | Utility Stunts |
Jessen Noviello | Utility Stunts |
Mallory Thompson | Utility Stunts |
Chris Nolte | Utility Stunts |
Christian Litke | Utility Stunts |
Vanessa Taylor | Screenplay |
Nancy Richardson | Editor |
Venus Kanani | Casting |
Andy Nicholson | Production Design |
Andrew Max Cahn | Art Direction |
Chris Cleek | Art Direction |
A. Todd Holland | Art Direction |
Anne Kuljian | Set Decoration |
Carlo Poggioli | Costume Design |
Brad Wilder | Makeup Department Head |
Sean Richard Budde | Propmaker |
Joseph Conenna | Leadman |
Cosmas A. Demetriou | Set Designer |
Cindy M. Ichikawa | Art Department Coordinator |
Tammy S. Lee | Assistant Art Director |
Richard Reynolds | Set Designer |
Marco Rubeo | Set Designer |
Anthony Syracuse | Construction Coordinator |
David Tennenbaum | Set Designer |
Shayna Brown | Sound Re-Recording Mixer |
Dror Mohar | Sound Effects Designer, Sound Designer |
Kevin J. Summers | Boom Operator |
Patrick Finley | Visual Effects Supervisor |
Sarah Swick | Visual Effects Producer |
Emerito Trevino | Lighting Artist |
Valerie Zielonka | Costume Supervisor |
George Chavez | Color Timer |
Adam Milo Smalley | Music Editor |
Sam Zeines | Music Editor |
Jon Gustafsson | Transportation Captain |
Ryan Herem | Transportation Captain |
Valeria Migliassi Collins | Script Supervisor |
Julie Hannum | Location Manager |
Susan Hegarty | Dialect Coach |
Tanera Marshall | Dialect Coach |
James R. McAllister | Location Manager |
Dominic Charles Ferris | Thanks |
Bill Reilly | Thanks |
Greg Baxter | Visual Effects Producer |
Matthew Moriarty | Camera Operator, Steadicam Operator |
Christopher Rejano | Camera Operator |
Jaap Buitendijk | Still Photographer |
Peter Zuccarini | Underwater Camera |
Jody Williams | Additional Camera |
Dane Bjerno | Camera Technician |
Alejandra Ford | Makeup Artist |
Gloria Pasqua Casny | Hairstylist, Hair Department Head |
Jules Holdren | Hairstylist |
Kevin Haney | Prosthetic Makeup Artist, Makeup Effects |
Annalisa Adams | Set Costumer |
Rocio Estrada Blackwell | Set Costumer |
Gia Jimenez | Set Costumer |
Jamie Rush | Set Costumer |
Victor H. Soto | Set Costumer |
Katherine Wright | Set Costumer |
Toby Francis-Bruce | First Assistant Editor |
Chris Mulsoff | Rigging Gaffer |
Dan Riffel | Gaffer |
Brian N. Bentley | Compositors |
Michael Hertlein | Dialogue Editor |
Frederick H. Stahly | Dialogue Editor |
Margit Pfeiffer | Dialogue Editor |
Nerses Gezalyan | Foley Mixer |
Anna MacKenzie | Supervising ADR Editor |
Gary Marullo | Foley Artist |
Hans Bjerno | Aerial Director of Photography |
John Trapman | Aerial Director of Photography |
Brian Tarlecki | ADR Recordist |
Shaul Dover | ADR Recordist |
David Obermeyer | Production Sound Mixer |
Mary Castor | Makeup Artist |
Jim Berney | Senior Visual Effects Supervisor |
Randall Poster | Music Supervisor |
John J. Kelly | Unit Production Manager |
Vincent Lascoumes | First Assistant Director |
Artist W. Robinson | First Assistant Director |
Christophe Le Chanu | Second Assistant Director |
Donna Sloan | Executive In Charge Of Production |
Jill S. Litwin | Studio Teacher |
Lisa Nichols | Studio Teacher |
Michael Franck | Pilot |
Tina Anderson | Post Production Supervisor |
Steven Kaminsky | Post Production Supervisor |
Zoë Bower | Post Production Coordinator |
Jim Shelton | Key Grip |
Michael James Fahey | Best Boy Grip |
Kelly R. Borisy | Dolly Grip |
Kyle Buff | Rigging Grip |
Timothy Jipping | Rigging Grip |
Colin Robertson | Rigging Grip |
Matt Jahnke | Rigging Grip |
Darin Devonshire | Rigging Grip |
Kevin Wisor | Best Boy Electric |
Michael Lowrance | Best Boy Electric |
Chris Wolfgang Mauch | Storyboard Artist |
Karen Teneyck | Graphic Designer |
Bradley Good | Assistant Property Master |
Yves De Bono | Special Effects Supervisor |
Elaine Ramires | Key Costumer |
Chandra Moore-Telfer | Ager/Dyer |
Giampiero Grassi | Tailor |
Jessica Gisin Needham | Extras Casting |
Erin Stewart Tiedje | Extras Casting |
Jonathan Kinnas | Extras Casting |
Matthew K. Grigsby | Production Accountant |
Jeffrey Gladu | Payroll Accountant |
