Popularity: 8 (history)
Director: | Ruben Fleischer |
---|---|
Writer: | Art Marcum, Matt Holloway, Rafe Judkins |
Staring: |
A young street-smart, Nathan Drake and his wisecracking partner Victor “Sully” Sullivan embark on a dangerous pursuit of “the greatest treasure never found” while also tracking clues that may lead to Nathan’s long-lost brother. | |
Release Date: | Feb 10, 2022 |
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Director: | Ruben Fleischer |
Writer: | Art Marcum, Matt Holloway, Rafe Judkins |
Genres: | Adventure, Action |
Keywords | lighter, treasure map, lost treasure, missing relative, treasure hunt, based on video game, duringcreditsstinger, assertive |
Production Companies | Columbia Pictures, Atlas Entertainment, Arad Productions, PlayStation Productions |
Box Office |
Revenue: $407,141,258
Budget: $120,000,000 |
Updates |
Updated: Aug 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Tom Holland | Nathan Drake |
Mark Wahlberg | Victor 'Sully' Sullivan |
Sophia Ali | Chloe Frazer |
Tati Gabrielle | Jo Braddock |
Antonio Banderas | Santiago Moncada |
Steven Waddington | The Scotsman |
Rudy Pankow | Young Sam |
Tiernan Jones | Young Nate |
Pingi Moli | Hugo |
Jesús Evita | Guard at Museum |
Georgia Goodman | Sister Bernadette |
Diarmaid Murtagh | Police Officer |
Joseph Balderrama | Carlos |
Serena Posadino | Goldie |
Alana Boden | Zoe |
Jonathan Failla | Unsuspecting Doorman |
Anthony Thomas | Luxury Sedan Driver |
Peter Seaton-Clark | Auctioneer |
Robert Maaser | Guard at Auction |
Eskindir Tesfay | Security Guard |
Manuel de Blas | Armando Moncada |
Carme Capdet | Spanish Nun |
Julia Schunevitsch | Club Bartender #1 |
Alois Knapps | Club Bartender #2 |
Patricia Meeden | Spanish Woman in Club |
Nolan North | Hotel Guest |
Matt Barkley | Hotel Bellman |
Jimmy Hart | Concepcion Helo Pilot |
Brett Praed | Concepcion Co-Pilot |
Carlo Kitzlinger | Trinidad Helo PIlot |
Pilou Asbæk | Gage |
Rubén Doblas Gundersen | Young Man (uncredited) |
Name | Job |
---|---|
Ruben Fleischer | Director |
Art Marcum | Screenplay |
Matt Holloway | Screenplay |
Clay Enos | Still Photographer |
Shepherd Frankel | Production Design |
Cornelia Ott | Art Direction |
Rafe Judkins | Screenstory, Screenplay |
Chris Lebenzon | Editor |
Richard Pearson | Editor |
Gabe Hilfer | Music Supervisor |
Jon Hanley Rosenberg | Screenstory |
John Papsidera | Casting |
Marlene Stewart | Costume Design |
Laila Alsane | Assistant Makeup Artist |
Tara Mason | VFX Artist |
Stefan Speth | Art Direction |
Elli Griff | Set Decoration |
Allan A. Apone | Makeup Artist |
Mathias Datow | Assistant Director |
Petra Ringleb | Set Designer |
Nebojša Tabački | Set Designer |
Kami Asgar | Supervising Sound Editor |
Manfred Banach | Sound Mixer |
Beau Borders | Sound Re-Recording Mixer |
Matt Cavanaugh | Sound Effects Editor |
Mark DeSimone | ADR Mixer |
Edwin Rivera | Visual Effects Supervisor |
Julia Schunevitsch | Stunts |
Natalie Padilla | Utility Stunts |
Lauren Okadigbo | Stunt Double, Stunts |
Tammy Nera | Stunt Double |
Marie Mouroum | Stunts |
Wayne Dalglish | Stunt Coordinator, Fight Choreographer |
Emely Cartagena | Stunt Double, Stunts |
Roman Neso Laupmaa | Stunts |
Paul-Vincent Roll | Video Assist Operator |
Damon Caro | Second Unit Director |
Tommy Kreiselmaier | Third Assistant Director |
Scott Rogers | Second Unit Director |
J. Enrique Sánchez | Third Assistant Director |
William Groebe | Storyboard Artist |
Brian Murray | Storyboard Artist |
Gena Vazquez | Props |
Matt Leonard | Stunt Coordinator |
Shomnath Dhar | Compositor |
Anirban Bhattacharya | Lighting Artist |
Daniel Chour | Art Direction |
Michael Fissneider | Art Direction |
David Ingram | Supervising Art Director |
Calla Klessig | Art Direction |
Florian Müller | Art Direction |
Nenad Pečur | Art Direction |
