Popularity: 10 (history)
Director: | Ryan Coogler |
---|---|
Writer: | Joe Robert Cole, Ryan Coogler |
Staring: |
King T'Challa returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country's new leader. However, T'Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T'Challa assumes the Black Panther mantle to join with ex-girlfriend Nakia, the queen-mother, his princess-kid sister, members of the Dora Milaje (the Wakandan 'special forces') and an American secret agent, to prevent Wakanda from being dragged into a world war. | |
Release Date: | Feb 13, 2018 |
---|---|
Director: | Ryan Coogler |
Writer: | Joe Robert Cole, Ryan Coogler |
Genres: | Adventure, Action, Science Fiction |
Keywords | africa, based on comic, duringcreditsstinger, superhero, aftercreditsstinger, marvel cinematic universe (mcu) |
Production Companies | Marvel Studios |
Box Office |
Revenue: $1,349,926,083
Budget: $200,000,000 |
Updates |
Updated: May 04, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Chadwick Boseman | T'Challa / Black Panther |
Michael B. Jordan | Erik Killmonger |
Lupita Nyong'o | Nakia |
Danai Gurira | Okoye |
Martin Freeman | Everett K. Ross |
Daniel Kaluuya | W'Kabi |
Letitia Wright | Shuri |
Winston Duke | M'Baku |
Sterling K. Brown | N'Jobu |
Angela Bassett | Ramonda |
Forest Whitaker | Zuri |
Andy Serkis | Ulysses Klaue |
Florence Kasumba | Ayo |
John Kani | T'Chaka |
David S. Lee | Limbani |
Nabiyah Be | Linda |
Isaach de Bankolé | River Tribe Elder |
Connie Chiume | Mining Tribe Elder |
Dorothy Steel | Merchant Tribe Elder |
Danny Sapani | Border Tribe Elder |
Sydelle Noel | Dora Milaje |
Marija Abney | Dora Milaje |
Zola Williams | Dora Milaje |
Janeshia Adams-Ginyard | Dora Milaje |
Maria Hippolyte | Dora Milaje |
Marie Mouroum | Dora Milaje |
Jénel Stevens | Dora Milaje |
Sope Aluko | Shaman |
Stan Lee | Thirsty Gambler |
Atandwa Kani | Young T'Chaka |
Ashton Tyler | Young T'Challa |
Denzel Whitaker | James / Young Zuri |
Shaunette Renée Wilson | Dora Milaje (1992) |
Christine Hollingsworth | Dora Milaje (1992) |
Lucy Hockings | BBC Reporter |
Bambadjan Bamba | Militant Leader |
Roland Kilumbu | Young Militant |
Jermaine Holt | Driver |
Dominique Elijah Smith | Cargo Truck Militant |
Jalil Jay Lynch | Nigerian Militant #1 |
Vaughndio Forbes | Nigerian Militant #2 |
Sasha Morfaw | Nigerian Woman #1 |
Alexis Louder | Nigerian Woman #2 |
Francesca Faridany | Museum Director |
Mark Ashworth | Security Guard |
Seth Carr | Young Killmonger |
Jeremy Sample | Jabari Fisherman |
Chad Crumley | South African Tough |
Alexis Rhee | Elderly Woman (Sophia) |
Danny Chung | Dealer |
Liz Elkins Newcomer | CIA Agent |
Tony Sears | French Ambassador |
Alex C. Riley Hughes | Basketball Kid (1992) |
Clifford Gay | Basketball Kid (1992) |
Shamel Heath | Basketball Kid (1992) |
De'Jon Watts | Hot Dog Kid |
Alex R. Hibbert | Young Oakland Kid |
Tristan Timmons | Oakland Kid |
Tyler Timmons | Oakland Kid |
Abraham Clinkscales | Oakland Kid |
Thabo Moropane | Wakandan Child |
Zani Mogodi | Wakandan Child |
Zenzi Williams | Jabari Woman |
Trevor Noah | Griot (voice) |
T. Love | Jabari Warrior (uncredited) |
Sebastian Stan | James 'Bucky' Barnes / Winter Soldier (uncredited) |
Name | Job |
---|---|
Clayton J. Barber | Fight Choreographer |
Jonathan Eusebio | Stunt Coordinator |
Andy Gill | Stunt Coordinator, Second Unit Director |
John Buscema | Thanks |
Ta-Nehisi Coates | Thanks |
Gene Colan | Thanks |
Reginald Hudlin | Thanks |
Joe Quesada | Thanks |
John Romita Jr. | Thanks |
Roy Thomas | Thanks |
T. Love | Stunts |
Leiki Veskimets | Production Manager |
Chris Palermo | Stunt Driver |
Mario Pérez | Stunts |
Joe Robert Cole | Writer |
Ryan Coogler | Writer, Director |
Jalil Jay Lynch | Stunt Driver |
Travis Gomez | Utility Stunts |
Michael P. Shawver | Editor |
Marlie Arnold | Assistant Art Director |
Daniel Frank | Assistant Art Director |
Fabian Lacey | Conceptual Illustrator, Conceptual Design |
Molly Doyle | Casting Associate |
Nicholas A. Mudd | Casting Associate |
Jim Ely | Software Engineer |
Ryan Potter | Legal Services |
Wendy M. Craig | Costume Supervisor |
Jason T. Clark | Art Direction |
Joseph Hiura | Art Direction |
Alan Hook | Supervising Art Director |
Alex McCarroll | Art Direction |
Jesse Rosenthal | Art Direction |
Jay Hart | Set Decoration |
Shutchai Tym Buacharern | Makeup Artist |
André Freitas | Makeup Effects |
Jennifer Jane | Hairstylist |
Hagen Linss | Makeup Artist |
Heather Mages | Makeup Artist |
Ashley McGuire | Makeup Artist |
Jaime Leigh McIntosh | Key Hair Stylist |
Ralph A. Ochoa | Hairstylist |
Sian Richards | Makeup Artist |
Aida Scuffle | Makeup Artist |
Matthew Silva | Makeup Supervisor |
Adam Walls | Makeup Artist |
LuAndra Whitehurst | Makeup Artist |
Kentaro Yano | Makeup Artist |
Douglas Dresser | Production Supervisor |
Helen Pollak | Unit Production Manager |
Scott Thaler | Unit Production Manager |
Jason Zorigian | Production Supervisor |
Maxwell Britton | Set Dresser |
Richard K. Buoen | Conceptual Illustrator |
Wesley Burt | Conceptual Illustrator |
Sam Carter | Set Dresser |
Nick S. Cross | Set Designer |
Robert Lee Church | Greensman |
Patrick Dunn-Baker | Set Designer |
Sarah Forrest | Set Designer |
