Popularity: 18 (history)
Director: | Fabien Polack, Pierre Leduc, Aaron Horvath, Michael Jelenic |
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Writer: | Matthew Fogel |
Staring: |
While working underground to fix a water main, Brooklyn plumbers—and brothers—Mario and Luigi are transported down a mysterious pipe and wander into a magical new world. But when the brothers are separated, Mario embarks on an epic quest to find Luigi. | |
Release Date: | Apr 05, 2023 |
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Director: | Fabien Polack, Pierre Leduc, Aaron Horvath, Michael Jelenic |
Writer: | Matthew Fogel |
Genres: | Animation, Family, Comedy, Adventure |
Keywords | gorilla, plumber, villain, magic mushroom, anthropomorphism, based on video game, toad, aftercreditsstinger, duringcreditsstinger, damsel in distress, piano, brother brother relationship, illumination, evil king |
Production Companies | Universal Pictures, Illumination, Nintendo |
Box Office |
Revenue: $1,362,000,000
Budget: $100,000,000 |
Updates |
Updated: May 15, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Chris Pratt | Mario (voice) |
Anya Taylor-Joy | Princess Peach (voice) |
Charlie Day | Luigi (voice) |
Jack Black | Bowser (voice) |
Keegan-Michael Key | Toad (voice) |
Seth Rogen | Donkey Kong (voice) |
Fred Armisen | Cranky Kong (voice) |
Sebastian Maniscalco | Spike (voice) |
Charles Martinet | Mario's Dad / Giuseppe (voice) |
Kevin Michael Richardson | Kamek (voice) |
Khary Payton | Penguin King (voice) |
Rino Romano | Uncle Tony (voice) |
John DiMaggio | Uncle Arthur (voice) |
Jessica DiCicco | Mario's Mom (voice) |
Eric Bauza | Toad General (voice) |
Juliet Jelenic | Lumalee (voice) |
Scott Menville | Koopa General (voice) |
Carlos Alazraqui | Additional Voices (voice) |
Jason Broad | Additional Voices (voice) |
Ashly Burch | Additional Voices (voice) |
Rachel Butera | Additional Voices (voice) |
Cathy Cavadini | Additional Voices (voice) |
Will Collyer | Additional Voices (voice) |
Django Craig | Additional Voices (voice) |
Willow Geer | Additional Voices (voice) |
Aaron Hendry | Additional Voices (voice) |
Andy Hirsch | Additional Voices (voice) |
Barbara Harris | Additional Voices (voice) |
Phil LaMarr | Additional Voices (voice) |
Jeremy Maxwell | Additional Voices (voice) |
Daniel Mora | Additional Voices (voice) |
Eric E. Osmond | Additional Voices (voice) |
Noreen Reardon | Additional Voices (voice) |
Lee Shorten | Additional Voices (voice) |
Cree Summer | Additional Voices (voice) |
Nisa Ward | Additional Voices (voice) |
Nora Wyman | Additional Voices (voice) |
Name | Job |
---|---|
Randy Thom | Sound Designer |
Eric E. Osmond | Editor |
Daniel Laurie | Supervising Sound Editor |
Juan Peralta | Sound Re-Recording Mixer |
Holly Sedillos | Vocals |
Toyokazu Nonaka | Consulting Producer |
Ed Skudder | Storyboard Artist, Head of Story |
Luis Velasco | Animation |
Jeff Gabor | Animation |
Christophe Delisle | Animation Director |
Maxime Mary | Character Designer |
Nicholas Olivieri | Character Designer |
Philippe Tilikete | Character Designer |
Sam Nielson | Character Designer |
Daniel Fernandez-Casas | Character Designer |
Tohru Patrick Awa | Character Designer |
Fabien Polack | Co-Director |
Pierre Leduc | Co-Director |
Matthieu Gosselin | Art Direction |
Ludovic Roz | Animation Director |
Andree Hsiao-Chu Lin | Apprentice Sound Editor |
Alexandre Melquiond | Animation |
Antoine Kinget | Animation |
Christian Dan Bejarano | Animation |
David Hill | Animation |
Laëtitia Grandjean | Production Manager |
Guillaume Berthoumieu | Matte Painter |
