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Divergent

What makes you different makes you dangerous.
2014 | 139m | English

(510406 votes)

TMDb IMDb

Popularity: 7 (history)

Details

In a world divided into factions based on personality types, Tris learns that she's been classified as Divergent and won't fit in. When she discovers a plot to destroy Divergents, Tris and the mysterious Four must find out what makes Divergents dangerous before it's too late.
Release Date: Mar 14, 2014
Director: Neil Burger
Writer: Evan Daugherty, Vanessa Taylor, Veronica Roth
Genres: Adventure, Action, Science Fiction
Keywords futuristic, based on young adult novel, future, individuality, dystopia, caste system, based on novel or book, alternative reality
Production Companies Summit Entertainment, Red Wagon Entertainment
Box Office Revenue: $288,885,818
Budget: $85,000,000
Updates Updated: Aug 03, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Shailene Woodley Beatrice 'Tris' Prior
Theo James Tobias 'Four' Eaton
Zoë Kravitz Christina
Miles Teller Peter Hayes
Jai Courtney Eric Coulter
Ansel Elgort Caleb Prior
Ashley Judd Natalie Prior
Tony Goldwyn Andrew Prior
Ray Stevenson Marcus Eaton
Kate Winslet Jeanine Matthews
Maggie Q Tori Wu
Mekhi Phifer Max
Ben Lloyd-Hughes Will
Amy Newbold Molly Atwood
Ben Lamb Edward
Janet Ulrich Brooks Erudite Teacher
Clara Burger Little Abnegation Girl
Anthony Fleming III Guard
Christian Madsen Al
Ryan Carr Dauntless Man
Alexander Hashioka Oatfield Erudite Guard
Will Blagrove Dauntless Patrol Man
Rotimi Ezra
Justine Wachsberger Lauren
Michael Gideon Sherry Bullied Abnegation Boy
Lukas Burger Jonathan Ziegler
Austin Lyon Zipline #1
Renee Morrison Zipline #2
Lucas Ross Zipline #3
Chris Hayes Dauntless Instructor
Ana Corbi Factionless Girl
Eric Kaldor Factionless Man #1
Alice Bowden Factionless Woman #2
Cleo Anthony Dauntless Patrol #1
Alice Rietveld Dauntless Patrol #2
Brad Greiner Dauntless Patrol #3
Yasmine Aker Dauntless Patrol #4
Michael James Bell Erudite Scientist #1
Leigh Bush Erudite Scientist #2
Bob Rumnock Older Abnegation Man
Elyse Cole Ten-year-old Tris
Efé Candor Judge
Christopher Weir Candor Lawyer
Doyle Brand Candor Witness
Faye Jackson Abnegation Woman
Scott Roberts Abnegation Man
Sophia Marzocchi Candor Attorney #2
Name Job
Nate Hitpas Utility Stunts
Josh Yadon Utility Stunts
Craig Henningsen Utility Stunts
Tara Macken Utility Stunts
Nito Larioza Utility Stunts
Matthew LeFevour Utility Stunts
Alicia Skirball Utility Stunts
Rob Mars Utility Stunts
Natascha Hopkins Utility Stunts
J.J. Perry Fight Choreographer
Gui DaSilva-Greene Stunts
Garrett Warren Stunt Coordinator, Second Unit Director
Ellie Goulding Original Music Composer
Chad Wiebe Visual Effects Supervisor
Michael Burgess "B" Camera Operator
Nick S. Cross Art Direction
Neil Burger Director
Alwin H. Küchler Director of Photography
Richard Francis-Bruce Editor
Eric Hoehn Sound Effects Editor
Wylie Stateman Supervising Sound Editor
Colin Follenweider Stunt Coordinator
Evan Daugherty Screenplay
Karin Silvestri Stunt Double, Stunts
Spencer Stone Stunts
Brad Einhorn Property Master
Tom Holkenborg Original Music Composer
Jake Polonsky Second Unit Director of Photography
Bing Liu Camera Production Assistant
Harry Cohen Supervising Sound Editor
Matt Mullins Stunts
Ronn Surels Stunts, Utility Stunts
Alicia Vela-Bailey Stunt Double
John Davis Storyboard Artist
Hector C. Gika Sound Effects Editor
Gary A. Hecker Foley Artist
Ranjani Brow ADR Voice Casting
Trevor Loomis First Assistant "A" Camera
Erik Audé Utility Stunts
Dan Brown Utility Stunts
Ashleigh Dejon Utility Stunts
Eddie J. Fernandez Jr. Utility Stunts
Justin Gant Utility Stunts
Mark Harper Utility Stunts
Adam Hart Utility Stunts
Natalie M. Meyer Utility Stunts
Erik Solky Utility Stunts
