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Ant-Man

Heroes don't get any bigger.
2015 | 117m | English

(762959 votes)

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Popularity: 8 (history)

Details

Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Doctor Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
Release Date: Jul 14, 2015
Director: Peyton Reed
Writer: Adam McKay, Joe Cornish, Paul Rudd, Edgar Wright
Genres: Adventure, Action, Science Fiction
Keywords ant, shrinking, heist, superhero, master thief, based on comic, miniaturization, aftercreditsstinger, marvel cinematic universe (mcu), father daughter relationship, robbery gang, mentor protégé relationship, duringcreditsstinger, overprotective father, good versus evil, supersize
Production Companies Marvel Studios
Box Office Revenue: $519,311,965
Budget: $130,000,000
Updates Updated: May 19, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Paul Rudd Scott Lang / Ant-Man
Michael Douglas Dr. Hank Pym
Evangeline Lilly Hope van Dyne
Corey Stoll Darren Cross / Yellowjacket
Bobby Cannavale Paxton
Anthony Mackie Sam Wilson / Falcon
Judy Greer Maggie Lang
Abby Ryder Fortson Cassie Lang
Michael Peña Luis
David Dastmalchian Kurt
T.I. Dave
Wood Harris Gale
Hayley Atwell Peggy Carter
John Slattery Howard Stark
Martin Donovan Mitchell Carson
Garrett Morris Car Driver
Gregg Turkington Dale
Rod Hallett Hydra Buyer
Joe Chrest Frank
Joe Bucaro III Buyer
Jean Louisa Kelly Buyer
Dax Griffin Young Pym
Hayley Lovitt Janet van Dyne / The Wasp
Norma Alvarez Spanish Woman
Darcie Isabella Cottrell Young Daughter
Teddy Williams Raver
Carol Anne Watts Raver
Chuck David Willis Raver
Diana Chiritescu Raver
Neko Parham Pool BBQ Dad
Onira Tarés Pool BBQ Mom
Kylen Davis Pool BBQ Kid
Zamani Wilder Pool BBQ Kid
Jim R. Coleman Pym Tech Gate Guard
Desmond Phillips Pym Tech Security Guard
Aaron Saxton PYM Tech Security Guard
Michael A. Cook EMT
Ricki Lander Gorgeous Blonde
Rus Blackwell Superior Officer
Johnny Pemberton Ice Cream Store Customer
Nicholas Barrera Ernesto
Carlos Aviles Carlos
Lyndsi LaRose Emily
Robert Crayton Peachy
Ajani Perkins Cop on Speaker
Jessejames Locorriere Alpha Guard
Zack Duhame Beta Guard
Kevin Lacz Vault Guard
Michael Trisler Vault Guard
Daniel Stevens Armed Guard
Alex Chansky Armed Guard
Clay Donahue Fontenot Armed Guard
Michael Jamorski Armed Guard
Casey Pieretti Armed Guard
Antal Kalik Lab Guard
Adam Hart Lab Guard
Reuben Langdon Lab Guard
Todd Schneider Lab Guard
Kevin Buttimer Lab Tech
Danny Vasquez Ignacio
Anna Akana Writer
Stan Lee Bartender
Tom Kenny Hideous Rabbit (voice)
Rick Avery Helicopter Pilot
Erik Betts Helicopter Pilot
Chris Evans Steve Rogers / Captain America (uncredited)
Sebastian Stan James 'Bucky' Barnes / Winter Soldier (uncredited)
Raul Colon Prisoner (uncredited)
Hayley Gagner Pedestrian in Rain (uncredited)
Vanessa Ross Jogger (uncredited)
Name Job
Adam McKay Screenplay
Leo Birenberg Additional Music
Joe Cornish Screenplay, Story
Peyton Reed Director
Paul Rudd Screenplay
Russell Carpenter Director of Photography
Stan Lee Comic Book
Jack Kirby Comic Book
Larry Lieber Comic Book
Shepherd Frankel Production Design
Dave Jordan Music Supervisor
Jeff Habberstad Stunt Coordinator
Sarah Halley Finn Casting
Jason B. Stamey Casting Associate
Heba Thorisdottir Makeup Department Head
Larry Zanoff Armorer
Daniel Laurie Supervising Sound Editor
Tom Johnson Sound Re-Recording Mixer
Juan Peralta Sound Re-Recording Mixer
Josh Gold Sound Effects Editor
David Farmer Sound Designer
Kerry Lyn McKissick Script Supervisor
Jake Morrison Visual Effects Supervisor
Greg Funk Key Makeup Artist
Jimmy Ray Pickens Transportation Captain
John Buscema Thanks
Gene Colan Thanks
John Byrne Thanks
Robert Kirkman Thanks
Kim Foscato ADR Editor, Dialogue Editor
Samson Neslund Assistant Sound Editor
Colby Parker, Jr. Editor
Lars P. Winther First Assistant Director
Barbara Harris ADR Voice Casting
