Popularity: 8 (history)
Director: | Michael Bay |
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Writer: | Randall Wallace |
Staring: |
The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941. | |
Release Date: | May 21, 2001 |
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Director: | Michael Bay |
Writer: | Randall Wallace |
Genres: | Action, Romance, History, War |
Keywords | patriotism, pearl harbor, love, army, airplane, nurse, hawaii, world war ii, pilot, u.s. air force, dyslexia, pacific war, pin-up, melodramatic |
Production Companies | Jerry Bruckheimer Films, Touchstone Pictures |
Box Office |
Revenue: $449,220,945
Budget: $140,000,000 |
Updates |
Updated: Sep 12, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Ben Affleck | Rafe McCawley |
Kate Beckinsale | Evelyn Johnson |
Josh Hartnett | Danny Walker |
Cuba Gooding Jr. | Doris Miller |
Jon Voight | Franklin D. Roosevelt |
Tom Sizemore | Earl Sistern |
Alec Baldwin | James Doolittle |
Ewen Bremner | Red Winkle |
William Lee Scott | Billy Thompson |
Greg Zola | Anthony Fusco |
Jennifer Garner | Sandra |
Jaime King | Betty Bayer |
Catherine Kellner | Barbara |
Sara Rue | Martha |
Michael Shannon | Gooz Wood |
Dan Aykroyd | Captain Thurman |
Colm Feore | Admiral Kimmel |
Mako | Adm. Isoroku Yamamoto |
John Fujioka | Nishikura |
Cary-Hiroyuki Tagawa | Cmdr. Minoru Genda |
Jesse James | Young Rafe |
Reiley McClendon | Young Danny |
William Fichtner | Danny's Father |
Steve Rankin | Rafe's Father |
Brian Haley | Training Captain |
Graham Beckel | Adm. Chester W. Nimitz |
Will Bowden | British Pilot |
Angel Sing | Japanese Aide |
Rufus Dorsey | Dorie's Friend |
Matthew Davis | Joe |
David Hornsby | Flyer with Murmur |
Scott Wilson | George Marshall |
Howard Mungo | George |
Randy Oglesby | Strategic Analyst |
Ping Wu | Japanese Officer |
Stan Cahill | Pentagon Lieutenant |
Tom Everett | Secretary of the Navy Frank Knox |
Tomas Arana | Vice Admiral Frank J. Fletcher |
Beth Grant | Motherly Secretary |
Sung Kang | Listener |
Raphael Sbarge | Kimmel's Aide |
Marty Belafsky | Louie |
Yuji Okumoto | Japanese Shy Bomber |
Josh Green | Ellis |
Ian Bohen | Radar Operator #2 |
Michael Milhoan | Army Commander |
Peter Firth | Mervyn Bennion |
Marco Gould | Pop-Up Sailor |
Andrew Bryniarski | Boxer Joe |
Nicholas Downs | Terrified Sailor |
Tim Choate | Navy Doctor |
John Diehl | Senior Doctor |
Joseph Patrick Kelly | Medic |
Ron Harper | Minister |
Ted McGinley | Army Major |
Madison Mason | Raymond Spruance |
Kim Coates | Jack Richards |
Glenn Morshower | William Halsey Jr. |
Paul Francis | Doolittle Co-Pilot |
Scott Wiper | Ripley |
Eric Christian Olsen | Gunner |
Rod Biermann | Navigator |
Noriaki Kamata | Japanese Soldier |
Garret Sato | Japanese Soldier |
Eiji Inoue | Japanese Soldier |
Precious Chong | Nursing Supervisor |
Jeff Wadlow | Next Guy in Line |
Will Gill Jr. | Train Conductor |
Seth Sakai | Japanese Tourist |
Curtis Andersen | Eighteen-Year-Old Typist |
Blaine Pate | Orderly in Aftermath |
John Pyper-Ferguson | Naval Officer in Hospital |
Michael Shamus Wiles | Marc Mitscher |
Toru Tanaka Jr. | Samoan Bouncer |
Sean Gunn | Traction Sailor |
Josh Ackerman | Wounded Sailor #1 |
Matt Casper | Wounded Sailor |
David Kaufman | Young Nervous Doctor |
Lindsey Ginter | Captain Low |
Guy Torry | Teeny Mayfield |
Leland Orser | Major Jackson |
Peter James Smith | Mission listener |
Pat Healy | Newsreel Guy |
Thomas Wilson Brown | Young Flier |
Chad Morgan | Nurse |
James Saito | Japanese Aide |
Tak Kubota | Japanese Aide |
Robert Jayne | Sunburnt Sailor |
Vic Chao | Japanese Doctor |
Frederick Koehler | Wounded Sailor |
Ben Easter | Baja Sailor |
Cory Tucker | Baja Sailor |
Abe Sylvia | Baja Sailor |
Jason Liggett | Baja Sailor |
