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Pearl Harbor

It takes a moment to change history. It takes love to change lives.
2001 | 183m | English

(364223 votes)

TMDb IMDb

Popularity: 8 (history)

Director: Michael Bay
Writer: Randall Wallace
Staring:
Details

The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.
Release Date: May 21, 2001
Director: Michael Bay
Writer: Randall Wallace
Genres: Action, Romance, History, War
Keywords patriotism, pearl harbor, love, army, airplane, nurse, hawaii, world war ii, pilot, u.s. air force, dyslexia, pacific war, pin-up, melodramatic
Production Companies Jerry Bruckheimer Films, Touchstone Pictures
Box Office Revenue: $449,220,945
Budget: $140,000,000
Updates Updated: Sep 12, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Ben Affleck Rafe McCawley
Kate Beckinsale Evelyn Johnson
Josh Hartnett Danny Walker
Cuba Gooding Jr. Doris Miller
Jon Voight Franklin D. Roosevelt
Tom Sizemore Earl Sistern
Alec Baldwin James Doolittle
Ewen Bremner Red Winkle
William Lee Scott Billy Thompson
Greg Zola Anthony Fusco
Jennifer Garner Sandra
Jaime King Betty Bayer
Catherine Kellner Barbara
Sara Rue Martha
Michael Shannon Gooz Wood
Dan Aykroyd Captain Thurman
Colm Feore Admiral Kimmel
Mako Adm. Isoroku Yamamoto
John Fujioka Nishikura
Cary-Hiroyuki Tagawa Cmdr. Minoru Genda
Jesse James Young Rafe
Reiley McClendon Young Danny
William Fichtner Danny's Father
Steve Rankin Rafe's Father
Brian Haley Training Captain
Graham Beckel Adm. Chester W. Nimitz
Will Bowden British Pilot
Angel Sing Japanese Aide
Rufus Dorsey Dorie's Friend
Matthew Davis Joe
David Hornsby Flyer with Murmur
Scott Wilson George Marshall
Howard Mungo George
Randy Oglesby Strategic Analyst
Ping Wu Japanese Officer
Stan Cahill Pentagon Lieutenant
Tom Everett Secretary of the Navy Frank Knox
Tomas Arana Vice Admiral Frank J. Fletcher
Beth Grant Motherly Secretary
Sung Kang Listener
Raphael Sbarge Kimmel's Aide
Marty Belafsky Louie
Yuji Okumoto Japanese Shy Bomber
Josh Green Ellis
Ian Bohen Radar Operator #2
Michael Milhoan Army Commander
Peter Firth Mervyn Bennion
Marco Gould Pop-Up Sailor
Andrew Bryniarski Boxer Joe
Nicholas Downs Terrified Sailor
Tim Choate Navy Doctor
John Diehl Senior Doctor
Joseph Patrick Kelly Medic
Ron Harper Minister
Ted McGinley Army Major
Madison Mason Raymond Spruance
Kim Coates Jack Richards
Glenn Morshower William Halsey Jr.
Paul Francis Doolittle Co-Pilot
Scott Wiper Ripley
Eric Christian Olsen Gunner
Rod Biermann Navigator
Noriaki Kamata Japanese Soldier
Garret Sato Japanese Soldier
Eiji Inoue Japanese Soldier
Precious Chong Nursing Supervisor
Jeff Wadlow Next Guy in Line
Will Gill Jr. Train Conductor
Seth Sakai Japanese Tourist
Curtis Andersen Eighteen-Year-Old Typist
Blaine Pate Orderly in Aftermath
John Pyper-Ferguson Naval Officer in Hospital
Michael Shamus Wiles Marc Mitscher
Toru Tanaka Jr. Samoan Bouncer
Sean Gunn Traction Sailor
Josh Ackerman Wounded Sailor #1
Matt Casper Wounded Sailor
David Kaufman Young Nervous Doctor
Lindsey Ginter Captain Low
Guy Torry Teeny Mayfield
Leland Orser Major Jackson
Peter James Smith Mission listener
Pat Healy Newsreel Guy
Thomas Wilson Brown Young Flier