Jay Oliva Storyboard Designer
Dawn Michelle King First Assistant Editor
Russell Bobbitt Property Master
David Michelinie Thanks
Dave Metzger Orchestrator
Daniel Hargrave Stunts
Sala Baker Stunts, Utility Stunts
Christopher Barnett Dialogue Editor
Ryan Laney Compositors
Nina Fallon Visual Effects Producer
Leigh Folsom Boyd Additional Editor
Michael Goldberg Assistant Editor
Kirk M. Morri Additional Editor
Rick Avery Stunts
Jessica Harbeck Utility Stunts
Melissa R. Stubbs Utility Stunts
Renae Moneymaker Stunt Double
Christopher Kelly Production Assistant
Riley Flanagan Set Production Assistant
Jennifer Badger Stunts
Michael Runyard Stunt Double
Hannah Betts Utility Stunts
Steve Kelso Stunt Driver
Anthony N. Utility Stunts
Ashley Rae Trisler Stunt Double
Robin Bonaccorsi Utility Stunts
Evan Jacobs Stereoscopic Supervisor
Tanya Noel Hill Music Editor
Zade Rosenthal Still Photographer
Peter Rosenfeld Camera Operator, Steadicam Operator
Dennis J. Lootens Rigging Gaffer
Wendy M. Craig Costume Supervisor
Trevor Habberstad Stunt Coordinator
Nicole Young Assistant Costume Designer
Danny Molaschi Set Costumer
Dustin Berry Art Department Coordinator
Janine Rath-Thompson Hair Department Head
Jacqueline Fernandez Makeup Artist
Jill Oshry Makeup Artist
Cameron Beasley Art Direction
Jann K. Engel Art Direction
Calla Klessig Assistant Art Director
Rachel Block Assistant Art Director
Lauren Rosenbloom Assistant Art Director
Kelly Chow Visual Effects Coordinator
Tyler Cordova Visual Effects Coordinator
Diana Giorgiutti Visual Effects Producer
Dan Riffel Gaffer
Ron Licari Armorer
Daniel Sudick Special Effects Supervisor
Bob Kellough Sound Effects Editor
Jack Whittaker Sound Effects Editor
Jeremy Bowker Sound Effects Editor
Jenny Sandell Production Coordinator
Jason Tamez Production Supervisor
David Lazan Supervising Art Director
JoAnn Perritano Unit Production Manager
Walter Gasparovic First Assistant Director
Brian Avery Galligan Second Assistant Director
Jackie Burch Local Casting
Austin Gorg Art Direction
Sarah Contant Assistant Art Director
Josh Lusby Set Designer
John Moredock Set Designer
Thomas T. Taylor Set Designer
Dean Wolcott Set Designer
Chad S. Frey Set Designer
Danelle Davenport Storyboard Designer
David Krentz Storyboard Designer
Jim Magdaleno Storyboard Designer
James Rothwell Storyboard Designer
Jeffrey N. Civa First Assistant Camera
Bill O'Drobinak Camera Operator
Sean Hunter Moe First Assistant Camera
Sheilah Sullivan Production Controller
Richard Castro Production Accountant
Jesse Torres Post Production Supervisor
Adam Kimmerlin First Assistant Editor
Jim Harrison Music Editor
Scott McPhate Visual Effects Coordinator
Michael Asiman Visual Effects Coordinator
Kosta Saric Visual Effects Editor
Ross Newton Compositors
Shiloe Swisher Compositors
Christopher Grandel Compositors
Jim Stubblefield Assistant Property Master
Whit Norris Sound Mixer
C. Douglas Cameron Boom Operator
Len Levine Chief Lighting Technician
Michael Lowrance Best Boy Electric
Jim Shelton Key Grip
Richard L. Carden Dolly Grip
Brad Rea Dolly Grip
Grace Lambert Pyke Key Costumer
Branden Marks Key Costumer
Edward T. Hanley Key Costumer
Heather Sease Key Costumer
David Butler Key Set Costumer
Bob Moore Jr. Key Set Costumer
Melanie Mascioli Key Set Costumer
Amy Lehman Set Decorating Coordinator
Karen Gerbs Set Decoration Buyer
Helen Kozora Set Decoration Buyer
Samuel J. Tell Set Decoration Buyer
Yvette Stone Key Hair Stylist
Kerrie Smith Hairstylist
Michelle Diamantides Hairstylist
Claire Koonce Casting Assistant
David B. Nowell Aerial Director of Photography
Michael Kelem Aerial Director of Photography
Sean Ricigliano Epk Camera Operator
John M. Pisani Unit Publicist
John H. Samson Construction Coordinator
Joel Marrow Transportation Captain
Tyson Weatherford Transportation Captain
Rick Chouinard Transportation Co-Captain
John Armstrong Picture Car Coordinator
David C. Hughes Sound Designer
Russell Anderson Leadman
