Popularity: 6 (history)
Director: | Francis Lawrence |
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Writer: | Jason Matthews, Justin Haythe |
Staring: |
Prima ballerina Dominika Egorova faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Dominika emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, she meets a CIA agent who tries to convince her that he is the only person she can trust. | |
Release Date: | Feb 28, 2018 |
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Director: | Francis Lawrence |
Writer: | Jason Matthews, Justin Haythe |
Genres: | Mystery, Thriller |
Keywords | central intelligence agency (cia), sexual abuse, budapest, hungary, based on novel or book, self sacrifice, spy, patriotism, seduction, training, double agent, chechnya, hospital, torture, mole, female spy, mortal danger, deceit, uncle niece relationship, american embassy, moscow, russia, russian spy, hopeless, spy thriller, bolshoi ballet, ballet performance, secret code, prima ballerina, mother daughter relationship, theatre, asset, home health aide, secret meeting, gorky park |
Production Companies | 20th Century Fox, Chernin Entertainment, TSG Entertainment |
Box Office |
Revenue: $151,572,634
Budget: $69,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Jennifer Lawrence | Dominika Egorova |
Joel Edgerton | Nathaniel "Natan" Nash |
Matthias Schoenaerts | Vanya Egorova |
Charlotte Rampling | Matron |
Jeremy Irons | Vladimir Korchnoi |
Ciarán Hinds | Alexei Zyuganov |
Joely Richardson | Nina Egorova |
Mary-Louise Parker | Stephanie Boucher |
Bill Camp | Marty Gable |
Douglas Hodge | Maxim Volontov |
Thekla Reuten | Marta Yelenova |
Sakina Jaffrey | Trish Forsythe |
Sergei Polunin | Konstantin |
Kristof Konrad | Ustinov |
Nicole O'Neill | Sonya |
Sergej Onopko | Simyonov |
Dávid Miller | Victor |
Sasha Frolova | Anya |
Hugh Quarshie | Simon Benford |
Sebastian Hülk | Matorin |
Joel de la Fuente | U.S. Senator |
Judit Rezes | Leni |
Makar Zaporozhskiy | Nikolai |
Tom Morley | Pyotr |
Louis Hofmann | Bank Assistant |
Ingeborga Dapkūnaitė | Ballet Director |
Chris O'Hara | Marine Guard |
Kata Pálfi | Doctor |
Karen Gagnon | Kremlin Secretary |
Zsolt Vicei | Chemist |
Anger Zsolt | Russian Ambassador |
Attila Árpa | Ustinov Security #1 |
Simon Szabó | Ustinov Security #2 |
Judit Viktor | Ustinov's Wife |
Bálint Adorjáni | Detective |
Tanya Vital | MI6 Driver |
Kincsö Pethö | Interrogator |
Lauren Glazier | Russian Sniper |
Scott Alexander Young | Russian Officer |
Isabella Boylston | Princess Aurora Dancer |
Name | Job |
---|---|
Evelyne Noraz | Makeup Artist |
Peter Horvath | Grip |
Denise Chamian | Casting |
Alan Edward Bell | Editor |
Gerd Nefzer | Special Effects Supervisor |
Francis Lawrence | Director |
Jo Willems | Director of Photography |
Maria Djurkovic | Production Design |
Stephanie Laing | Costume Assistant |
Alicia Stevenson | Foley Artist |
Chris O'Hara | Stunt Coordinator, Second Unit Director |
Trevor Loomis | Focus Puller |
Gordon Alexander | Stunts |
James Newton Howard | Original Music Composer |
Béla Unger | Stunt Coordinator |
Laura Swift | Stunt Double |
Imre Juhász | Camera Operator |
Justin Peck | Choreographer |
Waléra Kanischtscheff | Dialect Coach |
David Jobe | Foley Mixer |
Dawn Fintor | Foley Artist |
Isabella Boylston | Stunt Double |
Renae Moneymaker | Stunt Double |
Can Aydin | Fight Choreographer |
Sophie Phillips | Set Decoration |
Balázs Vákár | Gaffer |
Rebecca Sheridan | Script Supervisor |
Adam Berces | Set Decoration |
Alicia Accardo | Script Supervisor |
László Szirmai | Assistant Art Director |
Dawn Y. Line | Key Costumer |
Jesse Haycraft | Lighting Technician |
Paul Riddle | Visual Effects Supervisor |
Murray Close | Still Photographer |
Jordana Sapiurka | Casting Assistant |
Stephanie Ross | Visual Effects Editor |
Zsolt Csutak | Casting |
Jay Wejebe | Key Makeup Artist |
Ean Carr | 2D Supervisor |
Orsolya Maza | Draughtsman |
Gábor Homonnay | Costume Supervisor |
Jason Matthews | Novel |
Nicky Ackland-Snow | Construction Coordinator |
Fred Brown | Lighting Technician |
Robert Turnbridge | Visual Effects Coordinator |
Zsofia Laczko | Seamstress |
Zoltán Frank | Set Decoration |
Michael Tingley | Lighting Technician |