Chad Morgan Nurse
James Saito Japanese Aide
Tak Kubota Japanese Aide
Robert Jayne Sunburnt Sailor
Vic Chao Japanese Doctor
Frederick Koehler Wounded Sailor
Ben Easter Baja Sailor
Cory Tucker Baja Sailor
Abe Sylvia Baja Sailor
Jason Liggett Baja Sailor
Bret Roberts Baja Sailor
Sean Faris Danny's Gunner
Nicholas Farrell RAF Squadron Leader
Tony Curran Ian
Daniel Mays Pilot
Toshi Toda Dentist
Jaymee Ong Dental Assistant
Lisa Ross Nurse (uncredited)
Max Thayer Bit Part (uncredited)
Camille Carida Nurse (uncredited)
Winston Churchill Self (archive footage) (uncredited)
Tanya Dempsey Nurse (uncredited)
Adolf Hitler Self (archive footage) (uncredited)
Frieda Jane Nurse (uncredited)
Kathleen Mullan Stearn Nurse (uncredited))
Lin Oeding Japanese Sailor (uncredited)
Barbara Scolaro Josephine Doolittle (uncredited)
Melissa Anne Young Nurse (uncredited)
Scott Levy Sergeant (uncredited)
J Michael Briggs Injured Marine
Name Job
Keith Campbell Stunts
Eddy Donno Stunts
Tony Donno Stunts
Danny Epper Stunts
Randy Hall Stunts
Tom Harper Stunts
Christian J. Fletcher Stunts
Lisa Hoyle Stunts
Steve Kelso Stunts
Kanin Howell Stunts
Henry Kingi Jr. Stunts
Paul M. Lane Stunts
Tierre Turner Stunt Double
Erik Rondell Stunts
Philip Tan Stunts
Rex Reddick Stunts
Chris O'Hara Stunts
Michael Runyard Stunts
Matt McColm Stunts
Jeff Werner Visual Effects Producer
Selwyn Roberts Line Producer
Mark Goldblatt Editor
Chris Lebenzon Editor
Bonnie Timmermann Casting
Jon Billington Art Direction
Steve Picerni Stunt Coordinator
Rocky Capella Stunt Coordinator
Andy Gill Stunt Coordinator
Julie Hewett Makeup Department Head
John Rosengrant Makeup Effects, Prosthetic Supervisor
Michael Bay Director
Stan Winston Makeup Effects
Ethan Van der Ryn Sound Designer
Christopher Boyes Supervising Sound Editor
Ned Gorman Visual Effects Producer
Eric Brevig Visual Effects Supervisor
Mitchell Amundsen Second Unit Director of Photography
Alan D. Purwin Aerial Coordinator
Natalie Ballesteros Production Assistant
Geoffrey Gould Stand In
Stephen Grey Aerial Coordinator
Ben Snow Visual Effects Supervisor
Mike Smith Stunts
Benny Urquidez Stunts
Armen Ksajikian Musician
Kurt Bryant Stunts
Troy Gilbert Stunts
Diana R. Lupo Stunts
Lance Gilbert Stunts
Jack Gill Stunts
Erik Stabenau Stunts
Tim A. Davison Stunts
Gregory J. Barnett Stunts
Denney Pierce Stunts
John C. Meier Stunts
Danielle Burgio Stunts
Bob Brown Stunts
John Cenatiempo Stunts
Todd Bryant Stunts
Ivor Shier Pilot
Bobby Burns Stunts
Marian Green Stunts
Michael Stevenson Additional Second Assistant Director
Nigel Phelps Production Design
William Ladd Skinner Art Direction
Eliza Solesbury Set Decoration
Jennifer Williams Set Decoration
Mitzi Haralson Costume Design
Ross Shuman Modeling
Kathy Nelson Music Supervisor
Bob Badami Music Supervisor
Karen Golden Script Supervisor
Matthew Cohan Script Coordinator
Kenny Bates Stunt Coordinator
Linda Matthews Costume Supervisor
Yolanda Toussieng Hair Department Head
Janine Rath-Thompson Hairstylist
Dino Ganziano Hairstylist
Christine Beveridge Hairstylist
Michael Ornelaz Key Hair Stylist
Kathe Swanson Key Hair Stylist
Stacye P. Branche Makeup Artist
Mindy Hall Makeup Artist
