Popularity: 7 (history)
Director: | Daniel Espinosa |
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Writer: | Matt Sazama, Burk Sharpless |
Staring: |
Dangerously ill with a rare blood disorder, and determined to save others suffering his same fate, Dr. Michael Morbius attempts a desperate gamble. What at first appears to be a radical success soon reveals itself to be a remedy potentially worse than the disease. | |
Release Date: | Mar 30, 2022 |
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Director: | Daniel Espinosa |
Writer: | Matt Sazama, Burk Sharpless |
Genres: | Fantasy, Action, Science Fiction |
Keywords | superhero, supervillain, vampire, duringcreditsstinger, sony's spider-man universe, based on comic, frustrated |
Production Companies | Columbia Pictures, Arad Productions, Matt Tolmach Productions |
Box Office |
Revenue: $167,635,712
Budget: $75,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Jared Leto | Dr. Michael Morbius |
Matt Smith | Milo |
Adria Arjona | Martine Bancroft |
Jared Harris | Dr. Emil Nicholas |
Tyrese Gibson | Agent Simon Stroud |
Al Madrigal | Agent Rodriguez |
Michael Keaton | Adrian Toomes |
Zaris-Angel Hator | Anna |
Joe Ferrara | Bush Pilot |
Charlie Shotwell | Young Michael |
Joseph Esson | Young Milo |
Jason Rennie | Ringleader Bully |
Aryan Moaven | Gang Member |
Christopher Louridas | Gang Member |
Oliver Bodur | Gang Member |
Tom Forbes | Finance Bro (Pub) |
Clara Rosager | Jean (Pub) |
Corey Johnson | Mr. Fox |
Rolan Bell | Private Security Professional |
Bentley Kalu | Private Security Professional |
Joanna Burnett | Nurse Kristen Sutton |
Fermin Galeano | Bodega Owner |
Maia Scalia | Diner Cashier |
Archie Renaux | Bobby |
Jojo Macari | Gabriel |
Abraham Popoola | Ryan |
Adam El Hagar | Beat Cop |
Apphia Campbell | ESU Officer (Detention Center) |
Barry Aird | Newspaper Vendor |
Kalle Hennie | Norwegian Bodyguard |
Chris Ryman | Officer Dyson |
Jay Gomez-Adams | Construction Worker |
Robert Ryan | Kite Flyer (uncredited) |
Philip Gascoyne | NY Businessman (uncredited) |
Name | Job |
---|---|
Oliver Wood | Director of Photography |
Stefania Cella | Production Design |
Gary Powell | Stunt Coordinator, Second Unit Director |
Jan Philip Cramer | Animation Director |
Daniel Espinosa | Director |
Matt Sazama | Screenstory, Screenplay |
Burk Sharpless | Screenstory, Screenplay |
Pietro Scalia | Editor |
Beau Borders | Sound Re-Recording Mixer |
Paul Massey | Sound Re-Recording Mixer |
Nina Gold | Casting |
James Lewis | Art Direction |
John Byrne | Thanks |
Doug Moench | Thanks |
Dan Slott | Thanks |
Roy Thomas | Thanks |
Jay Maidment | Still Photographer |
Stan Lee | Thanks |
Mallory Thompson | Stunt Double |
Rachelle Beinart | Stunts |
Scott Burik | Stunt Driver |
Marvin Campbell | Stunts |
Adam Collins | Stunts |
Sergei Dmitriev | Stunts |
Thomas Forbes-Johnson | Stunts |
Luke Gomes | Stunts |
Al Holland | Stunts |
Gil Kane | Thanks |
Dan Griffiths | Stunts |
Mike Gunther | Stunt Coordinator |
Xavier Lake | Stunts |
Sarah Lochlan | Stunts |
Paul Lowe | Stunts |
Christina Low | Stunts |
Theo Morton | Stunts |
Peter Miles | Stunt Coordinator |
Vinny O'Brien | Stunt Double |
Laurent Plancel | Stunt Double |
Louis Samms | Stunts |
Curtis Rowland Small | Stunts |
Mens-Sana Tamakloe | Stunts |
Pablo Verdejo | Stunts |
Jen Weissenberg | Utility Stunts |
Paul Weston | Stunts |
Matt Gendron | Art Direction |
Jon Ekstrand | Original Music Composer |
Cindy Evans | Costume Design |
Tina Jones | Set Decoration |
Louise Young | Makeup Artist |
Jane Harwood | Assistant Art Director |
Fred M. Ortiz | Set Dresser |
Shamim Seifzadeh | Set Designer |
Per Hallberg | Supervising Sound Editor |
