Popularity: 4 (history)
Director: | Aaron Sorkin |
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Writer: | Aaron Sorkin, Molly Bloom |
Staring: |
Molly Bloom, a young skier and former Olympic hopeful becomes a successful entrepreneur (and a target of an FBI investigation) when she establishes a high-stakes, international poker game. | |
Release Date: | Dec 07, 2017 |
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Director: | Aaron Sorkin |
Writer: | Aaron Sorkin, Molly Bloom |
Genres: | Drama, Crime |
Keywords | new york city, court, poker, gambling, bratva (russian mafia), olympic games, fbi, biography, arrest, based on true story, celebrity, trial, beating, lawyer, female protagonist, los angeles, california, courtroom, ice skating, snow skiing, card playing, employer employee relationship, courtroom drama, cleavage, high stakes, mob, father daughter relationship, admiring |
Production Companies | The Mark Gordon Company, Huayi Brothers Pictures, Entertainment One, STXfilms, Entertainment One Features, Pascal Pictures |
Box Office |
Revenue: $59,284,015
Budget: $30,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Aaron Sorkin | Director, Writer |
Elliot Graham | Editor |
Josh Schaeffer | Editor |
Charlotte Bruus Christensen | Director of Photography |
Daniel Pemberton | Original Music Composer |
Francine Maisler | Casting |
David Wasco | Production Design |
Mark Sussman | ADR Voice Casting |
Krystin Hunter | First Assistant Sound Editor |
Todd Toon | Sound Designer |
Roy T. Anderson | Stunts |
Alex Armbruster | Stunts |
Heather Bonomo | Stunts |
Tracey Ruggiero | Stunts |
Alan Baumgarten | Editor |
Susan Lyall | Costume Design |
Patricia Larman | Set Decoration |
Brandt Gordon | Art Direction |
Gregg Rudloff | Sound Re-Recording Mixer |
Steven R. Soussanna | Hair Department Head |
Tim Zydel | Leadman |
Sandor Mate | Carpenter |
David DeMarinis | Leadman |
Andy Ryan | Gaffer |
Bill O'Leary | Gaffer |
Molly Rose Daly | Casting Assistant |
Mike Drury | Assistant Property Master |
Steve Speers | Camera Operator |
John Mackenzie | Construction Coordinator |
Angelo Colavecchia | Steadicam Operator |
Patty Connolly | ADR Voice Casting |
Catherine Gilchrist | Casting Assistant |
Dustin Rivers | Electrician |
Lauren Richer | Casting Assistant |
Rachel Archer | Costumer |
Francesca Galesi | Researcher |
Shane B. Scott | Script Supervisor |
Malanie J. Romero | Makeup Artist |
Sarah Craig McEathron | Makeup Department Head |
Aaron Nadler | Art Department Coordinator |
Christopher Hamilton | Additional Photography |
Michael J. Maurer | Best Boy Electric |
Michael Galbraith | Second Unit Director of Photography |
Renee Fontana | Assistant Costume Designer |
Ghilaine Bouadana | Wardrobe Supervisor |
Dani Devereux | Matte Painter |
Marina Reshetnikova | Scenic Artist |
Richard Emerson | Key Grip |
Brianne Wells | Visual Effects Editor |
Patrick Krauter | Dolly Grip |
Jae Won D. Lee | Visual Effects Coordinator |
Tom Prate | Key Grip |
Ciara Brennan | Costume Coordinator |
Victoria Beard | Music Coordinator |
Stephanie Ingram | Hairstylist |
Dusty Reeves | Art Department Coordinator |
Dean Stinchcombe | First Assistant Camera |
Bogdan Iofciulescu | Techno Crane Operator |
Carlton Kaller | Music Editor, Music Supervisor |
Fred Kamping | Location Manager |
Jawed J.S. | Set Dresser |
Michael Gibson | Still Photographer |
Andrew Nelson | Set Costumer |
John Markle | Visual Effects Coordinator |
Andrea Grande-Capone | Key Hair Stylist |
Jill Salaver | Art Department Assistant |