Thomas Revidon | Matte Painter |
Cedric Launay | Lighting Supervisor |
Damien Viatte | Lighting Supervisor |
Jamey Scott | Sound Designer |
Frédérick Alves-Cunha | Sculptor |
Jérémie Droulers | Sculptor |
Julien Trouchet | Compositing Supervisor |
Benjamin Morsberger | Creative Consultant |
Natalie Watson | Creative Consultant |
Nick Meledandri | Creative Consultant |
Hadrien Vial | First Assistant Editor |
Laurent de la Chapelle | In Memory Of |
John R.A. Benson | Stereoscopic Supervisor |
Tom Caulfield | Storyboard Artist, Other |
Jed Diffenderfer | Other, Story Artist |
Richard Duarte | Foley Mixer |
Sean England | Foley Artist |
Scott Guitteau | Sound Effects Editor |
Devon Kelley | First Assistant Sound Editor |
Leff Lefferts | Sound Effects Editor |
Zach Martin | Foley Editor |
E. Larry Oatfield | Foley Supervisor |
Jacob Riehle | ADR Supervisor |
Jana Vance | Foley Artist |
Terah 'Bishop' Woodley II | Sound Re-Recording Assistant |
Qianbaihui Yang | Sound Effects Editor |
Jean-Marc Ariu | Modeling |
Benoit Bernos | Modeling |
Vincent Blanqué | VFX Lighting Artist |
Christophe Brejon | VFX Lighting Artist |
Eric Carme | Animation |
Maria Castro Rodriguez | 3D Modeller |
Ludovic Davidian | VFX Artist |
Daniel de Benito | Compositing Artist |
Mélissa Faucher | Software Engineer |
Jade Gachet | Animation |
Anne Getto | Visual Effects Supervisor |
Corentin Gravend | Digital Compositor |
Erwin Gresser | Compositing Lead |
Michael Grund | VFX Artist |
Kévin Herbrich | Modeling |
Guillaume Aretos | Production Design |
Lucas Langou | VFX Artist |
Marc Largier | Compositing Artist |
Mathieu Le Meur | CG Supervisor |
Baptiste Lemonnier | Modeling |
Florian Magnin | VFX Artist |
Astrid Massad | Modeling |
Eric Mauhourat | Character Technical Supervisor |
Marc Picco | Animation |
Simon Popot | Animation |
Kevin Razo | Digital Intermediate Colorist |
Quentin Sauvinet | VFX Artist |
Max Tourret | VFX Lighting Artist |
Margaux Vaxelaire | Modeling |
Christophe Vazquez | Visual Effects |
Jocelyn Vincent | Visual Effects Supervisor |
Mira Wendling | Animation |
Guillaume Arrighi | Layout Supervisor |
Loïc Baton | Animation |
Julien Belloteau | Animation |
Timo Berg | Animation |
Adrien Braz | Animation |
François Briantais | Animation |
David Carrière | Animation |
Jérôme Charton | Animation |
Hugues Chauvin | VFX Artist |
Augustin Clermont | Animation |
Lucie Daniel | Animation |
Hugues Daumail | VFX Artist |
Stéphane Dufournier | Modeling |
Andy Dupont | VFX Artist |
Marion Duvert | Animation |
Bastien Fagoo | Animation |
Hugo Falaize | Animation |
Romain Faurie | Animation |
Rita Figueira | Animation |
Michaël Friederich | Animation |
Simon Garriou | Animation |
Stephane Hoarau | Pipeline Technical Director |
John Harkins | VFX Artist |
Elien Kellens | Animation |
Pablo Iglesias | Animation |
Patrick Le Bayon | VFX Artist |
Clément Le Quéré | Animation |
Vincent Lemaire | Animation |
Rudi Loïal | Animation |
Quentin Max | Animation |
Scott McWhinnie | Animation |
Olivier Montero | Animation |
Giacomo Mora | Animation |
Romain Peron | Animation |
Michael Phy | Animation |
Quentin Piq | Supervising Animator |
Gaël Sabourin | Animation |
Laura Servin | Animation |
Jim Sweeting | Animation |
Jackie Tarascio | Animation |
Manuel Thomasser | VFX Artist |
Luis Trebino | Animation |
Clementine Tronel | Animation |
Antoine Trouillet | Animation |
Calvin Tsang | Other, Story Artist |
Timo Vermeulen | Animation |
Maricruz Vállez | VFX Artist |
Xavier Zahra | VFX Artist |
Romana Reeve | Associate Editor |
Patrick Clancey | Digital Intermediate Editor |
