Popularity: 4 (history)
Director: | Gary Shore |
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Writer: | Matt Sazama, Burk Sharpless |
Staring: |
Vlad Tepes is a great hero, but when he learns the Sultan is preparing for battle and needs to form an army of 1,000 boys, he vows to find a way to protect his family. Vlad turns to dark forces in order to get the power to destroy his enemies and agrees to go from hero to monster as he's turned into the mythological vampire, Dracula. | |
Release Date: | Oct 01, 2014 |
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Director: | Gary Shore |
Writer: | Matt Sazama, Burk Sharpless |
Genres: | Fantasy, Action, Horror |
Keywords | bravery, 15th century, monster, prince, dracula, hero, supernatural, ottoman empire, vampire, heroism, dramatic, bite, battle, intense |
Production Companies | Universal Pictures, Legendary Pictures, Michael De Luca Productions |
Box Office |
Revenue: $217,124,280
Budget: $70,000,000 |
Updates |
Updated: Aug 09, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Luke Evans | Vlad Tepes / Dracula |
Sarah Gadon | Mirena / Mina Murray |
Dominic Cooper | Mehmed II |
Art Parkinson | Ingeras |
Charles Dance | Master Vampire |
Diarmaid Murtagh | Dimitru |
Paul Kaye | Brother Lucian |
William Houston | Cazan |
Noah Huntley | Captain Petru |
Ronan Vibert | Simion |
Zach McGowan | Shkelgim |
Ferdinand Kingsley | Hamza Bey |
Joseph Long | General Omer |
Thorvaldur Kristjansson | Bright Eyes |
Jakub Gierszał | Acemi |
Joe Benjamin | Mihai |
Paul Bullion | Nicolae |
Mish Boyko | Andrei |
Dilan Gwyn | Governess |
Arkie Reece | General Ismail |
Phil Zimmerman | Mihai's Father |
Dominic Borrelli | Wealthy Boyar |
Tom Benedict Knight | Turkish General |
Paul Casar | Intrigued Boyar |
Stavros Demetraki | Mehmed's Adjutant |
Ruth Baxter | Mirena's Handmaiden |
Rachel Kennedy | Mirena's Handmaiden |
Louise Parker | Mirena's Handmaiden |
Glen Barry | Lucian's Monk |
Shane McCaffrey | Lucian's Monk |
Gary Whelan | Lucian's Monk |
Guillaume Meliot | Omer's Adjutant |
John Friel | Vlad's Castle Guard |
Jason Coalter | Vlad's Castle Guard |
Andrew Laverty | Vlad's Castle Guard |
Cole Currin | Vlad's Castle Guard |
Matthew Åkerfeldt | Vlad's Soldier |
Andrew McQuade | Vlad's Soldier |
Eugene Furphy | Vlad's Soldier |
Chris Cherry | Vlad's Soldier |
Ross Moneypenny | Vlad's Soldier |
Bobby Marno | Vlad's Soldier |
Connor Schelling-Tisza | Vlad's Soldier |
Joe Kelly, Jr. | Vlad's Soldier |
Graham Hutton | Vlad's Soldier |
Phil McKee | Vlad's Soldier |
Darren McMullan | Vlad's Soldier |
Chris Keenan | Vlad's Soldier |
Paul Monahan | Boyar Man |
Norman Coates | Boyar Man |
Paul Kavanagh | Boyar Man |
Gordon Bell | Boyar Man |
Graham Cave | Boyar Man |
Arthur Halligey | Boyar Man |
Derek Mayne | Boyar Man |
Al Geddes | Boyar Man |
Gavin McCormick | Boyar Man |
Xander Duffy | Boyar Man |
Jeffrey O'Brien | Boyar Man |
Gretta Shore | Lady of the Court |
Charlene Gleeson | Lady of the Court |
Orlaith Shore | Lady of the Court |
Penelope Simmons | Lady of the Court |
Ann Louise Bresnaham | Lady of the Court |
Ann O'Connor | Lady of the Court |
Aodhan McGowan | Child of the Court |
Hunter Stratton Boland | Child of the Court |
Maria Laird | Child of the Court |
Lasco Atkins | Transylvanian Villager (uncredited) |
Volkan Ay | Young Turkish Soldier (uncredited) |
Frank Cannon | Monk No6 (uncredited) |
John Carr | Market Shopper (uncredited) |
Laurence Doherty | Peasant Man (uncredited) |
Micheal Fay | Bright Eyes' Janissary (uncredited) |
Dustin Frost | Christian Crusader (uncredited) |
Richard Hansen | Adjutant (uncredited) |
