Popularity: 22 (history)
Director: | Wes Ball |
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Writer: | Grant Pierce Myers, James Dashner, T.S. Nowlin, Noah Oppenheim |
Staring: |
Set in a post-apocalyptic world, young Thomas is deposited in a community of boys after his memory is erased, soon learning they're all trapped in a maze that will require him to join forces with fellow “runners” for a shot at escape. | |
Release Date: | Sep 10, 2014 |
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Director: | Wes Ball |
Writer: | Grant Pierce Myers, James Dashner, T.S. Nowlin, Noah Oppenheim |
Genres: | Action, Science Fiction, Mystery, Thriller |
Keywords | escape, maze, memory loss, based on young adult novel, based on novel or book, dystopia, post-apocalyptic future, trapped |
Production Companies | 20th Century Fox, Ingenious Media, The Gotham Group, Dayday Films, Temple Hill Entertainment, TSG Entertainment |
Box Office |
Revenue: $348,319,861
Budget: $34,000,000 |
Updates |
Updated: Aug 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Dylan O'Brien | Thomas |
Kaya Scodelario | Teresa Agnes |
Aml Ameen | Alby |
Thomas Brodie-Sangster | Newt |
Ki Hong Lee | Minho |
Will Poulter | Gally |
Patricia Clarkson | Ava Paige |
Blake Cooper | Chuck |
Dexter Darden | Frypan |
Jacob Latimore | Jeff |
Chris Sheffield | Ben |
Joe Adler | Zart |
Randall D. Cunningham | Clint |
Alexander Flores | Winston |
Don McManus | Masked Man |
Michael Bow | Glader |
Jerry Clark | Glader |
Michael Deville | Glader |
Dylan Gaspard | Glader |
Cory Gooding | Glader |
Cazi Greene | Glader |
Dustin Guitreau | Glader |
Tyler Harrison | Glader |
Landon Hazel | Glader |
Gary Hood | Glader |
Nick Killebrew | Glader |
John Langston | Glader |
Chad Martinez | Glader |
Lester Millet | Glader |
Sawyer Pierce | Glader |
Weston Rachal | Glader |
Bryce Romero | Glader |
Johnny Stockwell | Glader |
SanChavis Torns | Glader |
Lane Westerhaus | Glader |
Gentry Williams | Glader |
Adriana Acosta | Glader (uncredited) |
Duane Cothren | Conference Room Parent (uncredited) |
James Dashner | Lab Tech (uncredited) |
Mark Gibson | Glader (Alec) (uncredited) |
Darryl Harvey | Maze Control Room Supervisor / EMT (uncredited) |
Janet L'Aube | Lab Scientist (uncredited) |
Travis Michael Myers | Glader (uncredited) |
Zach Nichols | Glader (uncredited) |
Tommy Sheppard | Conference Room Member (uncredited) |
Andrew Varenhorst | Patient Zero (uncredited) |
Carol Jean Wells | Herself Lab Student (uncredited) |
Jeff Wiesen | Glader (uncredited) |
Adrian Acosta | Glader (uncredited) |
Jacob Deville | Dan (uncredited) |
Sheldon Maurer | Glader (uncredited) |
Seth Nichols | Lab tech Student (uncredited) |
Seth Nichols | Glader (uncredited) |
Gustavo I. Ortiz | Rebel Soldier (uncredited) |
McKenna Pippen | Lab Tech Student (uncredited) |
Giovanni Silva | Lab Tech #7 |
Nicolas Stan | Child (uncredited) |
Tony Vo | Glader (uncredited) |
Kin-Lam Chan | Glader (Jim) (uncredited) |
Name | Job |
---|---|
Jim Robin | Driver |
Grant Pierce Myers | Screenplay |
Dan Zimmerman | Editor |
Marc Fisichella | Production Design |
Douglas Cumming | Art Direction |
Jon Danniells | Set Decoration |
Simonetta Mariano | Costume Design |
Stacy Kelly | Makeup Department Head |
Simonette Berry | Sculptor |
Noah Bradley | Construction Coordinator |
David Keith Broome | Greensman |