Suzanne Austin Art Department Assistant
Alan Day Art Department Coordinator
Greg Figiel Art Department Coordinator
Paul Sonski Assistant Art Director
Donna Willinsky Assistant Art Director
Robert Woodruff Assistant Art Director
Greg John Callas Construction Coordinator
Christopher T. Welch ADR & Dubbing
Michelle Pazer ADR & Dubbing
Cindy Marty ADR & Dubbing
Julie Feiner ADR & Dubbing
Petra Bach ADR & Dubbing
John T. Cucci Foley
Dan O'Connell Foley
Adam Kopald Sound Effects Editor
R.J. Palmer Sound Effects Editor
Greg P. Russell Sound Re-Recording Mixer
Kevin O'Connell Sound Re-Recording Mixer
George Watters II Supervising Sound Editor
Yves De Bono Special Effects Supervisor
Keith Marbory Special Effects Supervisor
Joel Aron Sequence Supervisor
Kathy Chasen-Hay Visual Effects Producer
David S. Dranitzke Visual Effects Producer
Alex Jaeger Visual Effects Art Director
Kristopher Kasper Visual Effects Editor
Nathan McGuinness Visual Effects Supervisor
Greg Hyman Visual Effects Editor
Lindsey Cline Visual Effects Coordinator
David M. Gray Visual Effects Coordinator
Susan Greenhow Visual Effects Coordinator
Margaret B. Lynch Visual Effects Coordinator
Tom Derose Gaffer
Ian Foster Camera Operator
Kim Marks Camera Operator
Kurt E. Soderling Camera Operator
Nigel Willoughby Camera Operator
Andy Ryan Gaffer
Terry Potter Gaffer
Jeffrey P. Soderberg Rigging Gaffer
Robert Presley Steadicam Operator
Andrew Cooper Still Photographer
Pete Romano Underwater Camera
Eyde Belasco Casting Associate
Alison E. McBryde Casting Associate
Rhona Meyers Assistant Costume Designer
Clay Rawlins First Assistant Editor
Vanessa Bendetti Researcher
Stanford Gilbert Armorer
Michael Stone Camera Operator
Ulrika Akander Dialogue Editor
David A. Arnold Dialogue Editor
Teri E. Dorman Supervising Dialogue Editor
Marshall Winn Dialogue Editor
Allen Hartz Dialogue Editor
Martin Laing Supervising Art Director
Charles Stewart Property Master
Paul 'Sled' Reynolds Animal Coordinator
Cindy Franke Assistant Production Coordinator
Neal Naito Assistant Production Coordinator
Elona Tsou Assistant Production Coordinator
Robert Mazaraki Assistant Production Coordinator
Rachael Lin Gallaghan Assistant Production Coordinator
Lisa Davidson Assistant Production Coordinator
Paul LaZebnik Assistant Production Coordinator
Steve Hinton Pilot
Mika Sogawa Dialect Coach
Jeff Dash First Assistant Accountant
Rick Marcena First Assistant Accountant
David M. Atkinson First Assistant Accountant
Eric D. Shain First Assistant Accountant
Joan M. Zulpher First Assistant Accountant
Andrew MacLean First Assistant Accountant
Douglas C. Merrifield Marine Coordinator
David M. Kennedy Military Consultant
Debi West Payroll Accountant
Michael Goldberg Payroll Accountant
Jason Bogard Production Accountant
AnaMarie C. Gonzaga Production Accountant
Brandon Arolfo Production Assistant
Jordan Berkus Production Assistant
Dax A. Cuesta Production Assistant
Kirby C. Fortenberry Production Assistant
Justin G. Maguire Production Assistant
Gary A. Martin Production Assistant
Adam Martinez Production Assistant
Josh Price Production Assistant
Dana Suman Production Assistant
Eric Glasser Production Assistant
Julie Jones Production Controller
