Popularity: 18 (history)
Director: | Peter Ramsey, Bob Persichetti, Rodney Rothman |
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Writer: | Phil Lord, Rodney Rothman |
Staring: |
Struggling to find his place in the world while juggling school and family, Brooklyn teenager Miles Morales is unexpectedly bitten by a radioactive spider and develops unfathomable powers just like the one and only Spider-Man. While wrestling with the implications of his new abilities, Miles discovers a super collider created by the madman Wilson "Kingpin" Fisk, causing others from across the Spider-Verse to be inadvertently transported to his dimension. | |
Release Date: | Dec 06, 2018 |
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Director: | Peter Ramsey, Bob Persichetti, Rodney Rothman |
Writer: | Phil Lord, Rodney Rothman |
Genres: | Animation, Adventure, Action, Science Fiction |
Keywords | based on comic, alternate universe, superhero, aftercreditsstinger |
Production Companies | Columbia Pictures, Sony Pictures Animation, Marvel Entertainment, Arad Productions, Lord Miller, Pascal Pictures |
Box Office |
Revenue: $384,298,736
Budget: $90,000,000 |
Updates |
Updated: Jun 09, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Shameik Moore | Miles Morales (voice) |
Jake Johnson | Peter B. Parker (voice) |
Hailee Steinfeld | Gwen Stacy (voice) |
Mahershala Ali | Uncle Aaron (voice) |
Brian Tyree Henry | Jefferson Davis (voice) |
Lily Tomlin | Aunt May (voice) |
Luna Lauren Velez | Rio Morales (voice) |
Zoë Kravitz | Mary Jane (voice) |
John Mulaney | Spider-Ham (voice) |
Kimiko Glenn | Peni Parker (voice) |
Nicolas Cage | Spider-Man Noir (voice) |
Kathryn Hahn | Doc Ock (voice) |
Liev Schreiber | Wilson Fisk (voice) |
Chris Pine | Peter Parker (voice) |
Natalie Morales | Miss Calleros (voice) |
Edwin H. Bravo | Brooklyn Visions Security Guard (voice) |
Oscar Isaac | Interesting Person #1 (voice) |
Greta Lee | Interesting Person #2 (voice) |
Stan Lee | Stan (voice) |
Jorma Taccone | Green Goblin / Last Dude (voice) |
Joaquín Cosío | Scorpion (voice) |
Marvin Jones III | Tombstone (voice) |
Kim Yarbrough | Scientist in Cafeteria (voice) |
Lake Bell | Vanessa Fisk (voice) |
Jessica Mikayla Adams | Brooklyn Friend (voice) |
Gredel Berrios Calladine | Brooklyn Friend (voice) |
Sarah D. Cole | Brooklyn Friend (voice) |
Kelby Joseph | Brooklyn Friend (voice) |
Mimi Davila | Brooklyn Visions Student (voice) |
Claudia Choi | Brooklyn Visions Teacher (voice) |
Melanie Haynes | Brooklyn Visions Teacher (voice) |
Joseph Izzo | Brooklyn Visions Teacher (voice) |
Nick Jaine | Brooklyn Visions Teacher (voice) |
Muneeb Rehman | Brooklyn Visions Teacher (voice) |
Carlos Zaragoza | Brooklyn Visions Teacher (voice) |
Post Malone | Brooklyn Bystander (voice) |
David Applebee | Additional Voices (voice) |
Juan Carlos Arvelo | Additional Voices (voice) |
Adam Brown | Additional Voices (voice) |
Jon Bruno | Additional Voices (voice) |
Darcy Rose Byrnes | Additional Voices (voice) |
Oscar Camacho | Additional Voices (voice) |
June Christopher | Additional Voices (voice) |
Alycia Cooper | Additional Voices (voice) |
Michelle Jubilee Gonzalez | Additional Voices (voice) |
Terrence Hardy Jr. | Additional Voices (voice) |
Bridget Hoffman | Additional Voices (voice) |
Rif Hutton | Additional Voices (voice) |
Miguel Jiron | Additional Voices (voice) |
Harrison Knight | Additional Voices (voice) |
Lex Lang | Additional Voices (voice) |
Donna Lynn Leavy | Additional Voices (voice) |
Andrew Leviton | Additional Voices (voice) |
Caitlin McKenna | Additional Voices (voice) |