Melissa Manke | Art Department Assistant |
John Moran | Graphic Designer |
Anthony Carlino | Leadman |
Patrick Head | Property Master |
Jonathan Oliveira | Casting Associate |
Sean Mulligan | Music Supervisor |
Alastair Muir | Key Makeup Artist |
Linda Dowds | Makeup Artist |
Alex Lawrence | Best Boy Electric |
Kathy Driscoll-Mohler | Casting Associate |
Carol Hartwick | Key Hair Stylist |
Kevin Lise | Assistant Property Master |
Tina Charad | Graphic Designer |
Christopher Geggie | Property Master |
Ryan McCaffrey | Set Dresser |
Michael Kelly | Gaffer |
Michael DiCarlo | Visual Effects Production Manager |
Elizabeth Cortez | Key Hair Stylist |
Kelly Brennan | Key Hair Stylist |
Johnathan Holmes | First Assistant "C" Camera |
Shaun Kuebeck | Rigging Grip |
Gerri Gillan | Costume Coordinator |
Aaron Weintraub | Visual Effects Supervisor |
David Kalahiki | Key Makeup Artist |
Vincent Sullivan | Hair Department Head |
David Best | Graphic Designer |
Kari Measham | Set Decoration Buyer |
Basil Smith | First Assistant Camera |
Alex Worster | First Assistant "B" Camera |
Wayne Godfrey | Costume Set Supervisor |
Laird McMurray | Special Effects Supervisor |
Olaf Wendt | Visual Effects Supervisor |
Brian van de Valk | Head Carpenter |
Robert Cochrane | Dolly Grip |
Jeremy Knaster | Electrician |
Sarah McMurdo | Visual Effects Producer |
William Cheng | Assistant Art Director |
Duane Gullison | Rigging Gaffer |
Ashley Gray | Casting Associate |
Barnaby Smith | Costumer |
David McCallum | Supervising Sound Editor |
Joshua Raymond Lee | Associate Editor |
Alex Bullick | Sound Effects Editor |
Chris Jensen | Digital Colorist |
Kevin Schultz | Foley Editor |
John Elliot | Foley Artist |
Alan Zielonko | Boom Operator |
Scott Millan | Sound Re-Recording Mixer |
Christina Mar | First Assistant Editor |
Drew Webster | Additional Sound Re-Recording Mixer |
Claire Dobson | Dialogue Editor |
Nelson Ferreira | Sound Editor |
Bob Peishel | Digital Intermediate Producer |
Joe Rosenbloom | First Assistant Editor |
Odin Benitez | Sound Effects Editor |
Glen Gauthier | Sound Mixer |
Michael J. Benavente | Supervising Sound Editor |
Jill Purdy | Dialogue Editor |
Tyler Whitham | Sound Effects Editor |
Bob Lacivita | ADR Mixer |
David Yonson | Foley Recordist |
Brian Magrum | ADR Mixer |
Nadya Hanlon | First Assistant Sound Editor |
Jesse Chapman | First Assistant Editor |
Jason McFarling | Boom Operator |
Rob Gyorgy | Digital Intermediate Editor |
Christine Ebadi | Stunts |
John Stoneham Jr. | Stunt Coordinator |
Cyril Balavoine | VFX Artist |
Dana Howes | Transportation Coordinator |
Ashley Pynn | Stunt Double |
Ryan Reed | Hairstylist |
Larissa Stadnichuk | Stunts |
Steve Lucescu | Stunt Double |
Krista Bell | Stunt Double |
Molly Bloom | Book |
Sandy Reynolds-Wasco | Set Decoration |
Roy Farfel | Stunts |
Michael Hatzer | Digital Colorist |
Name | Title |
---|---|
Mark Gordon | Producer |
Amy Pascal | Producer |
Leopoldo Gout | Executive Producer |
Oren Aviv | Executive Producer |
Adam Fogelson | Executive Producer |
Robert Simonds | Executive Producer |
Wang Zhongjun | Executive Producer |
Wang Zhonglei | Executive Producer |
Stuart M. Besser | Executive Producer |
Matt Jackson | Producer |
Lauren Lohman | Co-Producer |
Lyn Lucibello | Co-Producer |
Felice Bee | Executive Producer |
Donald Tang | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 49 | 88 | 34 |
2024 | 5 | 108 | 133 | 77 |
2024 | 6 | 66 | 121 | 29 |
2024 | 7 | 50 | 78 | 30 |
2024 | 8 | 28 | 51 | 18 |
2024 | 9 | 21 | 31 | 13 |