Frédéric Gaudin | VFX Artist |
Alejandro Cymerman | Art Direction |
Patricia Woerler | Art Direction |
Julian Burger | Set Designer |
Wilko Drews | Set Designer |
Penélope Gómez | Set Dresser |
Christian Meinherz | Set Dresser |
Jordan J. Melo | Set Dresser |
Florian Radloff | Set Dresser |
Ana Saric | Set Designer |
Adam DeCoster | Foley Artist |
Erin Oakley | Sound Re-Recording Mixer, Supervising Sound Editor |
Thomas Elder-Groebe | Visual Effects Producer |
Shrijeet Modi | Visual Effects |
Prithvi Parmar | Lighting Artist, VFX Artist |
Margarethe Przywara | Costume Supervisor |
Rachael Speke | Makeup Artist |
Mark D. Walker | Screenstory |
Chas Jarrett | Visual Effects Supervisor |
Brad Shield | Second Unit Director of Photography |
Kyle Weishaar | Stunt Coordinator |
Hannah Spreitzenbarth | Stunts |
César Solar | Stunt Coordinator |
Alexandra Schlensog | Stunts |
Tammy Nera | Stunts |
Kytková Tomsíková Miroslava | Stunts |
Laura Menéndez | Stunts |
Dani Medina | Stunts |
Ana Martínez | Stunt Double |
Sara Leal | Stunt Double |
Charlene Kreemke | Stunts |
Antonia Jauß | Stunts |
Charleen Frembgen | Stunts |
Celia Fernández | Stunts |
Ellette Craddock | Utility Stunts |
Adriana Benito | Stunts |
Catalina Fernandez | Stunts |
Fernando Bofill | Line Producer |
Arno Neubauer | Line Producer |
Carlos Ruiz Boceta | Line Producer |
Ute Bergk | Set Decoration |
Anna Bucher | Second Unit |
Kata Bartyik | Set Decoration |
Federico del Cerro | Set Decoration |
Kate Hefferman | Set Decoration |
Anthony Franco | Costume Design |
Victoria Down | Makeup Designer, Hair Designer |
Laura García | Makeup Artist |
Andrea Gotowtschikow | Key Hair Stylist |
Gloria Göschel | Makeup Artist |
Gabor Kerekes | Hair Department Head |
Marika Knappe | Makeup Artist |
Sarah Nuth | Makeup Artist |
Robert Pickens | Wigmaker |
Valeska Schitthelm | Makeup Artist |
Ahlem Batsi | Assistant Production Manager |
Pablo Bofill | Unit Production Manager |
Klaus Große Darrelmann | Production Manager |
Page Rosenberg-Marvin | Production Supervisor |
Laura Alted | Second Assistant Director |
Anna Avramenko | Assistant Director |
Paul Barry | First Assistant Director |
Paul Bennett | Second Assistant Director |
Helena Doz | Floor Runner |
Joe Geary | Second Unit First Assistant Director |
Marta Juls | Assistant Director |
Emilio Martínez-Borso | Additional Photography |
Mario Pérez | Floor Runner |
Albert Roig | Third Assistant Director |
Marijose Sapiña | Third Assistant Director |
Craig Seitz | Third Assistant Director |
Sophia Tamaro | Production Assistant |
Manon Touzelet | Third Assistant Director |
Bülent Akgün | Leadman |
Chris Ball | Props |
Estela Ballester Maiques | Greensman |
Roman Berger | Standby Carpenter |
Marta Bessa | Set Decoration Buyer, Runner Art Department |
Emil Birk | Assistant Art Director |
Raymond Boy | Storyboard Artist |
Stephen Bream | Set Designer |
Henning Brehm | Graphic Designer |
Johannes Brömel | Prop Maker |
Richard K. Buoen | Storyboard Artist |
Paolo Caiti | Draughtsman |
Court Chu | Concept Artist |
Robert Consing | Storyboard Artist |
Ruben Dauenhauer | Prop Maker |
Ilaria Di Carlo | Set Decoration |
Paul Drebing | Carpenter |
Manuel Dulz | Prop Maker |
Aina Engelhard | Art Department Assistant |
Monica Feito | Construction Coordinator |
Inês Gomes Ferreira | Graphic Designer |
Cristina Foradada | Art Department Coordinator |
Damián Galán Álvarez | Assistant Art Director |
Friederike Gast | Set Decoration Buyer |
Jonathan Gesinski | Storyboard Artist |
Annabel Gibb | Graphic Designer |
Paola González | Set Decoration Buyer |
Monty Granito | Storyboard |
Giorgio Grecu | Concept Artist |
Nadja Götze | Assistant Art Director |
Alex Jaeger | Storyboard |
Abel Jiménez | Set Dresser |
Clemens Kabbert | Prop Maker |
Carol Kupisz | Graphic Designer |
Vanessa Locke | Set Decoration Buyer |
