Popularity: 3 (history)
Director: | Rob Marshall |
---|---|
Writer: | John DeLuca, Rob Marshall, David Magee, P.L. Travers |
Staring: |
Mary Poppins returns to the Banks family and helps them evade grave dangers by taking them on magical, musical adventures. | |
Release Date: | Dec 13, 2018 |
---|---|
Director: | Rob Marshall |
Writer: | John DeLuca, Rob Marshall, David Magee, P.L. Travers |
Genres: | Family, Comedy, Fantasy |
Keywords | london, england, based on novel or book, nanny, magic, musical, sequel, family relationships, animated scene, female protagonist, housekeeper, family, discipline, depression era, live action and animation, 1930s |
Production Companies | Walt Disney Pictures, Marc Platt Productions, Lucamar Productions |
Box Office |
Revenue: $348,807,090
Budget: $130,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Emily Blunt | Mary Poppins |
Lin-Manuel Miranda | Jack |
Ben Whishaw | Michael Banks |
Emily Mortimer | Jane Banks |
Pixie Davies | Annabel |
Nathanael Saleh | John |
Joel Dawson | Georgie |
Julie Walters | Ellen |
Meryl Streep | Cousin Topsy |
Colin Firth | Wilkins / Wolf (voice) |
Jeremy Swift | Gooding / Badger (voice) |
Kobna Holdbrook-Smith | Frye / Weasel (voice) |
Dick Van Dyke | Mr. Dawes Jr. |
Angela Lansbury | Balloon Lady |
David Warner | Admiral Boom |
Jim Norton | Mr. Binnacle |
Noma Dumezweni | Miss Penny Farthing |
Tarik Frimpong | Angus |
Sudha Bhuchar | Miss Lark |
Steve Nicolson | Park Keeper |
Christian Dixon | The Milkman |
Christopher Godwin | Information Desk Clerk |
John Dagleish | Courier |
Karen Dotrice | Elegant Woman |
Ian Conningham | Pub Landlord |
Billy Barratt | Street Urchin |
Felix Collar | Street Urchin |
Kate Attwell | Street Urchin |
Chris O'Dowd | Shamus the Coachman (voice) |
Mark Addy | Clyde the Horse (voice) |
Edward Hibbert | Parrot Umbrella (voice) |
Ash | Willoughby |
Shay Barclay | Leerie |
Ashley Birchall | Leerie |
Johnny Bishop | Leerie |
Michael Carroll | Leerie |
Jon-Scott Clark | Leerie |
Leon Cooke | Leerie |
Jack Harrison-Cooper | Leerie |
Sean Corrie | Leerie |
Momar Diagne | Leerie |
Antony Edwards | Leerie |
Aston Newman Hannington | Leerie |
Jake Moyle | Leerie |
Marlon Pelayo | Leerie |
James Revell | Leerie |
Ted Rogers | Leerie |
Charles Ruhrmund | Leerie |
Christopher Scott | Leerie |
Zac Smith | Leerie |
Craig Stein | Leerie |
Alex J Sturman | Leerie |
Jahrel Thomas | Leerie |
Johnny White | Leerie |
Teneisha Bonner | Female Dancer |
Lavinia Fitzpatrick | Female Dancer |
Tara Nicole Hughes | Female Dancer |
Hannah Kenna-Thomas | Female Dancer |
Jennifer Leung | Female Dancer |
Rachel Muldoon | Female Dancer |
Cassie Rogers | Female Dancer |
Lorraine Stewart | Female Dancer |
Calvin Chen | Leerie (uncredited) |
Johanna Thea | Fairground Attendee (uncredited) |
Antonio Raul Garcia | Boy (uncredited) |
Raj Awasti | Bank Customer (uncredited) |
Fran Targ | Homeless Soup kitchen (uncredited) |
Jeremy Azis | Bank Customer 110 (uncredited) |
Nina Kumar | Bank Customer (uncredited) |
Jag Patel | Corporate Internal Bank Customer (uncredited) |
Martyn Mayger | Banker (uncredited) |
Steve Carroll | Tramp (uncredited) |
Name | Job |
---|---|
John DeLuca | Story, Choreographer |
Tara Nicole Hughes | Choreographer |
Rob Marshall | Story, Choreographer, Director |
Joey Pizzi | Choreographer |
Marko Costanzo | Foley Artist |
Peter Gleaves | ADR Mixer |
Mark DeSimone | ADR Mixer |
David Pearce | Second Assistant "B" Camera |
Dominique Law | Draughtsman |
Mike Prestwood Smith | Sound Re-Recording Mixer |
David Magee | Story, Screenplay |
P.L. Travers | Novel |
Sandy Powell | Costume Design |