William Burck | Sculptor |
Russ Doyle | Greensman |
Michelle C. Harmon | Set Designer |
Wright McFarland | Set Designer |
Jessica Navran | Assistant Art Director |
John T. Cucci | Foley |
Ai-Ling Lee | Sound Designer, Supervising Sound Editor |
Chuck Michael | Sound Effects Editor |
Dan O'Connell | Foley |
Anthony Ortiz | Boom Operator |
Christal Wolgamott | Visual Effects Producer |
Sue Rowe | Visual Effects Supervisor |
Scott Puckett | Visual Effects Producer |
Andy Ryan | Gaffer |
Priscilla John | Casting |
Terri De Haan | Costume Supervisor |
Kizzie Autumn Martin | Set Costumer |
Britany Viguerie | Set Costumer |
Ted Caplan | Music Editor |
Nancy Breaux | Script Supervisor |
Steve Gehrke | Script Supervisor |
Bonnie Marquette | Location Manager |
Lauri Mills | Studio Teachers |
James Dashner | Novel |
Aimee Stuit | Makeup Artist |
Lucy O'Reilly | Makeup Artist |
Budd Bird | Hairstylist |
Amy Wood | Hairstylist |
Christopher Dooly | Makeup Effects |
Lauren Thomas | Makeup Effects |
Steve Winsett | Makeup Effects |
Logan Breit | Visual Effects Editor |
Jason Chen | Visual Effects Producer |
Greg Maloney | Visual Effects Producer |
Steve McLeod | Visual Effects Editor |
Gayle Munro | Visual Effects Producer |
Ollie Rankin | CG Supervisor |
Jeff Ranasinghe | CG Supervisor |
Eric D. Christensen | Visual Effects Supervisor |
Erik De Boer | Animation Supervisor |
Stephen S. Campanelli | Camera Operator |
Mariana Sánchez de Antuñano | Camera Operator |
Ben Rothstein | Still Photographer |
Greg Morris | Additional Camera |
Ferdinand Duplantier Jr. | Rigging Gaffer |
Lisa Tutunjian | Digital Intermediate |
P.J. Burch | First Assistant Editor |
Michael Umble | Unit Publicist |
Susan Dawes | Supervising Dialogue Editor |
Tim Gomillion | Sound Recordist |
Vanessa Lapato | ADR Supervisor |
Michael Sabo | Property Master |
Helen Luttrell | Dialogue Editor |
Monty L. Simons | Stunts |
Greg Dela Riva | Stunts |
Tony Vo | Stunts |
Josh Mueller | Stunts |
Thirl Haston | Stunts |
H.H. Cooper | First Assistant Director |
Mirashyam Blakeslee | Second Assistant Director |
Chris Craine | Assistant Art Director |
Matt Zaff | On Set Dresser |
Stephen P. Durante | Leadman |
Gus Coto | On Set Dresser |
Patrick Calabrese | Set Dresser |
Scotty Morris | Set Dresser |
Joel Venti | Storyboard Artist |
Erin Foster | Art Department Coordinator |
Vanessa Hickey | Second Second Assistant Director |
Curtis Abbott | Digital Imaging Technician |
Paul Ledford | Production Sound Mixer |
David McKimmie | Post Production Supervisor |
John A. Larsen | Supervising Sound Editor |
Beau Harrison | Assistant Property Master |
Edward Poveda | Payroll Accountant |
David Guilbeau | Craft Service |
Sid Yost | Animal Wrangler |
Edward O'Donnell | Transportation Coordinator |
Loan Phan | Digital Intermediate Producer |
Bailey Domke | Special Effects Makeup Artist |
T.S. Nowlin | Screenplay |
Christine Bieselin Clark | Costume Design |
Ron Bartlett | Sound Re-Recording Mixer |
Eric Brevig | Visual Effects Supervisor |
Troy Robinson | Stunt Coordinator |
John Paesano | Original Music Composer |
Dylan Goss | Helicopter Camera |
Bobby Talbert | Stunts |
Greg Rementer | Stunts |
Kortney Manns | Stunts |
Preston Schrag | Stunts |
Aaron Matthews | Stunts |
Mallory Thompson | Stunts |
Eric Salas | Stunts |
Felipe Savahge | Stunts |
Mark De Alessandro | Stunts |