Haik Achim Lützow | Set Dresser |
Richard MacMillan | Assistant Property Master |
Ana Martínez Fernández | Assistant Art Director |
Dan Milligan | Storyboard Artist |
Ricardo Molina | Props, Set Designer |
Thomas Möhring | Concept Artist |
Andree Neemann | Prop Maker |
Frank Noack | Set Dresser |
Javier Orgaz | Carpenter |
Iris Paschedag | Assistant Art Director |
Gianna Petkow | Prop Maker |
Johannes Pfaller | Set Decoration Buyer |
Gabriel Picola | Set Dresser |
Graeme Purdy | Property Master |
Manuel Romero | Graphic Designer |
Meredith Rowe | Art Department Coordinator |
Juanan Santos | Props |
Uwe Schaer | Construction Coordinator |
Melkior Serdarevic | Set Designer |
Aaron Sims | Concept Artist |
Sebastian Snyman | Greensman |
Johannes Spikermann | Prop Maker |
Dan Sweetman | Storyboard Artist |
Piotr Swigut | Concept Artist |
Antonio Sánchez Cáceres | Carpenter |
Gary Damian Thomas | Storyboard Artist |
Andreas Vieweg | Construction Manager |
Jakob Wahl | Art Department Production Assistant |
Ronny Wollmann | Prop Maker |
Wolfgang Wrede | Painter |
Simone Rizzo | Concept Artist |
Jennie Breckenridge | ADR Recordist |
Robert Chen | Dialogue Editor |
Benjamin L. Cook | Sound Effects Editor |
Sam Fan | Sound Effects Editor |
Vic Kaspar | ADR Mixer |
Arielle McGrail | Dialogue Editor |
Mark Pappas | Foley Supervisor |
Mark Paterson | Sound Re-Recording Mixer |
Yung Q | Sound Mixer |
Andy Sisul | Sound Effects Editor |
Tim Tuchrello | Assistant Sound Editor |
Jon Wakeham | Dialogue Editor |
Chris Whiteside | ADR Mixer |
Roland Winke | Sound Mixer |
Rajesh Choubisa | Special Effects Coordinator |
Jesús Manuel Durán Martínez | Special Effects |
Jaime Fortea | Special Effects Technician |
Daniel Godec | Special Effects Technician |
Judith Hellriegel | Accountant |
Andreas Herberg | Special Effects Technician |
Hirschauer Jens | Special Effects Technician, Special Effects |
Anika Höhn | Special Effects Technician |
Anna Jürges | Project Manager, Petty Cash Buyer |
Antonio Moreno | Special Effects Technician |
César Moreno | Special Effects Technician |
Uli Nefzer | Special Effects Supervisor |
Daniel Novak | Special Effects Technician |
Stefan Ruppert | Special Effects Technician |
Samuel A. Sanders | Special Effects Technician |
Remy Sap | Special Effects Technician |
Kevin Sap | Special Effects Technician |
Zsolt Szabo | Special Effects Technician |
Alexandra Added | Visual Effects Producer |
Balakrishnan Alagarsamy | Digital Compositor |
Mohite Alankar | Compositor |
James Albiez | 3D Artist |
Corbé Alexandre | CG Supervisor |
Wasim Ali | Compositing Supervisor |
Thakur Amit | Compositor |
Andreas Andersson | Compositor |
Meghan Ang | Visual Effects Coordinator |
Fabricio de Vasconcellos Baessa Antonio | Visual Effects Supervisor |
Karen Arredondo Lopez | Digital Compositor |
George Arun | Lighting Artist |
Pushkar Atre | Visual Effects Coordinator |
Mayla Attieh | Visual Effects |
Aubrey Paul | Visual Effects Production Manager |
Venkatpathi Avula | Compositor |
Nassim Azadi | Matte Painter |
Bakar | 3D Artist |
Berj Bannayan | Visual Effects Supervisor |
Mike Barber | Visual Effects Editor |
Mickael Bec | Visual Effects Coordinator |
Jordan Benwick | Compositor |
Alex Betancourt | Lighting Artist |
Prateek Kumar Bhardwaj | Compositor |
Jatin Bhavsar | Visual Effects Production Manager |
Aniket Avinash Bhoyar | Digital Compositor |
Henry Borrasso | 2D Artist |
Jonathan Bowen | Visual Effects Supervisor |
Hayley Brazelton | Compositor |
Laura Ludovica Buccinnà | 2D Artist, 3D Artist |
Sébastien Bélec | CG Supervisor |
Boris Castillo | Compositor |
Enrique Sandoval Castro | Compositing Supervisor |
David Centeno | Lighting Artist |
Felipe Cerqueira | Layout Supervisor |
Chee Leong Chan | Matchmove Supervisor |
Deepak Chandra | Compositor |