Bret Roberts | Baja Sailor |
Sean Faris | Danny's Gunner |
Nicholas Farrell | RAF Squadron Leader |
Tony Curran | Ian |
Daniel Mays | Pilot |
Toshi Toda | Dentist |
Jaymee Ong | Dental Assistant |
Lisa Ross | Nurse (uncredited) |
Max Thayer | Bit Part (uncredited) |
Camille Carida | Nurse (uncredited) |
Winston Churchill | Self (archive footage) (uncredited) |
Tanya Dempsey | Nurse (uncredited) |
Adolf Hitler | Self (archive footage) (uncredited) |
Frieda Jane | Nurse (uncredited) |
Kathleen Mullan | Stearn Nurse (uncredited)) |
Lin Oeding | Japanese Sailor (uncredited) |
Barbara Scolaro | Josephine Doolittle (uncredited) |
Melissa Anne Young | Nurse (uncredited) |
Scott Levy | Sergeant (uncredited) |
J Michael Briggs | Injured Marine |
Name | Job |
---|---|
Keith Campbell | Stunts |
Eddy Donno | Stunts |
Tony Donno | Stunts |
Danny Epper | Stunts |
Randy Hall | Stunts |
Tom Harper | Stunts |
Christian J. Fletcher | Stunts |
Lisa Hoyle | Stunts |
Steve Kelso | Stunts |
Kanin Howell | Stunts |
Henry Kingi Jr. | Stunts |
Paul M. Lane | Stunts |
Tierre Turner | Stunt Double |
Erik Rondell | Stunts |
Philip Tan | Stunts |
Rex Reddick | Stunts |
Chris O'Hara | Stunts |
Michael Runyard | Stunts |
Matt McColm | Stunts |
Jeff Werner | Visual Effects Producer |
Selwyn Roberts | Line Producer |
Mark Goldblatt | Editor |
Chris Lebenzon | Editor |
Bonnie Timmermann | Casting |
Jon Billington | Art Direction |
Steve Picerni | Stunt Coordinator |
Rocky Capella | Stunt Coordinator |
Andy Gill | Stunt Coordinator |
Julie Hewett | Makeup Department Head |
John Rosengrant | Makeup Effects, Prosthetic Supervisor |
Michael Bay | Director |
Stan Winston | Makeup Effects |
Ethan Van der Ryn | Sound Designer |
Christopher Boyes | Supervising Sound Editor |
Ned Gorman | Visual Effects Producer |
Eric Brevig | Visual Effects Supervisor |
Mitchell Amundsen | Second Unit Director of Photography |
Alan D. Purwin | Aerial Coordinator |
Natalie Ballesteros | Production Assistant |
Geoffrey Gould | Stand In |
Stephen Grey | Aerial Coordinator |
Ben Snow | Visual Effects Supervisor |
Mike Smith | Stunts |
Benny Urquidez | Stunts |
Armen Ksajikian | Musician |
Kurt Bryant | Stunts |
Troy Gilbert | Stunts |
Diana R. Lupo | Stunts |
Lance Gilbert | Stunts |
Jack Gill | Stunts |
Erik Stabenau | Stunts |
Tim A. Davison | Stunts |
Gregory J. Barnett | Stunts |
Denney Pierce | Stunts |
John C. Meier | Stunts |
Danielle Burgio | Stunts |
Bob Brown | Stunts |
John Cenatiempo | Stunts |
Todd Bryant | Stunts |
Ivor Shier | Pilot |
Bobby Burns | Stunts |
Marian Green | Stunts |
Michael Stevenson | Additional Second Assistant Director |
Nigel Phelps | Production Design |
William Ladd Skinner | Art Direction |
Eliza Solesbury | Set Decoration |
Jennifer Williams | Set Decoration |
Mitzi Haralson | Costume Design |
Ross Shuman | Modeling |
Kathy Nelson | Music Supervisor |
Bob Badami | Music Supervisor |
Karen Golden | Script Supervisor |
Matthew Cohan | Script Coordinator |
Kenny Bates | Stunt Coordinator |
Linda Matthews | Costume Supervisor |
Yolanda Toussieng | Hair Department Head |
Janine Rath-Thompson | Hairstylist |
Dino Ganziano | Hairstylist |
Christine Beveridge | Hairstylist |
Michael Ornelaz | Key Hair Stylist |
Kathe Swanson | Key Hair Stylist |
Stacye P. Branche | Makeup Artist |
Mindy Hall | Makeup Artist |
Suzanne Austin | Art Department Assistant |
Alan Day | Art Department Coordinator |
Greg Figiel | Art Department Coordinator |
Paul Sonski | Assistant Art Director |
Donna Willinsky | Assistant Art Director |
Robert Woodruff | Assistant Art Director |
Greg John Callas | Construction Coordinator |
Christopher T. Welch | ADR & Dubbing |
Michelle Pazer | ADR & Dubbing |
Cindy Marty | ADR & Dubbing |