Ashley Nicole Hudson | Stunts |
Meredith Richardson | Stunts |
Kevin Waterman | Stunts |
Doug Hemphill | Sound Re-Recording Mixer |
Shane Daniels | Stunts |
Doug Wright | Transportation Captain |
Wayne Lemmer | Sound Effects Editor |
Matthew Harrison | Foley Editor |
Galen Goodpaster | First Assistant Sound Editor |
David Wolowic | Assistant Sound Editor |
Richard Duarte | Foley Mixer |
John Guentner | Foley Mixer |
Blake Collins | Foley Mixer |
David Betancourt | ADR Mixer |
Charleen Richards-Steeves | ADR Mixer |
Christine Sirois | ADR Recordist |
David Lucarelli | ADR Recordist |
Noah Oppenheim | Screenplay |
John Wrightson | Sculptor |
Wes Ball | Director |
Enrique Chediak | Director of Photography |
Denise Chamian | Casting |
Kevin C. Lang | Set Dresser |
Sandra Balej | Compositing Lead |
Name | Title |
---|---|
Lindsay Williams | Producer |
Ellen Goldsmith-Vein | Producer |
Eddie Gamarra | Executive Producer |
Lee Stollman | Producer |
Wyck Godfrey | Producer |
Marty Bowen | Producer |
Joe Hartwick Jr. | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 170 | 233 | 140 |
2024 | 5 | 160 | 218 | 114 |
2024 | 6 | 142 | 225 | 109 |
2024 | 7 | 197 | 260 | 133 |
2024 | 8 | 159 | 196 | 112 |
2024 | 9 | 150 | 199 | 113 |
2024 | 10 | 226 | 374 | 114 |
2024 | 11 | 186 | 410 | 129 |
2024 | 12 | 147 | 190 | 127 |
2025 | 1 | 156 | 183 | 132 |
2025 | 2 | 146 | 181 | 30 |
2025 | 3 | 53 | 173 | 6 |
2025 | 4 | 34 | 47 | 25 |
2025 | 5 | 26 | 29 | 20 |
2025 | 6 | 25 | 28 | 21 |
2025 | 7 | 24 | 27 | 22 |
2025 | 8 | 23 | 26 | 20 |
2025 | 9 | 24 | 29 | 21 |
Trending Position
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2025 | 9 | 189 | 537 |
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2025 | 8 | 110 | 515 |
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2025 | 7 | 170 | 585 |
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2025 | 6 | 136 | 567 |
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2025 | 5 | 163 | 590 |
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2025 | 4 | 136 | 528 |
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2025 | 3 | 143 | 483 |
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2025 | 2 | 197 | 539 |
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2025 | 1 | 125 | 543 |
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2024 | 12 | 254 | 595 |
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2024 | 11 | 161 | 574 |
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2024 | 10 | 271 | 579 |
Year | Month | High | Avg |
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2024 | 9 | 249 | 433 |
Year | Month | High | Avg |
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2024 | 8 | 278 | 537 |
Another forgettable Game of Ender/Hunger Games/Divergent clone. In this case, to compensate that the main characters are often women, we just make the whole cast to be men. Just forget about this. ...
It was a good movie as far as it goes -- resourceful characters deprived of both freedom and their memories manage to build a society and think their way out of their bondage. The problem is that at the end, it simply stopped. No dramatic reason for ending where it does, no resolution of "why did ... the captors do this?" . Even in a series a movie ought to have a decent local climax -- for example, Kat and Peeta winning the Hunger Games.
