Popularity: 15 (history)
Director: | Paul W. S. Anderson |
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Writer: | Paul W. S. Anderson, Constantin Werner |
Staring: |
A queen sends the powerful and feared sorceress Gray Alys to the ghostly wilderness of the Lost Lands in search of a magical power, where she and her guide, the drifter Boyce, must outwit and outfight both man and demon. | |
Release Date: | Feb 27, 2025 |
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Director: | Paul W. S. Anderson |
Writer: | Paul W. S. Anderson, Constantin Werner |
Genres: | Fantasy, Adventure, Action |
Keywords | dystopia, betrayal, sorceress, survival adventure, witch, sorcery, based on short story, high fantasy |
Production Companies | Constantin Film, Spark Productions |
Box Office |
Revenue: $4,755,330
Budget: $55,000,000 |
Updates |
Updated: May 28, 2025 (Update) Entered: Apr 20, 2024 |
Name | Character |
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Milla Jovovich | Gray Alys |
Dave Bautista | Boyce |
Arly Jover | Ash |
Amara Okereke | Melange |
Fraser James | Patriarch Johan |
Deirdre Mullins | Mara |
Sebastian Stankiewicz | Ross |
Tue Lunding | The Hammer |
Jacek Dzisiewicz | Overlord |
Ian Hanmore | The Stranger |
Eveline Hall | Old Homeless Woman |
Kamila Klamut | Midwife |
Caoilinn Springall | Young Girl |
Jan Kowalewski | Young Monk |
Pawel Wysocki | The Gambler |
Simon Lööf | Jerais |
Tomasz Cymerman | Outrider 1 |
Name | Job |
---|---|
Paul W. S. Anderson | Screenstory, Story, Director |
Michał Kostrzewski | Stunt Double, Stunts |
Aurélia Agel | Stunt Double |
Damian Majowicz | Stunt Coordinator |
Sébastien Peres | Fight Choreographer |
Marek Sołek | Stunt Coordinator |
Janine Theisen | Stunt Double |
Rob de Groot | Stunt Double |
George R. R. Martin | Short Story |
Paul Haslinger | Original Music Composer |
Łukasz Trzciński | Production Design |
Constantin Werner | Screenstory, Screenplay |
Glen MacPherson | Director of Photography |
Karolina Kosiba | Casting |
Michael Derrah | Art Direction |
Udo Happel | Line Producer |
Krzysztof Solek | Line Producer |
Niven Howie | Editor |
Matt Curtis | Title Designer |
Tim Greve | Line Producer |
Alexander Wojtanowski | Production Manager |
Agnieszka Zajączkowska | Production Coordinator |
Paulina Najmiec | Production Coordinator |
Dennis Berardi | Visual Effects Supervisor |
Marek Walczyk | Visual Effects Producer |
Krzysztof Wiktor | Still Photographer |
Milena Jaroszek | Costume Designer |
Achim Hofmann | Sound Designer |
Max Bauer | Foley Artist |
Klaudyna Góralska | Makeup Department Head |
Ryan MacDuff | Visual Effects Producer |
Name | Title |
---|---|
Jeremy Bolt | Producer |
Paul W. S. Anderson | Producer |
Milla Jovovich | Producer |
Dave Bautista | Producer |
Jonathan Meisner | Producer |
Constantin Werner | Producer |
Nico Bruinsma | Executive Producer |
Kirk D'Amico | Executive Producer |
Kevin D. Forester | Executive Producer |
Martin Moszkowicz | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 6 | 9 | 4 |
2024 | 5 | 8 | 12 | 6 |
2024 | 6 | 8 | 14 | 4 |
2024 | 7 | 8 | 17 | 4 |
2024 | 8 | 8 | 16 | 5 |
2024 | 9 | 12 | 35 | 4 |
2024 | 10 | 10 | 18 | 6 |
2024 | 11 | 10 | 22 | 6 |
2024 | 12 | 10 | 33 | 3 |
2025 | 1 | 28 | 56 | 7 |
2025 | 2 | 32 | 49 | 9 |
2025 | 3 | 28 | 94 | 1 |
2025 | 4 | 436 | 873 | 12 |
2025 | 5 | 175 | 283 | 117 |
2025 | 6 | 82 | 130 | 49 |
2025 | 7 | 37 | 48 | 29 |
2025 | 8 | 22 | 30 | 17 |
2025 | 9 | 17 | 20 | 14 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 103 | 600 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 112 | 451 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 13 | 78 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 5 | 117 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 20 | 171 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 3 | 114 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 35 | 278 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 181 | 653 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 50 | 560 |