Julie Feiner | ADR & Dubbing |
Petra Bach | ADR & Dubbing |
John T. Cucci | Foley |
Dan O'Connell | Foley |
Adam Kopald | Sound Effects Editor |
R.J. Palmer | Sound Effects Editor |
Greg P. Russell | Sound Re-Recording Mixer |
Kevin O'Connell | Sound Re-Recording Mixer |
George Watters II | Supervising Sound Editor |
Yves De Bono | Special Effects Supervisor |
Keith Marbory | Special Effects Supervisor |
Joel Aron | Sequence Supervisor |
Kathy Chasen-Hay | Visual Effects Producer |
David S. Dranitzke | Visual Effects Producer |
Alex Jaeger | Visual Effects Art Director |
Kristopher Kasper | Visual Effects Editor |
Nathan McGuinness | Visual Effects Supervisor |
Greg Hyman | Visual Effects Editor |
Lindsey Cline | Visual Effects Coordinator |
David M. Gray | Visual Effects Coordinator |
Susan Greenhow | Visual Effects Coordinator |
Margaret B. Lynch | Visual Effects Coordinator |
Tom Derose | Gaffer |
Ian Foster | Camera Operator |
Kim Marks | Camera Operator |
Kurt E. Soderling | Camera Operator |
Nigel Willoughby | Camera Operator |
Andy Ryan | Gaffer |
Terry Potter | Gaffer |
Jeffrey P. Soderberg | Rigging Gaffer |
Robert Presley | Steadicam Operator |
Andrew Cooper | Still Photographer |
Pete Romano | Underwater Camera |
Eyde Belasco | Casting Associate |
Alison E. McBryde | Casting Associate |
Rhona Meyers | Assistant Costume Designer |
Clay Rawlins | First Assistant Editor |
Vanessa Bendetti | Researcher |
Stanford Gilbert | Armorer |
Michael Stone | Camera Operator |
Ulrika Akander | Dialogue Editor |
David A. Arnold | Dialogue Editor |
Teri E. Dorman | Supervising Dialogue Editor |
Marshall Winn | Dialogue Editor |
Allen Hartz | Dialogue Editor |
Martin Laing | Supervising Art Director |
Charles Stewart | Property Master |
Paul 'Sled' Reynolds | Animal Coordinator |
Cindy Franke | Assistant Production Coordinator |
Neal Naito | Assistant Production Coordinator |
Elona Tsou | Assistant Production Coordinator |
Robert Mazaraki | Assistant Production Coordinator |
Rachael Lin Gallaghan | Assistant Production Coordinator |
Lisa Davidson | Assistant Production Coordinator |
Paul LaZebnik | Assistant Production Coordinator |
Steve Hinton | Pilot |
Mika Sogawa | Dialect Coach |
Jeff Dash | First Assistant Accountant |
Rick Marcena | First Assistant Accountant |
David M. Atkinson | First Assistant Accountant |
Eric D. Shain | First Assistant Accountant |
Joan M. Zulpher | First Assistant Accountant |
Andrew MacLean | First Assistant Accountant |
Douglas C. Merrifield | Marine Coordinator |
David M. Kennedy | Military Consultant |
Debi West | Payroll Accountant |
Michael Goldberg | Payroll Accountant |
Jason Bogard | Production Accountant |
AnaMarie C. Gonzaga | Production Accountant |
Brandon Arolfo | Production Assistant |
Jordan Berkus | Production Assistant |
Dax A. Cuesta | Production Assistant |
Kirby C. Fortenberry | Production Assistant |
Justin G. Maguire | Production Assistant |
Gary A. Martin | Production Assistant |
Adam Martinez | Production Assistant |
Josh Price | Production Assistant |
Dana Suman | Production Assistant |
Eric Glasser | Production Assistant |
Julie Jones | Production Controller |
Stiles White | Production Coordinator |
Pamela Gossage | Production Coordinator |
Debra James | Production Coordinator |
Emily Stillman | Production Coordinator |
Jason Reed | Production Executive |
Hagop Yaglian | Production Secretary |
Derek DiBiagio | Production Secretary |
Esteban Sanchez | Production Secretary |
Windi See Vianello | Production Secretary |
Gerri Char | Production Secretary |
Melisa Uchida | Production Secretary |
Collene Van Arkel | Production Secretary |
Shawn Pipkin | Production Secretary |
Miranda Marks | Production Secretary |
Aimee O'Shea | Researcher |