Ann Scibelli | Sound Designer |
Randy Torres | Sound Designer |
Holly Freeman | Costume Supervisor |
Travis Baumann | VFX Artist |
Joel Behrens | Visual Effects Supervisor |
Yoshi DeHerrera | Visual Effects Supervisor |
Joseph DiValerio | VFX Artist |
Victoria Keeling | Visual Effects Producer |
Jakob Lundbye | VFX Artist |
Louis Mackall | Visual Effects Supervisor |
Louise Rosner-Meyer | Unit Production Manager |
Toby Ford | First Assistant Director |
Adam Byles | Second Assistant Director |
Victoria Zalin | Production Supervisor |
Nigel Evans | Supervising Art Director |
Remo Tozzi | Art Direction |
Rachel Aulton | Art Direction |
Gary Lock | Property Master |
Jo Beckett | Script Supervisor |
Graham Hall | "A" Camera Operator |
Dave Hamilton-Green | "B" Camera Operator, Steadicam Operator |
Sebastian Barraclough | "C" Camera Operator |
Paul Wheeldon | First Assistant "A" Camera |
Robert Palmer | First Assistant "B" Camera |
Brad Larner | First Assistant "C" Camera |
Dan Gamble | Second Assistant "A" Camera |
Dean Morrish | Second Assistant "B" Camera |
Oliver Squire | Second Assistant "C" Camera |
Aisha Kascioglu | Assistant Costume Designer |
Nina Jagersbacher | Assistant Costume Designer |
Harriet Hundertmark | Costume Coordinator |
Kasia Chojnowska | Tailor |
Davina Greening | Seamstress |
Pat Sweeney | Gaffer |
Tamsin Dorling | Makeup & Hair |
Robb Crafer | Makeup & Hair |
Conor O'Sullivan | Prosthetic Supervisor |
Colin Shulver | Prosthetic Designer |
Dominic Hailstone | Prosthetic Designer |
Andy Hunt | Prosthetics Sculptor |
Charlie Hounslow | Prosthetic Makeup Artist |
Martin Conway | Best Boy Electric |
Callum Collins | Electrician |
Seth Crosby | Electrician |
Ross Grimshaw | Electrician |
Tom Hyde | Electrician |
James Nesbitt | Electrician |
Garry Thomson | Electrician |
David Maund | Key Grip |
Dan Garlick | Best Boy Grip |
Simon Thorpe | Dolly Grip |
Jack Glascodine | Grip |
Pete Steward | Standby Carpenter |
Callum Watson | Standby Rigger |
Hannah Storm Miles | Standby Painter |
Colin Nicolson | Production Sound Mixer |
Colin Gregory | Boom Operator |
Thayna McLaughlin | Second Assistant Sound |
Keith Dawson | Special Effects Supervisor |
Eleri Coulten | Location Manager |
Lee Robertson | Location Manager |
Dan Connolly | Location Manager |
Karin Kavanagh | Location Coordinator |
Charlotte Hemsley | Assistant Location Manager |
Ben White | Assistant Location Manager |
Leon Seth | Assistant Location Manager |
Amelia Southgate | Production Coordinator |
Ellie Coverdale | Assistant Production Coordinator |
Matthew Ellis | Production Secretary |
Thomas Kingett | Unit Manager |
Frances Richardson | First Assistant Accountant |
Miguel Pariente | Production Accountant |
Harmeek Singh Sandall | Payroll Accountant |
Grace Heath | Assistant Accountant |
Stuart Watson | Construction Manager |
Agis Pyrlis | Draughtsman |
Gareth Sprey | Draughtsman |
Cassandra Virdee | Draughtsman |
Katherine Pearl | Art Department Coordinator |
Ferenc Nothóf | Storyboard Artist |
Robert Consing | Storyboard Artist |
Dwayne Turner | Storyboard Artist |
Sophia Chowdhury | Assistant Set Decoration |
Daniel Vincze | Assistant Set Decoration |
Ellie Pash | Assistant Set Decoration |
Sophie Worley | Set Decorating Coordinator |
Neil Floyd | Graphic Designer |
Calle Tidbeck | Concept Artist |
Mark Robson | Scenic Artist |
Jonny Mellor | Scenic Artist |
Howard Mackie | Thanks |
Humberto Ramos | Thanks |
George Tuska | Thanks |
James Excell | Third Assistant Director |
Sacha Garrett | Casting Assistant |
Ben Rothwell | Armorer |
Liam McCartney | Armorer |
Barrie Williams | Transportation Captain |
Laurence Johnson | First Assistant Editor |