Wyatt Smith | Editor |
Francine Maisler | Casting |
Bernard Telsey | Casting |
Callum McDougall | Production Manager |
Marc Shaiman | Original Music Composer, Songs, Lyricist |
Toby Oliver | Stunts |
Jay Maidment | Still Photographer |
Alan Stewart | Second Unit Director of Photography |
Gary Arthurs | Stunts |
Mark Mottram | Stunt Coordinator |
Jim Capobianco | Animation Supervisor |
Oliver Garcia | Assistant Costume Designer |
Ali James | Location Manager |
Rachel Bolt | Musician |
Michael Higham | Executive Music Producer, Music Supervisor |
Sarah Trevis | Casting Associate |
Dion Beebe | Director of Photography |
Jeff Atmajian | Orchestrator |
Paul Gemignani | Music Supervisor, Conductor |
Thomas Napper | Second Unit Director |
Jessica Hooker | Stunt Double |
Lucy Allen | Stunts |
Garson Yu | Title Designer |
Tiffany Little Canfield | Casting |
Georgie Whittle | Makeup Artist |
Hannah Godwin | Production Manager |
Ben Howarth | First Assistant Director |
Amanda Dazely | Art Direction |
Elaine Kusmishko | Art Direction |
Steve Carter | Art Direction |
Bertie Spiegelberg | Production Supervisor |
Tamsin Dorling | Makeup Artist |
Niall Moroney | Supervising Art Director |
Alex D. da Silva | Production Manager |
Simon Elsley | Art Direction |
Vicki Stevenson | Art Direction |
Grant Butler | Third Assistant Director |
Peter King | Hair Designer |
Jennifer Lane | Post Production Supervisor |
James Cullane | Carpenter |
Leo Pean de Ponfilly | Digital Compositors |
Julian Bucknall | First Assistant Camera |
David Cozens | First Assistant Camera |
Adam McGrady | Video Assist Operator |
Anna Cavaliere | Set Costumer |
Meagan Costello | First Assistant Editor |
Jamie Burrows | Draughtsman |
Sarah Ginn | Assistant Art Director |
Rosie Hardwick | Draughtsman |
Scott Hillier | Rigging Supervisor |
Sarah Iovino | Art Department Coordinator |
Neil Toddy Todd | Special Effects |
Andrew Barry | Compositors |
Jack Hughes | VFX Supervisor |
Sara Woomer | Visual Effects Coordinator |
Ian Pead | Stunts |
Adam Sculthorp | Aerial Camera |
Grace Taylor | Art Department Assistant |
Zaid Babeel | Visual Effects Coordinator |
Laurence Berkani | Visual Effects Producer |
Eric Guaglione | Animation Supervisor |
Russell Hopwood | Compositors |
Daniel Dow | Stunts |
Justin Pearson | Stunts |
Alex Fraser | Dolly Grip |
Dominic Rau | Video Assist Operator |
Stephane Brisson | Digital Compositors |
Jack Flemming | Dolly Grip |
John Gamble | Camera Operator |
James Woods | Character Designer |
Simon Gustafsson | Conceptual Illustrator |
Lotta Wolgers | Draughtsman |
Brett Schroeder | Lead Animator |
Gabriella Harman | Stunts |
Candice White | Draughtsman |
Steven Warner | Special Effects Supervisor |
Patrick Hall | Digital Compositors |
Jason Pethtel | Digital Compositors |
Joshua Toonen | Compositors |
Annabelle Fordham | Stunts |
Leo Keenan | Stunts |
Angus Benson-Blair | Drone Operator |
Laura Collins | Set Dresser |
Maxime Sirven | Visual Effects Editor |
Tobias Eedy | First Assistant Camera |
Jake Corney | Greensman |
Claire Grainger | Set Decorating Coordinator |
Shawn Broes | Visual Effects Editor |
Tracie Donais | Digital Compositors |
Jorge Sanchez Fresno | Digital Compositors |
Kieran Clarke | Stunts |
Gareth Harfoot | Drone Operator |
Dani Rose | Drone Operator |
Robert Stoneman | Steadicam Operator |
Carolina Cedres | Visual Effects Coordinator |
Tyler Cordova | Animation Manager |
Michelle Roll | Visual Effects Coordinator |
Andrew Bradley | Aerial Camera Technician |
Harry Langston | Electrician |
Brandon Brocker | Animation Department Coordinator |
Bethany Spence | Greensman |
