Popularity: 8 (history)
Director: | Peyton Reed |
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Writer: | Adam McKay, Joe Cornish, Paul Rudd, Edgar Wright |
Staring: |
Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Doctor Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world. | |
Release Date: | Jul 14, 2015 |
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Director: | Peyton Reed |
Writer: | Adam McKay, Joe Cornish, Paul Rudd, Edgar Wright |
Genres: | Adventure, Action, Science Fiction |
Keywords | ant, shrinking, heist, superhero, master thief, based on comic, miniaturization, aftercreditsstinger, marvel cinematic universe (mcu), father daughter relationship, robbery gang, mentor protégé relationship, duringcreditsstinger, overprotective father, good versus evil, supersize |
Production Companies | Marvel Studios |
Box Office |
Revenue: $519,311,965
Budget: $130,000,000 |
Updates |
Updated: May 19, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Paul Rudd | Scott Lang / Ant-Man |
Michael Douglas | Dr. Hank Pym |
Evangeline Lilly | Hope van Dyne |
Corey Stoll | Darren Cross / Yellowjacket |
Bobby Cannavale | Paxton |
Anthony Mackie | Sam Wilson / Falcon |
Judy Greer | Maggie Lang |
Abby Ryder Fortson | Cassie Lang |
Michael Peña | Luis |
David Dastmalchian | Kurt |
T.I. | Dave |
Wood Harris | Gale |
Hayley Atwell | Peggy Carter |
John Slattery | Howard Stark |
Martin Donovan | Mitchell Carson |
Garrett Morris | Car Driver |
Gregg Turkington | Dale |
Rod Hallett | Hydra Buyer |
Joe Chrest | Frank |
Joe Bucaro III | Buyer |
Jean Louisa Kelly | Buyer |
Dax Griffin | Young Pym |
Hayley Lovitt | Janet van Dyne / The Wasp |
Norma Alvarez | Spanish Woman |
Darcie Isabella Cottrell | Young Daughter |
Teddy Williams | Raver |
Carol Anne Watts | Raver |
Chuck David Willis | Raver |
Diana Chiritescu | Raver |
Neko Parham | Pool BBQ Dad |
Onira Tarés | Pool BBQ Mom |
Kylen Davis | Pool BBQ Kid |
Zamani Wilder | Pool BBQ Kid |
Jim R. Coleman | Pym Tech Gate Guard |
Desmond Phillips | Pym Tech Security Guard |
Aaron Saxton | PYM Tech Security Guard |
Michael A. Cook | EMT |
Ricki Lander | Gorgeous Blonde |
Rus Blackwell | Superior Officer |
Johnny Pemberton | Ice Cream Store Customer |
Nicholas Barrera | Ernesto |
Carlos Aviles | Carlos |
Lyndsi LaRose | Emily |
Robert Crayton | Peachy |
Ajani Perkins | Cop on Speaker |
Jessejames Locorriere | Alpha Guard |
Zack Duhame | Beta Guard |
Kevin Lacz | Vault Guard |
Michael Trisler | Vault Guard |
Daniel Stevens | Armed Guard |
Alex Chansky | Armed Guard |
Clay Donahue Fontenot | Armed Guard |
Michael Jamorski | Armed Guard |
Casey Pieretti | Armed Guard |
Antal Kalik | Lab Guard |
Adam Hart | Lab Guard |
Reuben Langdon | Lab Guard |
Todd Schneider | Lab Guard |
Kevin Buttimer | Lab Tech |
Danny Vasquez | Ignacio |
Anna Akana | Writer |
Stan Lee | Bartender |
Tom Kenny | Hideous Rabbit (voice) |
Rick Avery | Helicopter Pilot |
Erik Betts | Helicopter Pilot |
Chris Evans | Steve Rogers / Captain America (uncredited) |
Sebastian Stan | James 'Bucky' Barnes / Winter Soldier (uncredited) |
Raul Colon | Prisoner (uncredited) |
Hayley Gagner | Pedestrian in Rain (uncredited) |
Vanessa Ross | Jogger (uncredited) |
Name | Job |
---|---|
Adam McKay | Screenplay |
Leo Birenberg | Additional Music |
Joe Cornish | Screenplay, Story |
Peyton Reed | Director |
Paul Rudd | Screenplay |
Russell Carpenter | Director of Photography |
Stan Lee | Comic Book |
Jack Kirby | Comic Book |
Larry Lieber | Comic Book |
Shepherd Frankel | Production Design |
Dave Jordan | Music Supervisor |