Pol Chanthasartratsamee | Lighting Artist |
Girish Wasudeo Chapde | Compositor |
Sneha Chavan | Compositor |
Kunal Chindarkar | Compositing Supervisor |
Aston Constantinides | Compositor |
Malcolm Correa | Visual Effects Coordinator |
Amanda Czermak Cortes | Visual Effects Coordinator |
Bianca Cuffaro | Visual Effects Editor |
Michal Daniel Bental | Compositor |
Arkaprovo Datta | Digital Compositor |
Steven Davies | Compositor |
Benoit De Longlee | Visual Effects Supervisor |
Damien Delaunay | Lighting Artist |
Francesco Dell'Anna | Compositing Supervisor |
Pranjali Deshpande | Visual Effects Coordinator |
Ujwal W Dhankute | Compositing Supervisor |
Natalia Diaz | Compositor |
Pabbineedi Dileep | Compositor |
Jose Dinetto | Lighting Artist |
Danny R. Dixon | Compositing Artist |
Manuel Dongowski | Visual Effects Supervisor |
Matthew Dorazio | 3D Artist |
Giovanni Dossena | 3D Generalist |
Mumbai Double Negative | Visual Effects Coordinator |
Taryn Douville | Lighting Artist |
Curro Doyagüez | Compositor |
Brian Drewes | Visual Effects Producer |
Santosh Dwivedi | Lighting Supervisor |
Abdullah Ecirli | Digital Compositor |
Dominic Edwards | Lighting Artist |
Olivia Eichenseer | Visual Effects Production Manager |
Daniel Elophe | Digital Effects Supervisor |
David Entin | Visual Effects Coordinator |
Luke Ewing | 3D Artist |
Shizan Faisal | Compositor |
Angela Fellenberg | Data Wrangler |
Sophia Fesel | 3D Artist |
Martin Fischer | Compositor |
Liz Flush | Compositor |
Vincent Frei | Production Consultant |
Moritz Peter Förster | Data Wrangler |
Robin Gaikwad | Compositor |
Vatsal Gala | Compositor |
Alicia Gill | Visual Effects Production Assistant |
Vinit Girkur | Compositor |
Don Gloetzner | Visual Effects Coordinator |
Justin Goran | CG Supervisor |
Shiva Gowda | Compositor |
Tony Graf | Compositor |
Ummi Gudjonsson | CG Supervisor |
Shreyas Gujrati | Digital Compositor |
Shiyuan Guo | Lighting Artist |
Xin Steve Guo | Layout Supervisor |
Gregory C. Haas | Compositor |
Steffen Hagen | Visual Effects Production Manager |
H Haden Hammond | 2D Artist |
Tim Hendrix | Compositor |
Justin Henton | Lead Animator |
Alex Hirtenstein | Matte Painter |
Andrew Hogden | Compositor |
Barbara Holmes | Visual Effects Editor |
Julian Horlaville | Lighting Artist |
Mitch Hounslow | Visual Effects Editor |
Shih-hao Jason Huang | Lighting Artist |
Megan Hutchison | Compositor |
Chrismac Hwang | Matchmove Supervisor |
Rusty Ippolito | 3D Artist |
Inna Itkin | Lighting Supervisor |
Tristan Jaegly | 2D Artist, 3D Artist |
Neh Jaiswal | Visual Effects Production Manager |
Keshvi Jajoo | Lighting Artist |
Mehul Jhaveri | Visual Effects Production Manager |
Shal Joseph | Effects Supervisor |
Pratik Kalbende | Compositor |
Graham Kartna | 3D Artist |
Vibhuti Kaushik | Compositor |
Hitesh Kini | Compositor |
Latisha Kohrs | Visual Effects Production Assistant |
Chandranath Koley | Lighting Artist |
Conrad Konert | Compositing Artist |
Kevin Konitsch | 2D Artist |
Valdone Koronczi | Visual Effects Producer |
S. Gopi Krishna | Compositor |
Duncan Boon Kwang Kuah | Lighting Artist |
Václav Kubant | Compositor |
Abdelrahman Kubisi | Senior Modeller |
Aravind Kumar | Lighting Artist |
Avinash Kumar | Compositor |
Sumit Kumar | Lighting Artist |
Vamsi Kurapati | Lighting Artist |
Yoga Kurniawan | Compositing Artist |
Kushank Tikku | CG Supervisor |
Gregor Lakner | Digital Effects Supervisor |
Lisa Ronja Lassen | 2D Artist, 3D Artist |
Alexandria Lee | Visual Effects Coordinator |
Jooyong Lee | Compositor |
Junghoon Lee | Visual Effects Producer |
Chris Leu | Pipeline Technical Director |
Brice Liesveld | Visual Effects Producer |
Sky Lim | Compositor |
Jules Lister | Digital Compositor |
Mickaël Léger | Compositing Supervisor |
Allan Magled | Visual Effects Producer |
Juan Fermin Maldonado | Digital Compositor |