Scott Menville | Additional Voices (voice) |
Christopher Miller | Additional Voices (voice) |
Arthur Ortiz | Additional Voices (voice) |
Juan Pacheco | Additional Voices (voice) |
Devika Parikh | Additional Voices (voice) |
Shakira Ja'nai Paye | Additional Voices (voice) |
Courtney Peldon | Additional Voices (voice) |
Chrystee Pharris | Additional Voices (voice) |
Jacqueline Pinol | Additional Voices (voice) |
Juan Pope | Additional Voices (voice) |
Al Rodrigo | Additional Voices (voice) |
Joseph Sanfelippo | Additional Voices (voice) |
Justin Shenkarow | Additional Voices (voice) |
Dennis Singletary | Additional Voices (voice) |
Warren Sroka | Additional Voices (voice) |
Melissa Sturm | Additional Voices (voice) |
Holly Walker | Additional Voices (voice) |
Jason Linere-White | Additional Voices (voice) |
Ruth Zalduondo | Additional Voices (voice) |
Name | Job |
---|---|
Justin K. Thompson | Production Design |
Dean Gordon | Art Direction |
Patrick O'Keefe | Art Direction |
Joseph Izzo | Production Manager |
Stan Lee | Thanks, Original Film Writer, In Memory Of |
Steve Ditko | Thanks, Original Film Writer, In Memory Of |
Mary Hidalgo | Casting |
Robert Fisher Jr. | Editor |
Rebecca Karch Tomlinson | Thanks |
Takuro Togo | Animation |
Leandro Martins | Animation |
Aleksandar Kolev | Animation |
Hiroya Sonoda | Animation |
Mark Ackland | Story Artist |
Josh Adler | Animation |
Luiza Alaniz | Animation |
Scott Armstrong | Layout |
Kiran Jay Babla | Animation |
Chad Belteau | Rigging Supervisor |
John Bermudes | Layout |
Julie Bernier Gosselin | Supervising Animator |
Joshua Beveridge | Head of Animation |
Dave Blais | Supervising Animator |
Sharon Bridgeman | Story Artist |
Simone Brundisini | Animation |
Eva Bruschi | Story Artist |
Martin Campos Amoros | Animation |
Daniel Caylor | Animation |
Juan Couto | Animation |
Jeremy Cummins | Animation |
Ramón de la Cuesta | Animation |
Sérgio Dias | Animation |
Nathan Dillow | Animation |
Heiko von Drengenberg | Story Artist |
Riccardo Durante | Story Artist |
Chad Ellis | Animation |
Derek Esparza | Supervising Animator |
Joan Marc Fuentes Iglesias | Animation |
Bianca Gee | Animation |
Robin George | Supervising Animator |
Juan Alejandro Gomez Acosta | Animation |
Meghana Gupte | Animation |
David Han | Animation |
Laura H. Han | Animation |
Derek Henriques | Animation |
Kevin Herron | Animation |
Alfredo Hisa | Layout |
Eike Hoppmann | Animation |
Michael Lee Huerto | Animation |
Kevin Jackson | Animation |
David Jaraiz | Matte Painter |
Andreea Jebelean | Animation |
Steven R.V. Johnson | Animation |
Arem Kim | Layout |
Q-Hyun Kim | Animation |
Shiyoon Kim | Character Designer |
Kentaro Komiya | Animation |
Denise Koyama | Story Artist |
André Lacroix | Animation |
Daniel Laczkowski | Layout |
Tarun Lak | Animation |
Hanung Lee | Animation |
Letia Lewis | Layout |
Fraser Littlejohn | Animation |
Roman Llanos | Animation |
Anibis Lockward | Layout |
Maritza Louis | Modeling |
Yoriaki Mochizuki | Story Artist |
David Morehead | Head of Layout |
Vi-Dieu Nguyen | Story Artist |
Nicholas Nøstbakken | Animation |
Ryan O'Reilly | Animation |
Eddy Okba | Animation |
Fraser Page | Animation |
Jeff Panko | Supervising Animator |
Jihyun Park | Story Artist |
Toby Pedersen | Animation |
Marshall Peterman | Animation |
Ali Pournassari | Animation |
Eddie Prickett | Animation |
Chloé Proulx | Animation |
John Puglisi | Story Artist |
Dylan Reid | Supervising Animator |
Samuel Arturo Rico | Animation |
Joakim Riedinger | Animation |
Daniel A. Rodriguez | Animation |
Owen Rohu | Matte Painter |
Humberto Francisco Rosa | Supervising Animator |