Paula Stier | Production Coordinator |
Jeremy Beiermann | Production Coordinator |
Andy Spellman | Second Second Assistant Director |
Jason Dusenske | Additional Second Assistant Director |
Charles Simmers | Additional Second Assistant Director |
James Hogan | Transportation Coordinator |
Joseph Paoletti | Transportation Captain |
Greg Steele | ADR Mixer |
Bryan Lawson | Supervising Music Editor |
Amy Pawlowski | Digital Intermediate Editor |
Eileen Godoy | Digital Intermediate Producer |
Matt Wallach | Dailies Operator |
Bryan Goeres | Second Unit First Assistant Director |
Dieter Busch | Second Unit First Assistant Director |
Paul Hughen | Second Unit Director of Photography |
Jeff Valeri | Production Supervisor |
Chris Wittenborn | Second Assistant "A" Camera |
Peter Kuttner | First Assistant "B" Camera |
Dave Wightman | Additional First Assistant Camera |
Martin Schaer | "A" Camera Operator |
David J. Thompson | "B" Camera Operator, Steadicam Operator |
Keith Hueffmeier | Additional Second Assistant Camera |
Brian Spirnak | Assistant Editor |
Catherine Chase | Visual Effects Editor |
Christy Taddeo | Grip |
Ed Titus | Grip |
David Tomita | Grip |
Len Levine | Gaffer |
Justin Holdsworth | Gaffer |
Keith Kolecki | Set Dresser |
Scott Dwyer | Special Effects Technician |
Tracy Reuter | Costume Coordinator |
Suzi Ostos | Key Makeup Artist |
Amanda Vinopal | Costumer |
Nancy Cavallaro | Costumer |
Gina Panno | Costumer |
Zsófia Ötvös | Makeup Artist |
Tony Mirante | Key Hair Stylist |
Krystal Mathiesen | First Assistant Accountant |
Robert McGlinchey | Visual Effects Coordinator |
Brianna Domont | Visual Effects Production Assistant |
Matt Dessero | Visual Effects Supervisor |
Andy Foster | Visual Effects Producer |
Blake Sweeney | Digital Effects Supervisor |
Svetlana Tesnes | Visual Effects Coordinator |
Kat Greene | Visual Effects Coordinator |
Lauren Gauthier | Visual Effects Coordinator |
Marion Spates | CG Supervisor |
Greg Stuhl | Modeling |
Sung Churl Kim | Modeling |
Keith Roberts | Animation Supervisor |
Marshall Richard Krasser | Visual Effects Supervisor |
Paul Kolsanoff | Visual Effects Producer |
Andy Lesniak | CG Supervisor |
Brian Howald | Compositing Lead |
Joel Kittle | Modelling Supervisor |
Berj Bannayan | Visual Effects Supervisor |
Jorge Razon | Digital Effects Supervisor |
Allan Magled | Visual Effects Producer |
Daniel Lu | 3D Artist |
Andrew Winters | 3D Artist |
Bryan Howard | 3D Artist |
Greg Winhall | 3D Artist |
Philip Trieu | 3D Artist |
Sujesh V. Chitty | Matte Painter |
Marcin Nikiforuk | Matte Painter |
Donny Rausch | Compositing Supervisor |
Edson Williams | Visual Effects Supervisor |
Max Leonard | Visual Effects Producer |
Meghan Currier | Music Coordinator |
Kristina Baskett | Utility Stunts |
Brandon Beckman | Utility Stunts |
Randy James Beckman | Utility Stunts |
Shawn Bernal | Utility Stunts |
Jeff Bruno | Utility Stunts |
Ryan Carr | Utility Stunts |
Brian Christensen | Utility Stunts |
Shane Daniels | Utility Stunts |
Loren Dennis | Utility Stunts |
Rockey Dickey Jr. | Utility Stunts |
Myke Schwartz | Utility Stunts |
Jay Hawkins | Utility Stunts |
Amber Whelan | Utility Stunts |
Trevor Habberstad | Utility Stunts |
Chase Penny | Utility Stunts |
Cord Walker | Utility Stunts |
Deborah L. Mazor | Utility Stunts |
Dan Mast | Utility Stunts |
Marty Murray | Utility Stunts |
Denise Baker | Hairstylist |
Rob Bliss | Concept Artist |
Veronica Roth | Novel |
Mary Vernieu | Casting |
Michael Keller | Sound Re-Recording Mixer |
Hans Zimmer | Music Score Producer |
Mike Prestwood Smith | Sound Re-Recording Mixer |
Patrick Dunham | Stunts |
Patrick M. Sullivan Jr. | Supervising Art Director |
Don Burgess | Camera Operator |
Eddie J. Fernandez | Utility Stunts |
Name | Title |
---|---|
Lucy Fisher | Producer |
Pouya Shahbazian | Producer |
John J. Kelly | Executive Producer |
Rachel Shane | Executive Producer |
Veronica Roth | Co-Producer |
Douglas Wick | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 63 | 92 | 43 |
2024 | 5 | 62 | 111 | 47 |