Jim Likowski Foley Editor
Dee Selby Foley Editor
Ryan J. Frias First Assistant Sound Editor
Kevin Kliesch Orchestrator
Tim Davies Orchestrator
Allen Coulter Set Designer
Chris Gridley Dialogue Editor
Brad Semenoff Dialogue Editor
James Ashwill Foley Mixer
Greg Reed VFX Editor
Andy Park Conceptual Illustrator
Alex Wuttke Visual Effects Supervisor
Adam Cole Post Production Coordinator
Walter Garcia Fight Choreographer
Roxane Griffin Hair Department Head
Tracey Moss Hairstylist
Kimberly Carlson Hairstylist
Jennifer Salvon Hairstylist
Teresa Morgan Key Hair Stylist
Bryan Reynolds Key Makeup Artist
Tracey L. Miller-Smith Makeup Artist
Brian Waltsak Makeup Artist
Stephan Dupuis Makeup Artist
Lisa Patnoe Makeup Artist
James MacKinnon Makeup Department Head
Bob Kretschmer Wigmaker
Nick Satriano First Assistant Director
Brent Egan Assistant Camera
James Hatridge Assistant Chief Lighting Technician
Dan Jarrell Best Boy Grip
Daniel Wurschl Camera Loader
Sagar Desai Camera Loader
Henry Nguyen Camera Loader
Peter Gulla Camera Operator
Kent Harvey Camera Operator
Stephen Buckingham Camera Operator
Edward A. Gutentag Camera Operator
Rafel Montoya Digital Imaging Technician
Robert Howie Digital Imaging Technician
Zach Hilton Digital Imaging Technician
Jordan Livingston Digital Imaging Technician
Michael Kim Digital Imaging Technician
Larry Jay Ertley Electrician
Evan Jones Electrician
Cas Lincoln Electrician
Matthew P. Stouppe Electrician
Brent Studler Electrician
Steven Walker Electrician
Jeremy Woods Electrician
Frank Helbig Electrician
John Kairis First Assistant Camera
Mark Santoni First Assistant Camera
Christian Satrazemis First Assistant Camera
Robert Settlemire First Assistant Camera
John Rex Woodward First Assistant Camera
Dennis Rogers First Assistant Camera
Richard Mall Key Grip
John Mahaffie Second Unit Director of Photography
Stephen Newbold 2D Sequence Supervisor
Giuliano Dionisio Vigano 2D Supervisor
Alexandre Cancado 2D Supervisor
Mike Stillwell 3D Sequence Supervisor
Tnaya Witmer Main Title Designer
Keith Roberts Animation Director
Raphael A. Pimentel Animation Supervisor
Eamonn Butler Animation Supervisor
Stephen Enticott Animation Supervisor
Neil Glasbey Animation Supervisor
Tim Harrington Animation Supervisor
Nicholas Symons Animation Supervisor
Juan S. Gomez CG Supervisor
Carlos-Christian Nickel CG Supervisor
Daniel Paulsson CG Supervisor
Artemis Oikonomopoulou CG Supervisor
Doug Sutton CG Supervisor
Pavel Pranevsky CG Supervisor
Richard Sutherland CG Supervisor
Damien Stumpf CG Supervisor
Koen Vroeijenstijn CG Supervisor
Andy Zazzera CG Supervisor
Adrian Corsei CG Supervisor
Gruff Owen Compositing Supervisor
David Jeffrey Phillips Compositing Supervisor
Aymeric Perceval Compositing Supervisor
Anton Yri Compositing Supervisor
François Lambert Compositing Supervisor
John J. Galloway Compositing Supervisor
Matthew Kemper Compositing Supervisor
Edson Williams Compositing Supervisor
Jonathan Cheetham Compositing Supervisor
Francisco De Jesus Digital Supervisor
Ferran Casas Lead Animator
Peter Clayton Lead Animator
Bruce Creevey Lead Animator
John Filipkowski Lead Animator
Aaron Schultz Lead Animator
Ben Wiggs Lead Animator
Michael Karp Matchmove Supervisor
Matthew Friedlander Matte Painter
Tristan Connors Modelling Supervisor
Lersak Bunupuradah Modelling Supervisor
Marc Calvelo Senior Animator
Oskar Urretabizkaia Senior Animator
Chris J. Kenny Sequence Supervisor
Brandon Nelson Sequence Supervisor
Brendan Seals Sequence Supervisor
Brian Delmonico Sequence Supervisor
Cyrus Jay Gladstone Stereoscopic Supervisor
Rohan Tirkey Stereoscopic Supervisor
Barry O'Brien Stereoscopic Supervisor
Prateek Kaushal Stereoscopic Supervisor
Caroline Rowlands VFX Editor
Tom Driscoll VFX Editor
Jan Reichmann VFX Editor
Simon Stanley-Clamp VFX Supervisor
Tony Baldridge VFX Supervisor
Monifa Andrew Visual Effects Coordinator
Ankit Gokani Visual Effects Coordinator