2024 | 10 | 25 | 48 | 12 |
2024 | 11 | 26 | 68 | 14 |
2024 | 12 | 24 | 34 | 16 |
2025 | 1 | 23 | 31 | 16 |
2025 | 2 | 19 | 33 | 4 |
2025 | 3 | 8 | 24 | 2 |
2025 | 4 | 4 | 7 | 3 |
2025 | 5 | 6 | 10 | 3 |
2025 | 6 | 5 | 13 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 3 | 5 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 649 | 754 |
Year | Month | High | Avg |
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2025 | 7 | 911 | 952 |
Year | Month | High | Avg |
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2025 | 6 | 655 | 757 |
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2025 | 4 | 694 | 855 |
Year | Month | High | Avg |
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2025 | 2 | 785 | 879 |
Year | Month | High | Avg |
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2025 | 1 | 522 | 691 |
Year | Month | High | Avg |
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2024 | 11 | 844 | 875 |
Hinges completely on Jessica Chastain's performance (which thankfully is pretty great all around) but Idris Elba in his supporting role cannot be understated. The two of them quickfire dialogue in true Sorkin fashion, and while _Molly's Game_ will probably not top anybody's lists for 2017, I do thin ... k most people will at the very least gain something from the movie, be it insight or enjoyment. Hopefully? Both. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**Overall : Fantastic performances and excellent writing further enhance an absolutely fascinating true story.** Based on the intriguing true story of Molly Bloom, an Olympic athlete turned underground poker organizer. The story in and of itself is fascinating, but it’s accentuated even further w ... ith Chastain’s incredible portrayal, the fantastic fast pace of the story, and Sorkin’s clever script. Taking the time to Google and discover who each of these characters really were makes this compelling tale all the more riveting. Add Molly’s uncompromising code and sprinkle in some Kevin Costner and Idris Elba and you end up with a gripping biopic that you can’t believe is actually true!
Jessica Chastain is really quite good in this biopic of Molly Bloom, a would-be American skier who ended up running some seriously lucrative poker games in the USA. An injury curtails her Olympic aspirations so she heads to Los Angeles and is soon helping "Dean" (Jeremy Strong) run his successful, i ... f somewhat low-brow, poker games. Seeing an opportunity to upscale the whole set-up, she branches out on her own and soon has many of the city's elite turning up to her plush hotel suite to play for millions. The film follows her ups and downs as she treads the line between what's legal and not; what's ethical and not - as well as dealing with the FBI and a few mobsters who fancy a slice of her cake. When, finally, the Feds swoop it falls to Charlie Jaffey (Idris Elba) to get her feet out of the fire. It's not the paciest of films, I have to say. Her narration does rather slow the whole thing down a bit too - as do the frequent retrospective scenes of her rather complex relationship with her parents (Kevin Costner plays her dad) and Elba really only has a chance to shine in one or two scenes towards the end. Still, it offers a fascinating insight into just how millions can be won/lost by otherwise reputable people; and just how ruthless that business and the US Government can be but Aaron Sorkin's usually quick-witted, sophisticated writing is distinctly lacking. It is worth watching, but I expected more.