Chad S. Frey | Set Designer |
Russ Gautier | Art Direction |
Terry Hill | Set Dresser |
David James | Sculptor |
Mayumi Konishi-Valentine | Set Designer |
April LaBranche | Set Decorating Coordinator |
Blade Ladish | Set Dresser |
Andrew H. Leung | Conceptual Illustrator |
Anthony Liberatore | Storyboard Designer |
Christine Mahuna | Sculptor |
Steve Mckean | Scenic Artist |
Dan Milligan | Storyboard Designer |
John Naehrlich | Leadman |
Andy Park | Conceptual Illustrator |
Graham Dane Parker | Greensman |
Andrew Petrotta | Property Master |
Garcia Jose Pineda | Prop Maker |
Jose F. Garcia Pineda | Prop Maker |
Manuel Plank-Jorge | Conceptual Illustrator |
Norah Plum | Sculptor |
Vicki Pui | Conceptual Illustrator |
Raj Rihal | Conceptual Illustrator |
Marco Rubeo | Set Designer |
Marion Rex Smith | Set Dresser |
Chris Samp | Painter |
Gary Damian Thomas | Storyboard Designer |
Kenneth Venghaus | Prop Maker |
Cale Wilbanks | Researcher |
Colt Logan | Boom Operator |
David Raymond | Boom Operator |
Jason Ellson | Additional Photography |
Dan Godar | Aerial Camera |
Austin Harris | Aerial Camera |
John Marzano | Aerial Director of Photography |
Onofrio Nino Pansini | Camera Operator |
Ross Sebek | Camera Operator |
Grg Magidow | Camera Operator |
Craig Bauer | Camera Operator |
Jacques Haitkin | Camera Operator |
Rob Weidner | Camera Operator |
Michael-Ryan Fletchall | Drone Operator |
Kenneth Coblentz | Dolly Grip |
Dan Cornwall | Gaffer |
Michael Ambrose | Gaffer |
Steven R. Mathis | Gaffer |
Rusty Edmonson | Electrician |
Shane Humphries | Electrician |
Jack Rose | Electrician |
C. Alan Rawlins Sr. | Key Grip |
Joe Macaluso | Key Grip |
Tom Fendley | Rigging Gaffer |
Morten Petersen | Rigging Gaffer, Rigging Grip |
Jacob Alvarez | Rigging Grip |
Jeffery A. Taylor | Rigging Grip |
Greg Waddle | Rigging Grip |
Billy Witherington | Rigging Grip |
Geoffrey Harper | Rigging Grip |
Matt Kennedy | Still Photographer |
John Slade | Techno Crane Operator |
German Lee Castillo | Ager/Dyer |
Katy Johnson | Ager/Dyer |
Liz Oliver | Ager/Dyer |
Jack Taggart | Ager/Dyer |
Caroline Errington | Assistant Costume Designer |
Phoenix Mellow | Assistant Costume Designer |
Erica Rice | Assistant Costume Designer |
Chloe Ji Yoon | Assistant Costume Designer |
Derica Cole Washington | Assistant Costume Designer |
Dorotka Sapinska | Assistant Costume Designer |
Josie Works | Costume Coordinator |
Paul A. Simmons Jr. | Costume Supervisor |
Jessica Fasman | Key Costumer |
Heather Sease | Key Costumer |
Branden Marks | Key Costumer |
Aimee McCue | Key Costumer |
Gertrude Moore | Seamstress |
Kathy B. Washington | Seamstress |
Yen Do | Set Costumer |
Shayne Allen Duhon | Set Costumer |
Empress Holley | Set Costumer |
Mark Walcott | Set Costumer |
Craig Anthony | Set Costumer |
Carl Ulysses Bowen | Tailor |
Kevin Mayes | Tailor |
Jessica T. Stone | Digital Intermediate |
Dylan Quirt | First Assistant Editor |
Adam Kimmerlin | First Assistant Editor |
Dawn Gilliam | Script Supervisor |
Scott Dwyer | Pyrotechnician |
Jesse Noel | Special Effects Coordinator |
Maria Elia Castro | Art Department Coordinator |
Aaron Colman-Hayes | 3D Modeller |
Celia Jepson | CG Supervisor |
Alexandre Cancado | CG Supervisor |
Andrew Zink | CG Supervisor |
Ivan Andres Guerrero | CG Supervisor |
Marc Roth | CG Supervisor |
Chris Ryan | CG Supervisor |
Ioan Boieriu | CG Supervisor |
Kris Andrews | Creature Technical Director |
Tracy Nicole Irwin | Creature Technical Director |
James Kuroda | Digital Effects Supervisor |
Gary Wu | Creature Technical Director |
Jye Skinn | Lead Animator |
Shawn Miller | Lead Animator |
Kyle Robinson | Pre-Visualization Supervisor |
Scott Meadows | Pre-Visualization Supervisor |
Fady Kadry | 3D Artist |
Nimoul Nims Bun | Creature Technical Director |
Daniel Kepler | VFX Editor |
Jan Reichmann | VFX Editor |
Michael Wortmann | VFX Supervisor |
Shayna Banaag | Visual Effects Coordinator |
Jessica Carrington | Visual Effects Coordinator |
Sarah Cave | Visual Effects Coordinator |
Kristen Drewski | Visual Effects Coordinator |
Hunter Elliott | Visual Effects Coordinator |
Matthew Enright | Visual Effects Coordinator |
Erin Fernie | Visual Effects Coordinator |
Simon Fraser | Visual Effects Coordinator |
Weldon Huang | Visual Effects Coordinator |
Andrea Kistler | Visual Effects Coordinator |
Katrissa 'Kat' Peterson | Visual Effects Coordinator |
Eric Stewart | Visual Effects Coordinator |
Yegor Tesler | Visual Effects Coordinator |
Robert Turnbridge | Visual Effects Coordinator |
Jessica Wilson-Silas | Visual Effects Coordinator |
Tae Hyun Kim | Visual Effects Coordinator |
Aileen Mu | Visual Effects Coordinator |
Christopher Chaber | Visual Effects Coordinator |
Mario Dietz | Visual Effects Coordinator |
Andrea Maxwell | Visual Effects Editor |
Jack Runyon | Visual Effects Editor |
Michael S. Harbour | Visual Effects Supervisor |
Danny Singh | Visual Effects Editor |
Nicolas Anastassiou | Visual Effects Editor |
John Polyson | Visual Effects Editor |
Rachel Litz | Visual Effects Editor |
Patrick Patzschke | Visual Effects Editor |
Kevin Walter | Visual Effects Editor |
Oliver Eikhoff | Visual Effects Editor |
Lisa Beroud | Visual Effects Producer |