2024 | 6 | 54 | 92 | 39 |
2024 | 7 | 59 | 115 | 43 |
2024 | 8 | 57 | 110 | 42 |
2024 | 9 | 61 | 93 | 47 |
2024 | 10 | 54 | 75 | 38 |
2024 | 11 | 66 | 121 | 45 |
2024 | 12 | 57 | 93 | 46 |
2025 | 1 | 61 | 94 | 48 |
2025 | 2 | 52 | 69 | 13 |
2025 | 3 | 26 | 76 | 3 |
2025 | 4 | 11 | 14 | 8 |
2025 | 5 | 10 | 11 | 9 |
2025 | 6 | 10 | 12 | 9 |
2025 | 7 | 10 | 14 | 7 |
2025 | 8 | 9 | 13 | 6 |
2025 | 9 | 10 | 14 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 121 | 571 |
Year | Month | High | Avg |
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2025 | 8 | 157 | 617 |
Year | Month | High | Avg |
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2025 | 7 | 168 | 650 |
Year | Month | High | Avg |
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2025 | 6 | 207 | 608 |
Year | Month | High | Avg |
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2025 | 5 | 205 | 668 |
Year | Month | High | Avg |
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2025 | 4 | 126 | 587 |
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2025 | 3 | 204 | 619 |
Year | Month | High | Avg |
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2025 | 2 | 157 | 672 |
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2025 | 1 | 314 | 657 |
Year | Month | High | Avg |
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2024 | 12 | 229 | 668 |
Year | Month | High | Avg |
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2024 | 11 | 187 | 628 |
Year | Month | High | Avg |
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2024 | 10 | 514 | 790 |
Year | Month | High | Avg |
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2024 | 9 | 464 | 724 |
Year | Month | High | Avg |
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2024 | 8 | 386 | 737 |
I should probably mention right away that I have not read the book-trilogy that this movie is based on. Given the content matter I might actually have liked the books. The movie? Well to me the movie was a rather mediocre one. As the blurb states the story is set in a dystopian future but we do not ... really get to know how they got there except the standard explanation that “there was a war”. The world is a bizarre mixture of primitive post-apocalypse living and modern, futuristic tech. The division of people into factions…well to me it felt pretty dumb to begin with and the idea that some people could not possibly fit into more than one faction was absolutely ludicrous to me. How the hell was it supposed to keep peace by deliberately factioning people against each other? Okay, trying to get over these gripes, what about the rest of the movie. Well it was okayish I guess. It did give me the same feeling as when reading a young-adult book and I would say that this movie is most suitable for a younger audience. The story is rather predictable. There is the initial training part where Tris of course gets a few friends and in particular befriends one of her tutors. Not surprisingly there is also the obligatory jerk. The one thing that makes the movie a bit out of the ordinary are the induced dream sequences which are not too bad. Later in the movie Tris starts to discover the plot of the bad guys and of course goes off to save the day. Again these part are simple and predictable. The ease by which Tris and a few of her friends manages to infiltrate the lab/headquarters of the baddies is rather unbelievable. It of course helps that it seems like it is only the good guys who can shoot straight or fight worth a damned with a few occasional exceptions when the script calls for it. The movie is, as far as I understand it, based only on the first book in the trilogy so it is perhaps not very surprising that it ends with a lot of loose ends but, for Christ sake, they fight their way to stop the plot, taking down a lot of people on their way, and then they leave the chief mastermind of this despicable plot lying unconscious but alive on the floor just taking off. That just felt dumb! It is not a bad bad movie but I do not understand the high ratings some people seem to give it.