Philip Rudolph | Supervising Animator |
Ryan Savas | Story Artist |
Rik Schutte | Animation |
Tatsuyuki Shimada | Animation |
Harrison Smith | Animation |
Chris Su | Animation |
Bobby Taylor | Animation |
Jean-Yves Teillet | Lighting Artist, Compositing Artist |
Miles Thompson | Story Artist |
Carolyn Vale | Animation |
Gregory Verreault | Animation |
Ryo Wakasugi | Animation |
Daniel Waters | Animation |
James C.J. Williams | Head of Layout |
Danny Dimian | Visual Effects Supervisor |
John Pospisil | Sound Designer |
Curt Schulkey | Supervising Sound Editor |
Geoffrey G. Rubay | Supervising Sound Editor |
James Morioka | Dialogue Editor |
Matthew E. Taylor | Dialogue Editor |
Kip Smedley | Sound Effects Editor |
Andy Sisul | Sound Effects Editor |
David Werntz | Sound Effects Editor |
Donald Flick | Sound Effects Editor |
Christopher S. Aud | Sound Effects Editor |
Ando Johnson | Sound Effects Editor |
Michael A. Reagan | Sound Effects Editor |
Benjamin L. Cook | Sound Effects Editor |
Alec Rubay | Foley Supervisor |
Michael J. Broomberg | Foley Artist |
Rick Owens | Foley Artist |
Katie Greathouse | Music Editor |
Andrew Skeet | Conductor, Orchestrator |
Ben Foskett | Orchestrator |
Nathan W Klein | Orchestrator |
Lisa Bechard | Digital Producer |
Emma Shih | Animation |
Tom Cohen | Thanks |
Eric Fineman | Thanks |
Ian McQue | Thanks |
Ben Lusthaus | Thanks |
Kier Lehman | Music Supervisor |
Min Hong | Supervising Animator |
Charles Abou Aad | CG Supervisor |
Benjamin Aguillon | CG Supervisor |
Benjamin Hendricks | CG Supervisor |
Jason Greenblum | CG Supervisor |
Matt Hausman | CG Supervisor |
Michael Muir | CG Supervisor |
Larry Weiss | CG Supervisor |
Kyle Fukuto | Script Coordinator |
Meghan Malloy | Production Consultant |
Florent Auguy | Character Designer |
Denis Bodart | Character Designer |
Sei Riondet | Character Designer |
Andrea Blasich | Character Designer |
Jesús Alonso Iglesias | Character Designer |
Brittany Myers | Character Designer |
Tony Siruno | Character Designer |
Omar Smith | Character Designer |
Demetrios Tzamaras | Art Department Coordinator |
Jennifer Dolce | Associate Editor |
Andrew Leviton | Associate Editor |
Vivek 'Vic' Sharma | Associate Editor |
Bret Allen | Assistant Editor |
Patrick Ballin | Assistant Editor |
Randy K. Singer | Foley Mixer |
Andrew Swett | Thanks |
Ian Farnsworth | Effects Supervisor |
Pawel Grochola | Effects Supervisor |
David Bleich | Visual Development |
Yuchung Peter Chan | Visual Development |
Yuhki Demers | Visual Development |
Joseph Feinsilver | Visual Development |
Michel Gagné | Visual Development |
Bastien Grivet | Visual Development |
Andrew Hartel | Visual Development |
Tony Ianiro | Visual Development |
Gabe Hordos | Visual Development |
Seonna Hong | Visual Development |
Yashar Kassai | Visual Development |
Chin Ko | Visual Development |
Joshua Kalinowski | Visual Development |
Vaughan Ling | Visual Development |
Paul Lasaine | Visual Development |
Mike Kurinsky | Visual Development |
Zac Retz | Visual Development |
Ernie Rinard | Visual Development |
Neil Campbell Ross | Visual Development |
Nobuteru Sasagawa | Visual Development |
Robh Ruppel | Visual Development |
Jessica Rossier | Visual Development |
Yun Ling | Visual Development |
Jerry Loveland | Visual Development |
Naveen Selvanathan | Visual Development |
Brittany Shively | Visual Development |
Jeffrey M. Thompson | Visual Development |
Mike Winkelman | Visual Development |
Raffaello Vecchione | Visual Development |
Noëlle Triaureau | Visual Development |
Craig Mullins | Visual Development |