Jeff Habberstad | Stunt Coordinator |
Sarah Halley Finn | Casting |
Jason B. Stamey | Casting Associate |
Heba Thorisdottir | Makeup Department Head |
Larry Zanoff | Armorer |
Daniel Laurie | Supervising Sound Editor |
Tom Johnson | Sound Re-Recording Mixer |
Juan Peralta | Sound Re-Recording Mixer |
Josh Gold | Sound Effects Editor |
David Farmer | Sound Designer |
Kerry Lyn McKissick | Script Supervisor |
Jake Morrison | Visual Effects Supervisor |
Greg Funk | Key Makeup Artist |
Jimmy Ray Pickens | Transportation Captain |
John Buscema | Thanks |
Gene Colan | Thanks |
John Byrne | Thanks |
Robert Kirkman | Thanks |
Kim Foscato | ADR Editor, Dialogue Editor |
Samson Neslund | Assistant Sound Editor |
Colby Parker, Jr. | Editor |
Lars P. Winther | First Assistant Director |
Barbara Harris | ADR Voice Casting |
Jay Oliva | Storyboard Designer |
Dawn Michelle King | First Assistant Editor |
Russell Bobbitt | Property Master |
David Michelinie | Thanks |
Dave Metzger | Orchestrator |
Daniel Hargrave | Stunts |
Sala Baker | Stunts, Utility Stunts |
Christopher Barnett | Dialogue Editor |
Ryan Laney | Compositors |
Nina Fallon | Visual Effects Producer |
Leigh Folsom Boyd | Additional Editor |
Michael Goldberg | Assistant Editor |
Kirk M. Morri | Additional Editor |
Rick Avery | Stunts |
Jessica Harbeck | Utility Stunts |
Melissa R. Stubbs | Utility Stunts |
Renae Moneymaker | Stunt Double |
Christopher Kelly | Production Assistant |
Riley Flanagan | Set Production Assistant |
Jennifer Badger | Stunts |
Michael Runyard | Stunt Double |
Hannah Betts | Utility Stunts |
Steve Kelso | Stunt Driver |
Anthony N. | Utility Stunts |
Ashley Rae Trisler | Stunt Double |
Robin Bonaccorsi | Utility Stunts |
Evan Jacobs | Stereoscopic Supervisor |
Tanya Noel Hill | Music Editor |
Zade Rosenthal | Still Photographer |
Peter Rosenfeld | Camera Operator, Steadicam Operator |
Dennis J. Lootens | Rigging Gaffer |
Wendy M. Craig | Costume Supervisor |
Trevor Habberstad | Stunt Coordinator |
Nicole Young | Assistant Costume Designer |
Danny Molaschi | Set Costumer |
Dustin Berry | Art Department Coordinator |
Janine Rath-Thompson | Hair Department Head |
Jacqueline Fernandez | Makeup Artist |
Jill Oshry | Makeup Artist |
Cameron Beasley | Art Direction |
Jann K. Engel | Art Direction |
Calla Klessig | Assistant Art Director |
Rachel Block | Assistant Art Director |
Lauren Rosenbloom | Assistant Art Director |
Kelly Chow | Visual Effects Coordinator |
Tyler Cordova | Visual Effects Coordinator |
Diana Giorgiutti | Visual Effects Producer |
Dan Riffel | Gaffer |
Ron Licari | Armorer |
Daniel Sudick | Special Effects Supervisor |
Bob Kellough | Sound Effects Editor |
Jack Whittaker | Sound Effects Editor |
Jeremy Bowker | Sound Effects Editor |
Jenny Sandell | Production Coordinator |
Jason Tamez | Production Supervisor |
David Lazan | Supervising Art Director |
JoAnn Perritano | Unit Production Manager |
Walter Gasparovic | First Assistant Director |
Brian Avery Galligan | Second Assistant Director |
Jackie Burch | Local Casting |
Austin Gorg | Art Direction |
Sarah Contant | Assistant Art Director |
Josh Lusby | Set Designer |
John Moredock | Set Designer |
Thomas T. Taylor | Set Designer |
Dean Wolcott | Set Designer |
Chad S. Frey | Set Designer |
Danelle Davenport | Storyboard Designer |
David Krentz | Storyboard Designer |
Jim Magdaleno | Storyboard Designer |
James Rothwell | Storyboard Designer |
Jeffrey N. Civa | First Assistant Camera |
Bill O'Drobinak | Camera Operator |
Sean Hunter Moe | First Assistant Camera |
Sheilah Sullivan | Production Controller |