Syuhada Hassan Visual Effects Coordinator
Devika Kawle Visual Effects Coordinator
Chris McLeod Visual Effects Coordinator
Brittany Montero Visual Effects Coordinator
Rebekah Noulles-Smith Visual Effects Coordinator
Kristin Patterson Visual Effects Coordinator
Jakris Smittant Visual Effects Coordinator
Chiranjeev Thakur Visual Effects Coordinator
Melanie Marlar Visual Effects Coordinator
Sam Claitor Visual Effects Coordinator
Sam Hodge Visual Effects Coordinator
Timothy Trimmings Visual Effects Coordinator
Cole Darby Visual Effects Coordinator
Jeff Winkle Visual Effects Coordinator
Jayce Attewell Visual Effects Coordinator
Ashley Bradford Visual Effects Coordinator
Kat Greene Visual Effects Coordinator
Lisa Hallbauer Visual Effects Coordinator
Arushi Govil Visual Effects Coordinator
Conor Byrne Visual Effects Editor
Struan Farquhar Visual Effects Editor
Michael Harden Visual Effects Editor
Andy Stevens Visual Effects Editor
H.R. Barnett Visual Effects Editor
Jack Runyon Visual Effects Editor
John Polyson Visual Effects Editor
Tristan Fisher Visual Effects Editor
Ashton Hertz Visual Effects Editor
Abhishek Chauhan Visual Effects Editor
Arvind Chaurasiya Visual Effects Editor
Omkar Iyer Visual Effects Editor
Abraham Thomas Visual Effects Editor
Tarun Kripalani Visual Effects Producer
Karey Maltzahn Visual Effects Producer
Marie Rheinschild-Jordan Visual Effects Producer
Bojana Solomonova Vishemirski Visual Effects Producer
Priyanka Balasubramania Visual Effects Producer
Melanie Byrne Visual Effects Producer
Rob Shears Visual Effects Producer
Darcie Tang Visual Effects Producer
Allison Paul Visual Effects Producer
Steve Griffith Visual Effects Producer
Mark Webb Visual Effects Producer
Rene Grasser Visual Effects Producer
Franzisca Puppe Visual Effects Producer
Jenny Basen Visual Effects Production Manager
Jon Capleton Visual Effects Supervisor
Dinesh K. Bishnoi Visual Effects Supervisor
Jamie Hallett Visual Effects Supervisor
Russell Earl Visual Effects Supervisor
Vincent Cirelli Visual Effects Supervisor
Matthew Crnich Visual Effects Supervisor
James Jooyoung Lee Visual Effects Supervisor
Simone Kraus Townsend Visual Effects Supervisor
Dominik Zimmerle Visual Effects Supervisor
Alexander Johnson Assistant Editor
Lorena Talpan Assistant Editor
Laura Holeman Digital Intermediate
Bob Schneider Digital Intermediate
Robert Drwila Stereoscopic Editor
Dhirendra Chhatpar Stereoscopic Editor
Priyal Mahadik Stereoscopic Editor
Lee Briggs Visual Effects Production Manager
Mohen Leo Visual Effects Supervisor
Vaibhav Marathe Stereoscopic Editor
Emily Mason Stereoscopic Editor
Smeet Vedant Stereoscopic Editor
Lisa Curtis Saunders Software Engineer
Justin Johnson Digital Effects Supervisor
Esme Coleman Compositor
Jeffrey G. Barnett Utility Stunts
Sammy Sheldon Costume Design
Shannon Mills Supervising Sound Editor
Edgar Wright Screenplay, Story
Christophe Beck Original Music Composer
Dan Lebental Editor
Leslie A. Pope Set Decoration
Bryan Andrews Storyboard Designer
Nia Hansen Sound Effects Editor
Greg Steele Visual Effects Supervisor
Trent Claus Visual Effects Supervisor
Allison Gainza Special Effects Technician
Jeff Morrow Additional Music
Daniele Bigi CG Supervisor
Kyana F. Davidson Business Affairs Coordinator
Danielle Dupre Sound Re-Recording Assistant
Peng Zhang Stunts
Name Title
Louis D'Esposito Executive Producer
Stan Lee Executive Producer
Kevin Feige Producer
Brad Winderbaum Co-Producer
David J. Grant Co-Producer
Michael Grillo Executive Producer
Lars P. Winther Associate Producer
Alan Fine Executive Producer
Edgar Wright Executive Producer
Victoria Alonso Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 73 108 46
2024 5 87 133 69
2024 6 71 102 51
2024 7 75 120 43
2024 8 107 236 56
2024 9 55 105 43
2024 10 66 128 46
2024 11 62 209 39
2024 12 47 81 35
2025 1 53 94 36
2025 2 40 56 9
2025 3 18 53 3
2025 4 10 15 8
2025 5 10 11 8
2025 6 8 10 7
2025 7 8 9 7
2025 8 8 11 7
2025 9 10 13 8