Siddharth Malviya | Compositor |
Boris Martinez | Compositor |
Tara Mason | 2D Artist |
Varnica Mathur | Compositing Supervisor |
Jolene McCaffrey | Digital Effects Supervisor |
Kelly McCarthy | Executive Visual Effects Producer |
Kiran Medhekar | Compositor |
Himanshu Meena | Layout Supervisor |
Nicole Meng | Digital Compositor |
Harshal Mistry | 2D Artist |
Srijith Mohanakrishnan | Compositor |
Trevor Moniz | Compositor |
Elizabeth Montes | Visual Effects Producer |
Shannon Hazel Moore | Visual Effects Coordinator |
Juan Maldonado Morgado | Compositor |
Kandace Morran | Visual Effects Editor |
Jesse Morrow | Visual Effects Producer |
Elizabeth Mrad | Visual Effects Coordinator |
Katy Mummery | Visual Effects Producer |
Truptesh Naik | Compositor |
Avais Najar | Compositor |
Vikramshil Narwade | Compositor |
Shaan Nelson | Matchmove Supervisor |
David Neuberger | Compositor |
Alexandre Newberry | Visual Effects Production Assistant |
Hieu Nguyen | 2D Artist, 3D Artist |
Nikith | Lighting Supervisor |
Eoin O'Sullivan | Compositing Supervisor |
Courtney Osborne | Visual Effects Coordinator |
Dineshkumar P. | Compositor |
Rohan Padwal | Compositor |
Nishad Panchal | Digital Compositor |
Yash Pandit | Compositor |
Alexandra Paquet | Compositor |
Praveen Kumar Sharma Parasnath | Compositor |
Vishal Parmar | Digital Compositor |
James Pastorius | Visual Effects Supervisor |
Ajay Patidar | Visual Effects Editor |
Amar Patil | Compositor |
Vijay Patil | Compositor |
Pratap Patole | Compositor |
Raul Perez | Effects Supervisor |
Nicole Perrier | Visual Effects Production Manager |
Robert Pinnow | Visual Effects Producer |
Rahul Pokharkar | Matchmove Supervisor |
Bert Poole | CG Supervisor |
Kristin Pratt | Layout Supervisor |
Sabari Raj | Digital Compositor |
Vasisht Ramachandran | 3D Artist |
Eren Ramadan | Visual Effects Coordinator |
Akshay Rana | Digital Compositor |
Sanket Ranade | Compositor |
Rohit Rane | Compositor |
Jorge Razon | Visual Effects Supervisor |
Tom Reagan | Visual Effects Editor |
Aaron Reznick | Visual Effects Coordinator |
Monica Rho | Visual Effects Production Manager |
Antonio Ribeiro | Compositing Artist |
Michael Rouayroux | Digital Compositor |
Ash Ryan | Compositor |
Dusyant Sahu | Compositor |
Bastian Hopfgarten | Additional Visual Effects |
Suzy Strawn Scott | Studio Teacher |
Fenilconic | Sound Effects Designer |
Federico D'Alessandro | Storyboard Artist |
Keita Hoshino | Compositing Artist |
Swathi Santhosh | Lighting Artist |
Tiago Santos | Compositor |
Amritendu Madhab Sarkar | Digital Compositor |
Sanjay Satapathy | CG Supervisor |
Parag Neelkanth Satelkar | Digital Compositor |
Abhijith Sathya | Compositor |
Wesley Schneider | Visual Effects Technical Director |
Carl Schröter | Compositor |
Eric Robert Schultz | Lighting Artist |
Juan Carlos Ausejo Sevilla | CG Supervisor |
Rodmon Sevilla | Compositor |
Aurora Shannon | Compositor |
Anup Shenoy | Compositor |
Shiba Mohanty | Lighting Artist |
Felipe Siem | Lighting Artist |
Amardeep Singh | Roto Supervisor |
Ranjeet Kumar Singh | Compositing Artist |
Upinderjeet Singh | Lighting Artist |
Hitesh Singhani | Compositor |
Nikki Snider | Compositor |
Ramin Djawadi | Original Music Composer |
Simeon Wilkins | Storyboard Artist |
Doug Lefler | Storyboard Artist |
Chase Armitage | Stunts |
Chung Chung-hoon | Director of Photography |
Denise Chamian | Casting |
Claudia Heinz | Stunts |
Paul N.J. Ottosson | Sound Designer |
Randy K. Singer | Foley Mixer |
Kámen Anev | Concept Artist |
Amadei Weiland | Stunts |
Stephen Dunlevy | Stunts |
Name | Title |
---|---|
Alex Gartner | Producer |
Avi Arad | Producer |
Asad Qizilbash | Executive Producer |
Carter Swan | Executive Producer |
Ruben Fleischer | Executive Producer |
Bob Dohrmann | Executive Producer |
David Bernad | Executive Producer |