Richard Castro | Production Accountant |
Jesse Torres | Post Production Supervisor |
Adam Kimmerlin | First Assistant Editor |
Jim Harrison | Music Editor |
Scott McPhate | Visual Effects Coordinator |
Michael Asiman | Visual Effects Coordinator |
Kosta Saric | Visual Effects Editor |
Ross Newton | Compositors |
Shiloe Swisher | Compositors |
Christopher Grandel | Compositors |
Jim Stubblefield | Assistant Property Master |
Whit Norris | Sound Mixer |
C. Douglas Cameron | Boom Operator |
Len Levine | Chief Lighting Technician |
Michael Lowrance | Best Boy Electric |
Jim Shelton | Key Grip |
Richard L. Carden | Dolly Grip |
Brad Rea | Dolly Grip |
Grace Lambert Pyke | Key Costumer |
Branden Marks | Key Costumer |
Edward T. Hanley | Key Costumer |
Heather Sease | Key Costumer |
David Butler | Key Set Costumer |
Bob Moore Jr. | Key Set Costumer |
Melanie Mascioli | Key Set Costumer |
Amy Lehman | Set Decorating Coordinator |
Karen Gerbs | Set Decoration Buyer |
Helen Kozora | Set Decoration Buyer |
Samuel J. Tell | Set Decoration Buyer |
Yvette Stone | Key Hair Stylist |
Kerrie Smith | Hairstylist |
Michelle Diamantides | Hairstylist |
Claire Koonce | Casting Assistant |
David B. Nowell | Aerial Director of Photography |
Michael Kelem | Aerial Director of Photography |
Sean Ricigliano | Epk Camera Operator |
John M. Pisani | Unit Publicist |
John H. Samson | Construction Coordinator |
Joel Marrow | Transportation Captain |
Tyson Weatherford | Transportation Captain |
Rick Chouinard | Transportation Co-Captain |
John Armstrong | Picture Car Coordinator |
David C. Hughes | Sound Designer |
Russell Anderson | Leadman |
Jim Likowski | Foley Editor |
Dee Selby | Foley Editor |
Ryan J. Frias | First Assistant Sound Editor |
Kevin Kliesch | Orchestrator |
Tim Davies | Orchestrator |
Allen Coulter | Set Designer |
Chris Gridley | Dialogue Editor |
Brad Semenoff | Dialogue Editor |
James Ashwill | Foley Mixer |
Greg Reed | VFX Editor |
Andy Park | Conceptual Illustrator |
Alex Wuttke | Visual Effects Supervisor |
Adam Cole | Post Production Coordinator |
Walter Garcia | Fight Choreographer |
Roxane Griffin | Hair Department Head |
Tracey Moss | Hairstylist |
Kimberly Carlson | Hairstylist |
Jennifer Salvon | Hairstylist |
Teresa Morgan | Key Hair Stylist |
Bryan Reynolds | Key Makeup Artist |
Tracey L. Miller-Smith | Makeup Artist |
Brian Waltsak | Makeup Artist |
Stephan Dupuis | Makeup Artist |
Lisa Patnoe | Makeup Artist |
James MacKinnon | Makeup Department Head |
Bob Kretschmer | Wigmaker |
Nick Satriano | First Assistant Director |
Brent Egan | Assistant Camera |
James Hatridge | Assistant Chief Lighting Technician |
Dan Jarrell | Best Boy Grip |
Daniel Wurschl | Camera Loader |
Sagar Desai | Camera Loader |
Henry Nguyen | Camera Loader |
Peter Gulla | Camera Operator |
Kent Harvey | Camera Operator |
Stephen Buckingham | Camera Operator |
Edward A. Gutentag | Camera Operator |
Rafel Montoya | Digital Imaging Technician |
Robert Howie | Digital Imaging Technician |
Zach Hilton | Digital Imaging Technician |
Jordan Livingston | Digital Imaging Technician |
Michael Kim | Digital Imaging Technician |
Larry Jay Ertley | Electrician |
Evan Jones | Electrician |
Cas Lincoln | Electrician |
Matthew P. Stouppe | Electrician |
Brent Studler | Electrician |
Steven Walker | Electrician |
Jeremy Woods | Electrician |
Frank Helbig | Electrician |
John Kairis | First Assistant Camera |
Mark Santoni | First Assistant Camera |
Christian Satrazemis | First Assistant Camera |
Robert Settlemire | First Assistant Camera |
John Rex Woodward | First Assistant Camera |
