Popularity: 6 (history)
Director: | Alex Garland |
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Writer: | Alex Garland, Jeff VanderMeer |
Staring: |
A biologist signs up for a dangerous, secret expedition into a mysterious zone where the laws of nature don't apply. | |
Release Date: | Feb 22, 2018 |
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Director: | Alex Garland |
Writer: | Alex Garland, Jeff VanderMeer |
Genres: | Science Fiction, Horror |
Keywords | florida, coma, mutation, professor, expedition, alligator, swamp, grief, cancer, psychologist, paramedic, mourning, geologist, unusual phenomena, meditative, missing husband, mysterious life form, dreary, absurd, audacious, depression, quarantine, based on novel or book, self-destruction, dna, transformation, hybrid, meteor, physicist, memory loss, scientist, missing person, beast, biologist, speculative, compound, fauna, flora, grand, ambiguous |
Production Companies | Paramount Pictures, Scott Rudin Productions, DNA Films, Skydance Media |
Box Office |
Revenue: $43,070,915
Budget: $40,000,000 |
Updates |
Updated: May 07, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Natalie Portman | Lena |
Jennifer Jason Leigh | Dr Ventress |
Gina Rodriguez | Anya Thorensen |
Tessa Thompson | Josie Radek |
Tuva Novotny | Cass Sheppard |
Oscar Isaac | Kane |
Benedict Wong | Lomax |
Sonoya Mizuno | Humanoid / Katie (Med Student) |
David Gyasi | Daniel |
John Schwab | Paramedic |
Sammy Hayman | Mayer |
Josh Danford | Shelley |
Kristen McGarrity | Lena Double |
Kumud Pant | Scientist |
Honey Holmes | Scientist (uncredited) |
Hiten Patel | Scientist (uncredited) |
Kola Bokinni | Peyton (uncredited) |
Cosmo Jarvis | Special Ops Soldier (uncredited) |
Matthew Simpson | Special Ops Soldier (uncredited) |
Name | Job |
---|---|
Sammy Sheldon | Costume Design |
Alex Garland | Screenplay, Director |
Ben Salisbury | Original Music Composer |
Geoff Barrow | Original Music Composer |
Mark Digby | Production Design |
Gareth Cousins | Art Direction |
Simon Elsley | Art Direction |
Elaine Kusmishko | Art Direction |
Michelle Day | Set Decoration |
Sara Desmond | Unit Production Manager |
Clare St. John | Post Production Supervisor |
Matthew Penry-Davey | First Assistant Director |
Lauren Doss | Art Direction |
Denis Schnegg | Supervising Art Director |
Samantha Denyer | Makeup Artist |
Charlotte Rogers | Makeup Artist |
Niv Adiri | Sound Re-Recording Mixer, Sound Designer |
Ben Barker | Sound Designer |
Danny Freemantle | Sound Effects Editor |
Mitch Low | Production Sound Mixer |
Robert Malone | Sound Effects Editor |
Ian Tapp | Sound Re-Recording Mixer |
Austin Aplin | Visual Effects Coordinator |
Tom Balogh | Visual Effects Editor |
Tina Richardson | Visual Effects Editor |
Sebastian Lochmann | Makeup Effects |
Tristan Versluis | Makeup Effects, Animatronics Supervisor |
Sian Grigg | Makeup Designer, Hair Designer |
Lauren Briggs-Miller | Assistant Art Director |
Kira Kemble | Assistant Art Director |
Muffin Green | Property Master |
Russell Oxley | Scenic Artist |
Emanuele Farnesi | 3D Artist |
Jeremy Stewart | Animation Supervisor |
Artemis Oikonomopoulou | CG Supervisor |
Luca Zappala | CG Supervisor |
Nicolas Hernandez | CG Supervisor |
Sean Schur | Sequence Supervisor |
Alyssa Harrison | Visual Effects Coordinator |
Paul O'Hara | Visual Effects Coordinator |
Michael Tuohy | Visual Effects Coordinator |
Erin Langford | Visual Effects Coordinator |
Agnes Toomus | Visual Effects Coordinator |
Katia Muscariello | Visual Effects Coordinator |
Alastair Grimshaw | Visual Effects Editor |
Dhuha Isa | Visual Effects Editor |
Jessica Atkinson | Visual Effects Editor |
Roma O'Connor | Visual Effects Producer |
Paul Edwards | Visual Effects Producer |
Bhumika Mayer | Visual Effects Producer |
Noga Alon Stein | Visual Effects Producer |
Andrew Whitehurst | Visual Effects Supervisor |
Sara Bennett | Visual Effects Supervisor |
Simon Hughes | Visual Effects Supervisor |
Amir Manavi | Visual Effects Technical Director |
Vince McGahon | Steadicam Operator |
Chris Georgas | Gaffer |
Sam Phillips | Key Grip |
John Antill | Rigging Gaffer |
Peter Mountain | Still Photographer |
Rick Woollard | Additional Camera |
Poli Kyriacou | Assistant Costume Designer |
Nicole Young | Costume Supervisor |
Lucia Foster Found | Aerial Coordinator |