Trending Position


Year Month High Avg
2025 9 305 700
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2025 8 156 654
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2025 7 226 656
Year Month High Avg
2025 6 142 684
Year Month High Avg
2025 5 75 301
Year Month High Avg
2025 4 67 331
Year Month High Avg
2025 3 66 308
Year Month High Avg
2025 2 58 214
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2025 1 27 303
Year Month High Avg
2024 12 26 431
Year Month High Avg
2024 11 113 388
Year Month High Avg
2024 10 188 362
Year Month High Avg
2024 9 192 307
Year Month High Avg
2024 8 143 254

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Reviews

owen333
N/A

I loved it it was so much fun and very funny, another marvel masterpiece ...

Jun 23, 2021
Frank Ochieng
N/A

When one thinks of a typical super-hero actioner, they imagine the boisterous boundaries that are associated with such an explosive genre: eye-popping special effects, outlandish and grand-standing villains, world domination escapades, complex yet flashy super-heroes that seem unreal and unapologeti ... c and a big scale of unbelievable escapism that is tellingly becoming of a comic book epic on the big screen for the hungry eyes of the giddy moviegoer. Remember, all these described elements are not a bad thing when it comes to larger than life comic book/superhero fantasies. In fact, we almost insist that our volt-minded vehicles have some kinetic kick to its pulsating, pithy adventures. After all, there is certainly nothing wrong with that approach to the cinematic sensationalism of summertime popcorn pleasers and the costumed heroes that take us on that daring, rollicking ride of magical mayhem. However, director Peyton Reed’s ‘Ant-Man’ symbolizes a different texture and tone to the familiar action-packed world of Marvel Comics’ outrageous universe both on the printed pages and in the dark movie theaters. It does not necessarily use the overwrought or ultra-stimulating tactics to sell its percolating product as a super-charged heroic fable of mighty manipulators out to save the planet in the tradition of frantic favorites such as ‘The Avengers’ film franchise for instance. Instead, ‘Ant-Man’ relies on its small and intimate take of quirkiness, introspection, a gentle doomsday message of despair and a measurement of an awkward man that wears his bugged-out wardrobe with a sense of curiosity and conviction. In essence, ‘Ant-Man’ is a costumed caper that is high-spirited in its low-key excitement…something quite refreshing and revered in the wild and wacky world of Marvel Comics’ representation of the super-studs and sasses that invade our cinematic sensibilities in the hazy days of summer. ‘Ant-Man’ lead Paul Rudd, an affable actor that has shown various levels of competence in both comedies and dramas over the years, is the unlikely source to don an ant-oriented attire and let his charm and cheekiness take over as the tiny bugged-eyed avenger of right and might. Rudd plays Scott Lang, a former troubled lawbreaker and gifted engineer whose demons come back to haunt him when he gets involved in the burglary shenanigans with his bad news buddies (T.I. and Michael Pena). The reason for Lang’s lure back to crime: a cockeyed but convenient way to win over the affections of his estranged young daughter. Interestingly, another great analytical mind of mechanics and science in stand-offish Hank Pym (Oscar-winner Michael Douglas) is spotlighted as he too struggles to relate to his daughter as well in the pretty Hope Van Dyne (Evangeline Lilly). Anyhow, Pym has a colorful backstory as it is revealed that he used to save the world from harm as the underrated crime-fighter Ant-Man. There was no glory or special recognition for Pym’s heroics as the buggy super-hero but his devotion to his crime-stopping craft was realized nevertheless. As ANT-MAN Paul Rudd's Scott Lang has plans to stop the criminnal foolishness besides raiding a giant-sized picnic basket in Peyton Reed's modest costume caper. As ANT-MAN Paul Rudd’s Scott Lang has plans to stop the criminal foolishness besides raiding a giant-sized picnic basket in Peyton Reed’s modest costume caper. The conflicted father-daughter tandem of Pym and Hope eventually recruit the beleaguered Lang to climb into the exo-skeletal red-and-black suit and become the current Ant-Man to continue the mission of promoting goodness over evil. In this specific