Dennis Rogers | First Assistant Camera |
Richard Mall | Key Grip |
John Mahaffie | Second Unit Director of Photography |
Stephen Newbold | 2D Sequence Supervisor |
Giuliano Dionisio Vigano | 2D Supervisor |
Alexandre Cancado | 2D Supervisor |
Mike Stillwell | 3D Sequence Supervisor |
Tnaya Witmer | Main Title Designer |
Keith Roberts | Animation Director |
Raphael A. Pimentel | Animation Supervisor |
Eamonn Butler | Animation Supervisor |
Stephen Enticott | Animation Supervisor |
Neil Glasbey | Animation Supervisor |
Tim Harrington | Animation Supervisor |
Nicholas Symons | Animation Supervisor |
Juan S. Gomez | CG Supervisor |
Carlos-Christian Nickel | CG Supervisor |
Daniel Paulsson | CG Supervisor |
Artemis Oikonomopoulou | CG Supervisor |
Doug Sutton | CG Supervisor |
Pavel Pranevsky | CG Supervisor |
Richard Sutherland | CG Supervisor |
Damien Stumpf | CG Supervisor |
Koen Vroeijenstijn | CG Supervisor |
Andy Zazzera | CG Supervisor |
Adrian Corsei | CG Supervisor |
Gruff Owen | Compositing Supervisor |
David Jeffrey Phillips | Compositing Supervisor |
Aymeric Perceval | Compositing Supervisor |
Anton Yri | Compositing Supervisor |
François Lambert | Compositing Supervisor |
John J. Galloway | Compositing Supervisor |
Matthew Kemper | Compositing Supervisor |
Edson Williams | Compositing Supervisor |
Jonathan Cheetham | Compositing Supervisor |
Francisco De Jesus | Digital Supervisor |
Ferran Casas | Lead Animator |
Peter Clayton | Lead Animator |
Bruce Creevey | Lead Animator |
John Filipkowski | Lead Animator |
Aaron Schultz | Lead Animator |
Ben Wiggs | Lead Animator |
Michael Karp | Matchmove Supervisor |
Matthew Friedlander | Matte Painter |
Tristan Connors | Modelling Supervisor |
Lersak Bunupuradah | Modelling Supervisor |
Marc Calvelo | Senior Animator |
Oskar Urretabizkaia | Senior Animator |
Chris J. Kenny | Sequence Supervisor |
Brandon Nelson | Sequence Supervisor |
Brendan Seals | Sequence Supervisor |
Brian Delmonico | Sequence Supervisor |
Cyrus Jay Gladstone | Stereoscopic Supervisor |
Rohan Tirkey | Stereoscopic Supervisor |
Barry O'Brien | Stereoscopic Supervisor |
Prateek Kaushal | Stereoscopic Supervisor |
Caroline Rowlands | VFX Editor |
Tom Driscoll | VFX Editor |
Jan Reichmann | VFX Editor |
Simon Stanley-Clamp | VFX Supervisor |
Tony Baldridge | VFX Supervisor |
Monifa Andrew | Visual Effects Coordinator |
Ankit Gokani | Visual Effects Coordinator |
Syuhada Hassan | Visual Effects Coordinator |
Devika Kawle | Visual Effects Coordinator |
Chris McLeod | Visual Effects Coordinator |
Brittany Montero | Visual Effects Coordinator |
Rebekah Noulles-Smith | Visual Effects Coordinator |
Kristin Patterson | Visual Effects Coordinator |
Jakris Smittant | Visual Effects Coordinator |
Chiranjeev Thakur | Visual Effects Coordinator |
Melanie Marlar | Visual Effects Coordinator |
Sam Claitor | Visual Effects Coordinator |
Sam Hodge | Visual Effects Coordinator |
Timothy Trimmings | Visual Effects Coordinator |
Cole Darby | Visual Effects Coordinator |
Jeff Winkle | Visual Effects Coordinator |
Jayce Attewell | Visual Effects Coordinator |
Ashley Bradford | Visual Effects Coordinator |
Kat Greene | Visual Effects Coordinator |
Lisa Hallbauer | Visual Effects Coordinator |
Arushi Govil | Visual Effects Coordinator |
Conor Byrne | Visual Effects Editor |
Struan Farquhar | Visual Effects Editor |
Michael Harden | Visual Effects Editor |
Andy Stevens | Visual Effects Editor |
H.R. Barnett | Visual Effects Editor |
Jack Runyon | Visual Effects Editor |
John Polyson | Visual Effects Editor |