Tom Ralphs | Armorer |
Jonjo Stickland | Marine Coordinator |
San Davey | Script Supervisor |
Victoria Gegenbauer | Script Supervisor |
Sarah Clark | Unit Publicist |
Tim Drewett | Digital Intermediate |
Gemma Lyons | Digital Intermediate |
Otto Rodd | Digital Intermediate |
Andrew Scattergood | Digital Intermediate |
Ben-Roy Turner | Digital Intermediate |
Isabel Zippert | Digital Intermediate |
Emanuele Giraldo | First Assistant Editor |
Stephane Malenfant | Boom Operator |
Gillian Dodders | ADR Supervisor |
Emilie O'Connor | Dialogue Editor |
Zoe Freed | Foley |
Lilly Blazewicz | Foley Editor |
Daniel Rogers | Health and Safety |
Charlie Reed | Second Assistant Director |
Belinda Parish | Makeup Artist |
Paul Spateri | Prosthetic Makeup Artist |
Amie Aspden | Prosthetics Painter |
Chloe Taylor | Art Department Assistant |
Ben Johnson | Assistant Property Master |
Chris Caldow | Concept Artist |
Elo Soode | Concept Artist, Conceptual Design |
Dan Crandon | Construction Manager |
Michael Pybus | Draughtsman |
Martin Kane | Dressing Prop |
Sam Moulsdale | Graphic Designer |
Gareth Bailey | Props |
Ryan Bradbury | Props |
Jed Evans | Props |
Sean Leishman | Props |
Natalie Papageorgiadis | Props |
Stuart Silver | Props |
Dan Riches | Set Dresser |
Steve 'Moose' Smith | Set Dresser |
Lisa McDiarmid | Standby Art Director |
Mal Zawadzki | Standby Painter |
Martin Asbury | Storyboard Artist |
Daniel Addis | Electrician |
Neil Ashton | Electrician |
Daniel Chaytor | Electrician |
Seth Crosby | Electrician |
Christian Hayes | Electrician |
Gary Owen | Electrician |
Pawel Polak | Electrician |
Andy D. Stewart | Electrician |
Daniel Stones | Electrician |
Kai Blamey | Electrician |
Jennie Paddon | First Assistant "A" Camera |
Sarah Rollason | First Assistant "B" Camera |
Paul Allen | Lighting Technician |
George Anthony Fox | Second Assistant Camera |
Cenay Said | Second Assistant Camera |
Matt McNally | Epk Producer |
Gwilym Morris | Animation Supervisor |
Tom Rolfe | 2D Supervisor |
Josh Wood | Carpenter |
Casey Michaels | Stunt Double |
Karen Teoh | Stunt Double |
Maxine Whittaker | Stunts |
Leo Woodruff | Stunts |
Martin Wilde | Stunts |
Martin Pemberton | Stunts |
Anthony Skrimshire | Stunts |
Darren Malkin | Stunts |
Tim Marshall-Rowe | Stunts |
Niki Faulkner | Stunts |
Andy Godbold | Stunts |
Jeff VanderMeer | Novel |
Barney Pilling | Editor |
Francine Maisler | Casting |
Glenn Freemantle | Sound Designer, Supervising Sound Editor |
Rob Hardy | Director of Photography |
Matt Curtis | Title Designer |
Andy Lowe | Gaffer |
Bobbi Jene Smith | Choreographer |
Peter Burgis | Foley |
Alana Mayo | Thanks |
Nina Gold | Casting |
Will Samuelson | Pilot |
Gena Vazquez | Props |
Jo McLaren | Stunt Coordinator |
Joanne Batten | Stunt Double |
Chelsea Mather | Stunt Double |
Belinda McGinley | Stunt Double |
Mens-Sana Tamakloe | Stunt Double |
Pablo Verdejo | Stunts |
Barrie Gower | Tattooist |
Carlos Ciudad | Visual Effects Producer |
Hayley Williams | Special Effects Supervisor |
Luke Tumber | Stunts |
Martin Ware | Casting Associate |
Name | Title |
---|---|
Andrew Macdonald | Producer |
Jo Burn | Executive Producer |
Allon Reich | Producer |
Joanne Smith | Associate Producer |
David Ellison | Executive Producer |
Dana Goldberg | Executive Producer |
Scott Rudin | Producer |
Eli Bush | Producer |
Don Granger | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 55 | 71 | 41 |
2024 | 5 | 61 | 99 | 40 |
2024 | 6 | 49 | 69 | 31 |
2024 | 7 | 58 | 82 | 31 |
2024 | 8 | 51 | 91 | 32 |
2024 | 9 | 35 | 45 | 27 |
2024 | 10 | 40 | 69 | 25 |
2024 | 11 | 53 | 117 | 29 |
2024 | 12 | 41 | 57 | 34 |
2025 | 1 | 50 | 81 | 35 |
2025 | 2 | 42 | 75 | 11 |
2025 | 3 | 20 | 56 | 3 |
2025 | 4 | 13 | 19 | 8 |
2025 | 5 | 21 | 63 | 10 |
2025 | 6 | 21 | 109 | 6 |
2025 | 7 | 7 | 8 | 5 |
2025 | 8 | 6 | 8 | 4 |
2025 | 9 | 5 | 7 | 4 |
Trending Position
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2025 | 9 | 280 | 746 |
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2025 | 8 | 174 | 594 |
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2025 | 7 | 218 | 651 |
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2025 | 6 | 187 | 548 |
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2025 | 5 | 95 | 605 |
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2025 | 4 | 235 | 631 |