James Barham | First Assistant Editor |
Montrice White | Assistant Editor |
John C. Stuver | Dialogue Editor |
Franck Méndez | Assistant Editor |
Mitchell J. Glaser | Visual Effects Editor |
Peter Staubli | Additional Sound Re-Recording Mixer |
David Giammarco | Additional Sound Re-Recording Mixer |
David Werntz | Sound Designer |
Aidan Brindle | Stunt Driver |
Stephen P. Robinson | Sound Designer |
Daniel S. Irwin | Supervising Dialogue Editor, Supervising ADR Editor |
Philip D. Morrill | Assistant Sound Editor |
Michelle Pazer | ADR Editor |
Karen Baker Landers | Foley Supervisor |
D. Chris Smith | Foley Editor |
Adam DeCoster | Foley Artist |
Aaron Hasson | ADR Mixer |
Richard Whelan | Second Unit First Assistant Director |
Tim Wooster | Second Unit Director of Photography |
Laura Bagano | Craft Service |
Alexander H. Gayner | First Assistant Director |
Rob Bliss | Concept Artist |
Faye Green | Special Effects Coordinator |
Elia P. Popov | Special Effects |
Benjamin Ashley | Stunts |
Stephanie Carey | Stunt Driver |
Terry Cade | Stunts |
Matt Da Silva | Stunts |
Douglas Crosby | Stunt Coordinator |
Dom Dumaresq | Stunts |
Sebastian Foxx | Stunts |
Sam Durrani | Utility Stunts |
Paul Ginns | Stunts |
Richard Leggett | Stunts |
Steven Mullins | Stunts |
James O'Daly | Stunt Double |
Dave Phillips | Stunts |
Matt Sherren | Stunt Double |
Blake Sporne | Stunts |
Roy Taylor | Fight Choreographer |
Karen Teoh | Stunts |
Greg Townley | Stunt Double |
Nicolas Wang | Stunts |
Randy K. Singer | Foley Mixer |
Andrew James Bleidner | Stunt Double |
Calvin Warrington-Heasman | Stunts |
Belle Williams | Stunts |
Ramon Álvarez | Stunts |
Victor Capoccia | Art Direction |
Rashid Phoenix | Stunts |
Jeremy Woodhead | Makeup Designer, Hair Designer |
Stephen Nakamura | Digital Colorist |
Paul Bailey | Stunt Driver |
Cristian Knight | Stunts |
George Kirby | Stunt Double |
James McMillan | Additional Director of Photography |
Eric Kimelton | Visual Effects Producer |
Matthew E. Butler | Visual Effects Supervisor |
Steve Ditko | Thanks |
Katherine McCormack Wherry | Unit Publicist |
Martin Ware | Casting Associate |
Sofian Francis | Stunts |
Tomás Paredes | Stunts |
Robbie Smith | Stunt Driver |
Christopher Elke | Digital Producer |
Adelaide Filippe | Concept Artist |
Jason Perrine | Art Direction |
Name | Title |
---|---|
Avi Arad | Producer |
Matt Tolmach | Producer |
Lucas Foster | Producer |
Emma Ludbrook | Executive Producer |
Pietro Scalia | Associate Producer |
Louise Rosner-Meyer | Executive Producer |
Barry St. John | Co-Producer |
Beni Hardiman | Associate Producer |
Jared Leto | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 171 | 361 | 97 |
2024 | 5 | 381 | 496 | 328 |
2024 | 6 | 252 | 406 | 103 |
2024 | 7 | 96 | 158 | 54 |
2024 | 8 | 67 | 131 | 39 |
2024 | 9 | 45 | 64 | 31 |
2024 | 10 | 53 | 89 | 38 |
2024 | 11 | 56 | 126 | 38 |
2024 | 12 | 50 | 92 | 37 |
2025 | 1 | 53 | 107 | 38 |
2025 | 2 | 37 | 56 | 7 |
2025 | 3 | 16 | 57 | 3 |
2025 | 4 | 9 | 16 | 7 |
2025 | 5 | 8 | 15 | 6 |
2025 | 6 | 7 | 9 | 6 |
2025 | 7 | 6 | 9 | 5 |
2025 | 8 | 6 | 7 | 5 |
2025 | 9 | 8 | 10 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 215 | 661 |
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2025 | 8 | 218 | 684 |
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2025 | 7 | 219 | 616 |
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2025 | 6 | 137 | 638 |
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2025 | 5 | 285 | 685 |
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2025 | 4 | 247 | 652 |
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2025 | 3 | 24 | 481 |