Kristin Graham | Digital Intermediate Producer |
Jason Hanel | Digital Intermediate Colorist |
Michael Kannard | Imaging Science |
Allie J. Mills | Other, First Assistant Editor |
Gregory Perler | Additional Editor |
Nathan Alexander | Music Arranger |
Sara Andon | Musician |
Rob Brophy | Musician |
Sarah Casey | Music Coordinator |
Rossano Galante | Orchestrator |
Dylan Gentile | Vocals |
William Kenneth Goldman | Vocals |
Kelci Hahn | Vocals |
DeLaney Harter | Musician |
Andrew Kinney | Orchestrator |
Jeff Kryka | Orchestrator |
Michael Larco | Musician |
Matthew Llewellyn | Music Editor |
Max Lombardo | Music Arranger |
Lindsay Patterson Abdou | Vocals |
Dana Niu | Orchestrator |
Kenny Wood | Music Arranger |
Josh Zimmerman | Music Arranger |
Erin Katrina Hayes | Script Coordinator |
Brice Colinet | Production Supervisor |
David Pellé | CG Supervisor |
Pierre Avon | Supervising Animator |
Benoit Guillaumot | Supervising Animator |
Basile Heiderscheid | Supervising Animator |
Adrien Kedochim | Supervising Animator |
Mathieu Ménard | Supervising Animator |
Nicolas Ménard | Supervising Animator |
Aymeric Palermo | Supervising Animator |
Ludovic Savonnière | Supervising Animator |
Bruno Scheerens | Supervising Animator |
Simon Pate | Effects Supervisor |
Xavier Bec | Head of Research |
Jeannine Berger | Post Production Producer |
Katherine Ringgold | Additional Editing |
Julian Smirke | Additional Editing |
Andrew Walton | Additional Editing |
Paul Mager | Set Designer |
Vincent Massy | Set Designer |
Long Ngo | Set Designer |
Bertrand Piocelle | Set Designer |
Gabriel Jolly-Monge | Set Designer |
Philippe Diop | Set Designer |
Frédéric Bontemps | Set Designer |
Caroline Julliard-Mourgues | Thanks |
Pauline Augrain | Thanks |
Brad Warnaar | Orchestrator |
Ali Dee | Songs |
Giacomo Sagripanti | Songs |
Shinya Takahashi | Other |
Takashi Tezuka | Other |
Clément Griselain | Other |
Lorenzo Veracini | Layout Supervisor |
David Galante | Character Modelling Supervisor |
Jean-Marc Imele | Other |
Chloé Lesueur | Compositing Supervisor |
Etienne Pêcheux | Supervising Technical Director |
Milo Riccarand | Other |
Shuntaro Furukawa | Other |
Christophe Ducruet | Other |
Silène Barraion | Other |
Thomas Leroy | Other |
Tifenn Philipott | Other |
Laure Gauthier | Other |
Matthieu Skrovec | Other |
Marco Allard | Story Artist |
David D. Au | Story Artist |
Nima Azarba | Story Artist |
Guy Bar'ely | Story Artist |
Jerod Chirico | Story Artist |
Bryan Cox | Story Artist |
Eric Favela | Story Artist |
Jeff Mednikow | Story Artist |
AnChi Shen | Story Artist |
Maxime Delalande | Other |
James Krenzke | Other |
Renan Porto | Colorist |
Joël Corcia | Colorist |
Sébastien Guichard | Colorist |
Thomas Lépine | Colorist |
Patrick Muyikens | Colorist |
Marjolaine Dasnoy | Layout |
Alex Angelis | Animation |
Nicolas Loesner | Animation |
Julien Madar | Animation |
Haunui Maeta | Animation |
Lucie Bossart | Animation |
Géraud Martin | Animation |
Quentin Bouillet | Animation |
Pierre-Baptiste Marty | Animation |
Renaud Buvat | Animation |
Aaron Horvath | Director |
Brian Tyler | Conductor, Original Music Composer |
Koji Kondo | Music Consultant, Music |
Pete Horner | Sound Re-Recording Mixer |
Jasper Randall | Conductor |
Matthew Fogel | Writer |
Ronni Brown | Foley Artist |
Jonathan del Val | Animation |
Ken Schretzmann | Additional Editor |
John Carey | Music Arranger |
Sara Mann | Vocals |
Mark Edward Smith | Vocals |
Sarah Trevino | Music Arranger |
Suzanne Waters | Vocals |
Peter Rida Michail | Title Designer |
Yōichi Kotabe | Thanks |
