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Dracula Untold

Every bloodline has a beginning
2014 | 92m | English

(218571 votes)

TMDb IMDb

Popularity: 4 (history)

Details

Vlad Tepes is a great hero, but when he learns the Sultan is preparing for battle and needs to form an army of 1,000 boys, he vows to find a way to protect his family. Vlad turns to dark forces in order to get the power to destroy his enemies and agrees to go from hero to monster as he's turned into the mythological vampire, Dracula.
Release Date: Oct 01, 2014
Director: Gary Shore
Writer: Matt Sazama, Burk Sharpless
Genres: Fantasy, Action, Horror
Keywords bravery, 15th century, monster, prince, dracula, hero, supernatural, ottoman empire, vampire, heroism, dramatic, bite, battle, intense
Production Companies Universal Pictures, Legendary Pictures, Michael De Luca Productions
Box Office Revenue: $217,124,280
Budget: $70,000,000
Updates Updated: Aug 09, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Luke Evans Vlad Tepes / Dracula
Sarah Gadon Mirena / Mina Murray
Dominic Cooper Mehmed II
Art Parkinson Ingeras
Charles Dance Master Vampire
Diarmaid Murtagh Dimitru
Paul Kaye Brother Lucian
William Houston Cazan
Noah Huntley Captain Petru
Ronan Vibert Simion
Zach McGowan Shkelgim
Ferdinand Kingsley Hamza Bey
Joseph Long General Omer
Thorvaldur Kristjansson Bright Eyes
Jakub Gierszał Acemi
Joe Benjamin Mihai
Paul Bullion Nicolae
Mish Boyko Andrei
Dilan Gwyn Governess
Arkie Reece General Ismail
Phil Zimmerman Mihai's Father
Dominic Borrelli Wealthy Boyar
Tom Benedict Knight Turkish General
Paul Casar Intrigued Boyar
Stavros Demetraki Mehmed's Adjutant
Ruth Baxter Mirena's Handmaiden
Rachel Kennedy Mirena's Handmaiden
Louise Parker Mirena's Handmaiden
Glen Barry Lucian's Monk
Shane McCaffrey Lucian's Monk
Gary Whelan Lucian's Monk
Guillaume Meliot Omer's Adjutant
John Friel Vlad's Castle Guard
Jason Coalter Vlad's Castle Guard
Andrew Laverty Vlad's Castle Guard
Cole Currin Vlad's Castle Guard
Matthew Åkerfeldt Vlad's Soldier
Andrew McQuade Vlad's Soldier
Eugene Furphy Vlad's Soldier
Chris Cherry Vlad's Soldier
Ross Moneypenny Vlad's Soldier
Bobby Marno Vlad's Soldier
Connor Schelling-Tisza Vlad's Soldier
Joe Kelly, Jr. Vlad's Soldier
Graham Hutton Vlad's Soldier
Phil McKee Vlad's Soldier
Darren McMullan Vlad's Soldier
Chris Keenan Vlad's Soldier
Paul Monahan Boyar Man
Norman Coates Boyar Man
Paul Kavanagh Boyar Man
Gordon Bell Boyar Man
Graham Cave Boyar Man
Arthur Halligey Boyar Man
Derek Mayne Boyar Man
Al Geddes Boyar Man
Gavin McCormick Boyar Man
Xander Duffy Boyar Man
Jeffrey O'Brien Boyar Man
Gretta Shore Lady of the Court
Charlene Gleeson Lady of the Court
Orlaith Shore Lady of the Court
Penelope Simmons Lady of the Court
Ann Louise Bresnaham Lady of the Court
Ann O'Connor Lady of the Court
Aodhan McGowan Child of the Court
Hunter Stratton Boland Child of the Court
Maria Laird Child of the Court
Lasco Atkins Transylvanian Villager (uncredited)
Volkan Ay Young Turkish Soldier (uncredited)
Frank Cannon Monk No6 (uncredited)
John Carr Market Shopper (uncredited)
Laurence Doherty Peasant Man (uncredited)