case, Lang’s Ant-Man is asked to foil the nefarious agenda of Pym’s former protege and associate Darren Cross (Corey Stoll) who threatens to expose the revolutionary shrinking technology to anyone sinister that offers him an insane and immediate price for such secretive scientific information that could jeopardize mankind in the long run. Of course, it goes without saying, that Cross has an ominous alter-ego in the vile Yellowjacket whose back-and-forth clashing with Lang’s Ant-Man leads to the calculating and corrosive chess game of one skillful insidious insect trying to outwit and outmaneuver a conscientious one. Some may dismiss ‘Ant-Man’ as being too low-grade, cheesy and incidental in its confrontational canvas of saints versus sinners. Still, Reed’s handling of his Marvel-inspired ‘battle of the bugs’ is a winning formula in simplicity because it does not have to be rooted in a spectacular and showy landscape as the other successful bombastic blockbusters that come out of the frivolous factory of Hollywood. Essentially, ‘Ant-Man’ demonstrates the right kind of personality and prestige for its presentation as a scaled-down comic book actioner steeped in the personalized disillusionment of the characterizations and their assorted psyches. Sure, ‘Ant-Man’ will not let anyone forget its popular competitor in the much glorified and iconic standing of another insect-fighting Marvel mastermind in ‘Spider-Ma’n anytime soon. Yet Scott Lang’s Ant-Man is just as angst-ridden, impish, awkward and devoted as Peter Parker’s resilient web-headed wonder Spidey. The drama unfolds so convincingly in ‘Ant-Man’ not so much because of the dire dilemma of comicbook goodness and badness but because of the examination of deteriorating relations between broken men and their families or more specifically between fathers and daughters. Both Rudd and Douglas are committed to their roles as the Ant-Men that saved the world with ease past and present but could not say the same thing about rescuing the domestic responsibilities that eluded them under their own roofs. As Lang tries to find an opening for forgiveness toward his little girl and remarried ex-wife (Judy Greer), his current adviser Pym struggles to put the pieces together with a disgruntled Hope that blames her father for the neglect of her well-being as well as the death of her beloved late mother known as the Wasp, a super-heroine that shined in her own shadow of accomplishment. ‘Ant-Man’ is a soulfully weird, witty sliced-down spectacle of a comicbook film that is rare in its skin to deliver the message of a connection not just to stamping out the cartoonish crime and chaos that is routinely found in the playful playground of Marvel’s movie machine of high-powered personalities armed with skillful brute and brilliance. It also has something called heart and hope as it tackles the alienation and isolation of fathers and their vulnerable daughters. It will take more than a gigantic can of Raid to destroy the indomitable presence of ‘Ant-Man’ and what his hedonistic heroics, both physical and psychological, bring to the prized picnic table. Ant-Man (2015) Walt Disney Studios 1 hr. 57 mins. Starring: Paul Rudd, Michael Douglas, Evangeline Lilly, Crey Stall, Michael Pena, Tip “T.I.” Harris, Judy Greer, Bobby Cannavale, Wood Harris and Abby Ryder Fortson Directed by: Peyton Reed MPAA Rating: PG-13 Genre: Comic Book Fantasy, Super-heroes, Action and Adventure Critic’s Rating: *** stars (out of 4 stars)

May 16, 2024
John Chard
8.0

The Pocket Rocket. Given the production problems and its long gestation period, Ant-Man is arguably far better than it had right to be. Unsurprisingly with a Marvel Super Hero film, the critical reactions have been mixed, but given it's not as gargantuan as most Marvel pics it proves to have a bi ... g entertaining heart. A pic cunningly viewing the Marvel Universe from a different angle, whilst also not over egging the pudding. The effects work is impressive, the origin story narrative engrossing and with it carrying a lightness of touch, and there's a very enjoyable cast enthusiastically buying into the comic book frivolity. Sure, some of it's just plain daft, our hero's powers are hardly blunderbuss stuff, while the family melodramas bubbling away feel tired, but come the glorious finale, pandering to the child in us all, it's another Marvel winner readying itself for further adventures of Ant-Man. 7.5/10