Benjamin Faure | Supervising Animator |
Tiffany Hillkurtz | Additional Editing |
Dominique Boutonnat | Thanks |
Alex Hirsch | Thanks |
Robert Elhai | Orchestrator |
Jeff Toyne | Orchestrator |
Adam Yauch | Songs |
Michael Diamond | Songs |
Adam Horovitz | Songs |
Anita Rachvelishvili | Songs |
Bonnie Tyler | Songs |
Yoshiaki Koizumi | Other |
Brandon Jeffords | Story Artist |
Mark Walton | Story Artist |
Serguei Kouchnerov | Other |
Vincent Florant | Thanks |
Michael Jelenic | Director |
Shinichi Ogawa | Thanks |
Jack Black | Songs |
Name | Title |
---|---|
Kelly Lake | Associate Producer |
Christelle Balcon | Co-Producer |
Brett Hoffman | Executive Producer |
Bill Ryan | Executive Producer |
Yusuke Beppu | Executive Producer |
Chris Meledandri | Producer |
Shigeru Miyamoto | Producer |
Robert Taylor | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 263 | 329 | 199 |
2024 | 5 | 238 | 299 | 180 |
2024 | 6 | 242 | 310 | 192 |
2024 | 7 | 268 | 353 | 211 |
2024 | 8 | 247 | 305 | 204 |
2024 | 9 | 205 | 313 | 160 |
2024 | 10 | 189 | 259 | 139 |
2024 | 11 | 187 | 228 | 157 |
2024 | 12 | 168 | 195 | 144 |
2025 | 1 | 170 | 214 | 135 |
2025 | 2 | 133 | 175 | 30 |
2025 | 3 | 56 | 185 | 3 |
2025 | 4 | 30 | 35 | 24 |
2025 | 5 | 37 | 74 | 24 |
2025 | 6 | 34 | 71 | 22 |
2025 | 7 | 21 | 24 | 18 |
2025 | 8 | 17 | 18 | 17 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 606 | 761 |
Year | Month | High | Avg |
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2025 | 7 | 114 | 569 |
Year | Month | High | Avg |
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2025 | 6 | 99 | 338 |
Year | Month | High | Avg |
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2025 | 5 | 84 | 503 |
Year | Month | High | Avg |
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2025 | 4 | 122 | 461 |
Year | Month | High | Avg |
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2025 | 3 | 130 | 482 |
Year | Month | High | Avg |
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2025 | 2 | 64 | 305 |
Year | Month | High | Avg |
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2025 | 1 | 86 | 361 |
Year | Month | High | Avg |
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2024 | 12 | 133 | 463 |
Year | Month | High | Avg |
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2024 | 11 | 95 | 291 |
Year | Month | High | Avg |
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2024 | 10 | 83 | 357 |
Year | Month | High | Avg |
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2024 | 9 | 221 | 343 |
Year | Month | High | Avg |
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2024 | 8 | 131 | 355 |
_The Super Mario Bros. Movie_ is like Fruit Stripe Gum. It’s super colorful and eyecatching, but it seems to instantly lose its flavor and charm. The film is visually stunning and Jack Black is outstanding as Bowser. The big action sequences are like big budget versions of the Mario video games play ... throughs with little welcome surprises thrown in. But the film is massively unfunny, the characters are extremely flat, and the flimsy writing is about as complex as an unkempt mustache. **Full review:** https://boundingintocomics.com/2023/04/06/the-super-mario-bros-movie-review-plunging-rainbow-colored-nostalgia-to-death/