Neil Druckmann | Executive Producer |
Evan Wells | Executive Producer |
Art Marcum | Executive Producer |
Matt Holloway | Executive Producer |
Christoph Fisser | Co-Producer |
Henning Molfenter | Co-Producer |
Tom Holland | Executive Producer |
Ari Arad | Producer |
Elise Callas | Co-Producer |
Brian Relyea | Associate Producer |
Charles Roven | Producer |
Carl Woebcken | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 80 | 114 | 60 |
2024 | 5 | 78 | 132 | 52 |
2024 | 6 | 75 | 108 | 57 |
2024 | 7 | 77 | 107 | 55 |
2024 | 8 | 82 | 175 | 59 |
2024 | 9 | 60 | 96 | 42 |
2024 | 10 | 67 | 123 | 40 |
2024 | 11 | 70 | 126 | 49 |
2024 | 12 | 66 | 118 | 48 |
2025 | 1 | 82 | 121 | 55 |
2025 | 2 | 70 | 138 | 30 |
2025 | 3 | 25 | 96 | 3 |
2025 | 4 | 11 | 15 | 8 |
2025 | 5 | 9 | 11 | 7 |
2025 | 6 | 10 | 13 | 8 |
2025 | 7 | 9 | 13 | 7 |
2025 | 8 | 9 | 13 | 7 |
2025 | 9 | 7 | 10 | 6 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 41 | 547 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 115 | 576 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 116 | 593 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 306 | 671 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 248 | 644 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 86 | 585 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 98 | 639 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 237 | 542 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 30 | 436 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 34 | 615 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 236 | 691 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 417 | 726 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 400 | 698 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 351 | 633 |
After numerous attempts which saw talent attached only to depart before filming began, “Uncharted” has finally arrived on the big screen. The movie is based on the hit Playstation series of games by Naughty Dog and stars Tom Holland as Nathan Drake, a young man who is as adept at history as he is ... with pickpocketing which he uses to offset his income from Bartending. Nathan’s brother fled the law years earlier and aside from Postcards has had no contact with him over the years. Things change when Victor Sullivan (Mark Wahlberg) arrives and recruits Nathan by showing him that he used to work with his brother. Despite misgivings and unresolved feelings; Nathan joins with Victor and finds himself in a daring caper to steal a valuable object that could unlock the key to a gold supply that has been lost for over five hundred years. Naturally, there are others who want the money, and Nathan, Victory, and their dubious partner Chloe (Sophia Ali); as they rush around the world in one adventure after another to solve the ancient puzzles and stay one step ahead of some very deadly individuals. The movie has elements of “National Treasure” and “Raiders of the Lost Ark” in terms of the quests to find ancient treasures mixed with action but keeps things in a simpler context. The focus is not on plot development, character development, or plausibility but considering the film is based on a video game, it does a good job with the source material. There has been some controversy about the casting of Holland as Nathan is older in the game series, but he goes all-in with his performance even when the acrobatic action sequences does offer many reminders of his Spider-man role. The action in the game is fun and over-the-top and more than once I thought I should be pushing my X and Square button to help him make the moves necessary to complete the task and survive. The post-credit scenes offer some great possibilities for future adventures and those would be more than welcome for those looking for some no-brainer escapist entertainment. 3.5 stars out of 5.