Rob Holland | Visual Effects Producer |
Marie Rheinschild-Jordan | Visual Effects Producer |
Kerstin Kensy | Visual Effects Producer |
Signe Vinther | Visual Effects Producer |
Michael Perdew | Visual Effects Producer |
Florian Gellinger | Visual Effects Producer |
Doris Huber | Visual Effects Producer |
Dominik Trimborn | Visual Effects Producer |
Robert E. Evans | Visual Effects Producer |
Thomas Reppen | Visual Effects Producer |
Stuart Lashley | Visual Effects Supervisor |
Doug Spilatro | Visual Effects Supervisor |
Lee Briggs | Visual Effects Producer |
Jesse James Chisholm | Visual Effects Supervisor |
Jamie Hallett | Visual Effects Supervisor |
Kenneth Au | Visual Effects Supervisor |
Immanuel Morris | Visual Effects Supervisor |
Josh Dagg | Visual Effects Supervisor |
Megan Flood | Visual Effects Supervisor |
Ivan Kondrup Jensen | Visual Effects Supervisor |
Brendan Seals | Visual Effects Supervisor |
Andy Brown | Visual Effects Supervisor |
Todd Sheridan Perry | Visual Effects Supervisor |
Jonathan Weber | Visual Effects Supervisor |
Mike F. Hedayati | Visual Effects Supervisor |
Espen Nordahl | Visual Effects Supervisor |
Richard Gould | Foley Editor |
Michael Hansen | Utility Stunts |
Lisa C. Satriano | First Assistant Director |
Benjamin A. Burtt | Supervising Sound Editor |
Brian Adler | Visual Effects |
Davide Binello | Matte Painter |
Jerad Marantz | Concept Artist |
Jigwang 'Jerry' Ko | First Assistant Director |
Douglas Plasse | First Assistant Director |
Marvin Williams | First Assistant Director |
Cody Williams | Second Assistant Director |
Megan Schmidt | Second Assistant Director |
Christopher T. Sadler | Second Assistant Director |
Nicolas Rigaud | 2D Supervisor |
Matt Kowaliszyn | Animation Supervisor |
Raphael A. Pimentel | Animation Supervisor |
Daryl Sawchuk | Animation Supervisor |
Mathew Cowie | Animation Supervisor |
Henry van der Beek | Animation Technical Director |
Friderieke Bach | CG Artist |
Fritz Beck | CG Artist |
Daniel Sudick | Special Effects Supervisor |
Saskia Carolan | CG Artist |
Manuel Dongowski | CG Artist |
Roderick Freidrich | CG Artist |
Sven Klimm | CG Artist |
Oliver Markowski | CG Artist |
Mariusz Miskiewicz | CG Artist |
Nils Nissing | CG Artist |
Olivia Puchalla | CG Artist |
Werner Reifberger | CG Artist |
Nando Stille | CG Artist |
Merten Tremer | CG Artist |
Mona Wiemer | CG Artist |
Charles Lai | Compositing Supervisor |
Sameer Malik | Compositing Supervisor |
Aleksandra Sienkiewicz | Compositing Supervisor |
Erik Schneider | Compositing Supervisor |
Julia Strack | Compositing Supervisor |
Bharat De | Digital Effects Supervisor |
Evan Fraser | Matchmove Supervisor |
Wesley Vet | Matchmove Supervisor |
Lersak Bunupuradah | Modelling Supervisor |
Chris Radcliffe | Modelling Supervisor |
Pascal Raimbault | Modelling Supervisor |
Magnus Skagerlund | Modelling Supervisor |
Luke Gray | Pipeline Technical Director |
Dushyant Kashyap | Pipeline Technical Director |
Nathan Rusch | Pipeline Technical Director |
Ryan Albertson | Pipeline Technical Director |
Heather Howell | Pipeline Technical Director |
Sehwi Park | Pipeline Technical Director |
Nikhil Deshmukh | Senior Animator |
Goran Ognjanovic | Senior Animator |
Ümit Dönmez | Senior Animator |
Adrien Lambert | Senior Generalist |
Andy Yamada | Stereoscopic Coordinator |
H.R. Barnett | Stereoscopic Editor |
Guy T. Wiedmann | Stereoscopic Editor |
Jason Bomstein | Stereoscopic Supervisor |
Sashwata Das | Stereoscopic Supervisor |
Prateek Kaushal | Stereoscopic Supervisor |
Rohan Tirkey | Stereoscopic Supervisor |
Kris Bieringa | Systems Administrators & Support |
Jana Rexhausen | Systems Administrators & Support |
Abraham Schneider | Systems Administrators & Support |
Jérémie Sebban | Systems Administrators & Support |
Jimmie MacDonald | Visual Effects Production Assistant |
Jatin Bhavsar | Visual Effects Production Manager |
Evan Jacobs | Stereoscopic Supervisor |
Van Le Do | Visual Effects Production Manager |
Nicole Rowley | Visual Effects Production Manager |
Sanchia Currie | Visual Effects Production Manager |
Christine Krumpholz | Senior Animator |
Cody Kaylor | Casting Assistant |
Deanna Greif | Casting Assistant |
Fabian Dash McIntosh | Extras Casting |
Tammy L. Smith | Extras Casting |
Ashley R. Jackson | Extras Casting Assistant |
Meagan Lewis | Local Casting |
Houri Mahserejian | Costume Assistant |
Warren Manser | Costume Illustrator |
Sheila Boateng | Costumer |
Charelle Bronson | Costumer |
Tanja Caldwell | Costumer |
Erinique Ellison | Costumer |
Tyron Graham | Costumer |
Justin Jones | Costumer |
Alan Lashbrook | Costumer |
Peri Richards | Costumer |
Ellen Ryba | Costumer |
Larry V. Steele | Costumer |
Bianca White | Costumer |
Korii Young | Costumer |
Synithia Cochran | Tailor |
Jeff Gillies | Tailor |
Sharod T. Woods | Tailor |
Keith Hudson | Textile Artist |
Jennifer Hryniw | Truck Costumer |
Alanna Bryant | Wardrobe Assistant |
LaTerrian Officer-McIntosh | Camera Production Assistant |
YIM Jeonghyun | Camera Production Assistant |
Phil Greene | Camera Technician |
Nicholas Kay | Digital Imaging Technician |
Jürgen Painczyk | Digital Imaging Technician |
Stuart Huggins | Digital Imaging Technician |
Zoran Veselić | First Assistant Camera |