Stiles White Production Coordinator
Pamela Gossage Production Coordinator
Debra James Production Coordinator
Emily Stillman Production Coordinator
Jason Reed Production Executive
Hagop Yaglian Production Secretary
Derek DiBiagio Production Secretary
Esteban Sanchez Production Secretary
Windi See Vianello Production Secretary
Gerri Char Production Secretary
Melisa Uchida Production Secretary
Collene Van Arkel Production Secretary
Shawn Pipkin Production Secretary
Miranda Marks Production Secretary
Aimee O'Shea Researcher
Amy Davila Second Assistant Accountant
Kathy Donno Second Assistant Accountant
Robert George Second Assistant Accountant
Dana M. Michaelsen Second Assistant Accountant
Ernst W. Laurel Second Assistant Accountant
Louis Farah Set Medic
Allan Bragg Stand In
Keith Butler Stand In
Rodney Bursiel Stand In
Melissa Binder Textile Artist
Robert Dawson Title Designer
Leslie Silvey Travel Coordinator
Gabriela Gutentag Unit Publicist
Edward Hirsh Visual Effects Coordinator
Merritt Yohnka Stunts
Ivan Bates Stunts
Anthony Cecere Stunts
Doc D. Charbonneau Stunts
Craig H. Davidson Stunts
Diamond Farnsworth Stunts
Richard Epper Stunts
Tommy J. Huff Stunts
Frank Torres Stunts
Lincoln Simonds Stunts
Dustin Meier Stunts
Craig Lyn CG Artist
Rob McCabe Production Assistant
Hans Zimmer Original Music Composer
John Schwartzman Director of Photography
Steven Rosenblum Editor
John Frazier Special Effects Coordinator
Peter J. Devlin Production Sound Mixer
Pete Antico Stunts
Randall Wallace Writer
Martin Rosenberg VFX Director of Photography
Clint Lilley Stunts
Natalie Leggett Musician
Miguel Ángel Poveda Post Production Coordinator
Glen Yrigoyen Stunts
Cathy Burrow Compositor
Gigi Williams Makeup Artist
Marlene D. Williams Hair Supervisor
William Hawa Set Designer
William Hawkins Set Designer
William Hiney Assistant Art Director
William Aldridge Special Effects Best Boy
William H. Schirmer Special Effects Manager
Ronnie E. Williams Jr. Digital Compositor
Gene Williams Stunts
Bryce Guy Williams Transportation Coordinator
William Cueto Electrician
William T. Jones Rigging Grip
William E. Powers Pilot
Ben Hernandez Bray Stunts
Roger Barton Editor
Michael Kaplan Costume Design
Edouard F. Henriques III Makeup Artist
Carla Meyer Dialect Coach
Danny Rogers Stunts
Jimmy N. Roberts Stunts
Mike Massa Stunts
K.C. Hodenfield First Assistant Director
Tina L. Newman Production Supervisor
Diane Warren Songs
Chris Castaldi Key Set Production Assistant
Jeff Okabayashi Second Assistant Director
Name Title
Bruce Hendricks Executive Producer
Kenny Bates Producer
Michael Bay Producer
Chad Oman Executive Producer
Mike Stenson Executive Producer
Randall Wallace Executive Producer
Jerry Bruckheimer Producer
Scott Gardenhour Executive Producer
Jennifer Klein Producer
Pat Sandston Producer
Barry H. Waldman Executive Producer
K.C. Hodenfield Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 56 78 42
2024 5 63 93 46
2024 6 59 91 41
2024 7 59 86 44
2024 8 52 70 36
2024 9 45 77 31
2024 10 43 66 30
2024 11 44 59 34
2024 12 54 78 43
2025 1 65 118 40
2025 2 38 60 8
2025 3 11 44 3
2025 4 10 20 7
2025 5 10 20 7
2025 6 9 12 7
2025 7 8 9 7
2025 8 7 10 6
2025 9 9 13 7