Petruska Beata | Armorer |
Charlotte Roberts | Creature Technical Director |
Edina Kantor | Seamstress |
Andreya Lynham | Casting Assistant |
Phoebe Sutherland | Visual Effects Coordinator |
Walter Bithell | Gaffer |
Péter Behan | Armorer |
Andi Bencsik | Tailor |
Asha Joseph | Visual Effects Producer |
Tibor Lázár | Art Direction |
Chris Cull | Property Master |
Jeremy Peirson | Sound Re-Recording Mixer, Supervising Sound Editor |
Eric Moliner | Creature Technical Director |
Zsolt Big Nagy | Epk Camera Operator |
Orla Maxwell | Casting Associate |
Adam Varadi | Drone Operator |
Csilla Blake-Horváth | Makeup Artist |
Ben Rothwell | Armorer |
Ralph Osborn | Dialogue Editor |
Santosh Kumar Dey | Matchmove Supervisor |
Zsuzsa Kismarty-Lechner | Supervising Art Director |
David Sinfield | Gaffer |
Adrienn Rudolf | Assistant Costume Designer |
Scott R. Hankins | Costumer |
Luisa Bockmeulen | Costume Assistant |
Valentina Aulisi | Key Set Costumer |
Brigitta Heiszig | Costumer |
Houri Mahserejian | Costume Assistant |
Vivien Cseh | Costumer |
Cheikh Asaad Cynthia | Costumer |
Anna Stalter | Colorist |
Nora Pinter | Costumer |
Jon Baker | Supervising Armorer |
David LeRoy Anderson | Special Effects Makeup Artist |
Klaudia Király | Key Hair Stylist |
Conor O'Sullivan | Prosthetic Makeup Artist |
Juraj Molnár | Production Manager |
Mika Saito | Unit Production Manager |
Dalibor Vasica | Production Manager |
Takahide Kawakami | Second Assistant Director |
Benedek Nagy | Third Assistant Director |
Christopher Surgent | First Assistant Director |
Balazs Kovacs | Construction Manager |
David Betancourt | ADR Mixer |
Noah Dunbar | ADR Recordist |
Thomas Jones | Supervising Sound Editor |
György Mihályi | Boom Operator |
Tyler Newhouse | ADR Recordist |
David Olson | Music Editor |
Botond Aszalós | Camera Operator |
Krisztián Galanics | Second Assistant "B" Camera |
Balázs Kovács | Extras Casting |
David Halagarda | Production Coordinator |
Priscilla John | Casting |
Stephen Enticott | Animation |
Nishad Shelar | Modeling |
Beth Day | Casting Associate |
Whitney Richman | Visual Effects Producer |
Zoltán Lakatos | Rigging Gaffer |
Tamás Novák | Costume Coordinator |
Levente Sulyok | Draughtsman |
David J. Thompson | Steadicam Operator |
Will Casey | Unit Publicist |
Jeremy Hardin | CG Supervisor |
Laszlo Demeter | Art Direction |
Hardy Ilona | Art Department Coordinator |
Corey Deist | Assistant Costume Designer |
Greg ten Bosch | Sound Effects Editor |
Abhisek Chatterjee | Creature Technical Director |
Lara Khachooni | Associate Editor |
Gwilym Morris | Animation Supervisor |
Jim Weidman | Supervising Music Editor |
Dave Hussey | Digital Intermediate Colorist |
Tamás Hévizi | Drone Cinematographer |
József Varjú | Costumer |
Zoltán Trubel | Costumer |
Tess Inman | Costumer |
Josh Mar | Costumer |
Judit Halász | Hairstylist |
Brigitta Mogony | Hairstylist |
Kim Santantonio | Hair Department Head |
Mónika Nagy | Production Manager |
Prashant Sharan | Production Manager |
Phil Booth | Second Unit First Assistant Director |
Zsófia Mitkov | Third Assistant Director |
István Gergely | Graphic Designer |
József Kiss | Construction Manager |
Sarah Bourgeois | Assistant Sound Editor |
Michael Miller | ADR Mixer |
Thomas J. O'Connell | ADR Mixer |
Mac Ruth | Sound Mixer |
John Joseph Thomas | Foley Supervisor |
Balkányi Dénes | Electrician |
István Gottmann | First Assistant "B" Camera |
László Mihály | Dolly Grip |
Tamara Bally | Production Controller |
Rohit Chandrashekhar Nair | Production Coordinator |
Brooke Lyndon-Stanford | Visual Effects Supervisor |
Justin Haythe | Screenplay |
Carlos Ciudad | Visual Effects Producer |
Luisa Abel | Makeup Department Head |
Matt Crook | Stunt Driver |
Trish Summerville | Costume Designer |
Cathy Thompson | Musician |
Name | Title |
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Cameron MacConomy | Associate Producer |
Steven Zaillian | Producer |
Jenno Topping | Producer |
Peter Chernin | Producer |
Mary McLaglen | Executive Producer |
Garrett Basch | Executive Producer |
David Ready | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 93 | 178 | 55 |
2024 | 5 | 220 | 269 | 178 |
2024 | 6 | 122 | 233 | 49 |