Brook Willard | Digital Imaging Technician |
Jason Johnson | Digital Imaging Technician |
Steven Blizzard | Drone Pilot |
Victor Chon | Epk Camera Operator, Epk Producer |
Jung Woo Park | Epk Camera Operator |
Ian Campbell | First Assistant Camera |
Mateo Bourdieu | First Assistant Camera |
Stephen Early | First Assistant Camera |
Nino Neuboeck | First Assistant "A" Camera |
Alessandro Di Meo | First Assistant "B" Camera |
Adam Castro | First Assistant "C" Camera |
Lorenza Amato | Electrician |
Raul Peña | Electrician |
Joshua D. Quick | Electrician |
Jordan Tyson | Electrician |
Sean Meyer | Electrician |
Peter Chrimes | Key Grip |
Ted Sapp | Key Grip |
Justin Cowart | Lighting Technician |
Jeremy Hughes | Lighting Technician |
Timothy Jones | Lighting Technician |
Clyde Sharman | Lighting Technician |
Jeff C. Sutton | Lighting Technician |
Jonathan Terpstra | Lighting Technician |
Tim Ryan | Lighting Technician |
Zach Holloran | Loader |
Taylor Seaman | Loader |
Rapheal Cdeeq | Second Assistant Camera |
Andrew Crankshaw | Second Assistant Camera |
Brent Egan | Second Assistant Camera |
Cristi Lyn Hahn | Second Assistant Camera |
John C. Hoffler Jr. | Second Assistant Camera |
Harry Young-Jamieson | Second Assistant Camera |
Teo Lee | Second Assistant Camera |
Dwight Campbell | Second Assistant Camera |
Matt Fortlage | Second Assistant Camera |
Igor Meglic | Second Unit Director of Photography |
Jonathan Irizarry | Best Boy Electric |
Jeff Gersh | ADR Mixer |
Jason Oliver | ADR Mixer |
Milos Stojanovic | ADR Mixer |
Jeanette Browning | ADR Recordist |
Matthieu Baron | Boom Operator |
Marcus Petruska | Boom Operator |
Chris Gridley | Dialogue Editor |
Cheryl Nardi | Dialogue Editor |
Shelley Roden | Foley Artist |
Jim Likowski | Foley Editor |
Scott Curtis | Foley Mixer |
David C. Hughes | Sound Designer |
Jonathan Borland | Sound Effects Editor |
Josie Azzam | Assistant Editor |
Joe Binford Jr. | Assistant Editor |
Jess Jansen | Assistant Editor |
Steven Pristin | Assistant Editor |
W. Kale Whorton | Assistant Editor |
Peter Cromwell | Assistant Editor |
Stephan Marliss | Dailies Operator |
David Austin Thompson | Dailies Operator |
Erik Kaufmann | Digital Intermediate Editor |
Laura Holeman | Digital Intermediate Producer |
Wayan Blue Palmieri | Stereoscopic Editor |
Shannon Murphy | Music Coordinator |
Trygge Toven | Music Coordinator |
Nashia Wachsman | Music Editor |
Ronald J. Webb | Music Editor |
Jillian Amburgey | Script Supervisor |
Mia Brassell | Script Supervisor |
Robin Meyers | Script Supervisor |
Janine Schiro | First Assistant Accountant |
Hayden Bilson | Armorer |
Beth McGuire | Dialect Coach |
Andile Nebulane | Dialect Coach |
Shumba Patrick | Dialect Coach |
Elizabeth Himelstein | Dialect Coach |
Matthew Monaco | Production Accountant |
Matt Hughes | Production Accountant |
Gayoung Kim | Production Accountant |
Eric C. Pike | Production Controller |
Sara Bartkiewicz | Production Coordinator |
Jamil Purnell | Production Coordinator |
Mayur Dadarao Adhau | Production Coordinator |
Yeijin Cho | Production Coordinator |
Kelly Mokris | Production Coordinator |
Sydne Japtha | Production Coordinator |
Amanda Lomonaco | Production Coordinator |
Dea Cantu | Script Supervisor |
Jackie Bazan | Publicist |
Diane Howard | Publicist |
Carol McConnaughey | Unit Publicist |
Stacy Parker | Travel Coordinator |
Teodora Ilie | Assistant Production Manager |
Ashish Kukian | Production Manager |
Sainath Shinde | Production Manager |
Lathiem Groenmeyer | Production Manager |
Andrew Lee Ross | Production Manager |
Oliver Schulz | CG Supervisor |
Don McGregor | Thanks |
Aviv Bar-Ami | VFX Artist |
Ayami Sakaeda | Stunts |
Tiara Kelly | Stunts |
Courtney Julien | Stunts |
Denisha Gillespie | Stunts |
Kelly Gill | Stunts |
Cory Dunson | Stunts |
Asia Bullock | Thanks |
Hwang Seon-kwon | Location Manager |
Bob Almond | Thanks |
Rich Buckler | Thanks |
Giuseppe Camuncoli | Thanks |
Kenny Martinez | Thanks |
Christopher Priest | Thanks |
Mark Texeira | Thanks |
Brian Stelfreeze | Thanks |
Sal Velluto | Thanks |
Jane Oshita | Stunts |
Valerie Martin | Assistant Location Manager |
Cho Sang-won | Electrician |
Lee Jae-hyuk | Gaffer |
Lee Tae-yeong | Stunts |
Bailey Domke | Makeup Artist |
Nick Pepin | Production Assistant |
Todd Harris | Storyboard Artist |
Jeanie King | Executive Visual Effects Producer |
Allan Padelford | Stunt Driver |
Zachary Fannin | Graphic Designer |
Kevin R. Wright | Development Manager |
Noon Orsatti | Stunts |
Scott Christopher Kelly | Stand In |
Rene Gotera | Grip |
Stan Lee | Comic Book |
Carol Kiefer | Art Department Coordinator |
Mitul Patel | Security |
Ruth E. Carter | Costume Design |
Jack Kirby | Comic Book |
Sarah Halley Finn | Casting |
Hannah Beachler | Production Design |
Jason B. Stamey | Casting Associate |
Scott Johnson | Set Dresser |
Nancy Valle | Post Production Supervisor |
Kasra Farahani | Conceptual Illustrator |
Till Nowak | Conceptual Illustrator |
Konrad Lewis | Set Dresser |
P. Scott Sakamoto | Steadicam Operator |
Brett Dowler | Visual Effects Producer |
Craig Hammack | Visual Effects Supervisor |
Darrin Prescott | Stunt Coordinator, Second Unit Director |
Steve Boeddeker | Sound Re-Recording Mixer, Supervising Sound Editor |