Joe Darko | Animation |
Jose Luis Llado Porquer | Animation |
Nick Kondo | Animation |
Byung Joo Choi | Animation |
David Gimenez | Animation |
Eric Chou | Animation |
Federico Abib | Animation |
Guillaume Roux | Animation |
James R. Ward | Animation |
Juan Miguel Vadell | Animation |
Martin Sen | Animation |
Nathan Hibberd | Animation |
Nicholas St. Clair | Animation |
Nideep Varghese | Animation |
Seung Hoo Ihm | Animation |
Zac Overcash | Animation |
Juan Diego Zapata | Animation |
Nicolas Gillet | Animation |
Jimmy Wu | Animation |
Mario Richard | Animation |
Keenan Goncalves | Animation |
Kilian Aulenbacher | Matte Painter |
Andrew Cunningham | Matte Painter |
Oliver Bubard | Matte Painter |
Robert Go | Matte Painter |
Darren Quah | Matte Painter |
David Jaraiz Sanchez | Matte Painter |
Guillem Rovira Vigas | Matte Painter |
Alyssa Zarate | Matte Painter |
Libby Thomas Dickey | Casting Associate |
Steven Edwards | Production Coordinator |
Renee Mondor | Production Coordinator |
Naomi Sider | Production Coordinator |
Stephanie Wilkie | Production Coordinator |
Talar Boyajian | Finance |
Haley Flaniken | Finance |
Ola Mota | Finance |
Jennifer Jejo Sleeper | Finance |
Dominik Malone | Production Assistant |
Christian Mejia-Acosta | Production Assistant |
Zara Pokrandt | Production Assistant |
Kylee A. Taylor | Production Assistant |
Dale W. Jones | Production Assistant |
Sean Tadlock | Production Assistant |
Ryan Gaffney | Story Artist |
Arthur D. Noda | Editor |
Darren Lurie | Digital Effects Supervisor |
Jessica E. Smialek | Post Production Supervisor |
Monica Kelly | Post Production Supervisor |
Xinling Chen | Software Engineer |
Jesse Andrewartha | Software Engineer |
Donald Chan | Animation |
Paula Assadourian | Story Artist |
Stephan Franck | Story Artist |
Nir Avital | Animation |
Bailey Brent | Animation |
Earl Brawley | Animation |
Emma Cartwright | Animation |
Eddie Chew | Animation |
Pedro de la Llave | Animation |
Andres de los Rios | Animation |
Fernando Franco | Animation |
Atsuo Fujiwara | Animation |
Nicholas Georgeou | Animation |
Chelsea Gordon-Ratzlaff | Animation |
Evelyn Gunawan | Animation |
Jabari Cofer | Animation |
Daniel Hernandez Leyva | Animation |
Andrew Hudec | Animation |
Sangyeong Jeong | Animation |
Soh-I Jeong | Animation |
Hyesook Kim | Animation |
Michael Kimmel | Animation |
Julius Kwan | Animation |
Sophia Seung Hee Lee | Animation |
Sejin Lee | Animation |
Paulo Lombardi | Animation |
Jia Loon Sim | Animation |
Nico Mendes | Animation |
Kristin Müller | Animation |
Alex Olea | Animation |
Stephanie Parker | Animation |
Guilherme Paiva | Animation |
Andrew Perez | Animation |
Rafael Polanczyk | Animation |
Jason Petrocelli | Animation |
Sinu Raghavan | Animation |
Stein Løtveit | Animation |
Trey Roane | Animation |
Christopher Sanchez | Animation |
Adam Sarophim | Animation |
Cody Schiebelbein | Animation |
Woo Youp Shim | Animation |
Ryan Sivley | Animation |
Eulrang Song | Animation |
Michael Trikosko | Animation |
Sam Verschraegen | Animation |
Mikey Wong | Animation |
Ozan Basaldi | Animation |
Guillaume Belanger | Animation |
Simon Zizan Black | Animation |
Patrick Blazin | Animation |
Tom Davis | Animation |
Martin Esnaola Scotto | Animation |
Richard Alexander Forero Domínguez | Animation |
Kitty Fung | Animation |
Joe Gearing | Animation |
Marcelo Gravina Zanin | Animation |
Sofia Grigoreva | Animation |
Rhys Hanan | Animation |
David Hernandez | Animation |
Chus Herrero | Animation |
Yuko Ikeda | Animation |
Tristan Jeanbourquin | Animation |
Inhwan Kim | Animation |
Jenny Yan-Yee Kong | Animation |