Gabriel Naveau | Digital Compositors |
David Penfold | First Assistant Camera |
Talia Felber | Production Manager |
Michael Huber | Visual Effects |
Phoenix Woung-Bi Lee | Visual Effects Technical Director |
Leslie Lerman | Visual Effects Producer |
Conrad Woolfe | Casting Associate |
Cynthia Black | Set Costumer |
Charlotte Law | Assistant Costume Designer |
Roger Linley | Musician |
Steve Mair | Musician |
Phil Allchin | Transportation Captain |
Peter Trotman | Driver |
Elliott Cobley | Production Office Assistant |
Renée Tondelli | Supervising Sound Editor |
Robin Beavis | Special Effects Supervisor |
Thomas Dotheij | Visual Effects Technical Director |
Christian Kaestner | VFX Supervisor |
Brock J. Stearn | Digital Compositors |
Damien Beebe | Camera Operator |
Harry Gamble | First Assistant Camera |
David Smith | Gaffer |
Rachel Nadler | Casting Assistant |
Ted Leaning | Driver |
Jill McCullough | Dialect Coach |
Mark Berrow | Musician |
Michael Kirkman | Driver |
Susan Chika Anisiobi | Production Accountant |
Charlie Hayes | Location Manager |
Anthony Brookman | Key Set Costumer |
Mariette Hendriks | Tailor |
Jim Bruening | Music Editor |
Clive Shaw | Driver |
Luke Keeley | Security |
Courtney McClain | Assistant Costume Designer |
Lara Newman | Key Set Costumer |
Emma Savin | Driver |
David Davenport | Costume Supervisor |
Lewis Morison | Music Editor |
Rob Lloyd | Driver |
Rob Campbell-Bell | Location Manager |
Eleanor Downey | Location Manager |
Katerina Ruskova | Transportation Coordinator |
Monique Brown | Assistant Production Coordinator |
Taro Smith | Production Office Assistant |
Lisa Vick | Script Supervisor |
David Rosenbaum Jr. | Driver |
Lauren Briggs-Miller | Assistant Art Director |
Angus Hale | Greensman |
Richard Hardy | Assistant Art Director |
Jon Marson | Greensman |
Caitlin Murray Jones | Modeling |
Lottie McDowell | Art Department Assistant |
Ty Teiger | Property Master |
Sam Horgan | Digital Compositors |
Christian Irles | VFX Supervisor |
Matt Johnson | VFX Supervisor |
Nick Chopping | Stunts |
Peter Robertson | Steadicam Operator |
Stasia Fong | Animation Production Assistant |
Carlos Fontanarrosa | Key Set Costumer |
Ian Foweraker | Set Costumer |
Debbie Scott | Assistant Costume Designer |
Josh Sales | Set Dresser |
Amanda Barrios | Line Producer |
Kent Blocher | Visual Effects Editor |
Ricky Leach | Digital Compositors |
Camille Paleni | Digital Compositors |
Stewart Probert | Production Manager |
Jason Quintana | CG Supervisor |
Paul Howell | Stunts |
Kira Kemble | Draughtsman |
Leo Woodruff | Stunts |
Billy Gamble | Best Boy Electrician |
Alan Hall | First Assistant Camera |
Ben Wilson | Rigging Supervisor |
Richard Pryce | Musician |
Rachel Kennedy | Publicist |
Yvonne Duckett | Costume Supervisor |
Caroline Fallon | Costume Coordinator |
Martin Kingsley | Assistant Property Master |
Paula Price | Key Hair Stylist, Key Makeup Artist |
Angus More Gordon | Unit Production Manager |
Josue Clotaire Fleurimond | Conceptual Illustrator |
Gordon Sim | Set Decoration |
James S. Baker | Storyboard Artist |
Alexander Johnson | Assistant Editor |
Michael Starobin | Orchestrator |
Jeni Meredith | Transportation Coordinator |
Jeff Woodbridge | Carpenter |
George Kirby | Stunts |
Scott Wittman | Lyricist |
John Myhre | Production Design |
Simon Hayes | Production Sound Mixer |
Cristian Knight | Stunts |
Chris Lyons | Special Effects Makeup Artist |
Steve Ellingworth | Key Grip |
Alexis Wajsbrot | Additional Visual Effects |
Toby Segar | Stunt Double |
Michael Hatzer | Digital Intermediate Colorist |
Name | Title |
---|---|
Rob Marshall | Producer |