Tristan Fisher | Visual Effects Editor |
Ashton Hertz | Visual Effects Editor |
Abhishek Chauhan | Visual Effects Editor |
Arvind Chaurasiya | Visual Effects Editor |
Omkar Iyer | Visual Effects Editor |
Abraham Thomas | Visual Effects Editor |
Tarun Kripalani | Visual Effects Producer |
Karey Maltzahn | Visual Effects Producer |
Marie Rheinschild-Jordan | Visual Effects Producer |
Bojana Solomonova Vishemirski | Visual Effects Producer |
Priyanka Balasubramania | Visual Effects Producer |
Melanie Byrne | Visual Effects Producer |
Rob Shears | Visual Effects Producer |
Darcie Tang | Visual Effects Producer |
Allison Paul | Visual Effects Producer |
Steve Griffith | Visual Effects Producer |
Mark Webb | Visual Effects Producer |
Rene Grasser | Visual Effects Producer |
Franzisca Puppe | Visual Effects Producer |
Jenny Basen | Visual Effects Production Manager |
Jon Capleton | Visual Effects Supervisor |
Dinesh K. Bishnoi | Visual Effects Supervisor |
Jamie Hallett | Visual Effects Supervisor |
Russell Earl | Visual Effects Supervisor |
Vincent Cirelli | Visual Effects Supervisor |
Matthew Crnich | Visual Effects Supervisor |
James Jooyoung Lee | Visual Effects Supervisor |
Simone Kraus Townsend | Visual Effects Supervisor |
Dominik Zimmerle | Visual Effects Supervisor |
Alexander Johnson | Assistant Editor |
Lorena Talpan | Assistant Editor |
Laura Holeman | Digital Intermediate |
Bob Schneider | Digital Intermediate |
Robert Drwila | Stereoscopic Editor |
Dhirendra Chhatpar | Stereoscopic Editor |
Priyal Mahadik | Stereoscopic Editor |
Lee Briggs | Visual Effects Production Manager |
Mohen Leo | Visual Effects Supervisor |
Vaibhav Marathe | Stereoscopic Editor |
Emily Mason | Stereoscopic Editor |
Smeet Vedant | Stereoscopic Editor |
Lisa Curtis Saunders | Software Engineer |
Justin Johnson | Digital Effects Supervisor |
Esme Coleman | Compositor |
Jeffrey G. Barnett | Utility Stunts |
Sammy Sheldon | Costume Design |
Shannon Mills | Supervising Sound Editor |
Edgar Wright | Screenplay, Story |
Christophe Beck | Original Music Composer |
Dan Lebental | Editor |
Leslie A. Pope | Set Decoration |
Bryan Andrews | Storyboard Designer |
Nia Hansen | Sound Effects Editor |
Greg Steele | Visual Effects Supervisor |
Trent Claus | Visual Effects Supervisor |
Allison Gainza | Special Effects Technician |
Jeff Morrow | Additional Music |
Daniele Bigi | CG Supervisor |
Kyana F. Davidson | Business Affairs Coordinator |
Danielle Dupre | Sound Re-Recording Assistant |
Peng Zhang | Stunts |
Name | Title |
---|---|
Louis D'Esposito | Executive Producer |
Stan Lee | Executive Producer |
Kevin Feige | Producer |
Brad Winderbaum | Co-Producer |
David J. Grant | Co-Producer |
Michael Grillo | Executive Producer |
Lars P. Winther | Associate Producer |
Alan Fine | Executive Producer |
Edgar Wright | Executive Producer |
Victoria Alonso | Executive Producer |
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Popularity History
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2024 | 4 | 73 | 108 | 46 |
2024 | 5 | 87 | 133 | 69 |
2024 | 6 | 71 | 102 | 51 |
2024 | 7 | 75 | 120 | 43 |
2024 | 8 | 107 | 236 | 56 |
2024 | 9 | 55 | 105 | 43 |
2024 | 10 | 66 | 128 | 46 |
2024 | 11 | 62 | 209 | 39 |
2024 | 12 | 47 | 81 | 35 |
2025 | 1 | 53 | 94 | 36 |
2025 | 2 | 40 | 56 | 9 |
2025 | 3 | 18 | 53 | 3 |
2025 | 4 | 10 | 15 | 8 |
2025 | 5 | 10 | 11 | 8 |
2025 | 6 | 8 | 10 | 7 |
2025 | 7 | 8 | 9 | 7 |
2025 | 8 | 8 | 11 | 7 |
2025 | 9 | 10 | 13 | 8 |
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I loved it it was so much fun and very funny, another marvel masterpiece ...