Matt Kummer | Animation |
Chaeyeon Lee | Animation |
Minseok Lee | Animation |
José Más Huertas | Animation |
Evan McGowan | Animation |
Patrick A. Mueller | Animation |
Steve Oh | Animation |
Sam Ortiz | Animation |
Sean Ari Peterson | Animation |
Jacobo Pineiro Rumbo | Animation |
Victor G. Reano | Animation |
Nathaniel Saunders | Animation |
Renato Dos Santos Sena | Animation |
Jason Spilchak | Animation |
Nick Starcevic | Animation |
Joseph Taylor | Animation |
Darragh White | Animation |
Jeeyun Won | Animation |
Daniel Evans | Editorial Coordinator |
Peter Chen | Modeling |
Marcus Ng | Modeling |
Booby Yoonsung Jeong | Modeling |
Leon Anthony Enriquez | Modeling |
Unsol Parl | Modeling |
Sung-Hum Lim | Modeling |
Orrie Fung | Modeling |
Josef Dylan Swift | Modeling |
Adrien Montero | Modeling |
Mike Sungjoon Hong | Modeling |
Pil Gyu Cheng | Modeling |
Joseph Oyem | Modeling |
Shinya Ishii | Modeling |
Guillaume Fuentes | Modeling |
Barbaros Sarisozen | Modeling |
Yeaji Jessie Lee | Modeling |
Richard Gylser | Modeling |
David Vidal Pedroza | Modeling |
Yu-Cheng Huang | Modeling |
Wendy Chan | Animation Coordinator |
Emily Delion | Animation Coordinator |
Ryan Doell | Animation Coordinator |
Cynthia Potvin | Animation Coordinator |
Vivasean Venkat | Animation Coordinator |
Sagar Alodiya | Lighting Artist, Compositing Artist |
Laide Agunbiade | Lighting Artist, Compositing Artist |
Katie Smith | Story Artist |
Kasey Fagerquist | Story Artist |
Shusei Sasaya | Lighting Artist, Compositing Artist |
Phil Lord | Screenplay, Story |
Peter Ramsey | Director |
Bob Persichetti | Director |
Rodney Rothman | Screenplay, Director |
Miguel Jiron | Story Artist, Animation Supervisor |
Thanawat Khantrum | Animation |
Andres Bedate Martin | Animation |
Agustín Ross Beraldi | Animation |
Atsushi Sato | Animation |
Mark Tan | Animation |
Rich Turner | Head of Layout |
Jane Wu | Story Artist |
Daniel Pemberton | Original Music Composer |
Michael Semanick | Sound Re-Recording Mixer |
Gary A. Hecker | Foley Artist |
Caitlin McKenna | ADR Voice Casting |
Craig Kellman | Character Designer |
Sarah D. Cole | First Assistant Editor |
Andy Bialk | Visual Development |
Wendell Dalit | Visual Development |
Alberto Mielgo | Other |
Cody Cameron | Story Artist |
Tony Lamberti | Sound Re-Recording Mixer |
Matthew Landon | Editor |
Name | Title |
---|---|
Amy Pascal | Producer |
Brian Michael Bendis | Executive Producer |
Theresa Bentz | Co-Producer |
Christian Hejnal | Co-Producer |
Will Allegra | Executive Producer |
Phil Lord | Producer |
Avi Arad | Producer |
Christina Steinberg | Producer |
Stan Lee | Executive Producer |
Christopher Miller | Producer |
Organization | Category | Person | |
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Golden Globes | Best Animated Feature | N/A | Won |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 112 | 141 | 91 |
2024 | 5 | 115 | 147 | 83 |
2024 | 6 | 111 | 175 | 84 |
2024 | 7 | 124 | 183 | 83 |
2024 | 8 | 113 | 177 | 84 |
2024 | 9 | 96 | 180 | 70 |
2024 | 10 | 99 | 161 | 68 |
2024 | 11 | 120 | 255 | 78 |
2024 | 12 | 117 | 193 | 87 |
2025 | 1 | 104 | 124 | 86 |
2025 | 2 | 99 | 136 | 21 |
2025 | 3 | 35 | 127 | 3 |
2025 | 4 | 23 | 29 | 16 |
2025 | 5 | 17 | 20 | 13 |
2025 | 6 | 15 | 18 | 11 |
2025 | 7 | 16 | 19 | 14 |
2025 | 8 | 16 | 21 | 15 |
2025 | 9 | 16 | 24 | 13 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 142 | 469 |
Year | Month | High | Avg |
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2025 | 8 | 124 | 338 |
Year | Month | High | Avg |
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2025 | 7 | 90 | 379 |
