Popularity: 12 (history)
Director: | Steven Spielberg |
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Writer: | Ernest Cline, Zak Penn |
Staring: |
When the creator of a popular video game system dies, a virtual contest is created to compete for his fortune. | |
Release Date: | Mar 28, 2018 |
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Director: | Steven Spielberg |
Writer: | Ernest Cline, Zak Penn |
Genres: | Adventure, Action, Science Fiction |
Keywords | future, video game, dystopia, love, evil corporation, 1980s, based on young adult novel, vrmmo, based on novel or book, virtual reality, nostalgia, film in film, quest, 2040s, columbus, ohio |
Production Companies | Amblin Entertainment, Village Roadshow Pictures, Warner Bros. Pictures, Dune Entertainment, De Line Pictures |
Box Office |
Revenue: $607,274,134
Budget: $175,000,000 |
Updates |
Updated: Jun 29, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Tye Sheridan | Parzival / Wade |
Olivia Cooke | Art3mis / Samantha |
Ben Mendelsohn | Sorrento |
Lena Waithe | Aech / Helen |
T.J. Miller | I-R0k (voice) |
Simon Pegg | Curator / Ogden Morrow |
Mark Rylance | Anorak / Halliday |
Philip Zhao | Sho |
Win Morisaki | Daito |
Hannah John-Kamen | F'Nale Zandor |
Ralph Ineson | Rick |
Susan Lynch | Alice |
Clare Higgins | Mrs. Gilmore |
Laurence Spellman | Lame Tattoo Guy (Reb) |
Perdita Weeks | Kira |
Joel MacCormack | Sixer #6655 |
Kit Connor | Reb Kid |
Leo Heller | Reb Kid |
Antonio Mattera | Reb Kid |
Ronkẹ Adékoluẹjo | Sorrento's Assistant |
William Gross | Ten-Year Old Kid |
Gareth Mason | Chubby Guy |
Sandra Dickinson | Old Boxing Woman |
Lynne Wilmot | Pole Dancer |
Jayden Fowora-Knight | Boy Playing Tennis |
Gavin Marshall | Shift Manager / Mocap Core Cast |
Mark Stanley | Old Zombie Woman |
Emily Beacock | Twin |
Rosanna Beacock | Twin |
Gemma Refoufi | Pretty Naked Girl Body Double |
Jane Leaney | Queen of Cats / Bathroom Zombie / Mocap Core Cast |
Elliot Barnes-Worrell | Sixer #1 |
Asan N'Jie | Sixer #5 (Last Sixer) |
Robert Gilbert | Andrew (Sorrento's Head of Security) |
Stephen Mitchell | Police Officer |
Letitia Wright | Reb (Safe House) |
Kae Alexander | Reb (Safe House) |
Joshua Archer | Mocap Core Cast / Sixer Instructor |
Avye Leventis | Mocap Core Cast / Female Sixer #2 |
Dean Street | Mocap Core Cast |
Michael Wildman | Sixer Drill Instructor |
Turlough Convery | Chief Oology Expert |
Joe Hurst | Oology Expert |
Eric Sigmundsson | Oology Expert |
James Dryden | Oology Expert |
Danielle Phillips | Oology Expert |
Rona Morison | Oology Expert |
Khalil Madovi | Oology Expert |
Bruce Lester-Johnson | IOI Board Member |
Tom Turner | IOI Board Member |
Paul Barnhill | Sorrento's Man |
Isaac Andrews | Halliday 7 Years Old |
Maeve Bluebell Wells | Female Sixer #1 |
Neet Mohan | Snacks (Bootsuit Commercial) |
Georgie Farmer | Kid (Bootsuit Commercial) |
Kathryn Wilder | Female Gamer (Bootsuit Commercial) |
Sid Sagar | Regular Guy (Bootsuit Commercial) |
David Forman | Hong Kong Businessman |
Ian Davies | Police Officer (Stacks Explosion) |
Lulu Wilson | Elementary Kid |
Adolfo Álvarez | Elementary Kid |
Alonso Alvarez | Elementary Kid |
Jadah Marie | Elementary Kid |
Dallas Dupree Young | Elementary Kid |
Mckenna Grace | Elementary Kid |
Arianna Jaffier | High School Kid |
Armani Jackson | High School Kid |
Britain Dalton | High School Kid |
Jacob Bertrand | High School Kid |
Daniel Zolghadri | High School Kid |
Sydney Brower | Girl in Bedroom at House |
Cara Pifko | Leslee |
Vic Chao | Goro |
Cara Theobold | Tracer |
Daniel Eghan | Corporate Businessman (uncredited) |
Julia Nickson | JN / Commuter (uncredited) |