Micheal Fay Bright Eyes' Janissary (uncredited)
Dustin Frost Christian Crusader (uncredited)
Richard Hansen Adjutant (uncredited)
Peter Heenan Hero Boy (uncredited)
Bobby Leigh Jacqune (uncredited)
Davide Manganelli Turkish General (uncredited)
Felicity McKee Peasant (uncredited)
Joana Metrass Handmaiden (uncredited)
Jesse Morris Ottoman Soldier (uncredited)
J.J. Murphy The Village Elder (uncredited)
Niall Murphy Terrorised Turk (uncredited)
Bomber Hurley Smith Ottoman Army Captain (uncredited)
Marco Staines Vlad Soldier (uncredited)
Freigeist van Tazzy Ottoman Soldier (uncredited)
John Warman Office Worker (uncredited)
Name Job
David Doran Art Direction
Adam Young Stunts
Gary Shore Director
Matt Sazama Writer
Burk Sharpless Writer
Bram Stoker Characters
Richard Pearson Editor
John Hubbard Casting
Ros Hubbard Casting
Ngila Dickson Costume Design
Peter Pedrero Stunt Coordinator
Buster Reeves Stunt Coordinator
Paul Inglis Supervising Art Director
Greg Burridge Stunts
John Wildermuth First Assistant Director
David Feinsilber Visual Effects Producer
Steen Young Stunts
Marlow Warrington-Mattei Stunt Double, Stunts
Pablo Verdejo Stunts
Don Thai Theerathada Stunt Double, Stunt Coordinator
Stanimir Stamatov Stunts
Marcus Shakesheff Stunts
Chris Pollard Stunts
Radoslav Parvanov Stunts
Ray Nicholas Stunts
Belinda McGinley Stunts
Tomasz Krzemieniecki Stunts
Luke Kearney Stunts
Danko Jordanov Stunts
Matt Hermiston Stunts
Martin Goeres Stunt Double, Stunts
James Embree Stunts
Dimiter Doichinov Stunts
Lee Charles Stunts
Ashley Beck Stunts
Heather Greenlees Art Direction
Elaine Kusmishko Art Direction
Luigi Marchione Art Direction
Michael Turner Art Direction
Paki Smith Set Decoration
Ana Lozano Hairstylist
Joe Hopker Hairstylist, Makeup Artist
Tapio Salmi Makeup Artist
Beverley Binda Makeup Artist
Jessica Derhammer Production Supervisor
Kirsty Vogel Art Department Coordinator
Jordana Finkel Assistant Art Director
Aine Smith Assistant Art Director
Beverley Crockard Construction Coordinator
Rohan Harris Scenic Artist
Andrew Ackland-Snow Set Designer
John T. Cucci Foley
Dan O'Connell Foley
Christopher Assells Sound Designer
Ann Scibelli Sound Designer
Peter Staubli Sound Designer
Jon Title Sound Designer
Bill R. Dean Sound Effects Editor
Frank A. Montaño Sound Re-Recording Mixer
Jon Taylor Sound Re-Recording Mixer
Tim Stevenson Animation
Ben Lambert CG Supervisor
Nicolas Hernandez CG Supervisor
Simon Scott Visual Effects Editor
Fiona Campbell Westgate Visual Effects Producer
Sara Bennett Visual Effects Supervisor
Scott M. Davids Visual Effects Supervisor
Matt Kasmir Visual Effects Supervisor
Christian Manz Visual Effects Supervisor
Ivan Moran Visual Effects Supervisor
Glen Pratt Visual Effects Supervisor
Cosmo Campbell Camera Operator
Pete Cavaciuti Steadicam Operator
Jasin Boland Still Photographer
Richard Philpott Additional Camera
Lizzie Kelly Video Assist Operator
Ian Franklin Rigging Gaffer
Rachael Webb-Crozier Costume Supervisor
Rudy Lopez Digital Intermediate
Carlton Kaller Music Editor
Ravi Dube Transportation Coordinator
Kathleen Weir Script Supervisor
Sasha Gibson Unit Publicist
