Popularity: 5 (history)
Director: | Jean-Jacques Annaud |
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Writer: | Jean-Jacques Annaud, Alain Godard |
Staring: |
A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad in WWII. | |
Release Date: | Feb 28, 2001 |
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Director: | Jean-Jacques Annaud |
Writer: | Jean-Jacques Annaud, Alain Godard |
Genres: | Drama, Romance, History, War |
Keywords | winter, sniper, hero, world war ii, stalingrad, based on true story, nazi officer, battle, bombing, death, 1940s, soviet propaganda, soldiers, war |
Production Companies | Paramount Pictures, Lions Gate Films, Swanford Films, Little Bird, Mandalay Pictures, KC Medien, Reperage, DOS, MP Film Management |
Box Office |
Revenue: $96,976,270
Budget: $68,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Jude Law | Vassili Zaitsev |
Joseph Fiennes | Commisar Danilov |
Rachel Weisz | Tania Chernova |
Ed Harris | Major König |
Bob Hoskins | Nikita Khrushchev |
Ron Perlman | Koulikov |
Eva Mattes | Mother Filipov |
Gabriel Thomson | Sacha Filipov |
Matthias Habich | General Paulus |
Alexander Schwan | Young Vassili Zaitsev |
Lenn Kudrjawizki | Comrade in Train |
Gennadi Vengerov | Russian NCO |
Dan van Husen | Political Officer |
Ivan Shvedoff | Volodya |
Sophie Rois | Ludmilla |
Mario Bandi | Anton |
Hans Martin Stier | Red Army General |
Clemens Schick | German NCO |
Hendrik Arnst | Fat Colonel |
Claudius Freyer | Aide de Camp |
Dietmar Nieder | Blond Captain |
Bernd Lambrecht | Captain with Lighter |
Jim Dowdall | Stubborn Feldwebel |
Maxim Kovalevski | Politruk / Sniper |
Peter Silbereisen | Sweating Officer |
Markus Majowski | Stammering Officer |
Robert Stadlober | Spotter |
Gotthard Lange | Corpse Robber |
Anna Böttcher | Female Russian Typist |
Holger Handtke | Paulus' Aide de Camp |
Marc Bischoff | Stealing Photographer |
Mark Zak | Russian Captain at Headquarters |
Thomas Petruo | Russian Lieutenant |
Dmitri Alexandrov | Comrade in Shelter |
David Pagel | Pravda Interviewer |
Galina Dobberstein | Izvestiya Interviewer |
Igor Rozinsky | Krasnaya Zvezda Interviewer |
Sergei Tokarev | Russian Reporter |
Tom Wlaschiha | Soldier |
Marischka Schubarth | Woman Plucking Eyebrows |
Natalya Bondar | Woman Officer |
Dana Cebulla | Athletic Female Sniper |
Piotr Papierz | Politruk |
Jarek Wozniak | Politruk |
Genia Makarov | Politruk |
Werner Daehn | Politruk |
Birol Ünel | Politruk |
Grigori Kofmann | Politruk |
Aleksei Nesterov | Politruk |
Vladimir Vilanov | Politruk |
Aleksei Volodin | Junior Politruk |
Gennadi Tselbyansky | Senior Politruk |
André Emanuel Kaminski | Russian Trench Officer |
Michael Schenk | Russian Officer |
Jury Cooper | Russian NCO |
Manfred Witt | Russian NCO |
Arslan Kodirov | Chechen Sniper / Sniper / Russian Officer |
Axel Neumann | Gaunt German Prisoner |
Morin Smole | Sniper |
Inna Samain | Sniper |
Keta Burowa | Female Russian Radio Operator |
Toby Cockerell | Russian Sharpshooter (uncredited) |
Jürgen G.H. Hoppmann | Russian railroad worker / Polish railroad worker (uncredited) |
Kay Hunsicker | Soldier (uncredited) |
Eddy Joseph | Voice on Tannoy (voice) (uncredited) |
Martin Glyn Murray | Narrator (voice) (uncredited) |
Valentin Plătăreanu | General Schmidt (uncredited) |
Thomas Rösicke | Russian Guard (uncredited) |
Mikhail Matveev | Grandfather |
Name | Job |
---|---|
Jean-Jacques Annaud | Director, Screenplay |
James Horner | Conductor, Original Music Composer |
Alain Godard | Screenplay |
Robert Fraisse | Director of Photography |
Noëlle Boisson | Editor |
John Hubbard | Casting |