Kiera Bell | IOI Staff (uncredited) |
Samantha Russell | Player (uncredited) |
Violet McGraw | Shopping Cart Kid (uncredited) |
Amy Clare Beales | Shop Staff (uncredited) |
Racheal Ofori | Beautiful Woman (uncredited) |
Jaeden Bettencourt | Soccer Player (uncredited) |
Juan Carlos Cantu | Bus Passenger (uncredited) |
Annarie Boor | Sixer (uncredited) |
Mandy June Turpin | Actor (uncredited) |
Name | Job |
---|---|
Jan Philip Cramer | Head of Animation |
Steven Spielberg | Director |
Janusz Kamiński | Director of Photography |
Michael Kahn | Editor |
Ernest Cline | Screenplay, Novel |
Zak Penn | Screenplay |
Claire Fleming | Art Direction, Assistant Art Director |
Kasia Walicka Maimone | Costume Design |
Richard Hymns | Supervising Sound Editor |
Gary Rydstrom | Sound Re-Recording Mixer, Sound Designer |
Addison Teague | Sound Effects Editor |
Lois Burwell | Makeup Designer |
Brian Murray | Storyboard Artist |
Jack Cave | Props |
Barbara Harris | ADR Voice Casting |
Alan Stewart | Second Unit Director of Photography |
Doc Kane | ADR Mixer |
Brian Chumney | Dialogue Editor |
Steve Slanec | ADR Supervisor |
Neil Corbould | Special Effects Supervisor |
Kevin Birou | Assistant Editor |
Xavier Lake | Stunts |
Ben Essex | Stunts |
Mallory Thompson | Stunt Double |
Lauren Okadigbo | Stunt Double |
Sarah Lawrence | Stunts |
Nellie Burroughes | Stunts |
Gary Archer | Prosthetics |
Gary Powell | Stunt Coordinator, Second Unit Director |
Adam Horton | Stunts |
Dorian Kingi | Stunts |
Tracey Eddon | Stunts |
Fraser Taggart | Second Unit Director of Photography |
Garrett Warren | Stunts |
Matt Berberi | Stunt Double |
Alli Beckman | Stunts |
Nick Roeten | Stunt Double |
Alan Silvestri | Original Music Composer |
Rick English | Stunt Driver |
Anna Pinnock | Set Decoration |
Guy Bradley | Art Direction |
Gavin Fitch | Art Direction |
Stuart Rose | Art Direction |
Mark Scruton | Art Direction, Supervising Art Director |
Remo Tozzi | Art Direction |
Kyrsten Mate | Sound Designer |
Karen Asano-Myers | Hair Department Head |
Zoe Tahir | Hair Designer |
Sarah Broshar | Editor |
Kathryn Fa | Hairstylist |
John Fallows | Hairstylist |
Tracey Smith | Hairstylist |
Barbara Cantu | Hairstylist |
Nikita Rae | Hair Supervisor |
Kenny Myers | Key Makeup Artist |
Audrey Doyle | Makeup Artist |
Sharon Nicholas | Makeup Artist |
Niamh O'Loan | Makeup Artist |
Leslie Devlin | Makeup Artist |
Catherine Heys | Makeup Supervisor |
Emily Cannon | Art Department Assistant |
Oliver Herrick | Art Department Assistant |
Michael Searle | Art Department Assistant |
Andy Young | Art Department Assistant |
Jodie Jackman | Art Department Coordinator |
Jake Hall | Assistant Art Director |
Shira Hockman | Assistant Art Director |
Dana McCall | Assistant Property Master |
John Wells | Assistant Property Master |
David Morison | Assistant Set Decoration |
Sophie Newman | Assistant Set Decoration |
James Blishen | Carpenter |
James Cullane | Carpenter |
Tom Dark | Carpenter |
Craig Elderfield | Carpenter |
Graham Jones | Carpenter |
Steve HyunSuk Suh | Concept Artist |
Sam Rowan | Concept Artist |
Court Chu | Concept Artist |
Ben Grangereau | Concept Artist |
Barry E. Jackson | Concept Artist |
Jared Krichevsky | Concept Artist |
Dominic Lavery | Concept Artist |
Joshua Min | Concept Artist |
Lee Oliver | Concept Artist |
Eduardo Pena | Concept Artist |
Dermot Power | Concept Artist |
Steffen Reichstadt | Concept Artist |
Hugh Sicotte | Concept Artist |
Aaron Sims | Concept Artist |
Paul Threadgold | Concept Artist |
Eve Ventrue | Concept Artist |
Thomas Wingrove | Concept Artist |
Ulrich Zeidler | Concept Artist |
Jama Jurabaev | Concept Artist |