Brandon Proctor | Sound Re-Recording Mixer |
Kendrick Lamar | Songs, Music Producer, Music |
Bobby Jordan | Stunts |
John Dixon | Utility Stunts |
Joel Harlow | Makeup Department Head |
Eric Deinzer | Compositing Supervisor |
Steph Lynn Robinson | Stereoscopic Coordinator |
Barbara Harris | ADR Voice Casting |
Meredith Stedman | Extras Casting Assistant |
Alex Filipov | Senior Animator |
Doc Kane | ADR Mixer |
Kim Foscato | ADR Supervisor |
Lynne Hull | Camera Production Assistant |
John Roesch | Foley Artist |
Claudia Castello | Additional Editor |
Dave Jordan | Music Supervisor |
Aakomon Jones | Choreographer |
Charline St. Charles | Travel Coordinator |
Fergus Hally | Colorist |
Debbie Berman | Editor |
Nancy Thurston | Stunts |
Meredith Richardson | Stunts |
Jessica Nam | Stunts |
Marie Mouroum | Stunts |
Crystal Michelle | Stunt Double |
Brionna Maria Lynch | Stunt Driver |
Erika T. Johnson | Stunts |
Niahlah Hope | Stunt Double |
Maria Hippolyte | Stunts, Stunt Double |
Jessica Harbeck | Stunts |
Constance Ejuma | Stunts |
Sadiqua Bynum | Stunts |
Carrie Bernans | Stunts |
Kelly Bellini | Stunts |
Danya Bateman | Stunts |
Janeshia Adams-Ginyard | Stunt Double |
Courtney Chen | Stunts |
Oakley Lehman | Stunts |
Riley Flanagan | Key Set Production Assistant |
Clay Cullen | Stunt Driver |
Eric Stratemeier | Stunts |
Rachel Morrison | Director of Photography |
Paul E. Short | Utility Stunts |
Steve Kelso | Stunt Driver |
Jeremy Fry | Stunts |
Mark Norby | Stunts |
Simeon Wilkins | Storyboard, Storyboard Designer |
Camille Friend | Hair Department Head |
Peter J. Devlin | Sound Mixer |
Bryan Grill | VFX Supervisor |
Geoffrey Baumann | Visual Effects Supervisor |
Ludwig Göransson | Original Music Composer |
Danny Kang | Line Producer |
Jonathan Hickman | Thanks |
Richard Epper | Utility Stunts |
Allison Gainza | Special Effects Technician |
Kyana F. Davidson | Executive Assistant |
Khalil La'Marr Pickett | Stunts |
Mark Anthony Spears | Songs |
Anthony Tiffith | Songs |
SZA | Songs |
Name | Title |
---|---|
David J. Grant | Co-Producer |
Victoria Alonso | Executive Producer |
Louis D'Esposito | Executive Producer |
Stan Lee | Executive Producer |
Nate Moore | Executive Producer |
Kevin Feige | Producer |
Jeffrey Chernov | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Picture | N/A | Nominated |
Academy Awards | Best Actor | Chadwick Boseman | Nominated |
Academy Awards | Best Picture | N/A | Nominated |
BAFTA Awards | Best Supporting Actor | Winston Duke | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 176 | 431 | 107 |
2024 | 5 | 421 | 563 | 364 |
2024 | 6 | 315 | 469 | 171 |
2024 | 7 | 113 | 192 | 56 |
2024 | 8 | 96 | 141 | 69 |
2024 | 9 | 70 | 103 | 59 |
2024 | 10 | 75 | 121 | 58 |
2024 | 11 | 102 | 177 | 73 |
2024 | 12 | 83 | 138 | 61 |
2025 | 1 | 96 | 148 | 71 |
2025 | 2 | 79 | 109 | 18 |
2025 | 3 | 26 | 97 | 3 |
2025 | 4 | 41 | 87 | 16 |
2025 | 5 | 20 | 41 | 13 |
2025 | 6 | 48 | 175 | 12 |
2025 | 7 | 11 | 13 | 8 |
2025 | 8 | 10 | 13 | 9 |
2025 | 9 | 10 | 13 | 8 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 644 | 827 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 710 | 749 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 89 | 274 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 82 | 297 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 91 | 259 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 64 | 454 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 239 | 723 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 67 | 228 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 71 | 276 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 163 | 451 |
Year | Month | High | Avg |
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2024 | 11 | 92 | 280 |
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2024 | 10 | 113 | 321 |
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2024 | 9 | 160 | 296 |
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2024 | 8 | 110 | 175 |
The reviews for _Black Panther_ are all essentially saying the same thing: This is a great movie because it's so different from anything we've seen before, not just in the MCU but in the superhero genre overall, the villain is fantastic and _Black Panther_ is just a new and totally innovative film. ... Allow me to disagree (almost) entirely. _Black Panther_ is a great film, not because it breaks the mould, but because Marvel Studios has a successful pattern and _Black Panther_ adheres to it completely. Obviously the importance of a lead who is not just black but actually African is not to be understated, we have the least white cast of any superhero movie to date and they absolutely killed it, all very important socio-political stuff, to be sure. But the bones of _Black Panther_, the plot, the script, the events, the turns, all of that, it's a carbon copy of what's worked 17 times before. It works again, don't get me wrong, _Black Panther_ truly was an experience, both important and fantastic, but to say it re-invented the wheel here, is, to me, an outright lie. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Overrated and overhyped. Definitely avoid. Watch on redbox if you must. ...