Trending Position


Year Month High Avg
2025 9 406 707
Year Month High Avg
2025 8 500 764
Year Month High Avg
2025 7 248 685
Year Month High Avg
2025 6 457 810
Year Month High Avg
2025 5 284 782
Year Month High Avg
2025 4 325 646
Year Month High Avg
2025 3 450 763
Year Month High Avg
2025 2 434 680
Year Month High Avg
2025 1 385 771
Year Month High Avg
2024 12 602 828
Year Month High Avg
2024 11 620 780
Year Month High Avg
2024 10 900 944
Year Month High Avg
2024 9 447 591
Year Month High Avg
2024 8 622 844

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Reviews

John Chard
5.0

OK! Lets not beat around the bush, it's historically suspicious, badly written, badly cast and clearly an hour too long. A splendid "support cast" are wasted as Michael Bay and his production team think they can produce some sort of Titanic of the Skies like epic and fail in their objective. By the ... time of the brilliantly constructed assault by the Japanese on Pearl Harbor, and "it is" exhilarating and edge of the seat heart pounding, you are left with the feeling that all the main characters in the piece are not really worth our emotional investment. It's not an outright stinker, situations such as the nurses trying to cope in the hospital during the attack are poignant, and there's a jingoistic - cum - romantic fervour that screams out that the film wants to be genuine in making you feel, well, emotionally battered. However, given the budget and time you are asked to invest in the story, it's impossible not to feel cheated as the clock ticks past the three hour mark. Perhaps it's unfair to use Titanic as a template for this type of epic? Especially since over the course of time many have come out of the woodwork to knock Titanic when previously there were nods in appreciation for it, all be it grudgingly. But Pearl Harbor just doesn't have enough about it to make it even a "time waster" recommendation, and this even allowing for some quality "Bayhem" action as the film rolls into its blunderbuss third quarter. 5/10

May 16, 2024
Geronimo1967
6.0

After about half an hour, I started to wonder if this film was going to take as long to get going as a pearl takes to form in an oyster! It's a close run thing, as it must be around eighty minutes in before the Japanese come to the rescue of the audience and introduce some action into this over-long ... and dreary romance. Certainly it is all handsomely presented with Ben Affleck ("Rafe") at his most swarthy as he gets it to together with "Evelyn" (Kate Beckinsale). Having put us through the usual "how to get the girl" shenanigans, though, he heads off to the UK to help in the Battle of Britain. It's from here that reports reach her that he has been killed. Enter his best friend "Danny" (Josh Hartnett) who tries to console her before, well you can guess the rest. You can also easily guess that Affleck was being paid way too much money to be out before the fighting began in earnest, so back he duly arrives and a yawn-making love triangle takes over the plot. When we finally do start to focus on the events of December 7th, 1941, the action partially redeems this film. Twenty minutes of a quickly paced depiction of the meticulously planned destruction of the US Pacific fleet that caused mayhem and carnage upon their ill-prepared quarry. The creative use of CGI and intricate photography illustrate well both the human catastrophe as well as the significant destruction of materiel. Of course, our two survive and together with their erstwhile CO "Doolittle" (Alec Baldwin) are drafted into the retaliation plan than involves a perilous, long range, bombing attack on Tokyo to demonstrated that they still have the capacity for potent response. This is two films, really, and I much preferred the later stages. Even then, though, it has a shockingly poor script and the characterisations are weak and undercooked. The technology is used well, but that's about all I can say for this sentimental and meandering offering.