Stephen Zavala | Concept Artist |
Eddie Del Rio | Concept Artist |
Emmanuel Shiu | Conceptual Illustrator |
Amanda Pettett | Construction Coordinator |
Pollyanna Seath | Construction Coordinator |
Paul J. Hayes | Construction Manager |
Kevin Timon Hill | Draughtsman |
Alexandra Kemp | Dressing Prop |
Dean Marsh | Dressing Prop |
Fergus Clegg | Assistant Set Decoration |
Christopher Pigott | Dressing Prop |
Louis Ralph | Dressing Prop |
Ryan Saward | Dressing Prop |
Barney Ward | Dressing Prop |
Alexandra Miklos | Graphic Designer |
David Balfour | Property Master |
Joe Bovington | Props |
Stephen Doyle | Props |
Emily England | Props |
Jamie Knight | Props |
Mark McIntyre | Props |
Philip O'Connell | Props |
Scott A. Riley | Props |
Charlotte Runagall | Props |
Hannah Treharne | Props |
Jack Candy-Kemp | Scenic Artist |
David Hodges | Sculptor |
James Darnbrough | Set Dresser |
Wyn Jenkins | Set Dresser |
Joe Reel | Set Dresser |
Randy Severino | Set Dresser |
Matthew Wood | Set Dresser |
Stuart Chambers | Set Dresser |
Richard Touch | Set Dresser |
Jim McCallum | Standby Art Director |
Ryan Sinnott | Standby Carpenter |
Collin Grant | Storyboard Artist |
Mark Moretti | Storyboard Artist |
Nick Pelham | Storyboard Artist |
Mark Seath | Supervising Carpenter |
Jeremy Braben | Aerial Director of Photography |
Jarek Gorczycki | Best Boy Electric |
Anthony Benjamin | Best Boy Grip |
Adam Neas | Best Boy Grip |
Vince McGahon | Camera Operator |
Jason Perrine | Graphic Designer |
Mitch Dubin | Camera Operator |
Alexandra Médeville | Camera Trainee |
Sam Taylor | Camera Trainee |
Clare Seymour | Camera Trainee |
Angus J. Mitchell | Camera Trainee |
Joe Steel | Digital Imaging Technician |
Peter Marsden | Digital Imaging Technician |
Peter Ayriss | Drone Pilot |
Paul Kelly | Electrician |
Travis Panozzo | Electrician |
Tim Morris | First Assistant Camera |
Nathan Mann | Focus Puller |
Perry Evans | Gaffer |
Brian Bartolini | Gaffer |
Jamie Mills | Gaffer |
Andrey Prikazchikov | Grip |
Bob Bridges | Video Assist Operator |
Alexander Bridges | Video Assist Operator |
Stuart Bridges | Video Assist Operator |
Kevin Fraser | Key Grip |
Jim Kwiatkowski | Key Grip |
Frank R. Sims | Key Grip |
Alex Klabukov | Key Grip |
Billy Dunn | Lighting Technician |
Lee Perkins | Lighting Technician |
Eddie A. Reid IV | Lighting Technician |
Jonathan Dennis | Russian Arm Operator |
Toby Plaskitt | Russian Arm Operator |
Alex Bender | Second Assistant "A" Camera |
Milan Janicin | Second Assistant "A" Camera |
Jaap Buitendijk | Still Photographer |
Chris Mahugh | Techno Crane Operator |
Robert Stannage | Ager/Dyer |
Charlotte Law | Assistant Costume Designer |
Richard Sale | Assistant Costume Designer |
Raquel Gremler | Costume Assistant |
Heidi McQueen-Prentice | Costume Assistant |
Steve O'Sullivan | Costume Assistant |
Kate Chadderton | Costume Coordinator |
Randi Featherstone | Costume Coordinator |
Dan Grace | Costume Supervisor |
Robert Q. Mathews | Costume Supervisor |
Anthony Almaraz | Costumer |
Sarah Anderson | Costumer |
Nicole Pitchers | Costumer |
Terry Archer | Set Costumer |
Caroline Bradley | Set Costumer |
Justine Warhurst | Set Costumer |
Marilu De La Torre | Set Costumer |
Rosalinda Galdamez | Wardrobe Assistant |
Emily Brockmann | Casting Associate |
Kate Sprance | Casting Associate |
Kei Kawamura | Casting |
Rosie Carter | Extras Casting |
Charles Bodycomb | Armorer |
Sam Dormer | Armorer |
Liam McCartney | Armorer |
Ben Rothwell | Armory Coordinator |
Adam Murray | Choreographer |
Thom Jones | Dialect Coach |
Stacy Mann | Publicist |
Zoe Morgan | Script Supervisor |
Kris Smith | Script Supervisor |