May 16, 2024
Rangan
8.0

> Size doesn't matter if he's a superhero who committed to save the world. My confession is I never read 'Ant-man' comics and I never knew such kind of superhero even exist in Marvel till this movie was announced. (But I know Danish film 'Antboy'.) So I'm glad they brought cinematic version of 'A ... nt-man' and I'm sure he'll return to the next 'Avengers' as they promoted strongly in this film itself to know what would be the audience response. I don't know others, but I definitely welcome the idea. Another CGI magic, another Marvel's wonder. As long as they pick the right cast and crew with a good story, the sci-fi like this continues to rule the cinema world. It was a great team work, that must be appreciated. As usual the top notch visuals as well the performances, even the sidekicks. But I was surprised to see when Paul Rudd was attached to this project. I believed it would be a comedy sci-fi packed with full of action, and I was wrong. It was a simple tale, a heist theme and of course it was fun to watch, but never was a comedy movie. A wonderful beginning, especially for the first film in the series. You know strong foundation is the key to raise a building above. I know the sequels would only get better by progressing and it should be. Because in all the Marvel's superhero flicks, this one was the most family and young kids friendly. That does not mean there were no violence, but from the title to the characters and presentation, all were so casual and can be understood by all. It was so great to see a legend like Michael Douglas to be a part in the modern movie. Now I am eager to see Evangeline Lily as Wasp-girl in the follow-up. It would be like Peter Pan and Tinker Bell, but in a sci-fi version. The extras were very interesting, I enjoyed them as well. If you're are yet to see the film, don't expect anything like Disney's 'Honey' trilogy, after all, if you enjoy the Marvel Cinematic Universe (MCU) then you would do same for it which is the twelfth to follow. 7.5/10

May 16, 2024
mattwilde123
6.0

I like Paul Rudd and was hoping this would be as funny as 'The Guardians of the Galaxy' but it wasn't. It looked good and the direction was solid but I think it suffered from the constant screenplay rewrites that the film underwent by changing the screenwriters (Edgar Wright and Joe Cornish). I a ... lso felt it was a bit too long-winded and it was unbalanced. However, the main good feature in this film was the special effects. ★★★

Jun 23, 2021
Dark Jedi
8.0

I have to say that I did not have great hopes for this movie. However, I found it surprisingly enjoyable. As can be expected from a Marvel super hero movie it is not the most intelligent plot around but instead rather heavy on special effects. Having said that the plot is not bad given the contex ... t. I have never read any of the Ant-Man comics so I had no idea what to expect. The little expectation I had was of some guy turning into some ant like creature smashing things left right and center. So it was somewhat of a surprise to me when I found out that the guy was actually shrinking himself to ant size. Actually I went a bit “what the f…” when I first realized this and felt that this was going to be boring. However, in the end, I felt it worked out quite well. If it would have just been about some guy shrinking himself then it would indeed have been somewhat boring but the added coolness of this guy being able to command armies of bad-ass ants really helped stave of the boredom. As I wrote above it is a Marvel super hero movie so it is heavy on special effects and, personally, I felt they where quite okay. There is of course quite a bit of action in the movie as well as a bit of humour. I quite liked the parts where the Ant-Man and his nemesis slugged it out in a children’s room and a giant size Thomas the Tank Engine was thrown through the roof and into the garden. Maybe I liked it because Thomas the Tank Engine is a TV show that my kids liked to watch when they were smaller. There where of course a few of the usual Hollywood silly, brain-dead stunts like the tank scene. It could have been so cool but it was really ruined by the total lack of intelligence in the stunt following the cool revelation. I really liked Michael Douglas as Dr. Hank Pym as well as Evangeline Lilly as Hope Van Dyne. I was not too impressed by Paul Rudd but on the while I guess he was not too bad. It is a bit of a shame though that when Hollywood feels they need to throw in a bit of family drama they always have to throw in a divorce. It is rather depressing for us that have lived through such a tragedy after all. Bottom line, this was a surprisingly enjoyable movie. Far better than quite a few of the super hero movies that Marvel/Hollywood have produced like for instance the abysmal Spiderman movies although that is of course a personal opinion.