Jul 01, 2022
Wuchak
9.0

**_A fine drama/romance combined with great war action_** "Pearl Harbor" (2001) is a Titanic-ized version of the tragic events of Pearl Harbor—a fabricated drama/romance hooking the viewer into the deceitful attack of December 7, 1941. It's 85 minutes before the attack occurs so the drama/roma ... nce and build-up to the infamous day BETTER be good, and it is. It's believable too (except maybe for the premature sex scene, which inaccurately transfers modern morals to the early '40s). This first act successfully brings us back to the era of the early '40s and sets the stage for the attack. I didn't think there would be any action until the big attack but I was wrong, as we get some quality action when Rafe (Ben Affleck) goes over to Europe to fly for the British. There are also a couple of fight sequences. While dancing & drinking, Evelyn (Kate Beckinsale) comments to Rafe how shy Danny (Josh Hartnett) seems to be while he’s shown just sitting at a table too shy to talk to a girl or ask someone to dance. Rafe responds that Danny is like a brother to him, that Danny's father abused him, and he therefore lacks confidence. While these characters are fictional, this is REAL. Much later, Danny goes to a woman's apartment fumbling & stumbling to ask her out. The conversation is, of course, awkward. He then walks away, speaking under his breath, "You're such an idiot!" This is good stuff. The film also shows that the timid average-looking man can win the heart of a beautiful woman just as well as the confident handsome man. It's simply a matter of passion, patience, risk, humble pie and playing your cards right. As for the Pearl Harbor attack, it's a full 30 minutes of great war footage. Critics argue that there are many historical inaccuracies in the film, but what? Seriously, what is so historically inaccurate in the film? I'm sure there are a few minor inaccuracies (maybe Jimmy Doolittle's boot laces weren't right, Oh, my God!!), but what film with a historical backdrop ever has everything 100% right? The gist of the event is accurate. And the subplot with Cuba Gooding Jr. as Navy boxer Doris Miller is a true story. The film is also respectful of the Japanese viewpoint as they meticulously plan, prepare for, and carry out their massive raid. I felt this was generous on the filmmakers' part since nothing can justify their deceitful and cowardly assault. They spoke with forked tongue of peace while planning the unprovoked aggression. Meanwhile there’s a great scene showing the Japanese pilots the night before the raid, praying and psyching up for the attack. It's very realistic. After the attack, I knew there was a good 50 minutes left in the film so I was apprehensive regarding the remainder of the story; not to worry, though, as this final act compellingly details The Doolittle Raid, the first American bombing mission over Japan. More great war action. This bold mission took place a mere 4.5 months after the Pearl Harbor attack on April, 1942. The raid is notable in that it was the only time in US military history that bombers were launched from an aircraft carrier. Sixteen modified bombers with five-men crews successfully bombed 10 military and industrial targets in and around Tokyo. Unfortunately, this was a one-way mission and they were forced to fly to mainland China to land, crashland or bail out, IF they had enough fuel, that is. Most of the Americans made it to China and safety with the help of Chinese civilians and soldiers, but hey paid dearly for helping as it is estimated that the Japanese killed 250,000 Chinese, vengefully searching for Doolittle's men! Incidentally, Lt. Col. Jimmy Doolittle is greatly portrayed by Alec Baldwin and, true to history, the picture shows Doolittle taking part in the daring mission. More historical accuracy. Some criticize that the Doolittle Raid doesn't belong in the movie, but nothing could be further from the truth. If all the flick showed was the Pearl Harbor attack and the immediate aftermath it would've ended on a real downer. Showing the successful Doolittle Raid makes the film end on a positive note. What effect did the raid have at the time? For one, it caused American moral to soar from the depths. It has the same inspiring effect on viewers. In light of all the criticism I kept waiting for "Pearl Harbor" to stumble and fail, but it never happened. Yes, the viewer has to be open to the drama/romance as it leisurely unfolds, but this just helps make the viewer CARE about the characters before the tragic events inevitably occur. I'm not a fan of Michael Bay. I have zero interest in his "Transformers" films, but this is great filmmaking. It provokes interest in the events and inspires the viewer to research them in more detail. The film runs 3 hours, 3 minutes. GRADE: A

Jan 30, 2023
RalphRahal
6.0

Pearl Harbor is one of those movies that gets a lot of hate, but honestly, I don’t think it deserves all of it. People go in expecting a war film and get a romance drama instead, which seems to be where most of the criticism comes from. The plot focuses more on a love triangle than the historical at ... tack itself, and while that might not be what everyone wanted, it was clearly the film’s intention. If you can accept that it's a romantic drama set against a war backdrop, rather than a war film with romance sprinkled in, then you might appreciate it for what it is. Michael Bay’s direction is exactly what you’d expect—big, explosive, and visually intense. The action sequences, especially the Pearl Harbor attack, are filmed in his signature style, and they still hold up today. The cinematography is clean, with dramatic wide shots of aerial combat, fiery destruction, and emotional close-ups. Where the film struggles is its pacing. It stretches certain sequences for too long, making it feel uneven at times. The final act, while exciting, feels a bit disconnected from the rest of the movie, almost like it belongs to a different story. Acting-wise, Ben Affleck, Josh Hartnett, and Kate Beckinsale do a decent job, but the material they’re working with doesn’t always help them. Their performances are solid but not standout, with some emotional scenes feeling a little forced. The supporting cast, including Cuba Gooding Jr. and Alec Baldwin, adds weight to the film, but the character development is mostly surface-level. The script has its moments but leans into melodrama too often, making some scenes feel more exaggerated than they need to be. That said, Pearl Harbor delivers where it counts in terms of visuals and sound. The action sequences are stunning, with incredible aerial shots, intense battle choreography, and a level of destruction that still holds up today. The sound design adds a layer of realism, making the chaos of war feel immersive. And then there’s Hans Zimmer’s score, which is hands down one of the best aspects of the film. His music elevates the emotions, making the highs more exhilarating and the lows more heartbreaking. If you watch Pearl Harbor for its spectacle, its music, and its grand-scale drama, there’s a lot to enjoy.

Feb 17, 2025