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2025 | 3 | 115 | 623 |
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2025 | 2 | 121 | 625 |
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2025 | 1 | 239 | 683 |
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2024 | 12 | 405 | 802 |
Year | Month | High | Avg |
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2024 | 11 | 252 | 731 |
Year | Month | High | Avg |
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2024 | 10 | 437 | 722 |
Year | Month | High | Avg |
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2024 | 9 | 841 | 912 |
Year | Month | High | Avg |
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2024 | 8 | 853 | 919 |
What does it look like to inferior human beings when an advanced alien race begins terraforming our planet right out from under us? This. This is what it looks like. 6/10. ...
Critics are by and large on board with _Annihilation_. Audiences however have been more split. Even the people I know personally are coming out strongly either for or against it. Normally, those are the kind of movies that I find myself feeling in the middle about. You know, the movies that people s ... ay "You either love it or you hate it, there is no middle ground!"? Yeah, those are the sort of thing I almost always end up giving a five or six out of ten. But with this one? I fall very, very firmly on the side in favour of _Annihilation_. I did **love** it. Aesthetics is a big part of that, I'm not gonna lie. I'm also digging the chimeric creature design I've seen on Netflix so far this year (in both this and _The Ritual_). But the philosophical stuff is what really does it for me. Annihilation approaches its context in a completely original way, and I for one feel richer for having seen it. _Final rating:★★★★ - Very strong appeal. A personal favourite._
In and of itself, the history of Annihilation is not bad. It has a lot of pictures and camera settings. The individual scenes are told leisurely and you take time for each individual setting. It is also noticeable that the figure drawings of every actress, carries a secret that is gradually reveale ... d. This also makes it a bit more exciting for the narrative strand. Alex Garland also understands how to set the special effects to the perfect scene. The effects are very colorful and you can also notice how he is charging the tension. The creatures are very beautiful, although you know that in the next scene you can't trust the beauty. The meaning of life is also a message from Garland. Where we come from and where we go. Unfortunately, Garland sometimes delays the story too much and then waits in vain until Garland comes to the point. Also the actresses are very well selected and you notice that each of the women have a heavy backpack to wear. Conclusion: A quiet and lengthy film about the existence and fate of different women bring mood, but a bit more action you would have already given the movie!
It helps to have an open mind and just let yourself go with the flow of the story ... most plot elements align about half-way through the film. Meanwhile just lean back and enjoy the outstanding visual effects, cinematography and sound design. And it has a few very disturbing/creepy scenes that may ... be tough for some.
Annihilation is a thrilling Sci-Fi mind bender that will have you thinking throughout the entire film. There was not a second that I was not constantly reformulating my theories about what was causing the anomaly and what was going to happen next, which is a great experience for a film. I really enj ... oyed how the movie took a more realistic approach based on science. The team gathered of multiple field experts to investigate this event was reminiscent of The Arrival and was fascinating. I found that there were certain plot points that were a little far-fetched, i.e. Lena being added to the team and being given classified shortly after arriving to the military base. There were certain scenes that had so much tension and were done with some pretty interesting creatures that had me on the edge of my seat. The acting was all fine, no performance really stood out as excellent. Overall, this film was a captivating adventure with a third act that will have you questioning the entirety of the film. **Verdict:** _Great_