Amy Davila | Second Assistant Accountant |
Kathy Donno | Second Assistant Accountant |
Robert George | Second Assistant Accountant |
Dana M. Michaelsen | Second Assistant Accountant |
Ernst W. Laurel | Second Assistant Accountant |
Louis Farah | Set Medic |
Allan Bragg | Stand In |
Keith Butler | Stand In |
Rodney Bursiel | Stand In |
Melissa Binder | Textile Artist |
Robert Dawson | Title Designer |
Leslie Silvey | Travel Coordinator |
Gabriela Gutentag | Unit Publicist |
Edward Hirsh | Visual Effects Coordinator |
Merritt Yohnka | Stunts |
Ivan Bates | Stunts |
Anthony Cecere | Stunts |
Doc D. Charbonneau | Stunts |
Craig H. Davidson | Stunts |
Diamond Farnsworth | Stunts |
Richard Epper | Stunts |
Tommy J. Huff | Stunts |
Frank Torres | Stunts |
Lincoln Simonds | Stunts |
Dustin Meier | Stunts |
Craig Lyn | CG Artist |
Rob McCabe | Production Assistant |
Hans Zimmer | Original Music Composer |
John Schwartzman | Director of Photography |
Steven Rosenblum | Editor |
John Frazier | Special Effects Coordinator |
Peter J. Devlin | Production Sound Mixer |
Pete Antico | Stunts |
Randall Wallace | Writer |
Martin Rosenberg | VFX Director of Photography |
Clint Lilley | Stunts |
Natalie Leggett | Musician |
Miguel Ángel Poveda | Post Production Coordinator |
Glen Yrigoyen | Stunts |
Cathy Burrow | Compositor |
Gigi Williams | Makeup Artist |
Marlene D. Williams | Hair Supervisor |
William Hawa | Set Designer |
William Hawkins | Set Designer |
William Hiney | Assistant Art Director |
William Aldridge | Special Effects Best Boy |
William H. Schirmer | Special Effects Manager |
Ronnie E. Williams Jr. | Digital Compositor |
Gene Williams | Stunts |
Bryce Guy Williams | Transportation Coordinator |
William Cueto | Electrician |
William T. Jones | Rigging Grip |
William E. Powers | Pilot |
Ben Hernandez Bray | Stunts |
Roger Barton | Editor |
Michael Kaplan | Costume Design |
Edouard F. Henriques III | Makeup Artist |
Carla Meyer | Dialect Coach |
Danny Rogers | Stunts |
Jimmy N. Roberts | Stunts |
Mike Massa | Stunts |
K.C. Hodenfield | First Assistant Director |
Tina L. Newman | Production Supervisor |
Diane Warren | Songs |
Chris Castaldi | Key Set Production Assistant |
Jeff Okabayashi | Second Assistant Director |
Name | Title |
---|---|
Bruce Hendricks | Executive Producer |
Kenny Bates | Producer |
Michael Bay | Producer |
Chad Oman | Executive Producer |
Mike Stenson | Executive Producer |
Randall Wallace | Executive Producer |
Jerry Bruckheimer | Producer |
Scott Gardenhour | Executive Producer |
Jennifer Klein | Producer |
Pat Sandston | Producer |
Barry H. Waldman | Executive Producer |
K.C. Hodenfield | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 56 | 78 | 42 |
2024 | 5 | 63 | 93 | 46 |
2024 | 6 | 59 | 91 | 41 |
2024 | 7 | 59 | 86 | 44 |
2024 | 8 | 52 | 70 | 36 |
2024 | 9 | 45 | 77 | 31 |
2024 | 10 | 43 | 66 | 30 |
2024 | 11 | 44 | 59 | 34 |
2024 | 12 | 54 | 78 | 43 |
2025 | 1 | 65 | 118 | 40 |
2025 | 2 | 38 | 60 | 8 |
2025 | 3 | 11 | 44 | 3 |
2025 | 4 | 10 | 20 | 7 |
2025 | 5 | 10 | 20 | 7 |
2025 | 6 | 9 | 12 | 7 |
2025 | 7 | 8 | 9 | 7 |
2025 | 8 | 7 | 10 | 6 |
2025 | 9 | 9 | 13 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 406 | 707 |
Year | Month | High | Avg |
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2025 | 8 | 500 | 764 |
Year | Month | High | Avg |
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2025 | 7 | 248 | 685 |
Year | Month | High | Avg |
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2025 | 6 | 457 | 810 |
Year | Month | High | Avg |
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2025 | 5 | 284 | 782 |
Year | Month | High | Avg |
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2025 | 4 | 325 | 646 |
Year | Month | High | Avg |