Greg Poljacik Utility Stunts
Paul Lacovara Utility Stunts
Luci Romberg Utility Stunts
Anita Hart Utility Stunts
Jessen Noviello Utility Stunts
Mallory Thompson Utility Stunts
Chris Nolte Utility Stunts
Christian Litke Utility Stunts
Vanessa Taylor Screenplay
Nancy Richardson Editor
Venus Kanani Casting
Andy Nicholson Production Design
Andrew Max Cahn Art Direction
Chris Cleek Art Direction
A. Todd Holland Art Direction
Anne Kuljian Set Decoration
Carlo Poggioli Costume Design
Brad Wilder Makeup Department Head
Sean Richard Budde Propmaker
Joseph Conenna Leadman
Cosmas A. Demetriou Set Designer
Cindy M. Ichikawa Art Department Coordinator
Tammy S. Lee Assistant Art Director
Richard Reynolds Set Designer
Marco Rubeo Set Designer
Anthony Syracuse Construction Coordinator
David Tennenbaum Set Designer
Shayna Brown Sound Re-Recording Mixer
Dror Mohar Sound Effects Designer, Sound Designer
Kevin J. Summers Boom Operator
Patrick Finley Visual Effects Supervisor
Sarah Swick Visual Effects Producer
Emerito Trevino Lighting Artist
Valerie Zielonka Costume Supervisor
George Chavez Color Timer
Adam Milo Smalley Music Editor
Sam Zeines Music Editor
Jon Gustafsson Transportation Captain
Ryan Herem Transportation Captain
Valeria Migliassi Collins Script Supervisor
Julie Hannum Location Manager
Susan Hegarty Dialect Coach
Tanera Marshall Dialect Coach
James R. McAllister Location Manager
Dominic Charles Ferris Thanks
Bill Reilly Thanks
Greg Baxter Visual Effects Producer
Matthew Moriarty Camera Operator, Steadicam Operator
Christopher Rejano Camera Operator
Jaap Buitendijk Still Photographer
Peter Zuccarini Underwater Camera
Jody Williams Additional Camera
Dane Bjerno Camera Technician
Alejandra Ford Makeup Artist
Gloria Pasqua Casny Hairstylist, Hair Department Head
Jules Holdren Hairstylist
Kevin Haney Prosthetic Makeup Artist, Makeup Effects
Annalisa Adams Set Costumer
Rocio Estrada Blackwell Set Costumer
Gia Jimenez Set Costumer
Jamie Rush Set Costumer
Victor H. Soto Set Costumer
Katherine Wright Set Costumer
Toby Francis-Bruce First Assistant Editor
Chris Mulsoff Rigging Gaffer
Dan Riffel Gaffer
Brian N. Bentley Compositors
Michael Hertlein Dialogue Editor
Frederick H. Stahly Dialogue Editor
Margit Pfeiffer Dialogue Editor
Nerses Gezalyan Foley Mixer
Anna MacKenzie Supervising ADR Editor
Gary Marullo Foley Artist
Hans Bjerno Aerial Director of Photography
John Trapman Aerial Director of Photography
Brian Tarlecki ADR Recordist
Shaul Dover ADR Recordist
David Obermeyer Production Sound Mixer
Mary Castor Makeup Artist
Jim Berney Senior Visual Effects Supervisor
Randall Poster Music Supervisor
John J. Kelly Unit Production Manager
Vincent Lascoumes First Assistant Director
Artist W. Robinson First Assistant Director
Christophe Le Chanu Second Assistant Director
Donna Sloan Executive In Charge Of Production
Jill S. Litwin Studio Teacher
Lisa Nichols Studio Teacher
Michael Franck Pilot
Tina Anderson Post Production Supervisor
Steven Kaminsky Post Production Supervisor
Zoë Bower Post Production Coordinator
Jim Shelton Key Grip
Michael James Fahey Best Boy Grip
Kelly R. Borisy Dolly Grip
Kyle Buff Rigging Grip
Timothy Jipping Rigging Grip
Colin Robertson Rigging Grip
Matt Jahnke Rigging Grip
Darin Devonshire Rigging Grip
Kevin Wisor Best Boy Electric
Michael Lowrance Best Boy Electric
Chris Wolfgang Mauch Storyboard Artist
Karen Teneyck Graphic Designer
Bradley Good Assistant Property Master
Yves De Bono Special Effects Supervisor
Elaine Ramires Key Costumer
Chandra Moore-Telfer Ager/Dyer
Giampiero Grassi Tailor
Jessica Gisin Needham Extras Casting
Erin Stewart Tiedje Extras Casting
Jonathan Kinnas Extras Casting
Matthew K. Grigsby Production Accountant
Jeffrey Gladu Payroll Accountant
Paula Stier Production Coordinator
Jeremy Beiermann Production Coordinator