Peter Heenan | Hero Boy (uncredited) |
Bobby Leigh | Jacqune (uncredited) |
Davide Manganelli | Turkish General (uncredited) |
Felicity McKee | Peasant (uncredited) |
Joana Metrass | Handmaiden (uncredited) |
Jesse Morris | Ottoman Soldier (uncredited) |
J.J. Murphy | The Village Elder (uncredited) |
Niall Murphy | Terrorised Turk (uncredited) |
Bomber Hurley Smith | Ottoman Army Captain (uncredited) |
Marco Staines | Vlad Soldier (uncredited) |
Freigeist van Tazzy | Ottoman Soldier (uncredited) |
John Warman | Office Worker (uncredited) |
Name | Job |
---|---|
David Doran | Art Direction |
Adam Young | Stunts |
Gary Shore | Director |
Matt Sazama | Writer |
Burk Sharpless | Writer |
Bram Stoker | Characters |
Richard Pearson | Editor |
John Hubbard | Casting |
Ros Hubbard | Casting |
Ngila Dickson | Costume Design |
Peter Pedrero | Stunt Coordinator |
Buster Reeves | Stunt Coordinator |
Paul Inglis | Supervising Art Director |
Greg Burridge | Stunts |
John Wildermuth | First Assistant Director |
David Feinsilber | Visual Effects Producer |
Steen Young | Stunts |
Marlow Warrington-Mattei | Stunt Double, Stunts |
Pablo Verdejo | Stunts |
Don Thai Theerathada | Stunt Double, Stunt Coordinator |
Stanimir Stamatov | Stunts |
Marcus Shakesheff | Stunts |
Chris Pollard | Stunts |
Radoslav Parvanov | Stunts |
Ray Nicholas | Stunts |
Belinda McGinley | Stunts |
Tomasz Krzemieniecki | Stunts |
Luke Kearney | Stunts |
Danko Jordanov | Stunts |
Matt Hermiston | Stunts |
Martin Goeres | Stunt Double, Stunts |
James Embree | Stunts |
Dimiter Doichinov | Stunts |
Lee Charles | Stunts |
Ashley Beck | Stunts |
Heather Greenlees | Art Direction |
Elaine Kusmishko | Art Direction |
Luigi Marchione | Art Direction |
Michael Turner | Art Direction |
Paki Smith | Set Decoration |
Ana Lozano | Hairstylist |
Joe Hopker | Hairstylist, Makeup Artist |
Tapio Salmi | Makeup Artist |
Beverley Binda | Makeup Artist |
Jessica Derhammer | Production Supervisor |
Kirsty Vogel | Art Department Coordinator |
Jordana Finkel | Assistant Art Director |
Aine Smith | Assistant Art Director |
Beverley Crockard | Construction Coordinator |
Rohan Harris | Scenic Artist |
Andrew Ackland-Snow | Set Designer |
John T. Cucci | Foley |
Dan O'Connell | Foley |
Christopher Assells | Sound Designer |
Ann Scibelli | Sound Designer |
Peter Staubli | Sound Designer |
Jon Title | Sound Designer |
Bill R. Dean | Sound Effects Editor |
Frank A. Montaño | Sound Re-Recording Mixer |
Jon Taylor | Sound Re-Recording Mixer |
Tim Stevenson | Animation |
Ben Lambert | CG Supervisor |
Nicolas Hernandez | CG Supervisor |
Simon Scott | Visual Effects Editor |
Fiona Campbell Westgate | Visual Effects Producer |
Sara Bennett | Visual Effects Supervisor |
Scott M. Davids | Visual Effects Supervisor |
Matt Kasmir | Visual Effects Supervisor |
Christian Manz | Visual Effects Supervisor |
Ivan Moran | Visual Effects Supervisor |
Glen Pratt | Visual Effects Supervisor |
Cosmo Campbell | Camera Operator |
Pete Cavaciuti | Steadicam Operator |
Jasin Boland | Still Photographer |
Richard Philpott | Additional Camera |
Lizzie Kelly | Video Assist Operator |
Ian Franklin | Rigging Gaffer |
Rachael Webb-Crozier | Costume Supervisor |
Rudy Lopez | Digital Intermediate |
Carlton Kaller | Music Editor |
Ravi Dube | Transportation Coordinator |
Kathleen Weir | Script Supervisor |
Sasha Gibson | Unit Publicist |
Mally Chung | Location Manager |
Chris Keitel | Casting |
Marzenna Fus-Mickiewicz | Hairstylist |
Sandra O'Brien | Makeup Artist |
Daniel Phillips | Makeup Designer |
Dion Banner | Painter |
Leigh Stevens | Greensman |
Karen Baker Landers | Supervising Sound Editor |