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2025 | 3 | 450 | 763 |
Year | Month | High | Avg |
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2025 | 2 | 434 | 680 |
Year | Month | High | Avg |
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2025 | 1 | 385 | 771 |
Year | Month | High | Avg |
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2024 | 12 | 602 | 828 |
Year | Month | High | Avg |
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2024 | 11 | 620 | 780 |
Year | Month | High | Avg |
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2024 | 10 | 900 | 944 |
Year | Month | High | Avg |
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2024 | 9 | 447 | 591 |
Year | Month | High | Avg |
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2024 | 8 | 622 | 844 |
OK! Lets not beat around the bush, it's historically suspicious, badly written, badly cast and clearly an hour too long. A splendid "support cast" are wasted as Michael Bay and his production team think they can produce some sort of Titanic of the Skies like epic and fail in their objective. By the ... time of the brilliantly constructed assault by the Japanese on Pearl Harbor, and "it is" exhilarating and edge of the seat heart pounding, you are left with the feeling that all the main characters in the piece are not really worth our emotional investment. It's not an outright stinker, situations such as the nurses trying to cope in the hospital during the attack are poignant, and there's a jingoistic - cum - romantic fervour that screams out that the film wants to be genuine in making you feel, well, emotionally battered. However, given the budget and time you are asked to invest in the story, it's impossible not to feel cheated as the clock ticks past the three hour mark. Perhaps it's unfair to use Titanic as a template for this type of epic? Especially since over the course of time many have come out of the woodwork to knock Titanic when previously there were nods in appreciation for it, all be it grudgingly. But Pearl Harbor just doesn't have enough about it to make it even a "time waster" recommendation, and this even allowing for some quality "Bayhem" action as the film rolls into its blunderbuss third quarter. 5/10
After about half an hour, I started to wonder if this film was going to take as long to get going as a pearl takes to form in an oyster! It's a close run thing, as it must be around eighty minutes in before the Japanese come to the rescue of the audience and introduce some action into this over-long ... and dreary romance. Certainly it is all handsomely presented with Ben Affleck ("Rafe") at his most swarthy as he gets it to together with "Evelyn" (Kate Beckinsale). Having put us through the usual "how to get the girl" shenanigans, though, he heads off to the UK to help in the Battle of Britain. It's from here that reports reach her that he has been killed. Enter his best friend "Danny" (Josh Hartnett) who tries to console her before, well you can guess the rest. You can also easily guess that Affleck was being paid way too much money to be out before the fighting began in earnest, so back he duly arrives and a yawn-making love triangle takes over the plot. When we finally do start to focus on the events of December 7th, 1941, the action partially redeems this film. Twenty minutes of a quickly paced depiction of the meticulously planned destruction of the US Pacific fleet that caused mayhem and carnage upon their ill-prepared quarry. The creative use of CGI and intricate photography illustrate well both the human catastrophe as well as the significant destruction of materiel. Of course, our two survive and together with their erstwhile CO "Doolittle" (Alec Baldwin) are drafted into the retaliation plan than involves a perilous, long range, bombing attack on Tokyo to demonstrated that they still have the capacity for potent response. This is two films, really, and I much preferred the later stages. Even then, though, it has a shockingly poor script and the characterisations are weak and undercooked. The technology is used well, but that's about all I can say for this sentimental and meandering offering.