Alex Antov | Set Medic |
Thomas O'Flaherty | Studio Teacher |
Laura Gary | Studio Teacher |
Joanne Fox | Production Secretary |
Stephanie Hamilton-Jordan | Production Secretary |
Russell Blanchard | Production Secretary |
Sally Potters | Production Coordinator |
Chang Tseng | Production Coordinator |
Derek Cheyne | 3D Artist |
Aaron Colman-Hayes | 3D Artist |
Marta Baidek | Animation Coordinator |
Kim Ooi | Animation Supervisor |
Shahar Levavi | Animation Supervisor |
Mathieu Vig | Animation Supervisor |
Jo Plaete | CG Supervisor |
Victor Schutz | CG Supervisor |
Kevin Sprout | CG Supervisor |
Daisuke Nagae | CG Supervisor |
Brian Gazdik | CG Supervisor |
Michael Bauer | CG Supervisor |
Laurent Hugueniot | CG Supervisor |
Marian Mavrovic | Compositing Supervisor |
Bryan Smeall | Compositing Supervisor |
Sam Bassett | Compositing Supervisor |
Ryan B. Clarke | Compositing Supervisor |
Jan Maroske | Compositing Supervisor |
Brad Floyd | Compositing Supervisor |
Ryan Allen | Compositor |
Patrick Michael Burke | Compositor |
Maxime Chaix | Compositor |
Sandra Chocholska | Compositor |
Scott Mitchell | Compositor |
David Jeffrey Phillips | Compositor |
Harrison Rutherford | Compositor |
Jan van de Laar | Compositor |
Daniel Harkness | Compositor |
Adam Arnot | Compositor |
Scott Bourne | Compositor |
Juan Antonio Espigares Enríquez | Compositor |
David J. Nolan | Compositor |
Silvio Alberti | Compositor |
Gabriel Mandala | Compositor |
Giorgia Pulvirenti | Compositor |
Hannes Doornaert | Compositor |
Lydia Aguilar | Compositor |
Michael J. Sweetser | Compositor |
Nora Wixom | Creature Technical Director |
Eileen Bai | Creature Technical Director |
Gem Ronn Cadiz | Creature Technical Director |
Matteo Di Lena | Creature Technical Director |
Sam Gutentag | Creature Technical Director |
Benjamin Soh | Creature Technical Director |
Joel Behrens | Digital Effects Supervisor |
Liping Bak | Generalist |
Fu Jing Derrick Loh | Generalist |
Yateen Mahambrey | Generalist |
Jun Wei Puah | Generalist |
Noor Valibhoy | Generalist |
Edward Zhou | Lead Animator |
Jack Evans | Lighting Artist |
Barry Kriegshauser | Lighting Artist |
Shoichi Matsubara | Lighting Artist |
Aldrich Torres | Lighting Artist |
Pierrick Barbin | Lighting Artist |
Yann Dupont | Lighting Supervisor |
Nihal Friedel | Lighting Supervisor |
Edmund Kolloen | Lighting Supervisor |
Giuseppe Bufalo | Modeling |
Patrick Gagné | Modeling |
Jubinville Steve | Modelling Supervisor |
YuanJing Lin | Pipeline Technical Director |
Dominique Kwiek | Pipeline Technical Director |
Wajid Raza | Pipeline Technical Director |
Scott Meadows | Pre-Visualization Supervisor |
J. Todd Constantine | Pre-Visualization Supervisor |
Erik Morgansen | Senior Animator |
Aaron Barlow | Senior Animator |
David Apgar | Senior Animator |
Amaury Coljon | Senior Animator |
Juani Guiraldes | Senior Animator |
Wong Joe | Senior Animator |
Jason Walmsley | Senior Animator |
Yannick Lorvo | Senior Generalist |
Ed Coy | Senior Generalist |
David Goubitz | Senior Generalist |
Alex Scollay | Senior Generalist |
Petter Steen | Senior Generalist |
Christian Alzmann | Visual Effects Art Director |
Alex Jaeger | Visual Effects Art Director |
Stephen Tappin | Visual Effects Art Director |
Mayur Dadarao Adhau | Visual Effects Coordinator |
Patricia Martinez Arastey | Visual Effects Coordinator |
Matthew Badham | Visual Effects Coordinator |
Sze Jia Eng | Visual Effects Coordinator |
Jeremy Erb | Visual Effects Coordinator |
Carlos Flores Tavitas | Visual Effects Coordinator |
Shivani Jhaveri | Visual Effects Coordinator |
Andrea Kistler | Visual Effects Coordinator |