Year | Month | High | Avg |
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2025 | 6 | 73 | 357 |
Year | Month | High | Avg |
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2025 | 5 | 104 | 370 |
Year | Month | High | Avg |
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2025 | 4 | 26 | 352 |
Year | Month | High | Avg |
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2025 | 3 | 85 | 396 |
Year | Month | High | Avg |
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2025 | 2 | 60 | 352 |
Year | Month | High | Avg |
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2025 | 1 | 71 | 292 |
Year | Month | High | Avg |
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2024 | 12 | 89 | 308 |
Year | Month | High | Avg |
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2024 | 11 | 101 | 328 |
Year | Month | High | Avg |
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2024 | 10 | 289 | 569 |
Year | Month | High | Avg |
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2024 | 9 | 178 | 420 |
Year | Month | High | Avg |
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2024 | 8 | 92 | 196 |
First of all, I love the animation style in this film. The animation in this film is styled to look like an actual comic book. I think this approach for this kind of film was an excellent choice because we’ve all seen the usual kind of animation but nothing like this. To tie in with the animation I ... need to talk about the action scenes in this film. These tie in with the animation because of the way the directors styled the action shots is to look like something in a comic panel. Most people don’t know who Miles Morales is and after this film, you’ll want to learn more about him because of how they made him so relatable in this film. He acts like a typical teen in this situation compared to other versions of Spider-Man. Other versions kind of just acted like they always knew how to use their powers when Miles struggles with his. Miles isn’t the only relatable character film all of them are. The creators of this film did a “Marvel”ous job at making each character in this film somebody at least one person in the audience can relate to. All of the voice actors did a great job in their respected roles but it would’ve been nice to have a returning voice to at least one of the Spider-Man. It would’ve been cool to hear a returning voice even if it was for a few seconds. I have to talk about the humour in this film. It isn’t overpowered in this film and I felt like it had just the right amount of humour that will make everybody laugh. They poke fun of things that wouldn’t make sense in a real movie and other Spider-Man movies. Not a single moment in this film felt rushed or slowed down every scene felt the right pace for a movie like this. The cinematography in this movie was spectacular. This is probably because of it looking like a comic book and how the lighting needs to match up with how it would look in an actual book. If you are a comic book junkie you’ll love all of the easter eggs in this film. Some of them just comic book readers will get but others a majority of people will understand. The music in this film is fantastic. Every song in this film isn’t overused and matches perfectly with the age of the character. Somebody Miles age would be listening to the type of music he listens to. And the music without lyrics helps increase the emotion in the film. Also, there are two end credit scenes that are worth waiting for. In the end, this film is perfect for everybody. I give Spider-Man: Into the Spider-Verse a 10/10.