**_A fine drama/romance combined with great war action_** "Pearl Harbor" (2001) is a Titanic-ized version of the tragic events of Pearl Harbor—a fabricated drama/romance hooking the viewer into the deceitful attack of December 7, 1941. It's 85 minutes before the attack occurs so the drama/roma ... nce and build-up to the infamous day BETTER be good, and it is. It's believable too (except maybe for the premature sex scene, which inaccurately transfers modern morals to the early '40s). This first act successfully brings us back to the era of the early '40s and sets the stage for the attack. I didn't think there would be any action until the big attack but I was wrong, as we get some quality action when Rafe (Ben Affleck) goes over to Europe to fly for the British. There are also a couple of fight sequences. While dancing & drinking, Evelyn (Kate Beckinsale) comments to Rafe how shy Danny (Josh Hartnett) seems to be while he’s shown just sitting at a table too shy to talk to a girl or ask someone to dance. Rafe responds that Danny is like a brother to him, that Danny's father abused him, and he therefore lacks confidence. While these characters are fictional, this is REAL. Much later, Danny goes to a woman's apartment fumbling & stumbling to ask her out. The conversation is, of course, awkward. He then walks away, speaking under his breath, "You're such an idiot!" This is good stuff. The film also shows that the timid average-looking man can win the heart of a beautiful woman just as well as the confident handsome man. It's simply a matter of passion, patience, risk, humble pie and playing your cards right. As for the Pearl Harbor attack, it's a full 30 minutes of great war footage. Critics argue that there are many historical inaccuracies in the film, but what? Seriously, what is so historically inaccurate in the film? I'm sure there are a few minor inaccuracies (maybe Jimmy Doolittle's boot laces weren't right, Oh, my God!!), but what film with a historical backdrop ever has everything 100% right? The gist of the event is accurate. And the subplot with Cuba Gooding Jr. as Navy boxer Doris Miller is a true story. The film is also respectful of the Japanese viewpoint as they meticulously plan, prepare for, and carry out their massive raid. I felt this was generous on the filmmakers' part since nothing can justify their deceitful and cowardly assault. They spoke with forked tongue of peace while planning the unprovoked aggression. Meanwhile there’s a great scene showing the Japanese pilots the night before the raid, praying and psyching up for the attack. It's very realistic. After the attack, I knew there was a good 50 minutes left in the film so I was apprehensive regarding the remainder of the story; not to worry, though, as this final act compellingly details The Doolittle Raid, the first American bombing mission over Japan. More great war action. This bold mission took place a mere 4.5 months after the Pearl Harbor attack on April, 1942. The raid is notable in that it was the only time in US military history that bombers were launched from an aircraft carrier. Sixteen modified bombers with five-men crews successfully bombed 10 military and industrial targets in and around Tokyo. Unfortunately, this was a one-way mission and they were forced to fly to mainland