Mally Chung Location Manager
Chris Keitel Casting
Marzenna Fus-Mickiewicz Hairstylist
Sandra O'Brien Makeup Artist
Daniel Phillips Makeup Designer
Dion Banner Painter
Leigh Stevens Greensman
Karen Baker Landers Supervising Sound Editor
Uli Nefzer Special Effects Supervisor
Umar Hussain Visual Effects Coordinator
Sam Gordon Modeling
Hannah Lewis Visual Effects Coordinator
Matthew Lloyd Visual Effects Coordinator
Thandiwe Philips Visual Effects Coordinator
Greg Reed VFX Editor
Robin Reyer Lighting Director
Mariangela Suma Visual Effects Coordinator
Daniel Ulrich Modeling
Nuo Sun Fight Choreographer
Wendy Brown Still Photographer
Jim Crowther Key Grip
Paul Edwards Camera Operator
Ian Fox Camera Operator
Darren Holland Key Grip
Steve Pochetty Lighting Technician
Harry Wiggins Chief Lighting Technician
Ben Wilson Rigging Supervisor
Emily Ireland Armorer
Paul McDonnell Armorer
Catherine McNally Costume Coordinator
Pamela Choules Visual Effects Editor
Christopher Kaller Music Editor
Vicky Bishop Production Coordinator
Steve Cummings Armorer
Kathryn Prince Sculptor
Chris Hogan Dialogue Editor
John C. Stuver Dialogue Editor
Patrick Loungway Second Unit Director of Photography
Mervyn Moore Sound Recordist
David A. Cohen ADR Editor
Fiachra O'Hanlon Sound Recordist
Donna Williams Stunts
Alistair Whitton Stunts
Richard Wheeldon Stunts
Arran Topham Stunts
John Street Stunts
Helen Steinway Bailey Stunts
Mark Stanton-Kelly Stunts
John Sharpe Stunts
Andreas Schmitka Stunts
Hasit Savani Stunts
Curtis Rivers Stunts
Mohan Randhawa Stunts
Heather Phillips Stunts
Craig Miller Stunts
Andy Merchant Stunts
Eddie McClements Stunts
Lockhart Ogilvie Stunts
Gary Kane Stunts
Jean-Paul Jesstiece Stunts
Scott Hinds Stunts
Lyndon S. Hellewell Stunts
Lawrence Hansen Stunts
Micheal Fay Stunts
Faruk Dogan Stunt Double
Rob Cooper Stunts
Steve Caswell Stunts
Alexis Barron Stunt Double
Lee Bagley Stunts
Guiomar Alonso Stunt Double
Maciej Kuciara Conceptual Illustrator
Jo Burn Unit Production Manager
Samantha Smith McGrady Second Assistant Director
B.L. Jurgens Visual Effects Producer
Rob Bliss Concept Artist
Ramin Djawadi Original Music Composer
John Schwartzman Director of Photography
François Audouy Production Design
Liang Yang Stunts
David Leitch Second Unit Director
George Kirby Stunts
Pete Ford Stunts
Annabel Wood Stunts
Allistair McNab Stunts
Andy Lister Stunt Double, Stunts
Felix Leech Stunts
Richard Hansen Stunt Double, Stunts
Neil Chapelhow Stunts
Joseph M. Caracciolo Jr. Unit Production Manager
Duncan Jarman Prosthetic Makeup Artist
Bob Murawski Additional Editor
Adelaide Filippe Makeup Effects
Tracey Wilson Storyboard Artist
Wolfgang Stegemann Stunts
Name Title
Michael De Luca Producer
Alissa Phillips Executive Producer
Jon Jashni Executive Producer
Thomas Tull Executive Producer
Joseph M. Caracciolo Jr. Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 40 65 28
2024 5 53 88 29
2024 6 52 80 33
2024 7 49 69 30
2024 8 42 65 27
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2025 2 20 38 4
2025 3 8 24 2
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2025 7 3 5 2
2025 8 4 6 3
2025 9 5 8 4