May 16, 2024
Ruuz
6.0

Less spectacle than most MCU films have been serving up, particularly in phase two, but the story and characterisation is actually a little stronger than the past couple of tales Marvel has served up. Villain Darren Cross, AKA “Yellowjacket” (originally a hero in the comics) lacks the onscreen pr ... esence of top tier Marvel-evil Loki, but is certainly one of the stronger offerings the MCU has given us. His twisted relationship with his former mentor gives another level to this Marvel film not seen since _Winter Soldier_. Not so much a super hero film as a super heist film, _Ant-Man_ was a welcome refreshment to the comic book movie party, and though I always like to give myself some time to find exactly where MCU films fit in my overall experience, at the moment I would say _Ant-Man_ sits somewhere comfortably in the middle, maybe even a bit below, but is still well worth a watch, even for those who aren’t deeply involved with the film series as a whole. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._

Jun 23, 2021
Wuchak
8.0

***Ant-Man?*** Released in 2015, "Ant-Man" stars Paul Rudd as Scott Lang, a cat burglar who is offered redemption and the opportunity to be a hero. Michael Douglas plays his mentor, Hank Pym, and Evangeline Lilly Pym's daughter; meanwhile Corey Stoll co-stars as the heavy. In my vast arsenal ... of old comics I have only one issue where Ant-Man is the main star: Marvel Feature #10, which featured Hank Pym as the hero, not to mention his wife, the Wasp, AKA Janet van Dyne. The character's run in that comic ceased with that very issue. By the 80s Scott Lang, a good-intentioned thief, became Ant-Man after stealing Pym's Ant-Man suit to save his daughter. With the encouragement of Pym, Lang became Ant-Man full-time. The movie is based on these events and I was surprised at how entertaining it is considering how relatively minor the hero is. The movie even makes a joke about this when Ant-Man comes face-to-face with the Falcon (Anthony Mackie). Speaking of which, it's great to see the Falcon in action. It's also great to see Yellowjacket who, in the comics, was Hank Pym after Lang took over as Ant-Man. In the movie Yellowjacket is the villain (Stoll), which is okay since Pym's Yellowjacket in the comics sort of became a villain when he had a mental breakdown and was eventually divorced by Janet, the Wasp. The filmmakers incidentally did an excellent job with the Yellowjacket suit. "Ant-Man" was a surprise hit at the box office and understandably so. It's a quality superhero flick done with style and brimming with confidence. It's nothing more than this, but that's all it needs to be. It's nice to see Michael Douglas who was, believe-it-or-not, 70 years-old during shooting. He shines in the movie as Pym and could easily pass for ten years younger. I also really liked the Quantum Realm sequence when Lang is reduced to microscopic size. The film runs 117 minutes and was shot in Georgia and San Francisco, CA. ADDITIONAL CAST: Judy Greer, Bobby Cannavale and Michael Peña. GRADE: B+/A-

Jun 23, 2021
tmdb44006625
7.0

Ant-Man is a much needed breath of fresh air from all the city-breaking, galaxy saving epicness of the past five Marvel movies. It's a nice, light, fun heist movie with some pretty cool effects and a great cast of characters. Michael Pena, T.I. and David Dastmalchian make this movie so much more ... enjoyable. Not that Paul Rudd, Evangeline Lilly, Michael Douglas, and Corey Still aren't great, but those three as a sidekick trio crack me up. Edgar Wright's stamp is all over this movie and it's a shame his directorial touch is missing, because he would have known what to remove to make it even better. But all in all, Ant-Man is great entertainment with a feel good story about a man trying to be the hero his kid thinks he is.

Jun 23, 2021
r96sk
8.0

Much better than anticipated, I actually thoroughly enjoyed <em>'Ant-Man'</em>. The concept is silly, but I felt it made it work very well. It starts off as more Paul Rudd-esque than Marvel-esque, especially with the comedy. I wasn't expecting much from it at that point, not that it was necessari ... ly bad or anything but it wasn't what I'd expect from an MCU film. However, positively, it turns into something that fits in this universe. I enjoyed the action, score and humour. The cast do good things, with Paul Rudd filling the titular role nicely. I also really enjoyed Michael Douglas. Evangeline Lilly and Michael Peña are pluses, too. Corey Stoll, meanwhile, is a little meh I will say - entirely passable, but nothing memorable. This is a pleasant watch, one I'd recommend.

Jun 23, 2021
SoSmooth1982
7.0

This movie is like a mix of honey I shrunk the kids' with some action in it, and it's made by Marvel. Plus it's really funny. ...

Apr 18, 2023
SoSmooth1982
7.0

This movie is like a mix of honey I shrunk the kids' with some action in it, and it's made by Marvel. Plus it's really funny. ...

Apr 21, 2023
SoSmooth1982
7.0

This movie is like a mix of honey I shrunk the kids' with some action in it, and it's made by Marvel. Plus it's really funny. ...

Apr 21, 2023