Uli Nefzer | Special Effects Supervisor |
Umar Hussain | Visual Effects Coordinator |
Sam Gordon | Modeling |
Hannah Lewis | Visual Effects Coordinator |
Matthew Lloyd | Visual Effects Coordinator |
Thandiwe Philips | Visual Effects Coordinator |
Greg Reed | VFX Editor |
Robin Reyer | Lighting Director |
Mariangela Suma | Visual Effects Coordinator |
Daniel Ulrich | Modeling |
Nuo Sun | Fight Choreographer |
Wendy Brown | Still Photographer |
Jim Crowther | Key Grip |
Paul Edwards | Camera Operator |
Ian Fox | Camera Operator |
Darren Holland | Key Grip |
Steve Pochetty | Lighting Technician |
Harry Wiggins | Chief Lighting Technician |
Ben Wilson | Rigging Supervisor |
Emily Ireland | Armorer |
Paul McDonnell | Armorer |
Catherine McNally | Costume Coordinator |
Pamela Choules | Visual Effects Editor |
Christopher Kaller | Music Editor |
Vicky Bishop | Production Coordinator |
Steve Cummings | Armorer |
Kathryn Prince | Sculptor |
Chris Hogan | Dialogue Editor |
John C. Stuver | Dialogue Editor |
Patrick Loungway | Second Unit Director of Photography |
Mervyn Moore | Sound Recordist |
David A. Cohen | ADR Editor |
Fiachra O'Hanlon | Sound Recordist |
Donna Williams | Stunts |
Alistair Whitton | Stunts |
Richard Wheeldon | Stunts |
Arran Topham | Stunts |
John Street | Stunts |
Helen Steinway Bailey | Stunts |
Mark Stanton-Kelly | Stunts |
John Sharpe | Stunts |
Andreas Schmitka | Stunts |
Hasit Savani | Stunts |
Curtis Rivers | Stunts |
Mohan Randhawa | Stunts |
Heather Phillips | Stunts |
Craig Miller | Stunts |
Andy Merchant | Stunts |
Eddie McClements | Stunts |
Lockhart Ogilvie | Stunts |
Gary Kane | Stunts |
Jean-Paul Jesstiece | Stunts |
Scott Hinds | Stunts |
Lyndon S. Hellewell | Stunts |
Lawrence Hansen | Stunts |
Micheal Fay | Stunts |
Faruk Dogan | Stunt Double |
Rob Cooper | Stunts |
Steve Caswell | Stunts |
Alexis Barron | Stunt Double |
Lee Bagley | Stunts |
Guiomar Alonso | Stunt Double |
Maciej Kuciara | Conceptual Illustrator |
Jo Burn | Unit Production Manager |
Samantha Smith McGrady | Second Assistant Director |
B.L. Jurgens | Visual Effects Producer |
Rob Bliss | Concept Artist |
Ramin Djawadi | Original Music Composer |
John Schwartzman | Director of Photography |
François Audouy | Production Design |
Liang Yang | Stunts |
David Leitch | Second Unit Director |
George Kirby | Stunts |
Pete Ford | Stunts |
Annabel Wood | Stunts |
Allistair McNab | Stunts |
Andy Lister | Stunt Double, Stunts |
Felix Leech | Stunts |
Richard Hansen | Stunt Double, Stunts |
Neil Chapelhow | Stunts |
Joseph M. Caracciolo Jr. | Unit Production Manager |
Duncan Jarman | Prosthetic Makeup Artist |
Bob Murawski | Additional Editor |
Adelaide Filippe | Makeup Effects |
Tracey Wilson | Storyboard Artist |
Wolfgang Stegemann | Stunts |
Name | Title |
---|---|
Michael De Luca | Producer |
Alissa Phillips | Executive Producer |
Jon Jashni | Executive Producer |
Thomas Tull | Executive Producer |
Joseph M. Caracciolo Jr. | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 40 | 65 | 28 |
2024 | 5 | 53 | 88 | 29 |
2024 | 6 | 52 | 80 | 33 |
2024 | 7 | 49 | 69 | 30 |
2024 | 8 | 42 | 65 | 27 |
2024 | 9 | 34 | 45 | 21 |
2024 | 10 | 33 | 53 | 23 |
2024 | 11 | 32 | 62 | 24 |
2024 | 12 | 29 | 50 | 22 |
2025 | 1 | 35 | 43 | 21 |
2025 | 2 | 20 | 38 | 4 |
2025 | 3 | 8 | 24 | 2 |
2025 | 4 | 4 | 8 | 2 |
2025 | 5 | 4 | 9 | 3 |
2025 | 6 | 4 | 6 | 3 |
2025 | 7 | 3 | 5 | 2 |
2025 | 8 | 4 | 6 | 3 |
2025 | 9 | 5 | 8 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 680 | 783 |
Year | Month | High | Avg |
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2025 | 8 | 571 | 836 |
Year | Month | High | Avg |