Remedial Dystopia I'm not a big fan of YA lit. Nothing like it when I was young. I grew up with Kesey, Huxley, Salinger, Dickens and The Who. I probably would have liked a steady diet of teen vampires and young dystopians. I would have loved my comic book heroes on the big screen in 3D. And video ... games and smart phones and search engines. Oh to be a millenial! I was introduced to a truckload of Young Adult Lit during English Ed studies and found myself wanting to read _Catcher in the Rye_ all over again. There was just something really amateurish and disposable about these novellas. Like the authors weren't fully-developed writers. Nor am I all that interested in movies adapted from these novels, unless they are packed with talent (_The Hunger Games_), or star someone I just can't get enough of. That someone at the moment is Shailene Woodley. A young woman who is just oozing talent. She has that authentic, subdued strain of self-consciousness, it makes you forget she's in a movie. In fact, her focus seems to come so unassumingly natural I wonder if she even knows she's in a movie. I watched _The Fault in Our Stars_, The Spectacular Now and _Divergent_ in succession. _Divergent_ is getting short-changed by the same critics who praise _The Hunger Games_. Yes, it's simplistic, essentially a shallow allegory. Factions representing classes, institutions and vocations. The coercion of the Dauntless by the Erudite as a military coup. And rebellious adolescents as heroic Divergents. But if this gets kids even remotely interested in politics and the social sciences, I'm all for it. I'd prefer this to bare-chested werewolves and forest warfare. Then again, there's no defending _Divergent_ if it weren't for Woodley's splendid presence. Her inner strength mixing in with her vulnerability. She provides the suspense, as we are always awaiting her next reaction. Makes me wonder how she'll develop in the years to come? As well as Kate Winslow has I'm sure.
Well, it seems we needed a clone of The Hunger Games because, you know, they give too much money to ignore. Stupid and foreseeable story with the typical action, romance and WTFs moments. Just ignore the whole saga. ...
I decided since this was my mother's 75th birthday to check out the first of the 'Divergent' series, since I love Kate Winslet and Ashley Judd, and Neil Burger's earlier 'Limitless' was intriguing and decent for recent sci-fi. Unfortunately the actors playing the main protagonists and the special ef ... fects were atrocious, the paper-thin plot was resoundingly predictable and I couldn't wait till it ended. Definitely one Burger that was way overdone. Of course Hollywood garbage like this produces a ton of sequels, while much better and original projects get kicked to the gutter.
A new world order type of movie. With 5 different factions. It was an ok movie but we only really learn about 2 of the factions really in this movie. What about the other 3. It would have been nice if we could see all 5 factions and how they lived and came about but instead you only know 2. So what' ... s the point of even having the other ones in the movie pointless.
Ever since I saw him in a UK television drama entitled "Bedlam" (2011) I thought that Theo James ("Number Four") was a man to watch. He was certainly the hook that got me to start watching these adaptations of Veronica Roth's futuristic novels. Well, beauty can only take you so far; the rest has to ... be down to acting; dialogue etc. and this falls pretty flat on all counts. The premiss is unique - society is divided into five factions based on a perception of virtue. At 16, teenagers have to decide which they have and then they spend their lives living up to the ideals - involving strenuous mental and physical trials. "Tris Prior" (Shailene Woodley") is an exception, however - she doesn't fit into any one category - and so the system has no idea how to cope with this renegade. When she reveals her confused status to James - her trainer - we embark on a tale of cat and mouse as she and a rag-bag gang of misfits set out to save a world that deems them all as a serious threat. It certainly looks good - budget clearly was not an huge issue, and it is broadly faithful to the book but therein lies the problem - it is a preposterous proposition from the outset - it has not even the weakest of anchors from the society we know today (i.e. how the hell could we ever have gotten ourselves into this kind of dystopian mess in the first place?). When romance begins to rear it's head too, then I started to forget how sexy Theo actually is and wonder what else I could watch... There are clearly some parallels with "The Hunger Games" series, but this one definitely comes off a very poor second.