Ros Hubbard | Casting |
Janty Yates | Costume Design |
Eddy Joseph | Sound Designer |
Neil Lamont | Art Direction |
Jon Billington | Set Designer |
Alex Bailey | Still Photographer |
Geoff Boyle | Additional Photography |
Marcus Loges | Unit Manager |
Humphrey Dixon | Editor |
Wolf Kroeger | Production Design |
Simon Wakefield | Set Decoration |
Gudrun Leyendecker | Costume Design |
Andreas Biegler | Sound Editor |
Peter Francis | Art Direction |
Steven Lawrence | Art Direction |
Dominic Masters | Art Direction |
Linda DeVetta | Hairstylist |
Valeska Schitthelm | Makeup Artist, Hairstylist |
Roxy Konrad | Art Department Coordinator |
John Paterson | Construction Coordinator |
Marco Bittner Rosser | Set Designer |
Steven Sallybanks | Scenic Artist |
James Wright | Dolby Consultant |
Martin Cantwell | Sound Effects Editor |
Chris Carpenter | Sound Re-Recording Mixer |
Rick Kline | Sound Re-Recording Mixer |
Albert Von De Thuman | Special Effects Coordinator |
Sheila Dunn | Animation Supervisor |
Fredrik Sundqvist | Animation Supervisor |
Antony Bluff | Visual Effects Producer |
Matthew Holben | Visual Effects Producer |
Alex Hope | Visual Effects Producer |
Drew Jones | Visual Effects Producer |
Natascha Pfeiffer | Visual Effects Producer |
Matthew Plummer | Visual Effects Producer |
Frank Wegerhoff | Visual Effects Producer |
Peter Chiang | Visual Effects Supervisor |
Sean Schur | Visual Effects Supervisor |
Jim Dowdall | Stunt Coordinator |
Phillip Grannuci | Stunt Coordinator |
Klemens Becker | Camera Operator |
Sönke Hansen | Camera Operator |
Maher Maleh | Camera Operator |
Sebastian Meuschel | Camera Operator |
Christian Almesberger | Aerial Camera, Helicopter Camera |
Ronald Schwarz | Gaffer |
Dietmar Haupt | Rigging Gaffer |
Annette Borgmann | Casting |
Carola Raum | Costume Supervisor |
David Crossman | Costume Supervisor |
Brigitte Friedländer-Rodriguez | Costume Supervisor |
Mary Elizabeth Still | Costume Supervisor |
Sabine Groh | Set Costumer |
Joe E. Rand | Music Editor |
Patric Scott | Unit Publicist |
Sabine Schulmeyer | Location Manager |
Klaus Große Darrelmann | Location Manager |
Markus Bensch | Location Manager |
Hasso von Hugo | Key Hair Stylist |
Chantal Feghali | Post Production Supervisor |
Yvonne Yaconelli | Unit Production Manager |
Gerry Gavigan | First Assistant Director |
Thomas Hezel | Script Supervisor |
Julia Dehoff | Art Department Assistant |
Jens Gaube | Carpenter |
Wolfgang Wrede | Painter |
Joey Weber | Property Master |
Alexander Liebenthron | Props |
Sophie Cornet | Assistant Sound Editor |
Peter Holt | Foley Editor |
Martin Müller | Production Sound Mixer |
Christian Wegner | Sound Mixer |
Michael Apling | Special Effects |
Uli Nefzer | Special Effects Supervisor |
Alexander Nowotny | 3D Artist |
Dominic Sidoli | Visual Effects Coordinator |
Tabitha Dean | Visual Effects Editor |
Phil Adams | Stunt Coordinator |
Andreas Augsburg | Stunts |
Gerd Breiter | Camera Operator |
Michael White | Electrician |
Lars Richter | First Assistant Camera |
Sandro Eichler | Grip |
Dieter Bähr | Key Grip |
David Hörnle | Video Assist Operator |
Gérard Estival | Color Timer |
Anja Müller | Location Scout |
Dina Eaton | Music Editor |
David Arch | Musician |
Thomas Lauterkorn | Driver |
Heinz Werner Schneider | Transportation Captain |
Richard Bain | Digital Effects Supervisor |
Tish Johnson | Post Production Accountant |
Claudia Davids | Production Accountant |
Volker Beyer | Production Controller |
Kris Olson | Production Coordinator |
Paul I. Goldsmith | Set Production Assistant |
Daniel Pruß | Stand In |