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2024 12 888 933
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Reviews

tanty
5.0

FX, Evans and Dance's performances are the only things to save in this movie. If you think Dracula becoming a hero and a martyr is a good idea, you will like it. Otherwise, like in my case, you will think that it was the worst idea in quite some time. So, Dracula is not the most evil creature ... in the world any more ... :(

Jun 23, 2021
Dark Jedi
8.0

That the so called “critics” at Rotten Tomatoes screws this movie over is not really a surprise. Said “critics” are usually out of sync with both my opinions and the opinions of most of the viewers which can be seen again from the fact that these people give this movie a 23% rating whereas the actua ... l viewers give it a 60% rating. At lot of “purists” also seem to take a disliking to this movie. Well, the movie is named Dracula Untold so it should be no surprise that the story would be a new one. Personally I found this movie quite enjoyable. Yes it is not the original Dracula story but it is not straying too far from the basic origins and it is really a quite decent story unlike some of the disastrous Hollywood rewrites. The original story claims that Dracula became a vampire during his battles with the Turks and this movie picks up on that and tells the story of how that happened. Unlike most (all?) Dracula movies, Dracula is not really the bad guy but rather the inverse and the movie tells a story about sacrifices and Dracula’s quest to keep some of his humanity, moral and sanity. It would not be a Dracula movie without some blood flowing and this movie delivers without overdoing it. Actually the actual bloodsucking stuff is quite played down until the end of the movie. There are a fair amount of fights against the Turks (who are the real bad guys in this movie) though and blood as well as various body parts no longer attached to their proper places does float around quite a bit. The special effects are not forgotten and I quite liked the bat swarms that Dracula commanded during the final fights against the Turks. I found Luke Evans performance as the prince and unwilling Dracula to be quite good. The rest of the characters were also well played. I am sure that none of them will be nominated for Oscars due to their part in this movie but I have nothing negative to say about their performance. On the whole I found this movie quite enjoyable and I definitely disagree with all the people blasting it. I did also quite like the last couple of scenes in modern time at the end which teased of a follow up movie. I would definitely like to see that happen.

May 16, 2024
Wuchak
7.0

Dracula: The dark Superman RELEASED IN 2014 and directed by Gary Shore, "Dracula Untold” tells the origin of Dracula: In the 15th century Prince Vlad the Impaler (Luke Evans) must protect his small kingdom of Wallachia (in modern-day Romania) from a Turk warlord (Dominic Cooper) who demands a tho ... usand boys from Wallachia & Transylvania, including Vlad’s son. Threatened by the unsurmountable Turk army, Vlad desperately makes a dubious pact with a formidable caged vampire in order to acquire its dark powers and save his family & kingdom. Sarah Gadon plays Vlad’s winsome wife. The producers flirted with the idea of “Dracula Untold” being part of Universal’s Dark Universe; and the epilogue of the movie, set in the modern world, suggests this, insinuating a franchise. This idea was dropped, however, and “The Mummy” (2017) became the first official film in the Dark Universe. In any case, “Dracula Untold” was fairly successful at the Box Office, making $56.3 million in North America and $217.1 million worldwide against a cost of $70 million. My title blurb pretty much tells you all you need to know: “Dracula Untold” is basically the dark Superman of 15th century Eastern Europe where Dracula wields the power to defeat a thousand-man army. If you like the great prologue to Coppola’s “Bram Stoker’s Dracula” (1992), you’ll probably like this movie, which gives several nods to that forerunner. The film LOOKS awesome and has a fine cast. But unlike “Bram Stoker’s Dracula,” it’s rapidly paced and doesn’t leave much room to breathe; so the characterizations aren’t quite deep enough. It’s good, but somehow hollow and forgettable. “Bram Stoker’s Dracula” was perhaps a little too slow while “Dracula Untold” is too hurried. I wish the creators found the happy medium between the two because, with just a little bit more time and attention to detail, it could’ve been great. THE MOVIE RUNS 1 hour, 32 minutes and was shot entirely in Northern Ireland. WRITERS: Matt Sazama and Burk Sharpless. GRADE: B