This is definitely one of Marvel's best because the story is compelling and the characters are well developed. Black Panther and his friends and family must defend themselves and their homeland of Wakanda from the clutches of Klau (Andy Serkis) and Killmonger (Michael B. Jordan). Not only is the lea ... d actor great as T'Challa/Black Panther, but the supporting cast does a fine job as well, especially the female actors. T'Challa is surrounded by smart, strong women. Marvel seems to break its villain curse with Klau and especially Killmonger. Killmonger is very well developed and even sympathetic at times, despite his villainy. He sort of reminded me of Tom Hiddleston's Loki. The action scenes and special effects are outstanding. Highly recommended if you enjoy comic book movies.
Really good movie. Good story, lots of fun. This is what DC is missing. ...
It was with some hesitation that I went to see this movie. I was afraid that it would be burdened with too much political and social preaching. Especially knowing how much the movie is praised amongst certain factions in our society today. Sure enough there were indeed some of that nonsense but luck ... ily it was much less than I feared. I actually found the movie fairly entertaining. It is far from great, certainly very far from the insane hype surrounding it, but pretty okay. It is more or less a standard issue super hero movie on a big budget. Of course this means a fairly mediocre underlying story beefed up with lots of action and special effects. The story itself is a traditional revenge story with some black power stuff. Nothing to write home about but it works as a vehicle for the action and special effects which is what makes this movie. There are the usual nonsense and plot holes in it of course. Like Shuri claiming that Vibranium (silly name but never mind) is instable at high speeds yet they have no problem making flying ships and other fast moving stuff with it. The characters are a wee bit disappointing as far as the main characters are concerned. I felt that the main protagonist has little in terms of charisma. Killmonger, the main bad guy, was downright disappointing. To me he looked like the stereotype of a dumb thug and mostly he behaved like one. Bloody hell could they not have found an actor that looked less…well…stupid! Personally the character I liked best was actually Klaue which was pretty cool, insane but cool. The female warriors, which were both kick-ass and smart, and Shuri is also fairly high up on my approval list. Special effects! This is of course where this movie shines. Overall I think the special effects were good. The design of the various gadgets, ships etc were very nice. The rampaging rhinos in the final fight really made me laugh. I should have seen that coming. I definitely liked all the sonic effects. Obviously this movie would have been more or less null if the special effects would not have been a success. On the whole Black Panther is a quite enjoyable special effects and action movie. Nothing more, nothing less. Some social preaching nonsense but less than I feared, hum ho story, lots of action and lots of special effects.
I was really surprised how much I liked this movie. There was so much going on; immigration concerns; the fight between saving the world and protecting your own country(sound familiar); the fear of an African country’s resources being pillaged; how best to handle the problems black people face worl ... dwide; and many great authentic feeling cultural nods. All this while not being heavy or preachy. You can definitely eat popcorn to this. The villain; Killmonger, is great. Not great in that he is scary, though he is, but because he is more complex than some shadowy figure you should just trust is a bad guy because of visual effects or dramatic music. This movie isn’t just explosions and one-liners in an exotic location. This is a great movie in general. It’s always interesting. There are great relationships between all the characters. Finally; Wakanda is really a place. It feels alive and lived in; not just impressive buildings used as a backdrop. They did a wonderful job of worldbuilding; from the rituals, to the clothing, fancy tech, and scenery. This movie is definitely worth a watch. ☆☆☆☆-1/2 I also have to add that; you get to actually see Andy Serkis! When I saw his name I thought we was going to be some kind of CGI monster. I’m just happy to see him get actual screen time.