Arthur Maughan | Visual Effects Coordinator |
Lucas John Ng | Visual Effects Coordinator |
Clayton Shank | Visual Effects Coordinator |
Eric Stewart | Visual Effects Coordinator |
Josh Sykes | Visual Effects Coordinator |
Daniel Tan | Visual Effects Coordinator |
Chan Phui Yung | Visual Effects Coordinator |
Naline Amaral | Visual Effects Coordinator |
Brett Skaggs | Visual Effects Coordinator |
Joel Cheyne | Visual Effects Coordinator |
Graham Churchill | Visual Effects Coordinator |
Kelsey Davidson | Visual Effects Coordinator |
Andrew Draper | Visual Effects Coordinator |
She Fong Yap | Visual Effects Coordinator |
Laura Brocato | Visual Effects Coordinator |
Joe Frataccia | Visual Effects Editor |
Simon Scott | Visual Effects Editor |
Sam Willing | Visual Effects Editor |
Ben Lock | Visual Effects Producer |
Jennifer Meislohn | Visual Effects Producer |
Georgie Uppington | Visual Effects Producer |
Daniel Brimer | Visual Effects Producer |
Ann Podlozny | Visual Effects Producer |
Edward Randolph | Visual Effects Producer |
Andrew Eick | Visual Effects Producer |
Genevieve McMahon | Visual Effects Producer |
Alex Reinach | Visual Effects Producer |
Sarah Nutt | Visual Effects Production Assistant |
Lindsay Elgin | Visual Effects Production Assistant |
Bethany Harvey | Visual Effects Production Assistant |
Marco Ragozzino | Visual Effects Production Manager |
Adrian Steel | Visual Effects Production Manager |
Grady Cofer | Visual Effects Supervisor |
Lisa J. Levine | ADR Editor |
Derek Casari | ADR Engineer |
David Betancourt | ADR Mixer |
Adam Rooner | ADR Mixer |
Chris Erlon | ADR Mixer |
Mark Appleby | ADR Mixer |
Peter Gleaves | ADR Mixer |
Bobby Johanson | ADR Mixer |
Howard London | ADR Mixer |
Jeanette Browning | ADR Recordist |
Cameron Barker | Assistant Sound Editor |
Lisa Fredriksen | Boom Operator |
Tom Caton | Boom Operator |
Dennie Thorpe | Foley Artist |
Jana Vance | Foley Artist |
Geoff Vaughan | Foley Artist |
Dee Selby | Foley Editor |
Luke Dunn Gielmuda | Foley Supervisor |
Thomas Kennedy | Sound Assistant |
E.J. Holowicki | Sound Effects Editor |
Hunter Crowley | Sound Mixer |
Jesse Johnstone | Sound Recordist |
James Bainger | Special Effects Assistant |
Gergely Glovotz | Special Effects Assistant |
Tom Rasburn | Special Effects Assistant |
Keith Dawson | Special Effects Supervisor |
Lilla Schwarz | Special Effects Coordinator |
Brendon O'Dell | Special Effects Supervisor |
Christopher Brennan | Special Effects Technician |
Andrew Ellwood | Special Effects Technician |
Nicholas Ellwood | Special Effects Technician |
Chris Giles | Special Effects Technician |
Declan O'Donnell | Special Effects Technician |
Charlie Pedersen | Special Effects Technician |
Massimo Vico | Special Effects Technician |
Chris L. Ward | Special Effects Technician |
Simon Davis | Assistant Editor |
James Durante | Assistant Editor |
George Mitchell | Assistant Editor |
Chris Patterson | Assistant Editor |
Andrey Ragozin | Assistant Editor |
Everette Webber | Digital Intermediate Editor |
Bob Peishel | Digital Intermediate Producer |
Sarah Bowden | Editorial Production Assistant |
Jake Lemmen | Editorial Production Assistant |
Will Spaulding | Editorial Production Assistant |
Robert Patrick Pigott | Editorial Production Assistant |
Blake Collins | Foley Mixer |
Geoff Campbell | Character Modelling Supervisor |
Michael Rivera | ADR Recordist |
Dominic Pacitti | Set Production Assistant |
Karen Teoh | Stunts |
Helen Steinway Bailey | Stunt Double, Stunts |
Venice Smith | Stunt Driver |
Carly Michaels | Stunt Double |
Ayanna Linton | Stunts |
Claire Lawrence | Stunts |
Sina Ali | Stunts |
Arild Anfinnsen | VFX Artist |