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/uncharted-spoiler-free-review "Uncharted is an action-adventure flick, but despite a more entertaining last act, it fails to break the curse of videogame film adaptations due precisely to the lack of said action and adventure. ... Even though Tom Holland and Mark Wahlberg offer good performances, as well as convincing arcs by the two protagonists, Ruben Fleischer delivers an extremely generic and formulaic narrative based on endless exposition. Additionally, the secondary characters become irrelevant due to the irritatingly repetitive betrayals and constant shifts of the true antagonist. In the end, the general feeling is that it would be much more interesting to be controlling the characters than simply watching them. It may be enough for fans of the franchise, but for the average moviegoer, it's "just one more"." Rating: C-
I'm just an ordinary joe. I've never played the game this movie is adapted from but from what I hear it's pretty fun. The movie itself is okay for a treasure hunting movie. The action is good and keeps flowing, and the actors, Holland (latest Spiderman) and Whalberg seem to have good chemistry. ... Even the female protagonist did well in her "diverse & inclusive" part. If I had any cons to put forth about the movie, I'd say the lead villian being a female (thanks to Woke-Hollywood's influence) has been thoroughly worn to the point of irritation. This woke trope is tired and worse, but oh-so-true to the core, it is dubious at best; especially so when it comes to fight scenes between the protagonist and villain. It is time for Hollywood to hang up its Woke-cape. There is no need for "inclusivity" when you can just give someone the job because it works for the story instead of politics. I wouldn't complain on this aspect so much if Liberal (woke) Hollywood had the ability to write good characters and therefore good scripts. But that is not possible when you are reaching to tick off checkboxes. **Somewhat Spoiler & complaints:** If the movie had simply begun with a female villain and had her demostrate certain abilities in combat, then her fighting men would be more believable. It also would establish WHY her people would follow her. But the female antagonist's action scenes do not come across as pertinent as they should because her profession is not established in the movie. I struggled to get a handle on whether she was a fellow treasure hunter since she knew Walberg's character personally and was there to advise the rich villain, or if she was a hired mecenary. Turns out she was the later, but that still did not help her character gel. I kept thinking, "Why on earth would anyone follow her? She's hasn't done anything to prove she's more than any other run-of-the-mill killer." If the movie failed in any way it was this one glaring aspect. Henry Cavill made an EXCELLENT head henchman in _Mission Impossible: Fallout_, because men fighting men is believable; villains have menace. But without that special training I mentioned for a female villian, any interaction between her and men in fight scenes comes across as purely contrived. The actress, Tati Gabrielle, did very well as a villain but this women fighting men is just not believable; and that matters to the male viewing audience. Instead of sitting on the edge of your chair wondering who's going to win, you're sitting back with a finger to your temple wondering what bullcrap Hollywood is going to make of this fight scene. If I have to rate this movie on a whole I give it 3.5/5 stars. It's far removed from _National Treasure_ or _Indiana Jones_, but it's better than _Red Notice_, if only just.