2024 | 7 | 58 | 87 | 36 |
2024 | 8 | 36 | 91 | 22 |
2024 | 9 | 30 | 49 | 19 |
2024 | 10 | 32 | 59 | 20 |
2024 | 11 | 39 | 61 | 23 |
2024 | 12 | 42 | 51 | 30 |
2025 | 1 | 46 | 77 | 30 |
2025 | 2 | 30 | 50 | 5 |
2025 | 3 | 10 | 42 | 3 |
2025 | 4 | 8 | 14 | 4 |
2025 | 5 | 8 | 14 | 5 |
2025 | 6 | 6 | 10 | 5 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 6 | 8 | 4 |
2025 | 9 | 6 | 9 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 683 | 850 |
Year | Month | High | Avg |
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2025 | 8 | 578 | 762 |
Year | Month | High | Avg |
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2025 | 7 | 512 | 751 |
Year | Month | High | Avg |
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2025 | 6 | 475 | 698 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 657 | 825 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 763 | 911 |
Year | Month | High | Avg |
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2025 | 3 | 360 | 655 |
Year | Month | High | Avg |
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2025 | 2 | 698 | 884 |
Year | Month | High | Avg |
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2025 | 1 | 387 | 816 |
Year | Month | High | Avg |
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2024 | 12 | 449 | 725 |
Year | Month | High | Avg |
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2024 | 11 | 259 | 712 |
Year | Month | High | Avg |
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2024 | 10 | 481 | 606 |
Year | Month | High | Avg |
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2024 | 8 | 942 | 942 |
I love Jennifer Lawrence, she's just amazing. It's not her best apparition but she's the main character of the plot, so you can appreciate her like in no other of her movies. Twisted and complex, the main plot is defined by itself during the development of the movie. By synopsis, Dominika Egor ... ova (Jennifer Lawrence) it's a professional ballet ballerina that tragically forced to change her career path by an "accident". Moved by her family needs, she's accept some "business" propositions that subsequent convert her into an Sparrow, a secret government physiologic weapon of seduction. By personal opinion you can feel this movie very slow because of the absent of a good sound work. The image of this movie was perfect for an excellent sound editing and mixing, so the absent of this take some points in the final score in public perception.
It's one of those movies where you know what's going to happen in the end but you aren't sure how it's going to happen. Then at the end you know you have to watch it again so that you can understand how it happened. ...
I thought I was going to get _Black Widow_ only boring, but what I ended up getting was actually _Atomic Blonde_ only boring. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._ ...
Charlotte Rampling is rather menacingly calculating in this otherwise rather dreary espionage thriller. She is the matron of a school where acclaimed ballet dancer turned agent "Dominika" (Jennifer Lawrence) is being sent to learn how to use sex (and sexuality) as weapons of war. After a pretty sque ... amish (best not say sticky) start, she gets into her stride and is soon on the trail of her CIA target "Nash" (Joel Edgerton). Of course it isn't going to be straightforward as loyalties are tested, she hasn't really a clue whom she can trust and - yes, it does all sound a bit familiar doesn't it? I am afraid I just could not get "Hunger Games" out of my head for most of this and the starkness of the sexual brutality wore very thin very quickly - rendering the remainder of the film quite sterile and frankly, rather dull and repetitive as she proceeds to try to entrap her quarry and discover who his Soviet sources are. It is poorly paced, I felt, and at over 2¼ hours long it seemed to drag interminably once we, the audience, had sort of put two and two together. Edgerton is a competent actor, and the easy on the eye Matthias Schoenaerts adds a little complexity to the plot, but I am afraid, otherwise, this is a long and rather lacklustre outing for a star far from her best delivering a story that is most definitely not John le Carré.