Andy Spellman Second Second Assistant Director
Jason Dusenske Additional Second Assistant Director
Charles Simmers Additional Second Assistant Director
James Hogan Transportation Coordinator
Joseph Paoletti Transportation Captain
Greg Steele ADR Mixer
Bryan Lawson Supervising Music Editor
Amy Pawlowski Digital Intermediate Editor
Eileen Godoy Digital Intermediate Producer
Matt Wallach Dailies Operator
Bryan Goeres Second Unit First Assistant Director
Dieter Busch Second Unit First Assistant Director
Paul Hughen Second Unit Director of Photography
Jeff Valeri Production Supervisor
Chris Wittenborn Second Assistant "A" Camera
Peter Kuttner First Assistant "B" Camera
Dave Wightman Additional First Assistant Camera
Martin Schaer "A" Camera Operator
David J. Thompson "B" Camera Operator, Steadicam Operator
Keith Hueffmeier Additional Second Assistant Camera
Brian Spirnak Assistant Editor
Catherine Chase Visual Effects Editor
Christy Taddeo Grip
Ed Titus Grip
David Tomita Grip
Len Levine Gaffer
Justin Holdsworth Gaffer
Keith Kolecki Set Dresser
Scott Dwyer Special Effects Technician
Tracy Reuter Costume Coordinator
Suzi Ostos Key Makeup Artist
Amanda Vinopal Costumer
Nancy Cavallaro Costumer
Gina Panno Costumer
Zsófia Ötvös Makeup Artist
Tony Mirante Key Hair Stylist
Krystal Mathiesen First Assistant Accountant
Robert McGlinchey Visual Effects Coordinator
Brianna Domont Visual Effects Production Assistant
Matt Dessero Visual Effects Supervisor
Andy Foster Visual Effects Producer
Blake Sweeney Digital Effects Supervisor
Svetlana Tesnes Visual Effects Coordinator
Kat Greene Visual Effects Coordinator
Lauren Gauthier Visual Effects Coordinator
Marion Spates CG Supervisor
Greg Stuhl Modeling
Sung Churl Kim Modeling
Keith Roberts Animation Supervisor
Marshall Richard Krasser Visual Effects Supervisor
Paul Kolsanoff Visual Effects Producer
Andy Lesniak CG Supervisor
Brian Howald Compositing Lead
Joel Kittle Modelling Supervisor
Berj Bannayan Visual Effects Supervisor
Jorge Razon Digital Effects Supervisor
Allan Magled Visual Effects Producer
Daniel Lu 3D Artist
Andrew Winters 3D Artist
Bryan Howard 3D Artist
Greg Winhall 3D Artist
Philip Trieu 3D Artist
Sujesh V. Chitty Matte Painter
Marcin Nikiforuk Matte Painter
Donny Rausch Compositing Supervisor
Edson Williams Visual Effects Supervisor
Max Leonard Visual Effects Producer
Meghan Currier Music Coordinator
Kristina Baskett Utility Stunts
Brandon Beckman Utility Stunts
Randy James Beckman Utility Stunts
Shawn Bernal Utility Stunts
Jeff Bruno Utility Stunts
Ryan Carr Utility Stunts
Brian Christensen Utility Stunts
Shane Daniels Utility Stunts
Loren Dennis Utility Stunts
Rockey Dickey Jr. Utility Stunts
Myke Schwartz Utility Stunts
Jay Hawkins Utility Stunts
Amber Whelan Utility Stunts
Trevor Habberstad Utility Stunts
Chase Penny Utility Stunts
Cord Walker Utility Stunts
Deborah L. Mazor Utility Stunts
Dan Mast Utility Stunts
Marty Murray Utility Stunts
Denise Baker Hairstylist
Rob Bliss Concept Artist
Veronica Roth Novel
Mary Vernieu Casting
Michael Keller Sound Re-Recording Mixer
Hans Zimmer Music Score Producer
Mike Prestwood Smith Sound Re-Recording Mixer
Patrick Dunham Stunts
Patrick M. Sullivan Jr. Supervising Art Director
Don Burgess Camera Operator
Eddie J. Fernandez Utility Stunts
Name Title
Lucy Fisher Producer
Pouya Shahbazian Producer
John J. Kelly Executive Producer
Rachel Shane Executive Producer
Veronica Roth Co-Producer
Douglas Wick Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 63 92 43
2024 5 62 111 47
2024 6 54 92 39
2024 7 59 115 43
2024 8 57 110 42
2024 9 61 93 47
2024 10 54 75 38
2024 11 66 121 45
2024 12 57 93 46
2025 1 61 94 48
2025 2 52 69 13
2025 3 26 76 3
2025 4 11 14 8
2025 5 10 11 9
2025 6 10 12 9
2025 7 10 14 7
2025 8 9 13 6
2025 9 10 14 7