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2025 | 7 | 670 | 784 |
Year | Month | High | Avg |
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2025 | 6 | 337 | 779 |
Year | Month | High | Avg |
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2025 | 5 | 364 | 715 |
Year | Month | High | Avg |
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2025 | 4 | 644 | 789 |
Year | Month | High | Avg |
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2025 | 3 | 125 | 589 |
Year | Month | High | Avg |
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2025 | 2 | 427 | 737 |
Year | Month | High | Avg |
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2025 | 1 | 543 | 789 |
Year | Month | High | Avg |
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2024 | 12 | 888 | 933 |
Year | Month | High | Avg |
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2024 | 11 | 863 | 893 |
Year | Month | High | Avg |
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2024 | 9 | 911 | 959 |
Year | Month | High | Avg |
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2024 | 8 | 869 | 923 |
FX, Evans and Dance's performances are the only things to save in this movie. If you think Dracula becoming a hero and a martyr is a good idea, you will like it. Otherwise, like in my case, you will think that it was the worst idea in quite some time. So, Dracula is not the most evil creature ... in the world any more ... :(
That the so called “critics” at Rotten Tomatoes screws this movie over is not really a surprise. Said “critics” are usually out of sync with both my opinions and the opinions of most of the viewers which can be seen again from the fact that these people give this movie a 23% rating whereas the actua ... l viewers give it a 60% rating. At lot of “purists” also seem to take a disliking to this movie. Well, the movie is named Dracula Untold so it should be no surprise that the story would be a new one. Personally I found this movie quite enjoyable. Yes it is not the original Dracula story but it is not straying too far from the basic origins and it is really a quite decent story unlike some of the disastrous Hollywood rewrites. The original story claims that Dracula became a vampire during his battles with the Turks and this movie picks up on that and tells the story of how that happened. Unlike most (all?) Dracula movies, Dracula is not really the bad guy but rather the inverse and the movie tells a story about sacrifices and Dracula’s quest to keep some of his humanity, moral and sanity. It would not be a Dracula movie without some blood flowing and this movie delivers without overdoing it. Actually the actual bloodsucking stuff is quite played down until the end of the movie. There are a fair amount of fights against the Turks (who are the real bad guys in this movie) though and blood as well as various body parts no longer attached to their proper places does float around quite a bit. The special effects are not forgotten and I quite liked the bat swarms that Dracula commanded during the final fights against the Turks. I found Luke Evans performance as the prince and unwilling Dracula to be quite good. The rest of the characters were also well played. I am sure that none of them will be nominated for Oscars due to their part in this movie but I have nothing negative to say about their performance. On the whole I found this movie quite enjoyable and I definitely disagree with all the people blasting it. I did also quite like the last couple of scenes in modern time at the end which teased of a follow up movie. I would definitely like to see that happen.