With mankind reduced to living amidst a god-fearing zealousness in a city under a mountain where they are ruled by a decrepit overlord and his much younger queen (Amara Okereke), it would appear that their only hope of salvation from that salvation rests with the witch “Gray Alys” (Milla Jovovich). ... If she can make direct eye contact with you, then she can manipulate what you think and see. She has only narrowly escaped the “Enforcer” (Arly Jover) when she receives a couple of visitors who ask her for a favour. She cannot decline their request so long as they pay, and so must accept their challenge to obtain a shape-shifting wolf for them. The only place that this could be found is in the lawless “Lost Lands” and for that she needs the help of the legendary hunter “Boyce” (Dave Bautista). He hasn’t his troubles to seek either, but after a bit of mutual rescuing, they ally and set off on their quest. Of course, the “Enforcer” is in hot pursuit on an heavily armoured train and so with volcanoes, demons and her crusading troops on their tails it’s not easy task to stay alive in the first place let alone track and catch their quarry. By about half an hour in, we have plundered just about everything from “Indiana Jones” via “Lord of the Rings” (I’m sure I saw “Treebeard here”); “Underworld”, “Harry Potter and the” (take your pick) and, of course, “Mad Max” as this derivative dystopian story lumbers along in an entirely predictable fashion. There’s not the slightest hint of chemistry between the two stars at the top of the billing and what jeopardy there is comes straight from the CGI folks who do, admittedly, manage to create quite an imaginatively crafted world of dilapidated human civilisation to compensate for the writer’s rather mundanely crafted one of human collapse. It’s not remotely scary and the combat scenes are repetitive; the scheming and plotting with Okereke and her eye-candy henchboy “Jerais” (Simon Lööf) are lacklustre and the conclusion leaves virtually nothing to the imagination, even in the dark! It’s an easy way to kill some time in a cinema, but I doubt anyone will ever remember it afterwards - even if you were in the thing.
<em>'In the Lost Lands'</em> is oddly one that didn't do it for me. I say oddly because I really enjoyed all of the cast here, it's just the story that totally failed to claw me in; I honestly would struggle to give you a suitable recap of the plot even so soon after watching it. Those onscreen, ... however, are all pluses. Dave Bautista is good, so is Milla Jovovich. Arly Jover works, as do Amara Okereke and Fraser James. Simon Lööf is the weakest main cast member and even he is fine. It is rare for me to not like a film where the cast bring positive displays. The world built and the effects used looked pleasing enough to me too, it really is just the plot that hampers this one for me personally. That's a shame, really. It feels like a missed opportunity.
"in the Lost Lands" is a basic watch, accompanied by a dose of the by now predictable, DEI indoctrination. This feels like a paired down "Resident Evil" sci fi, with a medieval fantasy overlay and a few spaghetti Western elements, thrown in. You could also draw comparisons, to the series "Into t ... he Badlands" but this film is nowhere near, as polished or engaging. This a fundamentally, a simple, exposition driven affair, with a basic story, incorporating the usual DEI prerequisites and a lots of CGI green screen, "not so special", effects. Acting from the cast actually lifts this film somewhat but it never really escapes, the prison of its own self imposed, mediocrity. In summary, if you like sci fi, fantasy mash ups, you'll probably find this a "mostly" acceptable, if unremarkable watch.