The Black Panther is a fun romp, but it definitely has some issues. First, the good. The action is fun, the emotions hit home, and the story isn't dirt-poor. While the CGI gets ripped on from time to time, I thought it was solid enough for a Marvel movie. The fight scenes were relatively well ... -choreographed, as well. The ritual combat scenes were exciting and visually appealing. The fights in Korea were also fun to see, and while I'm not a fan of car chase scenes as a whole, I did enjoy this one. It was reminiscent of a James Bond movie. In fact, that's another appeal, at least to me. The secret technology base and the fun action scenes were a great callback to James Bond-type movies. I do think the movie would have been complemented by giving T'Challa a similar vice as Bond's, although Marvel probably wouldn't veer down that line for the seemingly morally absolute King of Wakanda. The story, well, it's a mixed bag. Everything seemed crammed together with major emotional keys being rushed through or somewhat ignored. The concept is fine though. A long lost relative comes to challenge the new king, wins, and shows his colors, becoming something amoral. The king comes back and takes down the usurper, realizing something about themselves/their kingdom in the process. It's tired, but not so tired it damages the movie. This is where the issues begin to rise, though. The movie is really a movie and a half or two movies crammed into one. Wakanda has a ton of wonderful mythology, but almost none of it is explained. The movie never really explains how the Wakandans used vibranium was used to make themselves wealthy. It touches on it in some exposition, but there was much more that was just glossed over. In addition, W'Kabi became radicalized by Killmonger much too quickly for such a pivotal relationship to flip. Some of the emotional aspects of the movie fell flat because they weren't given enough screen time. Despite its flaws, Black Panther is a fun movie that adds to the Marvel Cinematic Universe. It should have been two movies, but I doubt this is the last we'll see of Wakanda.
The character of T'Challa made his debut in Captain America 3: Civil War. In Black Panther, T'Challa returns to his homeland of Wakanda after the death of his father who has been hiding a secret about his brother who lived in the USA. He now inherits the throne after a challenge from a rival. ... Wakanda is an african country with wealth, power and immense technology that it hides from the outside world. T'Challa's uncle wanted an uprising in the USA. Now his son Killmonger comes to Wakanda and challenges T'Challa for the throne. Killmonger wins and leads the struggle for black power. Black Panther is a well made efficient film from Marvel who really have nailed down their formula. The box office avalanche has surprised me. It simply is not that good with a very predictable story.
Overrated due to political correctness; it’s noble and has its points of interest, but it’s also kinda meh RELEASED IN 2018 and directed by Ryan Coogler, "Black Panther” details events when T’Challa (Chadwick Boseman) takes over kingship of the hidden African nation Wakanda after his father pass ... es (John Kani). The kingdom is technologically advanced due to its secret resource Vibranium, a priceless, almost magical metal. Unfortunately, T’Challa’s reign is challenged by an angry American former-black ops soldier, Erik “Killmonger” (Michael B. Jordan). With its black director and mostly black cast (with a couple of token white dudes), “Black Panther” was overhyped and overrated upon release. Critics were apparently afraid of being called “racist” by liberal fascists if they dared to be honest and say anything negative (rolling my eyes). The movie’s likable and certainly has its points of interest, but the characters are rather dull, except for Killmonger, and the story isn’t all that involving. It’s basically a mediocre superhero movie that has some blatant Bond-isms and is set apart by its primarily black cast and African locale. It fails to rise to the entertainment level of even “Ant-Man” (2015). Still, it’s respectfully noble and the story provokes interesting questions, like isolationism vs. internationalism and African-American culture vs. Native African culture. But there’s some eye-rolling bits, like when Shuri (Letitia Wright) calls CIA agent Ross (Martin Freeman) a “colonizer,” which isn’t even accurate. Maybe it was supposed to be a joke. The waterfall fight between the Black Panther and Killmonger was an homage to the first issue of The Black Panther series in Jungle Action: Issue #6, September, 1973. At the end of that comic’s story T'Challa and Erik fight at the top of a waterfall culminating with Killmonger throwing Black Panther over the cliff. This issue was the beginning of the "Panther's Rage" storyline by Don McGregor (featuring artists Billy Graham, Rich Buckler and Gil Kane), which ran for over two years in 13 issues of Jungle Action #6-18 and 209 pages, including the Epilogue. Many consider it the first graphic novel. Of course, this wasn't the first appearance of the Black Panther (who debuted in 1966), but it was the first issue where he was the starring character. And it was this series that provided the intriguing exposition on T’Challa, Wakanda and its citizens, visitors & enemies. It’s a travesty that McGregor, who created the characters of Killmonger & W’Kabi (Daniel Kaluuya) and conceived this exposition, wasn’t acknowledged in this movie; shameful. THE FILM RUNS 2 hours, 14 minutes and was shot in Georgia (Atlanta, Fayetteville), South Korea (Busan) and Iguazú Waterfalls, Argentina. Ironically, nothing was shot in Africa. WRITERS: Coogler and Joe Robert Cole (and, uncredited, Don McGregor). GRADE: B-
Awesome movie ...
"Black Panther is Marvelous (pun intended)" T’Challa (Chadwick Boseman) returns home to his native Wakanda to be crowned king. Not long after he’s challenged for the throne and war looms over his homeland. Black Panther isn’t your typical hero because let’s face it… He’s black. And apart from ... Bilbo Baggins (Martin Freeman) and Smeagol (Andy Serkis), everybody’s black. And that’s the way it should be. The entire cast delivers. Boseman is excellent as king T’Challa who struggles with his new role. It doesn’t get any easierr when Killmonger (Michael B. Jordan) shows up. Killmonger is a mean SOB yet you care for him (some good writing right there). He’s a worthy adversary and one of the better Marvel villains. Jordan portrays him perfectly. Director Ryan Coogler and Michael B. Jordan are a match made in heaven. This is their third collaboration after ‘Fruitvale Station’ and ‘Creed’ and again they’re successful. The movie itself gets better as Jordan’s role gets bigger. The female characters and actors are equally impressive. Especially Nakia (Lupita Nyong’o) and Okoye (Danai Gurira) steal the show. There’s less humour in ‘Black Panther’ than we’re used to seeing in Marvel films but that’s not a bad thing. The movie doesn’t need it. Though it’s set in (fictional) Africa there wasn’t any filming done in Africa. Nonetheless the movie looks right. The makers did a great job of creating Wakanda. Huge props to costume designer Ruth E. Carter and composer Ludwig Göransson who help bring Wakanda to life. On the downside there’s a lot of CGI. Sometimes it’s too obvious (rhinos say hi). Despite that the battle scenes are beautifully choreographed. Especially Okoye wielding her spear is a thing to behold. All in all ‘Black Panther’ is another wonderful addition to the MCU and we can’t wait to see what role T’Challa and his sidekicks are going to play in ‘Avengers: Infinity War’.