When one thinks of a typical super-hero actioner, they imagine the boisterous boundaries that are associated with such an explosive genre: eye-popping special effects, outlandish and grand-standing villains, world domination escapades, complex yet flashy super-heroes that seem unreal and unapologeti ... c and a big scale of unbelievable escapism that is tellingly becoming of a comic book epic on the big screen for the hungry eyes of the giddy moviegoer. Remember, all these described elements are not a bad thing when it comes to larger than life comic book/superhero fantasies. In fact, we almost insist that our volt-minded vehicles have some kinetic kick to its pulsating, pithy adventures. After all, there is certainly nothing wrong with that approach to the cinematic sensationalism of summertime popcorn pleasers and the costumed heroes that take us on that daring, rollicking ride of magical mayhem. However, director Peyton Reed’s ‘Ant-Man’ symbolizes a different texture and tone to the familiar action-packed world of Marvel Comics’ outrageous universe both on the printed pages and in the dark movie theaters. It does not necessarily use the overwrought or ultra-stimulating tactics to sell its percolating product as a super-charged heroic fable of mighty manipulators out to save the planet in the tradition of frantic favorites such as ‘The Avengers’ film franchise for instance. Instead, ‘Ant-Man’ relies on its small and intimate take of quirkiness, introspection, a gentle doomsday message of despair and a measurement of an awkward man that wears his bugged-out wardrobe with a sense of curiosity and conviction. In essence, ‘Ant-Man’ is a costumed caper that is high-spirited in its low-key excitement…something quite refreshing and revered in the wild and wacky world of Marvel Comics’ representation of the super-studs and sasses that invade our cinematic sensibilities in the hazy days of summer. ‘Ant-Man’ lead Paul Rudd, an affable actor that has shown various levels of competence in both comedies and dramas over the years, is the unlikely source to don an ant-oriented attire and let his charm and cheekiness take over as the tiny bugged-eyed avenger of right and might. Rudd plays Scott Lang, a former troubled lawbreaker and gifted engineer whose demons come back to haunt him when he gets involved in the burglary shenanigans with his bad news buddies (T.I. and Michael Pena). The reason for Lang’s lure back to crime: a cockeyed but convenient way to win over the affections of his estranged young daughter. Interestingly, another great analytical mind of mechanics and science in stand-offish Hank Pym (Oscar-winner Michael Douglas) is spotlighted as he too struggles to relate to his daughter as well in the pretty Hope Van Dyne (Evangeline Lilly). Anyhow, Pym has a colorful backstory as it is revealed that he used to save the world from harm as the underrated crime-fighter Ant-Man. There was no glory or special recognition for Pym’s heroics as the buggy super-hero but his devotion to his crime-stopping craft was realized nevertheless. As ANT-MAN Paul Rudd's Scott Lang has plans to stop the criminnal foolishness besides raiding a giant-sized picnic basket in Peyton Reed's modest costume caper. As ANT-MAN Paul Rudd’s Scott Lang has plans to stop the criminal foolishness besides raiding a giant-sized picnic basket in Peyton Reed’s modest costume caper. The conflicted father-daughter tandem of Pym and Hope eventually recruit the beleaguered Lang to climb into the exo-skeletal red-and-black suit and become the current Ant-Man to continue the mission of promoting goodness over evil. In this specific case, Lang’s Ant-Man is asked to foil the nefarious agenda of Pym’s former protege and associate Darren Cross (Corey Stoll) who threatens to expose the revolutionary shrinking technology to anyone sinister that offers him an insane and immediate price for such secretive scientific information that could jeopardize mankind in the long run. Of course, it goes without saying, that Cross has an ominous alter-ego in the vile Yellowjacket whose back-and-forth clashing with Lang’s Ant-Man leads to the calculating and corrosive chess game of one skillful insidious insect trying to outwit and outmaneuver a conscientious one. Some may dismiss ‘Ant-Man’ as being too low-grade, cheesy and incidental in its confrontational canvas of saints versus sinners. Still, Reed’s handling of his Marvel-inspired ‘battle of the bugs’ is a winning formula in simplicity because it does not have to be rooted in a spectacular and showy landscape as the other successful bombastic blockbusters that come out of the frivolous factory of Hollywood. Essentially, ‘Ant-Man’ demonstrates the right kind of personality and prestige for its presentation as a scaled-down comic book actioner steeped in the personalized disillusionment of the characterizations and their assorted psyches. Sure, ‘Ant-Man’ will not let anyone forget its popular competitor in the much glorified and iconic standing of another insect-fighting Marvel mastermind in ‘Spider-Ma’n anytime soon. Yet Scott Lang’s Ant-Man is just as angst-ridden, impish, awkward and devoted as Peter Parker’s resilient web-headed wonder Spidey. The drama unfolds so convincingly in ‘Ant-Man’ not so much because of the dire dilemma of comicbook goodness and badness but because of the examination of deteriorating relations between broken men and their families or more specifically between fathers and daughters. Both Rudd and Douglas are committed to their roles as the Ant-Men that saved the world with ease past and present but could not say the same thing about rescuing the domestic responsibilities that eluded them under their own roofs. As Lang tries to find an opening for forgiveness toward his little girl and remarried ex-wife (Judy Greer), his current adviser Pym struggles to put the pieces together with a disgruntled Hope that blames her father for the neglect of her well-being as well as the death of her beloved late mother known as the Wasp, a super-heroine that shined in her own shadow of accomplishment. ‘Ant-Man’ is a soulfully weird, witty sliced-down spectacle of a comicbook film that is rare in its skin to deliver the message of a connection not just to stamping out the cartoonish crime and chaos that is routinely found in the playful playground of Marvel’s movie machine of high-powered personalities armed with skillful brute and brilliance. It also has something called heart and hope as it tackles the alienation and isolation of fathers and their vulnerable daughters. It will take more than a gigantic can of Raid to destroy the indomitable presence of ‘Ant-Man’ and what his hedonistic heroics, both physical and psychological, bring to the prized picnic table. Ant-Man (2015) Walt Disney Studios 1 hr. 57 mins. Starring: Paul Rudd, Michael Douglas, Evangeline Lilly, Crey Stall, Michael Pena, Tip “T.I.” Harris, Judy Greer, Bobby Cannavale, Wood Harris and Abby Ryder Fortson Directed by: Peyton Reed MPAA Rating: PG-13 Genre: Comic Book Fantasy, Super-heroes, Action and Adventure Critic’s Rating: *** stars (out of 4 stars)