Good adventure-thriller in the vein of Tomb Raider. Visual effects for the most part were decent and liked seeing Tom Holland in a lead role other than Spider-Man (where he excels) and he's good here. Now this is coming from someone who has never played the game but I thought as video adaptations go ... , it was fairly entertaining though nothing exceptional. **3.5/5**
This movie was pretty much what I expected or rather hoped for. It was a fun adventure/action rollercoaster plain and simple. This is one of those, rare nowadays, movies that are meant to entertain plain and simple. Two hours of adventure, action and twists barely held together by a rudimentary stor ... y and no woke rubbish or bullshit preaching. The latter is probably what rendered it a 40% rotten “critics” score on woke tomatoes while the audience gave it a 90% fresh score. As almost always a rotten score on woke tomatoes is an indication that it is a movie worthwhile watching. The story, as can be seen from the movie blurb, is a treasure hunt a la Indiana Jones. It starts off by introducing the main character, Nathan, in a few brief scenes where Nathan bungles up a heist being perpetrated by his brother after which they are involuntarily separated. Quick forward to present time and the main story takes off with Nathan being persuaded by Sullivan to embark on a hunt for an immeasurable treasure. Not exactly the newest or freshest of stories but if it works don’t fix it. Pretty much everyone in this movie is a self-centered scoundrel with little to no care for anyone except themselves. Thus the action and treasure hunting is regularly interrupted by twists and betrayals. No one will claim that this movie has an elaborate and intelligent story. It does not have to. It is just meant to hold the action together. I quite liked the main actors. Sullivan did a good job of being the blasé, self-centered scoundrel, Nathan of being the somewhat naive wannabe treasure hunter and Braddock was quite cool, and sexy (hey, I’m a guy), as the baddie. Antonio Banderas was Antonio Banderas although I was saddened by his premature exit from the hunt. Overall the action was nice although the scenes in, and out of, the airplane was the usual unrealistic Hollywood action. Although that was overshadowed with the ship carrying helicopter scenes towards the end which was taking unrealism to new levels. But I didn’t really care because it was fun silliness. The moment they started to carry those ships away I started to hope that the writer would go for the silly and obvious stunt involving black powder. Yes unrealistic but there is no denying the coolness factor. As far as I am concerned this was two hours well spent. The ending scene clearly suggested that the producers hoped to make a sequel. I would definitely watch it but with all the people lamenting the fact that someone dared to make a movie simply for entertainment without a profound (and boring) story or bullshit preaching in it that might not happen. It did make about four times its budget at the box office though so maybe.
Fun, but flat! Neat adaptation of the games, the character of Nathan feels distinct enough that I wasn’t bothered by a lot of the world-building choices and changes. Both the story and scene structures are a bit odd at times, but it stays pretty light throughout. Criminal waste of Antonio Bandera ... s though.
_Uncharted_ was perfectly predictable. I had a general idea of what to expect going into the film and got most of everything I wanted. While it is not groundbreaking cinema, it does offer so very great action set pieces that are pulled straight from the games I grew up loving. The story is very remi ... niscent of an adventure Nathan Drake would take during the games and the environments were diverse and engaging. My one big critique is the performances. While they were fine, I did not really think the casting was done in terms of the characters themselves but more for the star power. Tom Holland plays a character that is an edgier Peter Parker, he still has the charisma of Nathan Drake but there is something about him that still feels naïve and less sure of himself. I understand this is early in Nathan Drake's career, but it still felt to overly Spider-Man for me. There is really not much to say for Mark Wahlberg either, he plays pretty much the same character as every one of his other films. Sophia Ali, Tati Gabrielle, and Antonio Banderas all do a fine enough job in their roles but never do anything that make their performances stand out. Overall, this movie is fun if you sit back, relax and enjoy some great action and exploration. It is not great, but it definitely passes the time and is good time. **Score**: _68%_ | **Verdict:** _Good_
**Uncharted overdid the action, cheesy performances, and selfish betrayals while leaving the story behind.** Uncharted mixes National Treasure, Tomb Raider, and The Other Guys into a disappointing cocktail that leaves a bland taste. Several sequences and setpieces were lifted directly from the ga ... mes, which is a fabulous treat for fans of the series, but that is about where the similarities end. Although a fantastic actor, Holland was a younger choice than many expected for the role, making Uncharted Nathan Drake's origin story. Unfortunately, this was less origin and more Mary Sue, as Drake already had all the knowledge and skills to navigate this outrageous movie. The CGI was obvious, and the stunts and action were so unbelievable for a character that started the movie as a bartender that it made it difficult to enjoy. All the characters were so unlikeable and duplicitous, with almost every interaction ending in another "surprising" betrayal. Mark Wahlberg's performance didn't fit in the movie either. He felt like he was just playing himself with goofy quips and fast-talking rather than trying to play a character in this universe. I was hoping for so much more, but this franchise-launching film was dead on arrival.