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2025 | 2 | 247 | 691 |
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2025 | 1 | 163 | 621 |
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2024 | 12 | 158 | 607 |
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2024 | 11 | 289 | 719 |
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2024 | 10 | 362 | 673 |
Year | Month | High | Avg |
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2024 | 9 | 219 | 543 |
Year | Month | High | Avg |
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2024 | 8 | 293 | 527 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/morbius-spoiler-free-review "Morbius is yet another disaster from the Sony-Marvel shared universe. Despite good performances from Jared Leto and Matt Smith and even a couple of visually captivating action sequences, the formul ... aic screenplay that seems to originate from the beginning of the century ruins everything in its path. From the predictability and zero creativity of the main plot to the heavy reliance on uninteresting, unnecessary exposition, Daniel Espinosa finds his most significant problem in the blatant lack of care in the treatment of the characters. The narrative logical lapses are too many to ignore and even amplified by extremely messy editing, a third act wrapped in an unfathomable blend of CGI, and a plagiarized score. One of the most embarrassing productions by a major studio in recent years." Rating: D
I can't go lower than 3 stars because ever since "Alexander" (2004) I've had a tiny crush on Jared Leto, and some of the trails for this made him look swarthy and hot too. To be fair, also, he is not afraid of spending a great deal of time in the make up chair, as we saw in "House of Gucci" (2021) a ... nd frequently see here. Sadly, though, after my appreciation of Jared's eye candiness wore off, what I was left with was Luke Evans' "Dracula Untold" (2014) just without Charles Dance, and a hint of "Dr Jekyll and Mr. Hyde" (from 1931). The imagery is fine, the film looks super - but so what. Marvel/Columbia should be doing that anyway. It's the story. It's so thin. Matt Smith is lightweight at the best of times, and together with Adria Arjona's really unremarkable contribution as Leto's sidekick "Dr.Bancroft" and some sparing interventions from the other Jared in this film (Harris) this all just lollops along as if it were just the money-no-object pilot episode of a drama series that will struggle to get a commission. I love the genre, but the words barrel, bottom and scraped came to mind pretty early on. Sadly the handsome Mr. Leto reminds me of Eric Bana - very easy on the eye but not good enough to carry a film.
**Not a disaster as others seem to imply but definitely disappointing for a movie of such high budget.** Morbius is a kind of a vampire Batman-Frankenstein mix. In the search of the cure for a rare and highly-debilitating blood decease, Morbius (a genius doctor) find a cure that has a terrible co ... st. His sickness is pretty much gone and he attains super powers, but also feel an insatiable lust for blood that can't be fully satiated by artificial blood. The movie revolves around Morbius trying to remedy the consequences of the evil he unleashed to the world. While the cinematography is pretty decent, the plot really sucks. In the end of the movie, there are too many open questions (and inconsistencies) in the plot. The movie seems to end very abruptly without any decent climax, and many of the secondary characters that I expected would play an important role in the resolution of the conflicts, seem to have been completely forgotten. Sony/Marvel does need better writers for their movies...