Dracula: The dark Superman RELEASED IN 2014 and directed by Gary Shore, "Dracula Untold” tells the origin of Dracula: In the 15th century Prince Vlad the Impaler (Luke Evans) must protect his small kingdom of Wallachia (in modern-day Romania) from a Turk warlord (Dominic Cooper) who demands a tho ... usand boys from Wallachia & Transylvania, including Vlad’s son. Threatened by the unsurmountable Turk army, Vlad desperately makes a dubious pact with a formidable caged vampire in order to acquire its dark powers and save his family & kingdom. Sarah Gadon plays Vlad’s winsome wife. The producers flirted with the idea of “Dracula Untold” being part of Universal’s Dark Universe; and the epilogue of the movie, set in the modern world, suggests this, insinuating a franchise. This idea was dropped, however, and “The Mummy” (2017) became the first official film in the Dark Universe. In any case, “Dracula Untold” was fairly successful at the Box Office, making $56.3 million in North America and $217.1 million worldwide against a cost of $70 million. My title blurb pretty much tells you all you need to know: “Dracula Untold” is basically the dark Superman of 15th century Eastern Europe where Dracula wields the power to defeat a thousand-man army. If you like the great prologue to Coppola’s “Bram Stoker’s Dracula” (1992), you’ll probably like this movie, which gives several nods to that forerunner. The film LOOKS awesome and has a fine cast. But unlike “Bram Stoker’s Dracula,” it’s rapidly paced and doesn’t leave much room to breathe; so the characterizations aren’t quite deep enough. It’s good, but somehow hollow and forgettable. “Bram Stoker’s Dracula” was perhaps a little too slow while “Dracula Untold” is too hurried. I wish the creators found the happy medium between the two because, with just a little bit more time and attention to detail, it could’ve been great. THE MOVIE RUNS 1 hour, 32 minutes and was shot entirely in Northern Ireland. WRITERS: Matt Sazama and Burk Sharpless. GRADE: B
Bram Stoker's Count Dracula is textbook example of my Evil Iceberg Theory (the less you see of and know about a villain, the better). In an epistolary novel, the title character is the only one who doesn’t set his thoughts down in letters or in a diary (or, like Dr. Seward, a phonograph recording). ... If, as Lovecraft wrote, "The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown," then Dracula is the embodiment of this fear; inscrutable, unknowable, unreachable, impossible to negotiate or reason with. Moreover, it’s futile to try to assign him complex motivation; like the shark in Jaws or Dr. Lecter, the Count kills to feed — no more, no less. Taking all this into account, it's easy to see how bad an idea Dracula Untold really is. The story is narrated — a long time after it took place, though oddly in the same childlike voice the narrator had when the events trasnspired — by Ingeras (Art Parkinson), son of Vlad III Draculea, aka the Impaler, aka Son of the Dragon, aka Son of the Devil, aka Dracula; let's just call him Vlad (Luke Evans). "In the year of our Lord 1442, the Turkish sultan enslaved 1,000 children from Transylvania to fill the ranks of his army." One of these children grew up to become Vlad, who "disgusted by his monstrous deeds ... buried his past with the dead and returned to Transylvania to rule in peace." So Vlad just took his ball and went home. Just like that, no revolt required. Someone should tell the Sultan how slavery really works. This notwithstanding, Wallachia and Transylvania remain under Ottoman rule, and Vlad must pay an annual tribute to Sultan Mehmed II (Dominic Cooper); one can't help wondering why these two peoples are so hostile to each other, especially seeing how they share the lingua franca of British English. Mehmed takes it upon himself to 'enslaving' a thousand other children (perhaps