The Pocket Rocket. Given the production problems and its long gestation period, Ant-Man is arguably far better than it had right to be. Unsurprisingly with a Marvel Super Hero film, the critical reactions have been mixed, but given it's not as gargantuan as most Marvel pics it proves to have a bi ... g entertaining heart. A pic cunningly viewing the Marvel Universe from a different angle, whilst also not over egging the pudding. The effects work is impressive, the origin story narrative engrossing and with it carrying a lightness of touch, and there's a very enjoyable cast enthusiastically buying into the comic book frivolity. Sure, some of it's just plain daft, our hero's powers are hardly blunderbuss stuff, while the family melodramas bubbling away feel tired, but come the glorious finale, pandering to the child in us all, it's another Marvel winner readying itself for further adventures of Ant-Man. 7.5/10
> Size doesn't matter if he's a superhero who committed to save the world. My confession is I never read 'Ant-man' comics and I never knew such kind of superhero even exist in Marvel till this movie was announced. (But I know Danish film 'Antboy'.) So I'm glad they brought cinematic version of 'A ... nt-man' and I'm sure he'll return to the next 'Avengers' as they promoted strongly in this film itself to know what would be the audience response. I don't know others, but I definitely welcome the idea. Another CGI magic, another Marvel's wonder. As long as they pick the right cast and crew with a good story, the sci-fi like this continues to rule the cinema world. It was a great team work, that must be appreciated. As usual the top notch visuals as well the performances, even the sidekicks. But I was surprised to see when Paul Rudd was attached to this project. I believed it would be a comedy sci-fi packed with full of action, and I was wrong. It was a simple tale, a heist theme and of course it was fun to watch, but never was a comedy movie. A wonderful beginning, especially for the first film in the series. You know strong foundation is the key to raise a building above. I know the sequels would only get better by progressing and it should be. Because in all the Marvel's superhero flicks, this one was the most family and young kids friendly. That does not mean there were no violence, but from the title to the characters and presentation, all were so casual and can be understood by all. It was so great to see a legend like Michael Douglas to be a part in the modern movie. Now I am eager to see Evangeline Lily as Wasp-girl in the follow-up. It would be like Peter Pan and Tinker Bell, but in a sci-fi version. The extras were very interesting, I enjoyed them as well. If you're are yet to see the film, don't expect anything like Disney's 'Honey' trilogy, after all, if you enjoy the Marvel Cinematic Universe (MCU) then you would do same for it which is the twelfth to follow. 7.5/10
I like Paul Rudd and was hoping this would be as funny as 'The Guardians of the Galaxy' but it wasn't. It looked good and the direction was solid but I think it suffered from the constant screenplay rewrites that the film underwent by changing the screenwriters (Edgar Wright and Joe Cornish). I a ... lso felt it was a bit too long-winded and it was unbalanced. However, the main good feature in this film was the special effects. ★★★
I have to say that I did not have great hopes for this movie. However, I found it surprisingly enjoyable. As can be expected from a Marvel super hero movie it is not the most intelligent plot around but instead rather heavy on special effects. Having said that the plot is not bad given the contex ... t. I have never read any of the Ant-Man comics so I had no idea what to expect. The little expectation I had was of some guy turning into some ant like creature smashing things left right and center. So it was somewhat of a surprise to me when I found out that the guy was actually shrinking himself to ant size. Actually I went a bit “what the f…” when I first realized this and felt that this was going to be boring. However, in the end, I felt it worked out quite well. If it would have just been about some guy shrinking himself then it would indeed have been somewhat boring but the added coolness of this guy being able to command armies of bad-ass ants really helped stave of the boredom. As I wrote above it is a Marvel super hero movie so it is heavy on special effects and, personally, I felt they where quite okay. There is of course quite a bit of action in the movie as well as a bit of humour. I quite liked the parts where the Ant-Man and his nemesis slugged it out in a children’s room and a giant size Thomas the Tank Engine was thrown through the roof and into the garden. Maybe I liked it because Thomas the Tank Engine is a TV show that my kids liked to watch when they were smaller. There where of course a few of the usual Hollywood silly, brain-dead stunts like the tank scene. It could have been so cool but it was really ruined by the total lack of intelligence in the stunt following the cool revelation. I really liked Michael Douglas as Dr. Hank Pym as well as Evangeline Lilly as Hope Van Dyne. I was not too impressed by Paul Rudd but on the while I guess he was not too bad. It is a bit of a shame though that when Hollywood feels they need to throw in a bit of family drama they always have to throw in a divorce. It is rather depressing for us that have lived through such a tragedy after all. Bottom line, this was a surprisingly enjoyable movie. Far better than quite a few of the super hero movies that Marvel/Hollywood have produced like for instance the abysmal Spiderman movies although that is of course a personal opinion.