I am not the demographic and to be honest this isn't really a film that I was ever going to like either. The story is beyond simple and the game-based animation - though expertly crafted - did absolutely nothing for me as ninety minutes rolled along devoid of characterisations, thrill or much sense ... of adventure. I got the feeling this was really an outing for "Mario", "Luigi" and "Peach" designed to satisfy the die-hard fans, or the children - or both, but if you were not in on the game from the start then you are unlikely to have become any more engaged by the end of this fungi-fest. It wouldn't be fair to say this is bland - it's not designed to challenge or take risks: it's fun for those who grew up with "Mario" et al in their lives and I'm not going to decry that. It's colourful, pacy, and at times quite well written but perhaps it ought to have a rating that says if you are over 12 then you should be advised against it?
FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-illuminations-super-mario-bros-movie-left-a-me-so-happy/ "The Super Mario Bros. Movie delivers everything I wanted. Packed with fantastic references that will warm the hearts of those who lived and still live with Nintendo and Ma ... rio up close. Along with energetic action, dazzling animation and world-building, and iconic music – Brian Tyler's score goes straight into my Spotify playlist. Mario and Co. marked my childhood, and, still today, continue to offer me wonderful memories for life. As a viewer clearly belonging to the target audience, I couldn't have left the cinema more joyful. Ya-hoo!" Rating: A-
This and Last of Us are two recent movies-from-games that have really impressed me. Saw this in a theatre in Brooklyn, really couldn't ask for a better place to do so. ...
The Super Mario Bros. Movie is a fun ride through the iconic world of Mario. The screenplay is admittedly very bare bones, and the characters lack depth, but the film still manages to capture the essence of the beloved video game franchise. The writers do not attempt to do anything beyond create a n ... arrative that intentionally puts our characters in worlds and areas that are instantly recognizable to the audience. This makes the film feel like a Mario game come to life so that audiences can say “that is like Mario Kart or Super Smash Bros.” The movie pacing flies at a breakneck speed, and I felt that this movie could have benefited from a slightly longer runtime to flesh out the story and characters a bit more. I was initially nervous about how the voice acting would hold up, but I was pleasantly surprised. Chris Pratt's voice as Mario is not over the top, which works well. It would have been extremely annoying to hear the super Italian Mario accent for a full hour and thirty minutes. Jack Black's portrayal of Bowser steals the show and was the best of the film. Anna Taylor Joy and Seth Rogan were good as Princess Peach and Donkey Kong, although I think Rogan may have injected a bit too much of himself in the character. The direction of the film is solid, with great action set pieces and creative camera angles that make the action feel exciting and dynamic. The animation is stunning, with the characters and world directly designed off the games, but with more polish and details than ever before. The lighting is beautiful, with the bright lights of Rainbow Road and the dark, fiery flames of Bowser standing out as highlights. Overall, The Super Mario Bros. Movie may not be the deepest or most complex film, but it is a good time for fans of the Mario franchise. The movie captures the fun and whimsy tone of the games and brings it to life on the big screen. While the comedy may not hit every mark, the voice acting, and direction make up for it. I am excited to see where this film series goes next. Score: 72% Verdict: Good
SOOOOO FIRE I LOVEEEE MARIO PLEEASE MAKE ANOTHER I LOVE YOU MARIO <3 ...