Hannah Rosner | Script Coordinator |
Joe Watts | Stunts |
Emma Horton | Second Assistant Director |
Ben Dimmock | Stunts |
Tony Lazzara | Stunts |
Pete Olivant | Stunts |
Oleg Podobin | Stunts |
Martin De Boer | Stunts |
Chad Bowman | Utility Stunts |
Aidan Brindle | Stunt Driver |
Tom Brown | Music Arranger |
Viktor Petrov | Other |
Dom Dumaresq | Stunts |
Tien Hoang | Stunt Double |
Lee Millham | Stunt Driver |
James O'Daly | Stunts |
Calvin Warrington-Heasman | Stunts |
John Roberts | Painter |
Adam Stockhausen | Production Design |
Andy Nelson | Sound Re-Recording Mixer |
Roger Guyett | Visual Effects Supervisor |
Adam Somner | First Assistant Director |
Nikki Berwick | Stunts |
Luke Tumber | Stunts |
Holly Sedillos | Vocals |
Yusuf Chaudhri | Stunts |
Michael Hatzer | Digital Intermediate Colorist |
Dave Shirk | Animation Supervisor |
Kiel Figgins | Senior Animator |
Matthew E. Butler | Visual Effects Supervisor |
Paul Munro | Sound Mixer |
Daniele Bigi | Visual Effects Supervisor |
Danielle Dupre | Sound Re-Recording Assistant |
Allen Sanders | Visual Effects Camera |
Christopher Elke | Digital Producer |
Name | Title |
---|---|
Kristie Macosko Krieger | Producer |
Steven Spielberg | Producer |
Daniel Lupi | Executive Producer |
Bruce Berman | Executive Producer |
Donald De Line | Producer |
Dan Farah | Producer |
Adam Somner | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 75 | 92 | 57 |
2024 | 5 | 76 | 113 | 54 |
2024 | 6 | 69 | 107 | 54 |
2024 | 7 | 84 | 131 | 47 |
2024 | 8 | 79 | 111 | 61 |
2024 | 9 | 69 | 102 | 55 |
2024 | 10 | 87 | 144 | 48 |
2024 | 11 | 75 | 145 | 50 |
2024 | 12 | 84 | 129 | 61 |
2025 | 1 | 76 | 99 | 59 |
2025 | 2 | 66 | 102 | 16 |
2025 | 3 | 28 | 110 | 3 |
2025 | 4 | 17 | 22 | 14 |
2025 | 5 | 18 | 26 | 13 |
2025 | 6 | 17 | 33 | 11 |
2025 | 7 | 11 | 14 | 9 |
2025 | 8 | 10 | 13 | 9 |
2025 | 9 | 11 | 16 | 8 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 108 | 473 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 147 | 511 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 88 | 459 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 85 | 483 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 101 | 463 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 135 | 520 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 64 | 442 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 143 | 495 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 202 | 519 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 134 | 553 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 205 | 532 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 247 | 478 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 207 | 464 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 176 | 421 |
There's a moment in this movie when the central character says "I love her". His friend hastily replies, "Slow down bro... she could be a 300 lb man living in his mom's basement." In the very brief beat between the two lines, I thought FINALLY a movie about falling in love completely independent of ... what a person's genetics may be. And then the crushing cynicism in a dystopian world where there is little to live for and even less to hope for: even in a nightmare, a fat man is undateable. Don't worry though. If you have the skills you may end up on top. Just like Ben Mendelsohn's slave-owning antagonist almost did. Because in this story, it's not a world where anyone feels compassion or empathy. It's a world where everyone only thinks of themselves. A sociopath's dream. And that's what earns the top prize. I love looking at Tye Sheridan. But not enough to sit through this again.