Less spectacle than most MCU films have been serving up, particularly in phase two, but the story and characterisation is actually a little stronger than the past couple of tales Marvel has served up. Villain Darren Cross, AKA “Yellowjacket” (originally a hero in the comics) lacks the onscreen pr ... esence of top tier Marvel-evil Loki, but is certainly one of the stronger offerings the MCU has given us. His twisted relationship with his former mentor gives another level to this Marvel film not seen since _Winter Soldier_. Not so much a super hero film as a super heist film, _Ant-Man_ was a welcome refreshment to the comic book movie party, and though I always like to give myself some time to find exactly where MCU films fit in my overall experience, at the moment I would say _Ant-Man_ sits somewhere comfortably in the middle, maybe even a bit below, but is still well worth a watch, even for those who aren’t deeply involved with the film series as a whole. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
***Ant-Man?*** Released in 2015, "Ant-Man" stars Paul Rudd as Scott Lang, a cat burglar who is offered redemption and the opportunity to be a hero. Michael Douglas plays his mentor, Hank Pym, and Evangeline Lilly Pym's daughter; meanwhile Corey Stoll co-stars as the heavy. In my vast arsenal ... of old comics I have only one issue where Ant-Man is the main star: Marvel Feature #10, which featured Hank Pym as the hero, not to mention his wife, the Wasp, AKA Janet van Dyne. The character's run in that comic ceased with that very issue. By the 80s Scott Lang, a good-intentioned thief, became Ant-Man after stealing Pym's Ant-Man suit to save his daughter. With the encouragement of Pym, Lang became Ant-Man full-time. The movie is based on these events and I was surprised at how entertaining it is considering how relatively minor the hero is. The movie even makes a joke about this when Ant-Man comes face-to-face with the Falcon (Anthony Mackie). Speaking of which, it's great to see the Falcon in action. It's also great to see Yellowjacket who, in the comics, was Hank Pym after Lang took over as Ant-Man. In the movie Yellowjacket is the villain (Stoll), which is okay since Pym's Yellowjacket in the comics sort of became a villain when he had a mental breakdown and was eventually divorced by Janet, the Wasp. The filmmakers incidentally did an excellent job with the Yellowjacket suit. "Ant-Man" was a surprise hit at the box office and understandably so. It's a quality superhero flick done with style and brimming with confidence. It's nothing more than this, but that's all it needs to be. It's nice to see Michael Douglas who was, believe-it-or-not, 70 years-old during shooting. He shines in the movie as Pym and could easily pass for ten years younger. I also really liked the Quantum Realm sequence when Lang is reduced to microscopic size. The film runs 117 minutes and was shot in Georgia and San Francisco, CA. ADDITIONAL CAST: Judy Greer, Bobby Cannavale and Michael Peña. GRADE: B+/A-
Ant-Man is a much needed breath of fresh air from all the city-breaking, galaxy saving epicness of the past five Marvel movies. It's a nice, light, fun heist movie with some pretty cool effects and a great cast of characters. Michael Pena, T.I. and David Dastmalchian make this movie so much more ... enjoyable. Not that Paul Rudd, Evangeline Lilly, Michael Douglas, and Corey Still aren't great, but those three as a sidekick trio crack me up. Edgar Wright's stamp is all over this movie and it's a shame his directorial touch is missing, because he would have known what to remove to make it even better. But all in all, Ant-Man is great entertainment with a feel good story about a man trying to be the hero his kid thinks he is.
Much better than anticipated, I actually thoroughly enjoyed <em>'Ant-Man'</em>. The concept is silly, but I felt it made it work very well. It starts off as more Paul Rudd-esque than Marvel-esque, especially with the comedy. I wasn't expecting much from it at that point, not that it was necessari ... ly bad or anything but it wasn't what I'd expect from an MCU film. However, positively, it turns into something that fits in this universe. I enjoyed the action, score and humour. The cast do good things, with Paul Rudd filling the titular role nicely. I also really enjoyed Michael Douglas. Evangeline Lilly and Michael Peña are pluses, too. Corey Stoll, meanwhile, is a little meh I will say - entirely passable, but nothing memorable. This is a pleasant watch, one I'd recommend.
This movie is like a mix of honey I shrunk the kids' with some action in it, and it's made by Marvel. Plus it's really funny. ...
This movie is like a mix of honey I shrunk the kids' with some action in it, and it's made by Marvel. Plus it's really funny. ...
This movie is like a mix of honey I shrunk the kids' with some action in it, and it's made by Marvel. Plus it's really funny. ...