All my three kids used to play Super Mario Bros games and two of them played them a lot when they were younger so this movie was kind of a must-see movie for us. For myself , this felt very much like a movie made for Super Mario Bros fans and less for the general audience. The characters, the ... completely illogical platform jumping everywhere and the rather childish story are certain to appeal to younger people still playing the game or those that grew up with the Mario Bros games. For me though the movie was ranging from okayish to, sometimes, cringe worthy. Especially the scenes with Bowser starting to sing. Ouch, my ears are still hurting. The best parts of the movie was when they entered the ape kingdom. That was quite fun and so was the car chase on the rainbow road. The rest of the movie was, for me personally, rather forgettable. Not bad just not that good. That said, it is not really a bad movie either. The rotten rating on Woke Tomatoes is entirely undeserved.
Probably the best thing about the movie is that it doesn't take itself seriously. There's no attempt to make this an epic movie. It just brings the game's characters to life. They do so while keeping the art style in line with what you see in the game. The story of the very simple game is expanded ... without adding too much like how everything works. The game's story is simple and this one is too. Fear not, there's a lot of room for sequels. Go in expecting nothing, otherwise you'll be disappointed. It's a good film to turn off your brain to and just let the light drizzle onto your eyeballs.
About as good as a Mario movie can be I suppose. It hits all of the reference points from the game, then shoe horns in some toxic bro dude politics. Overall just found it exhausting after a while. There is this new mode of pleased with itself mentality that so many of these types of movies hit. Its ... the corporate product as film in particular. They merged the marvel movie franchising with their endless line of whats for sale. Not really sure what the mechanism is yet, but Mario the movie shows off how this well oiled machine is cranking out this mid level trash en mass.
It's a good! My experience of <em>'Mario'</em> starts and ends with <em>'Mario Kart'</em>, which I haven't actually played since back in the day on my Nintendo DS and even then I had no understanding of the franchise itself; just treated it as a normal racing game. I was an Xbox kid growing up (t ... hanks, ma!), so that be the reason. Anyway, that's a long way of saying I'm no Mario know-it-all. Despite all that, I do remember most of the characters from the aforementioned video game and it was cool seeing them come to life in 'The Super Mario Bros. Movie'. Chris Pratt feels an odd cast for Mario but does do a solid job in fairness to him. Jack Black and Charlie Day are very good in their roles as Bowser and Luigi. Keegan-Michael Key, Seth Rogen and Anya Taylor-Joy are also positives as Toad, Donkey King and Princess Peach. No doubt whatsoever that this will be the first film of a crap tonne from this franchise. Still, if they do as well as they did here then they'll be successful, I'm sure. I'd be up for exploring the world via film, tbf.
It's been a while since I watched the film. But I loved the film so much! I'm not as big of a Nintendo fan as I used to be, and I thought I wouldn't care about the film at all, but I was wrong. Nintendo's world translated into the big screen hit all the right notes. Chris Pratt being the voice of Ma ... rio was kind of odd at first, but he did a great job. Personally, he hit the New Yorker Mario just right. All the other voice actors—Anya Taylor-Joy, Charlie Day, Jack Black, and everyone else—did a great job! This is a great family movie, and I would recommend it to anyone.
It's been a while since I watched the film. But I loved the film so much! I'm not as big of a Nintendo fan as I used to be, and I thought I wouldn't care about the film at all, but I was wrong. Nintendo's world translated into the big screen hit all the right notes. Chris Pratt being the voice of Ma ... rio was kind of odd at first, but he did a great job. Personally, he hit the New Yorker Mario just right. All the other voice actors—Anya Taylor-Joy, Charlie Day, Jack Black, and everyone else—did a great job! This is a great family movie, and I would recommend it to anyone.