Not even that bad, to be honest. I had heard murmurs of <em>'Morbius'</em> being received poorly (as now I see via the average rating!) but didn't know to what degree, which is how I prefer it so I can form my own opinion - which is, I didn't dislike it. Admittedly I have nothing that I like eith ... er, but it's a forgettably fine film. In fact, I found it to be the quickest viewing experience of the year so far - the run time absolutely flew by for me. The cast are a bit up-and-down. Jared Leto has a few moments and overall I'm OK with him in the lead role, meanwhile Matt Smith is more miss than hit but again didn't annoy me or anything like that. Elsewhere, it was pleasant to see Jared Harris and Tyrese Gibson in smaller roles. The special effects, for the most part, are serviceable in my eyes. I think I also heard that people were questioning why the filmmakers didn't opt for prosthetics and went full blown CG for the faces - I found everything in that area to be fine, it would've been cooler if they mixed it up but if I hadn't heard anything about it I honestly would not have even noted it. There are some lame lines of dialogue, namely that hunger one, and the credit scenes don't leave any excitement or intrigue behind. Aside from that, I genuinely didn't dislike this. A quintessential 6/10 flick, for me. It is the weakest of the first three <a href="https://en.wikipedia.org/wiki/Sony%27s_Spider-Man_Universe#Films" rel="nofollow">SSU</a> films, granted.
Nothing in this movie makes any sense. If he has to drink a bag of blood every 6 hours, why not just do so? The human populace of how many billion people can not sustain a single vampire? No, he makes and consumes artificial blood for ethical reasons. Who says he needs to kill or hurt people to get ... what he needs? Horrible premise for his actions, not believable at all. And the rest of the story is the same. Weird decision making, boring, pointless dialogue. The bad guy is suddenly bad lacking any morals because he was bullied once apparently. Vampire powers are a myriad of random things. One time he is able to fly and it is hard to determine why exactly, the movie suggests because a subway train is pushing the air in front of it. Not only is it nonsense, it also looks bad CGI wise. To end on a good note, Jared Leto is a great actor and I would love to finally see him in a good movie.
Honestly, I don't know why this movie has gotten so many bad ratings. Yes, it's a vampire movie, and I'm not sure how much originality can be squeezed out of that genre anymore. I am totally -not- a Jared Leto fan from some of his other movies and was hesitant on that behalf to watch this film. Bu ... t once in, he actually pulls off a very realistic doctor role that is also bitter on life due to his health. Of course, looking for the solution leads to the bigger story that you could probably guess by now. I'm also at a point where I'm "over it" with a lot of these superhero movies, so it was refreshing to see something different out of the MCU. If I did have any complaints, there are some unanswered questions at the end, but you know, that always leaves room for a sequel. However, on top of that, the two end credit scenes just add more "Huuuh?" and probably do more damage than good. Not the best movie ever, but a far reach from the worst as well. A solid, enjoyable experience, at least for me. As always, your mileage may vary.
I have to say that I quite liked this movie. A bit surprised since it is a new Marvel movie after all. It is even free of woke bull manure which made me even more surprised. The “scientific” part of Morbius changing his DNA, overnight no less, by means of some serum that he derived from vampire b ... ats is of course utter nonsense but one cannot really complain too much about that since it is straight from the original comic book character. The story is really simple and not much to write home about but it works in its simplicity. After all, in this kind of movie we really do not need something fancy as long as it is not downright stupid. It only needs to be a vehicle for the action and special effects and for that purpose the story works fine. I like Morbius. He is intelligent and he doesn’t just sink down in some self pity or whining sessions when he finds out that things did not go exactly as planned. Sure, he is not happy about it but at least he does research into his condition and he actually takes the effort to learn what he can do with his new powers. I also do like the special effects and the action in general. The bad guy was rather predictable and not really very charismatic but he worked fairly okay. I think that most of the actors made a good enough job actually. If I should complain about anything it was that scene in the beginning where they claimed that vampire bats could “finish off” big animals in minutes or something. That not what vampire bats do or how they feed. It is of course utter ignorant bull manure by some idiot script writer and it was really totally unnecessary to soil the movie with such nonsense already in the first scenes. I had hoped that ignorant script writers like that died out together with the last flying rubber Piranha in the early 80’s. Anyway, I quite liked the movie. A lot of movies that I’ve watched lately have felt bloated and too long for the material. This one I actually felt was too short.
**Sadly a run-of-the-mill superhero origin movie with nothing special to make me care.** Not as bad as everyone is saying, but it missed its opportunity by about 20 years. I think it could have done a little better if this had been released in the Blade, Fantastic Four, and X-Men movie era in the ... early 2000s. Still, we have seen too many comic origin stories that success takes more than just seeing a hero gain powers and fight a villain with the same powers in a flurry of mediocre CGI. If you saw, Bloodshot, the quality of effects, writing, and directing are incredibly similar.
Another crazy movie by marvel. Like a wolf vampire zombie looking thing. Pretty awesome movie! ...