I watched this movie because I was once working in the VR industry and really curious what it could tell us (even though I am not really interested after watching the trailer). Anyway, the experience is not bad (in 4DX). But not recommended for a second watch since there is little to dig and feel ... except for the numerous, eye-dazzling amount of Easter eggs. Sorry.
Another great movie from Steven Spielberg ...
Obviously everything from the book cannot go into the movie, however a lot of what got into the movie was not from the book. Too much focus on car chases and too little on solving a puzzle. If you haven't read the book, read the book! it's much more awesome! ...
Can you imagine watching this if you didn't give a fuck about the '80s? Like there's nothing that happens in _Ready Player One_ that isn't a reference to **something** at least, but almost all of them are '80s references. I mean I worship at the altar of 1980s' references on a daily basis, and even ... for me this was only so-so, I fear to imagine what _Ready Player One_ might be like for someone who actually demands originality. Honestly, it was better than I was expecting, I'll front to that. The promotional campaign for this had the barometer for my excitement on this at a firm zero, and by the time I had finished watching it I was surprised to find I had actually enjoyed multiple things about it, but _Ready Player One_ is an exercise in lack of subtlety, and really tries your limits on suspension of disbelief. Not because of the fantastical endless virtual world inhabited by near every creation since the dawn of pop-culture, but because of the character interactions in their "real world". _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
I did not know what I would really think about it when I started to watch this movie. I hoped that I would like it but I was not sure what I would actually get. I used to like Steven Spielberg a lot but later in his career he’s done movies that either was not my kind of movies or that I was simply n ... ot that impressed by. However, as it turned out, this one I liked a lot as you can see from my rating. As a computer nerd and science fiction geek this movie was of course right up my alley. I have thought other movies would be my kind of movies before but been sorely disappointed by ignorant and incompetent screen writers and directors trying to cash in on subjects that they knew absolutely nothing about. Spielberg did a good job of not screwing this one up. The core of this movie is of course plenty of action and computer generated special effects with a somewhat apocalyptic story to bind everything together. The story works but it is not really anything special and some of the stuff, like the loyalty centers, was frankly a bit silly. But, as I wrote, it works and does not get in the way so that’s good enough for me. As the previously mentioned nerd and geek I absolutely loved the abundant references to science fiction, fantasy and gaming history and lore. For me those were soo cool. I will probably watch the movie again just to focus on the background and see how much stuff I can spot. Stuff that I missed when watching the movie the first time. The CGI effects and the action was also pretty awesome. The movie starts off right away with a great and absolutely insanely wild car race and continues to go strong from there. The battle at Doom castle at the end is just epic. The only thing that made me go WTF was at the end [SPOILER AHEAD] were Mr Asswipe Sorrento finally catches up with the High Five’s van and the he just freezes and looks at Wade with a silly look on his face. What the fuck was that? Just stupid for no good reason. Well, few are the movies where there’s nothing to gripe about. On the whole though this movie was great in my book. Also, I cannot say how pleased I am to finally watch a Hollywood movie that is not a remake or a sequel or a prequel or some other lame excuse to rehash a movie that has already been made.