It's true I liked it less than perhaps the vast majority of _Spider-Verse's_ audience, but this was still great, the animation enamouring, and the depth of its story and reference totally engaging. Not to me the best Spider-Man movie as many have said, (that honour still goes to _Homecoming_) but a ... blast all the same. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
My wife doesn’t care for Spider-Man at all - as Batman is her favorite superhero. With that being said, she loves this movie to death, along with my son and I. It’s safe to say we’ve watched this movie over 10 times and we’ve shown it to all our friends. It’s a really great movie that promotes di ... versity, good animation, and has a great story. I highly recommend to all who are interested in watching.
Spider-Man: Into the Spider-Verse (2018) is no ordinary Spider-Man movie, it contains multiple characters with the same powers in multiple dimensions. This is also not an ordinary animated movie. It has animated style we have never seen before. There were 177 animators and it took 1 week to animat ... e 1 second and 1 year to nail down 10 seconds. Nowadays, animations are being made to look real but this movie was different. However, the creators wanted it to look like something new for viewers. They don't make it realistic or cartoon. The creators used an old-school technique called "smear". If you look in a single frame, you'll notice things like multiple limbs to create the illusion of movement. Basically, the entire movie was a comic book that moves. There is a technique in half-toning, which uses dots to create colors and gradients. They were really jaw-dropping. The shadows were created with hatching or crisscrossed lines. The movie had some textures so it would be exactly like a comic and I was glad that it deserved Oscars's Best Animated Feature. All of these techniques combined to make a movie that was the best animated feature not just in 2018 but perhaps of all time. It was really like a masterpiece of animation! The story plot was really good. The scenes were quite EPIC and sometimes tragic and hilarious. The unbelievable thing was when Peter Parker died in Miles' Dimension. It was really sad to see an iconic superhero killed by a supervillain. The deaths are moving and the hilarious scenes kept me laugh a lot. I like the end-credits when it started in the Animated Tv Show Spider-Man (1966) when the two Spider-Men look exactly like each other arguing, but this time, it was Spider-Man pointing to Spider-Man 2099. How did they do that? Perhaps the best moment to me was “A Leap of Faith” when Miles tried to be the one and only Spider-Man in his dimension, after Peter Parker was dead. I wasn't bored watching this movie, it kept my eyes open on the screen looking at the newest kind of animation. I was totally impressed! Perhaps this is the greatest animated movie of alll time! It was a really good idea to release this on Christmas!
Stan Lee would be proud! Great story, great message, and great animation. ...
It's easy to see how this became the visual masterpiece it is. The creators put a lot of love and passion into its making and the results are amazing! ...
I was asleep most of the time while watching this film, but during the times I was awake, I enjoyed the animation and it looked like something I would've enjoyed - if I weren't too busy dozing off. ...
I didn't expect I would enjoy this movie this much. The trailers looked too hyped for me and so I thought it would flop just like the other ones. Surprisingly, it didn't and I had my eyes glued to the screen because of the awesome animation the creators put out. Really good job! ...
Spider-Man has always been that character that I saw in live-action movies so to see him in an animated version was a first for me. It was hard for me to enjoy it at first but the movie didn't seem too bad and had a really good plot. ...
At first, I expected I was gonna be disappointed because all of the trailers for this Spider-Man looked childish and too millennial for me. And being a fan of the Tobey Spider-Man, I had high expectations. Surprisingly though, I was able to still love the film! ...
No doubt about it. This is truly Marvel, from the bold storytelling all the way to its stylish animations. ...
A lot of risks were taken in this video and all that paid off giving us one hell of a film! ...
Although the story was a textbook plot, it still had enough twists to satisfy both new and returning audiences. ...
This definitely has Stan Lee's seal of approval. People in the studio, be proud of yourselves. You have made Stan Lee proud. ...
One of the few films that lived up to the hype and even surpassed my expectations. ...
Watched this movie a couple of times and I think it's safe to say that it's a near, perfect movie. ...
Animators really outdid themselves on this one by giving each character a uniqueness to them. ...
Sony really nails making character movement look detailed and pronounced. ...
Despite having a plot that's almost predictable, the visual style and the way it was presented made the film feel fresh. ...
The visuals, concepts, soundtrack, and characters are some of the best I've ever seen! ...