Black Panther will probably be remembered as a culturally significant film more so than a great one, but that shouldn't take away from the movie's deeper theme of inclusivity. This is a really good movie with heart and intelligence. The fact that I have issues with the pacing, the generic action, ... or that I don't find Killmonger as complex a villain as the movie thinks is my problem. But I don't understand how people can hate on Black Panther because it integrates social and political themes into its narrative. Isn't contemporary relevance key in determining the greatness of a film?
I really enjoyed this film, it was new uncharted never done before, and they delivered a marvel masterpiece. I look forward to seeing the next one... ...
overhyped before release and overrated after release, Black Panther is nothing more than another paint by numbers MCU movie, with boring characters and a lead that lacks charisma ...
Overall Black Panther was an enjoyable movie, directed by Ryan Coogler. It is one of the biggest movies of 2018, with an outstanding cast who includes Chadwick Boseman and Michael b. jordan, amazing special effects, and a plot that leaves you on the downright edge of your seat for 2 hours and 15 min ... utes. After the tragic death of chadwick, had a thought about watch his movies and this one comes in my mind. This review is my tribute chadwick. This movie is pg-13, but it seems more 10 and up. The awesome sci-fi action story about a prince of an utopian country facing the incredible truth about his family, <a href="https://paperhelp.nyc/">paperhelp</a> and the mantle of the black panther, protector of the country Wakanda, was amazing, and fits in with the mcu series perfectly. I reccomend that you watch Captain america:civil war first, as it would make some elements more understandable If you like superhero action movies, fantasy, or science fiction, come see this awesome movie.
Enjoyed that! <em>'Black Panther'</em>, the 18th MCU film, is very good. I really like the world building of Wakanda, as well as the cinematography and costume design. The cast are, as expected, excellent as well. Chadwick Boseman is terrific as T'Challa, as I knew he would be based on the gli ... mpse we see of him in 2016's <em>'Captain America: Civil War'</em>. He is the best actor here, but Danai Gurira runs him close. I'm a huge fan of Gurira's due to her performances in <em>'The Walking Dead'</em> so knew I'd rate her here too, she's fun to watch - it's cool to see her weapon-wielding once again. Elsewhere, Lupita Nyong'o is good and so is Letitia Wright; she's great in 2015's <em>'Urban Hymn'</em>, which I had seen her in previously. It's a fairly stacked cast, with the likes of Forest Whitaker, Andy Serkis, Daniel Kaluuya and Michael B. Jordan also appearing; Jordan's character isn't the best, but he himself is more than solid.
This is quite a tough film to review objectively; at times it is as good as any from the comic-book universe; the cinematography and effects are top drawer and the pace of the action is usually well judged and enjoyable. The writing and the acting, on the other hand, are a different matter. Chadwick ... Boseman as "T'Challa" is about as wooden as they come as he returns to rule his outwardly agrarian African nation ("Wakanda") that secretly has some state-of-the art kit based around a rare, but enormously powerful mineral from outer space. In this particular outing he isn't much helped by Martin Freeman ("Agent Ross") or Forest Whitaker as the sagely "Zuri". Letitia Wright injects some charm as his tech-savvy little sister "Shuri" and for a bit at the beginning, Andy Serkis hams up nicely as South African arch villain "Ulysses Klaue" (pronounced claw) but once it settles down, it becomes a beautifully shot but rather bland, simplistic right vs wrong, do the right thing type of story. I do like Michael B. Jordan ("Erik") - here he has a screen presence that is charming, cheeky and he knows how to work an audience - and I have to say I was on his side pretty much from the outset, but sadly though, the ending is never in doubt and with neither suspense nor jeopardy to sustain it's initial promise, "Black Panther" just ends up being a great looking, but pretty shallow festival of colour and CGI.
I was hoping to see black revolution all over the world with cool weapons from Wakanda. Sadly that didn't happen, all weapons were destroyed before they were able to leave Wakanda ...
Black Panther is a groundbreaking film that stands out among its comic book movie counterparts. With a nearly all-black cast and a unique visual experience, the film takes audiences to the technologically advanced African nation of Wakanda. The story follows T'Challa, who becomes the new Black Panth ... er and king of Wakanda after his father's assassination, as he fights to secure the safety of his nation against the threat of Ulysses Klaue and Killmonger, an evil and ruthless enemy. The film is well-acted, visually stunning, and carries a unique and powerful message about heritage and tradition. The cast, led by Chadwick Boseman as T'Challa, delivers strong performances, and the women of Wakanda, played by Lupita Nyong'o, Danai Gurira, and Angela Bassett, are particularly fierce and impressive. Despite some inconsistencies in the CGI, the film's contained narrative and emphasis on character development make it an important, entertaining, and enjoyable movie. __________________________ Black Panther es una película innovadora que se destaca entre sus contrapartes de películas de cómics. Con un elenco casi completamente negro y una experiencia visual única, la película lleva al público a la nación africana tecnológicamente avanzada de Wakanda. La historia sigue a T'Challa, quien se convierte en el nuevo Pantera Negra y rey de Wakanda después del asesinato de su padre, mientras lucha para garantizar la seguridad de su nación contra la amenaza de Ulysses Klaue y Killmonger, un enemigo malvado y despiadado. La película está bien actuada, visualmente impresionante y transmite un mensaje único y poderoso sobre el patrimonio y la tradición. El elenco, encabezado por Chadwick Boseman como T'Challa, ofrece actuaciones sólidas, y las mujeres de Wakanda, interpretadas por Lupita Nyong'o, Danai Gurira y Angela Bassett, son particularmente feroces e impresionantes. A pesar de algunas inconsistencias en el CGI, la narración contenida de la película y el énfasis en el desarrollo del personaje la convierten en una película importante, entretenida y agradable.
I could go on and on, or I can simplify it into two points. 1: I liked it better when they called it Skyfall ... and... 2: I liked it better when they called it "The Phantom Menace." Merging the two didn't work, no one in their right mind would actually rip that much of a film with The ... Phantom Menace's reaction from fans. But despite that, and a lot of other points people have covered to death, you have to like it... because they say you do.