Lothar Albrecht | Technical Supervisor |
Gitti Fuchs | Additional Wardrobe Assistant |
Almut Gramer | Assistant Makeup Artist |
Sonja Mantel | Costume Set Supervisor |
Carmen Stahlhoven | Costumer |
Eike Neumann | Tailor |
Sabina Franke | Additional Second Assistant Director |
Paul Goldsmith | Assistant Director |
Paul Taylor | Second Assistant Director |
Basia Baumann | Second Second Assistant Director |
Allen Smith | Second Unit Director |
Peter Dorme | Draughtsman |
Pierre Brayard | Key Set Painter |
Paul J. Hayes | Supervising Carpenter |
Nick Lowe | ADR Editor |
Peter Gleaves | ADR Mixer |
Paul Carr | Foley Mixer |
Kevin Tayler | Foley Recordist |
Martin Zillger | Sound Assistant |
Jörg Brehm | Special Effects Assistant |
Manfred Arlt | Special Effects Technician |
Michael Brink | Additional Visual Effects |
Andy Stevens | Visual Effects Camera |
Peter Talbot | VFX Director of Photography |
Graham Hall | Assistant Camera |
Jan Brun | Dolly Grip |
Johnny Feurer | Focus Puller |
Stefan Grandinetti | Second Assistant Camera |
Vanessa Baker | ADR Voice Casting |
Etienne Boussac | Assistant Editor |
Renate Siegl | Negative Cutter |
Giulia Maura | Post Production Coordinator |
Mark Stehli | Assistant Location Manager |
Roman Avianus | Location Assistant |
Cathi Black | Music Coordinator |
Jim Henrikson | Supervising Music Editor |
Anja Wedell | Assistant Production Coordinator |
Penny Leyton | CG Artist |
Sarah Soulsby | Compositing Artist |
J.J. Gordon | Dialogue Coach |
Michael Illingworth | Digital Compositor |
Iris Müller | Extras Casting |
Tanja Ploetz | Extras Casting Assistant |
Jay Roberts | First Assistant Accountant |
Michael Elson | Head of Production |
Ciaran Crowley | Matte Painter |
Anna Schmigalla | Payroll Accountant |
Georg Ilse | Production Assistant |
Marcel Ahrens | Production Driver |
Udo Happel | Production Executive |
Stephanie Dölker | Production Secretary |
Martin Body | Rotoscoping Artist |
Arthur Wicks | Property Master |
Colin Ritchie | Dialogue Editor |
Paul J. Franklin | Sequence Supervisor |
Steven Rosenblum | Additional Editor |
Name | Title |
---|---|
Alain Godard | Executive Producer |
Jean-Jacques Annaud | Producer |
Roland Pellegrino | Executive Producer |
Jörg Reichl | Executive Producer |
John D. Schofield | Producer |
Alisa Tager | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 40 | 52 | 32 |
2024 | 5 | 43 | 68 | 24 |
2024 | 6 | 37 | 60 | 24 |
2024 | 7 | 45 | 67 | 24 |
2024 | 8 | 35 | 61 | 23 |
2024 | 9 | 27 | 37 | 21 |
2024 | 10 | 40 | 58 | 24 |
2024 | 11 | 38 | 80 | 27 |
2024 | 12 | 35 | 45 | 26 |
2025 | 1 | 45 | 63 | 36 |
2025 | 2 | 31 | 50 | 5 |
2025 | 3 | 10 | 40 | 3 |
2025 | 4 | 8 | 11 | 5 |
2025 | 5 | 8 | 14 | 6 |
2025 | 6 | 7 | 9 | 5 |
2025 | 7 | 4 | 6 | 4 |
2025 | 8 | 5 | 5 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 642 | 876 |
Year | Month | High | Avg |
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2025 | 7 | 402 | 626 |
Year | Month | High | Avg |
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2025 | 6 | 250 | 683 |
Year | Month | High | Avg |
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2025 | 5 | 626 | 810 |
Year | Month | High | Avg |
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2025 | 4 | 576 | 772 |
Year | Month | High | Avg |
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2025 | 3 | 218 | 693 |
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2025 | 2 | 722 | 867 |
Year | Month | High | Avg |
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2024 | 12 | 295 | 658 |
Year | Month | High | Avg |
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2024 | 11 | 897 | 945 |