Trending Position


Year Month High Avg
2025 9 121 571
Year Month High Avg
2025 8 157 617
Year Month High Avg
2025 7 168 650
Year Month High Avg
2025 6 207 608
Year Month High Avg
2025 5 205 668
Year Month High Avg
2025 4 126 587
Year Month High Avg
2025 3 204 619
Year Month High Avg
2025 2 157 672
Year Month High Avg
2025 1 314 657
Year Month High Avg
2024 12 229 668
Year Month High Avg
2024 11 187 628
Year Month High Avg
2024 10 514 790
Year Month High Avg
2024 9 464 724
Year Month High Avg
2024 8 386 737

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Reviews

Dark Jedi
5.0

I should probably mention right away that I have not read the book-trilogy that this movie is based on. Given the content matter I might actually have liked the books. The movie? Well to me the movie was a rather mediocre one. As the blurb states the story is set in a dystopian future but we do not ... really get to know how they got there except the standard explanation that “there was a war”. The world is a bizarre mixture of primitive post-apocalypse living and modern, futuristic tech. The division of people into factions…well to me it felt pretty dumb to begin with and the idea that some people could not possibly fit into more than one faction was absolutely ludicrous to me. How the hell was it supposed to keep peace by deliberately factioning people against each other? Okay, trying to get over these gripes, what about the rest of the movie. Well it was okayish I guess. It did give me the same feeling as when reading a young-adult book and I would say that this movie is most suitable for a younger audience. The story is rather predictable. There is the initial training part where Tris of course gets a few friends and in particular befriends one of her tutors. Not surprisingly there is also the obligatory jerk. The one thing that makes the movie a bit out of the ordinary are the induced dream sequences which are not too bad. Later in the movie Tris starts to discover the plot of the bad guys and of course goes off to save the day. Again these part are simple and predictable. The ease by which Tris and a few of her friends manages to infiltrate the lab/headquarters of the baddies is rather unbelievable. It of course helps that it seems like it is only the good guys who can shoot straight or fight worth a damned with a few occasional exceptions when the script calls for it. The movie is, as far as I understand it, based only on the first book in the trilogy so it is perhaps not very surprising that it ends with a lot of loose ends but, for Christ sake, they fight their way to stop the plot, taking down a lot of people on their way, and then they leave the chief mastermind of this despicable plot lying unconscious but alive on the floor just taking off. That just felt dumb! It is not a bad bad movie but I do not understand the high ratings some people seem to give it.