"Wild trip down memory lane... in a DeLorean" In 2045 people escape their harsh reality by going to a virtual world called the OASIS. After the creator dies, he challenges all users to go on a hunt for an Easter egg which gives them control over the OASIS. 'Ready Player One' isn’t a movie you’ ... d expect from a 71 year old filmmaker but Spielberg once again shows his range. It's an incredibly fun ride that’ll have you cracking up more than once (“It’s f***ing Chucky!”). While Spielberg switches seamlessly between real life and the virtual reality it’s rather difficult to get emotionally invested in the movie. Nonetheless most characters are fun and the love story between Parzival/Wade and Art3mis/Samantha gives it some depth. Ben Mendelsohn is delightful as the villain and Mark Rylance is excellent once again. The biggest treat of course is the nostalgia. You’ll have a blast simply by counting the pop culture references(Iron Giant’s thumbs up and the Shining among my personal favorites). The movie features a killer 80’s soundtrack and Alan Silvestri provides the finishing touch with a wonderful score. Ready Player One is a visual feast. See it on the biggest screen you can find. Preferably in Imax. Especially during the race you’ll be blown away.
### failing the splits On one hand, this is a 1980s pop culture SciFi mash-up. On the other, it is a 100% true-and-tested formulaic David-vs-Goliath, by the (Campbell) books youth adventure. There are movies which can be enjoyed by young, older, and old; some even achieve that effortlessly. ... This movie tries to cater to two target audiences, and fails. It's too constructed, too obvious to be enjoyable. All the CGI fireworks, multi-medial cues and in-jokes can't help its main flaw: it is boring. It's the same tired young-hero-story that has been remade thousands of time, and often better. Maybe younger kids enjoy it. But these days, even teenagers are media-savvy and will see the pattern. Pity. I was ready to like it.
So I loved the movie very action packed and interesting in design. Now I do have to agree that most of the book of solving the puzzles and that would have been enjoyable to see but might have made the movie more boring. The action kept my family entertained. And the Easter eggs and music was it for ... me.
Wait, I didn't review this yet? How did I forget? What we have here is honest Nostalgia Candy, not the forced rebranding rebooting and reimaging that we are seeing in Hollywood today. It doesn't rely on a familiar brand to sell tickets to a movie that has nothing to do with the brand and really, ... ultimately trashes it. Rather, it relies on nostalgia to tell a fun, dynamic, and entertaining story that features all the glorious creations that we loved back when, well, back when Hollywood was still making glorious creations. And, because of that, you walk away totally satisfied.
**Ready Player One is the pinnacle of video game films with extremely high replay value!** Ready Player One puts Steven Spielberg right in his sweet spot with a nostalgic adventure love letter to movie fans, 80s kids, and gaming enthusiasts. This movie drips with Easter eggs to all kinds of pop c ... ulture, making every moment a fun scavenger hunt to see how much you recognize. Tye Sheridan and Olivia Cooke were delightful in their lead roles with classic bad guy Ben Mendelsohn in hot pursuit. Ready Player One felt like a familiar classic, even in its first viewing. Even with a unique plot and a fresh story, all the references to iconic franchises, both new and old, give the film nostalgic vibes that transport me back to find memories and the fun of my childhood. Spielberg creates a childlike sense of innocence, awe, and wonder while simultaneously creating adventure and peril. Even though this movie has high ratings, it’s still underrated! One of the most fun, feel-good adventure films I have seen and one of Spielberg’s most charming and thrilling movies.
Call me when the script is finished. ...
The film "Ready Player One" offers a nostalgic journey with a fresh twist, set within a video game database where audiences embark on an exhilarating adventure to solve puzzles and unravel mysteries in a virtual reality world. This unique take on gaming stands out from the usual character reenactmen ... ts, introducing a captivating storyline reminiscent of the classic board game Jumanji. Despite facing mixed reviews, "Ready Player One" has become a cherished favorite in my family, drawing us back for regular viewings. The concept of being pulled into a video game and encountering iconic characters like Chucky adds to the film's appeal and keeps us hooked. While I wish the franchise had continued to develop, I remain hopeful for its future and eagerly anticipate any new installments that may come our way.