One thing that I liked about this movie from the start was that it was, in my limited experience at least, somewhat original. Yes it was an apocalypse story but I have really not seen anything quite like it before. Yes moving mazes and all that have been done but the story as a whole was new to me. ... That was refreshingly enjoyable in this age of more or less boring Hollywood remakes. On the whole I quite enjoyed the movie. I would label it a “young adult” movie. Not only because the lead characters as well as almost the entire cast are teenagers but the story itself is clearly at a level directed towards a younger audience. But then, who do not wish they were young again? I quite liked the story. It clearly had its usual collection of illogical moments and plot holes but nothing really really annoying as far as I am concerned. In my opinion all of the cast did a decent enough job of their roles. Some roles mostly consisted of standing around in the background of course but the lead characters was not bad. Teresa was more of a plot element than a lead character in this movie though that has to be said. I did indeed like the maze itself. It had a quite cool look and was well done from a cinematic point of view. The one thing that did not come out in the movie though was the reason for it all. I know that is supposed to be the mystery but it was rather frustrating nonetheless to not get any clues whatsoever. What on Earth could be the purpose of having a bunch of kids live through this experience in that way? Sometimes the behavior of these kids where somewhat annoying of course. I especially disliked the plot element where that dumbass kid seemed to just want everything to stay the same forever. It is of course a classical element in stories like this but it still annoys the hell out of me every time. Bottom line is still that I found this a rather enjoyable movie. I would definitely want to see the other two books made into movies as well. I have not read the books by the way so me thinking this was a new story experience is of course partly due to this fact. SHARE THIS:
Don't bother. ...
Much better than the marketing would have you assume. _Final rating: ★★★ - I personally recommend you give it a go._ ...
It's one of my favorite movie series I've ever seen, but I can't deny that it's very different from the original book. ...
Amnesiac Dylan O'Brian emerges from a lift shaft in the ground to be found by a group of lads who've all been left to live a sort of subsistence existence inside a whopping great stone maze. A quick bout of wrestling with "Gally" (Will Poulter) reminds him that his name is "Thomas" but that still do ... esn't help him - or anyone else - with what he's doing here. Each day the great doors of the maze open up, but anyone who does try to make it out is never heard from again. The lads are completely clueless until a girl is sent amongst them, and she "Teresa" (Kaya Scodelario) might just have the answer as "Thomas" manages to galvanise a few of his pals to test the secrets of the maze. Can they escape, and if they do - what are they escaping too? Is it freedom or might it actually be worse? They do know that the maze is being patrolled by some menacing metal monsters so it's quite a dangerous leap of faith they must take - but it's either that or staying put. This is clearly part one of a franchise, so much of it is simply character establishment with some ground rules laid down for them and us. A reliable cast of associates help keep the film story and the characters develop well enough - though quite why Londoner Poulter had to have an American accent is anyone's guess. The Dashner novels upon which this is based follow a familiar line, but director Wes Ball tries to keep the film moving along quickly with plenty of moments of peril, acrobatics and using a star whom the camera likes and who energetically enters into the spirit of this adventure. It's enjoyable fayre - you'll never remember who was who afterwards, but these sort of franchises were all the rage in the mid-noughties, and this is perfectly watchable and occasionally exciting brain fodder.
Re-watching The Maze Runner was a pleasant experience, and I still enjoyed it as much as I did the first time. The film's directing stands out, with a well-paced first act that successfully introduces us to the characters, the maze, and their unsettling situation. This setup provides a strong founda ... tion for an exciting second act and a finale that leaves the audience with lingering questions, perfectly setting the stage for the sequel. The cinematography deserves praise as well. A standout moment is the opening sequence: the close-up shots immerse us in the disoriented perspective of the protagonist, only to transition smoothly to a zoom-out that reveals the towering, closed walls of the maze. This visual storytelling continues throughout the movie, maintaining a consistent sense of scale and tension. The acting is another strong point. Most of the cast delivers solid performances, creating believable connections and helping viewers grow attached to each character. Their chemistry and emotional delivery effectively add weight to the story's stakes. While the script is generally solid, it does feature a few clichéd jokes here and there, but these moments don't detract much from the overall experience. The Maze Runner is a well-executed film that combines strong direction, engaging visuals, and compelling performances. It builds a suspenseful and immersive world while keeping the audience eager for what comes next. I thoroughly enjoyed revisiting it.