Jun 23, 2021
tmdb28039023
1.0

Bram Stoker's Count Dracula is textbook example of my Evil Iceberg Theory (the less you see of and know about a villain, the better). In an epistolary novel, the title character is the only one who doesn’t set his thoughts down in letters or in a diary (or, like Dr. Seward, a phonograph recording). ... If, as Lovecraft wrote, "The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown," then Dracula is the embodiment of this fear; inscrutable, unknowable, unreachable, impossible to negotiate or reason with. Moreover, it’s futile to try to assign him complex motivation; like the shark in Jaws or Dr. Lecter, the Count kills to feed — no more, no less. Taking all this into account, it's easy to see how bad an idea Dracula Untold really is. The story is narrated — a long time after it took place, though oddly in the same childlike voice the narrator had when the events trasnspired — by Ingeras (Art Parkinson), son of Vlad III Draculea, aka the Impaler, aka Son of the Dragon, aka Son of the Devil, aka Dracula; let's just call him Vlad (Luke Evans). "In the year of our Lord 1442, the Turkish sultan enslaved 1,000 children from Transylvania to fill the ranks of his army." One of these children grew up to become Vlad, who "disgusted by his monstrous deeds ... buried his past with the dead and returned to Transylvania to rule in peace." So Vlad just took his ball and went home. Just like that, no revolt required. Someone should tell the Sultan how slavery really works. This notwithstanding, Wallachia and Transylvania remain under Ottoman rule, and Vlad must pay an annual tribute to Sultan Mehmed II (Dominic Cooper); one can't help wondering why these two peoples are so hostile to each other, especially seeing how they share the lingua franca of British English. Mehmed takes it upon himself to 'enslaving' a thousand other children (perhaps the first thousand just walked away like Vlad?), including Ingeras. Vlad refuses, and knowing that this means war, goes to a cave in a mountain to seek help from "a vampire. From the Greek word pi, to drink [actually 'pi' is a Greek letter; the language in which it is a word that means 'drink' or 'suck' is Albanian]. The beast was once a mortal man who summoned a demon from the depths of hell to barter for his dark power. The demon deceived the man, granting his wish, but his price was an eternity condemned to the darkness of that cave, where he remains until he finds another to free him." The cave vampire (Charles Dance), who once was a Roman and thus speaks, like all Romans do in the movies, the Queen's English, gives Vlad a sip of his blood, and with it “a taste of my power. The strength of 100 men. The speed of a shooting star. Domain of the night and all its creatures. See and hear through your senses. Even heal grievous wounds ... Once you drink, your thirst for human blood will be insatiable. But if you can hold out for three days, you will return to your mortal state having tasted my power, and perhaps saved your people. [What if I feed?] I will be freed having granted the darkness a worthy offering. You will become … like me. A scourge on this earth destined to destroy everything you love… I, however, will be free to unleash my wrath against the one who betrayed me. And one day, I will call upon you to serve me, my pawn, in an immortal game of revenge." All this does is show that sometimes no explanation is the best explanation. Let's compare Coppola’s Dracula, in whose introduction — featuring modern Romanian dialogue with medieval English syntax (perhaps not historically correct but still much better than English-English) — Gary Oldman plunges his sword into the stone cross of a chapel, and drinks the blood that flows from it. This doesn't necessarily make any more sense, but at least it's short and to the point, and Coppola has the good sense to not even try to explain it. Conversely, all of Dracula Untold’s heavy exposition only raises more questions than it answers. How did this Roman guy end up in Transylvania? Are there no caves in Rome? Why can't he leave the cave and Vlad can? What exactly does "an immortal game of revenge" mean? This phrase simply reeks of oxymoron. Speaking of Coppola, he was the second to make the character of Dracula and the historical Dracula one and the same person, and add a Reincarnation Romance to the plot (the first was Dan Curtis in his own 1974 Bram Stoker's Dracula, written by Richard Matheson). Director Gary Shore and screenwriters Matt Sazama and Burk Sharpless repeat the formula in Dracula Untold, but their mistake is making an entire movie out of this premise. If they had done their homework, they would know that the link to Vlad III is tenuous at best, and that the real and probably only reason Stoker used the name 'Dracula' is because he was under the mistaken impression that it meant 'devil' in Romanian (but who knows; maybe the confusion of ' Greek pi' with Albanian 'pi' was a tribute to this linguistic faux pas on the Irish author’s part).

Sep 15, 2022
Geronimo1967
6.0

I think you have to treat this depiction of Dracula on it's own merits. There is no point comparing it with anything you've seen already. Given that, it is a perfectly watchable, and forgettable, adventure film with Luke Evans as Prince Vlad making the vampiric equivalent of a "deal with the devil" ... with Charles Dance to prevent his family and his kingdom from being over-run by the Turks. Dominic Cooper is really terrible as the Ottoman Sultan, though - his accent sounds like it's been finessed in his local kebab shop after too many tequila slammers on a Friday night. Evans is fine in the role, there is plenty of action and the visual effects are adequate too. Expect nothing earth shattering and you won't be let down.

Jun 10, 2024