China to land, crashland or bail out, IF they had enough fuel, that is. Most of the Americans made it to China and safety with the help of Chinese civilians and soldiers, but hey paid dearly for helping as it is estimated that the Japanese killed 250,000 Chinese, vengefully searching for Doolittle's men! Incidentally, Lt. Col. Jimmy Doolittle is greatly portrayed by Alec Baldwin and, true to history, the picture shows Doolittle taking part in the daring mission. More historical accuracy. Some criticize that the Doolittle Raid doesn't belong in the movie, but nothing could be further from the truth. If all the flick showed was the Pearl Harbor attack and the immediate aftermath it would've ended on a real downer. Showing the successful Doolittle Raid makes the film end on a positive note. What effect did the raid have at the time? For one, it caused American moral to soar from the depths. It has the same inspiring effect on viewers. In light of all the criticism I kept waiting for "Pearl Harbor" to stumble and fail, but it never happened. Yes, the viewer has to be open to the drama/romance as it leisurely unfolds, but this just helps make the viewer CARE about the characters before the tragic events inevitably occur. I'm not a fan of Michael Bay. I have zero interest in his "Transformers" films, but this is great filmmaking. It provokes interest in the events and inspires the viewer to research them in more detail. The film runs 3 hours, 3 minutes. GRADE: A
Pearl Harbor is one of those movies that gets a lot of hate, but honestly, I don’t think it deserves all of it. People go in expecting a war film and get a romance drama instead, which seems to be where most of the criticism comes from. The plot focuses more on a love triangle than the historical at ... tack itself, and while that might not be what everyone wanted, it was clearly the film’s intention. If you can accept that it's a romantic drama set against a war backdrop, rather than a war film with romance sprinkled in, then you might appreciate it for what it is. Michael Bay’s direction is exactly what you’d expect—big, explosive, and visually intense. The action sequences, especially the Pearl Harbor attack, are filmed in his signature style, and they still hold up today. The cinematography is clean, with dramatic wide shots of aerial combat, fiery destruction, and emotional close-ups. Where the film struggles is its pacing. It stretches certain sequences for too long, making it feel uneven at times. The final act, while exciting, feels a bit disconnected from the rest of the movie, almost like it belongs to a different story. Acting-wise, Ben Affleck, Josh Hartnett, and Kate Beckinsale do a decent job, but the material they’re working with doesn’t always help them. Their performances are solid but not standout, with some emotional scenes feeling a little forced. The supporting cast, including Cuba Gooding Jr. and Alec Baldwin, adds weight to the film, but the character development is mostly surface-level. The script has its moments but leans into melodrama too often, making some scenes feel more exaggerated than they need to be. That said, Pearl Harbor delivers where it counts in terms of visuals and sound. The action sequences are stunning, with incredible aerial shots, intense battle choreography, and a level of destruction that still holds up today. The sound design adds a layer of realism, making the chaos of war feel immersive. And then there’s Hans Zimmer’s score, which is hands down one of the best aspects of the film. His music elevates the emotions, making the highs more exhilarating and the lows more heartbreaking. If you watch Pearl Harbor for its spectacle, its music, and its grand-scale drama, there’s a lot to enjoy.