Year | Month | High | Avg |
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2024 | 8 | 993 | 993 |
***War of the rats in crumbling Stalingrad during WWII*** RELEASED IN 2001 and directed by Jean-Jacques Annaud, "Enemy at the Gates" takes place in the last four months of 1942 during the pivotal Battle of Stalingrad. Russian troops are carted in by the literal trainloads as the Germans attack/bo ... mb the city. Once the dust clears the situation settles into a more personal battle of sharpshooting wills. A lowly young Russian soldier named Vassili (Jude Law) distinguishes himself for his shooting skills and is promoted as a national hero to motivate the Russian cause. After numerous German officers are assassinated, Major König (Ed Harris), the top German sniper, is assigned to seek out and eliminate Vassili. Most WWII films take place on the Western Front whereas "Enemy" is one of only two mainline films I can think of that address the Eastern front, the other being Sam Peckinpah's underrated "Cross of Iron" (1977). Three things stuck in my mind after seeing “Enemy at the Gates” years ago: (1.) The opening sequence where the Russian troops are boated across the Volga to join the fight is extremely harrowing, not far removed from the opening D-Day invasion in “Saving Private Ryan” (1998), but different. “Enemy” is worth viewing for this sequence alone. (2.) The city-in-rubble sets with bodies strewn everywhere had a lasting impression on me as did the scurrying-like-rats-through-the-rubble warfare. (3.) Some may find this weird, but I always remembered the discreet lovemaking scene while the soldiers lain in the rubble trying to sleep. I'm not sure why this left an impression, maybe because it struck me as so real: Men & women would be drawn to one another and mate even in the worst possible scenarios. The film was based on the book "War of the Rats" by David L. Robbins and thus intentionally provokes the imagery of human rats scurrying through the debris. The cast also includes Joseph Fiennes as the political officer who elevates Vassili to hero status via his pamphlets and articles, while Rachel Weisz plays the romantic interest between the two. Ron Perlman is also on hand in a limited role as Vassili's sharpshooting comrade. As with any film based on historical events there are facts-obsessed critics who decry the lack of authenticity in this or that detail (e.g. "The zippers on the trousers aren't right, blasphemy!!"), but "Enemy" gets the gist correct and, besides, it motivates the viewer to research the actual Battle of Stalingrad. What more can you ask for? The fact is Vassili had 260 verified Nazi kills and played a key role in motivating the Russians to victory in the Battle of Stalingrad, the largest and bloodiest battle in the history of warfare (with roughly 2 million killed, wounded or captured). The movie effectively shows how the Russian combatants weren't necessarily professionally trained soldiers; many of them were peasants, workers, teachers, mailmen, farmers, etc. They knew they could die the next morning hence they celebrated (and made love) while they could. Stalingrad was one of the major turning points of World War II; from then on it was all downhill for Germany. FINAL WORD: "Enemy at the Gates" details an oft-ignored important aspect of WWII, the Eastern front. It has several memorable scenes, especially the opening crossing of the Volga and also a clever sequence involving a large shard of reflective glass. THE FILM RUNS 2 hours, 11 minutes and was shot entirely in Germany (Brandenburg and Bavaria). GRADE: B+