the first thousand just walked away like Vlad?), including Ingeras. Vlad refuses, and knowing that this means war, goes to a cave in a mountain to seek help from "a vampire. From the Greek word pi, to drink [actually 'pi' is a Greek letter; the language in which it is a word that means 'drink' or 'suck' is Albanian]. The beast was once a mortal man who summoned a demon from the depths of hell to barter for his dark power. The demon deceived the man, granting his wish, but his price was an eternity condemned to the darkness of that cave, where he remains until he finds another to free him." The cave vampire (Charles Dance), who once was a Roman and thus speaks, like all Romans do in the movies, the Queen's English, gives Vlad a sip of his blood, and with it “a taste of my power. The strength of 100 men. The speed of a shooting star. Domain of the night and all its creatures. See and hear through your senses. Even heal grievous wounds ... Once you drink, your thirst for human blood will be insatiable. But if you can hold out for three days, you will return to your mortal state having tasted my power, and perhaps saved your people. [What if I feed?] I will be freed having granted the darkness a worthy offering. You will become … like me. A scourge on this earth destined to destroy everything you love… I, however, will be free to unleash my wrath against the one who betrayed me. And one day, I will call upon you to serve me, my pawn, in an immortal game of revenge." All this does is show that sometimes no explanation is the best explanation. Let's compare Coppola’s Dracula, in whose introduction — featuring modern Romanian dialogue with medieval English syntax (perhaps not historically correct but still much better than English-English) — Gary Oldman plunges his sword into the stone cross of a chapel, and drinks the blood that flows from it. This doesn't necessarily make any more sense, but at least it's short and to the point, and Coppola has the good sense to not even try to explain it. Conversely, all of Dracula Untold’s heavy exposition only raises more questions than it answers. How did this Roman guy end up in Transylvania? Are there no caves in Rome? Why can't he leave the cave and Vlad can? What exactly does "an immortal game of revenge" mean? This phrase simply reeks of oxymoron. Speaking of Coppola, he was the second to make the character of Dracula and the historical Dracula one and the same person, and add a Reincarnation Romance to the plot (the first was Dan Curtis in his own 1974 Bram Stoker's Dracula, written by Richard Matheson). Director Gary Shore and screenwriters Matt Sazama and Burk Sharpless repeat the formula in Dracula Untold, but their mistake is making an entire movie out of this premise. If they had done their homework, they would know that the link to Vlad III is tenuous at best, and that the real and probably only reason Stoker used the name 'Dracula' is because he was under the mistaken impression that it meant 'devil' in Romanian (but who knows; maybe the confusion of ' Greek pi' with Albanian 'pi' was a tribute to this linguistic faux pas on the Irish author’s part).
I think you have to treat this depiction of Dracula on it's own merits. There is no point comparing it with anything you've seen already. Given that, it is a perfectly watchable, and forgettable, adventure film with Luke Evans as Prince Vlad making the vampiric equivalent of a "deal with the devil" ... with Charles Dance to prevent his family and his kingdom from being over-run by the Turks. Dominic Cooper is really terrible as the Ottoman Sultan, though - his accent sounds like it's been finessed in his local kebab shop after too many tequila slammers on a Friday night. Evans is fine in the role, there is plenty of action and the visual effects are adequate too. Expect nothing earth shattering and you won't be let down.