May 16, 2024
tmdb39513728
N/A

Remedial Dystopia I'm not a big fan of YA lit. Nothing like it when I was young. I grew up with Kesey, Huxley, Salinger, Dickens and The Who. I probably would have liked a steady diet of teen vampires and young dystopians. I would have loved my comic book heroes on the big screen in 3D. And video ... games and smart phones and search engines. Oh to be a millenial! I was introduced to a truckload of Young Adult Lit during English Ed studies and found myself wanting to read _Catcher in the Rye_ all over again. There was just something really amateurish and disposable about these novellas. Like the authors weren't fully-developed writers. Nor am I all that interested in movies adapted from these novels, unless they are packed with talent (_The Hunger Games_), or star someone I just can't get enough of. That someone at the moment is Shailene Woodley. A young woman who is just oozing talent. She has that authentic, subdued strain of self-consciousness, it makes you forget she's in a movie. In fact, her focus seems to come so unassumingly natural I wonder if she even knows she's in a movie. I watched _The Fault in Our Stars_, The Spectacular Now and _Divergent_ in succession. _Divergent_ is getting short-changed by the same critics who praise _The Hunger Games_. Yes, it's simplistic, essentially a shallow allegory. Factions representing classes, institutions and vocations. The coercion of the Dauntless by the Erudite as a military coup. And rebellious adolescents as heroic Divergents. But if this gets kids even remotely interested in politics and the social sciences, I'm all for it. I'd prefer this to bare-chested werewolves and forest warfare. Then again, there's no defending _Divergent_ if it weren't for Woodley's splendid presence. Her inner strength mixing in with her vulnerability. She provides the suspense, as we are always awaiting her next reaction. Makes me wonder how she'll develop in the years to come? As well as Kate Winslow has I'm sure.

Jun 23, 2021
tanty
5.0

Well, it seems we needed a clone of The Hunger Games because, you know, they give too much money to ignore. Stupid and foreseeable story with the typical action, romance and WTFs moments. Just ignore the whole saga. ...

Jun 23, 2021
talisencrw
2.0

I decided since this was my mother's 75th birthday to check out the first of the 'Divergent' series, since I love Kate Winslet and Ashley Judd, and Neil Burger's earlier 'Limitless' was intriguing and decent for recent sci-fi. Unfortunately the actors playing the main protagonists and the special ef ... fects were atrocious, the paper-thin plot was resoundingly predictable and I couldn't wait till it ended. Definitely one Burger that was way overdone. Of course Hollywood garbage like this produces a ton of sequels, while much better and original projects get kicked to the gutter.

Jun 23, 2021
SoSmooth1982
6.0

A new world order type of movie. With 5 different factions. It was an ok movie but we only really learn about 2 of the factions really in this movie. What about the other 3. It would have been nice if we could see all 5 factions and how they lived and came about but instead you only know 2. So what' ... s the point of even having the other ones in the movie pointless.

Jun 26, 2023
Geronimo1967
6.0

Ever since I saw him in a UK television drama entitled "Bedlam" (2011) I thought that Theo James ("Number Four") was a man to watch. He was certainly the hook that got me to start watching these adaptations of Veronica Roth's futuristic novels. Well, beauty can only take you so far; the rest has to ... be down to acting; dialogue etc. and this falls pretty flat on all counts. The premiss is unique - society is divided into five factions based on a perception of virtue. At 16, teenagers have to decide which they have and then they spend their lives living up to the ideals - involving strenuous mental and physical trials. "Tris Prior" (Shailene Woodley") is an exception, however - she doesn't fit into any one category - and so the system has no idea how to cope with this renegade. When she reveals her confused status to James - her trainer - we embark on a tale of cat and mouse as she and a rag-bag gang of misfits set out to save a world that deems them all as a serious threat. It certainly looks good - budget clearly was not an huge issue, and it is broadly faithful to the book but therein lies the problem - it is a preposterous proposition from the outset - it has not even the weakest of anchors from the society we know today (i.e. how the hell could we ever have gotten ourselves into this kind of dystopian mess in the first place?). When romance begins to rear it's head too, then I started to forget how sexy Theo actually is and wonder what else I could watch... There are clearly some parallels with "The Hunger Games" series, but this one definitely comes off a very poor second.

Jun 09, 2024