Callum McDougall | Executive Producer |
John DeLuca | Producer |
Angus More Gordon | Co-Producer |
Michael Zimmer | Co-Producer |
Marc Platt | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 33 | 49 | 22 |
2024 | 5 | 41 | 55 | 22 |
2024 | 6 | 30 | 52 | 17 |
2024 | 7 | 49 | 79 | 20 |
2024 | 8 | 25 | 36 | 17 |
2024 | 9 | 22 | 31 | 14 |
2024 | 10 | 25 | 58 | 13 |
2024 | 11 | 23 | 34 | 16 |
2024 | 12 | 24 | 31 | 17 |
2025 | 1 | 25 | 44 | 18 |
2025 | 2 | 19 | 26 | 4 |
2025 | 3 | 7 | 21 | 2 |
2025 | 4 | 5 | 13 | 2 |
2025 | 5 | 4 | 13 | 2 |
2025 | 6 | 3 | 7 | 2 |
2025 | 7 | 2 | 4 | 2 |
2025 | 8 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 571 | 767 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 305 | 634 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 787 | 892 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 893 | 893 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 515 | 515 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 655 | 655 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 559 | 848 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 564 | 838 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 819 | 822 |
The original Mary Poppins was one of my favorite movies when I was a kid and it kind of still is. Thus I was indeed a bit worried when I sat down to watch this one with the kids yesterday. After all there is really so many ways a incompetent writer could have screwed this one up. Especially one with ... an agenda. Luckily this was not the case and I have to say that I quite liked this movie. Disney actually managed to keep the ambiance of the original movie and it actually felt like a Disney movie from the good old days. The days before every easily offended retard tried to make every movie into a preaching mouth piece for their personal crusade. I think I liked the first half of the movie best. It was an explosion of song, magic and, for me, nostalgia. Apart from the hugely improved technology this movie had available to make the magic bits it actually felt like it could have been made back to back with the original. They really managed to capture the atmosphere from back then. If I had to compare the two directly I would still go with the original as the best one. It was more imaginative and it just felt a bit better two me. The story is a bit of a rehash of the original. They could have come up with something more original. Also, the second movie seemed to fizzle out a bit compared to the first half. I would have liked to see some more Mary Poppins coolness and magic, like we saw in the first half of the movie, instead of, mostly, conventional stuff. Also the take down of the bad guy was a bit underwhelming. Apart from that I think sequel was not bad at all.
I enjoyed this movie just as I love the original Mary Poppins. I think it is largely a thankless task doing sequels for beloved films: Christopher Robin and Hook had to pass through a crucible of dislike by lovers of similar original flicks. Remakes are similarly unpopular, perhaps for better reaso ... n, in my opinion. O The makers of Mary Poppins Returns aren't trying to reinvent the wheel, just entertain by using a bit of imagination to bring the original tale to a more savvy modern audience. No reason for us to rhetorically throw our toys out of the sandbox. Okay, I may not watch this new offering as often as I have the original, but it was entertaining without being rude, profane, crude or violent. Kind of rare, that.
Not any where close to as entertaining as the original. The storyline was the only good thing. Otherwise the movie was actually disappointing. ...