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Enemy at the Gates Poster

Enemy at the Gates

A single bullet can change history.
2001 | 131m | English

(287735 votes)

TMDb IMDb

Popularity: 5 (history)

Details

A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad in WWII.
Release Date: Feb 28, 2001
Director: Jean-Jacques Annaud
Writer: Jean-Jacques Annaud, Alain Godard
Genres: Drama, Romance, History, War
Keywords winter, sniper, hero, world war ii, stalingrad, based on true story, nazi officer, battle, bombing, death, 1940s, soviet propaganda, soldiers, war
Production Companies Paramount Pictures, Lions Gate Films, Swanford Films, Little Bird, Mandalay Pictures, KC Medien, Reperage, DOS, MP Film Management
Box Office Revenue: $96,976,270
Budget: $68,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Jude Law Vassili Zaitsev
Joseph Fiennes Commisar Danilov
Rachel Weisz Tania Chernova
Ed Harris Major König
Bob Hoskins Nikita Khrushchev
Ron Perlman Koulikov
Eva Mattes Mother Filipov
Gabriel Thomson Sacha Filipov
Matthias Habich General Paulus
Alexander Schwan Young Vassili Zaitsev
Lenn Kudrjawizki Comrade in Train
Gennadi Vengerov Russian NCO
Dan van Husen Political Officer
Ivan Shvedoff Volodya
Sophie Rois Ludmilla
Mario Bandi Anton
Hans Martin Stier Red Army General
Clemens Schick German NCO
Hendrik Arnst Fat Colonel
Claudius Freyer Aide de Camp
Dietmar Nieder Blond Captain
Bernd Lambrecht Captain with Lighter
Jim Dowdall Stubborn Feldwebel
Maxim Kovalevski Politruk / Sniper
Peter Silbereisen Sweating Officer
Markus Majowski Stammering Officer
Robert Stadlober Spotter
Gotthard Lange Corpse Robber
Anna Böttcher Female Russian Typist
Holger Handtke Paulus' Aide de Camp
Marc Bischoff Stealing Photographer
Mark Zak Russian Captain at Headquarters
Thomas Petruo Russian Lieutenant
Dmitri Alexandrov Comrade in Shelter
David Pagel Pravda Interviewer
Galina Dobberstein Izvestiya Interviewer
Igor Rozinsky Krasnaya Zvezda Interviewer
Sergei Tokarev Russian Reporter
Tom Wlaschiha Soldier
Marischka Schubarth Woman Plucking Eyebrows
Natalya Bondar Woman Officer
Dana Cebulla Athletic Female Sniper
Piotr Papierz Politruk
Jarek Wozniak Politruk
Genia Makarov Politruk
Werner Daehn Politruk
Birol Ünel Politruk
Grigori Kofmann Politruk
Aleksei Nesterov Politruk
Vladimir Vilanov Politruk
Aleksei Volodin Junior Politruk
Gennadi Tselbyansky Senior Politruk
André Emanuel Kaminski Russian Trench Officer
Michael Schenk Russian Officer
Jury Cooper Russian NCO
Manfred Witt Russian NCO
Arslan Kodirov Chechen Sniper / Sniper / Russian Officer
Axel Neumann Gaunt German Prisoner
Morin Smole Sniper
Inna Samain Sniper
Keta Burowa Female Russian Radio Operator
Toby Cockerell Russian Sharpshooter (uncredited)
Jürgen G.H. Hoppmann Russian railroad worker / Polish railroad worker (uncredited)
Kay Hunsicker Soldier (uncredited)
Eddy Joseph Voice on Tannoy (voice) (uncredited)
Martin Glyn Murray Narrator (voice) (uncredited)
Valentin Plătăreanu General Schmidt (uncredited)
Thomas Rösicke Russian Guard (uncredited)
Mikhail Matveev Grandfather
Name Job
Jean-Jacques Annaud Director, Screenplay
James Horner Conductor, Original Music Composer
Alain Godard Screenplay
Robert Fraisse Director of Photography
Noëlle Boisson Editor
John Hubbard Casting
Ros Hubbard Casting
Janty Yates Costume Design
Eddy Joseph Sound Designer
Neil Lamont Art Direction
Jon Billington Set Designer
Alex Bailey Still Photographer
Geoff Boyle Additional Photography
Marcus Loges Unit Manager
Humphrey Dixon Editor
Wolf Kroeger Production Design
Simon Wakefield Set Decoration
Gudrun Leyendecker Costume Design
Andreas Biegler Sound Editor
Peter Francis Art Direction
Steven Lawrence Art Direction
Dominic Masters Art Direction
Linda DeVetta Hairstylist
Valeska Schitthelm Makeup Artist, Hairstylist
Roxy Konrad Art Department Coordinator
John Paterson Construction Coordinator
Marco Bittner Rosser Set Designer
Steven Sallybanks Scenic Artist
James Wright Dolby Consultant
Martin Cantwell Sound Effects Editor
Chris Carpenter Sound Re-Recording Mixer
Rick Kline Sound Re-Recording Mixer
Albert Von De Thuman Special Effects Coordinator
Sheila Dunn Animation Supervisor
Fredrik Sundqvist Animation Supervisor
Antony Bluff Visual Effects Producer
Matthew Holben Visual Effects Producer
Alex Hope Visual Effects Producer
Drew Jones Visual Effects Producer
Natascha Pfeiffer Visual Effects Producer
Matthew Plummer Visual Effects Producer
Frank Wegerhoff Visual Effects Producer
Peter Chiang Visual Effects Supervisor
Sean Schur Visual Effects Supervisor
Jim Dowdall Stunt Coordinator
Phillip Grannuci Stunt Coordinator
Klemens Becker Camera Operator
Sönke Hansen Camera Operator
Maher Maleh Camera Operator
Sebastian Meuschel Camera Operator
Christian Almesberger Aerial Camera, Helicopter Camera
Ronald Schwarz Gaffer
Dietmar Haupt Rigging Gaffer
Annette Borgmann Casting
Carola Raum Costume Supervisor
David Crossman Costume Supervisor
Brigitte Friedländer-Rodriguez Costume Supervisor
Mary Elizabeth Still Costume Supervisor
Sabine Groh Set Costumer
Joe E. Rand Music Editor
Patric Scott Unit Publicist
Sabine Schulmeyer Location Manager
Klaus Große Darrelmann Location Manager
Markus Bensch Location Manager
Hasso von Hugo Key Hair Stylist
Chantal Feghali Post Production Supervisor
Yvonne Yaconelli Unit Production Manager
Gerry Gavigan First Assistant Director
Thomas Hezel Script Supervisor
Julia Dehoff Art Department Assistant
Jens Gaube Carpenter
Wolfgang Wrede Painter
Joey Weber Property Master
Alexander Liebenthron Props
Sophie Cornet Assistant Sound Editor
Peter Holt Foley Editor
Martin Müller Production Sound Mixer
Christian Wegner Sound Mixer
Michael Apling Special Effects
Uli Nefzer Special Effects Supervisor
Alexander Nowotny 3D Artist
Dominic Sidoli Visual Effects Coordinator
Tabitha Dean Visual Effects Editor
Phil Adams Stunt Coordinator
Andreas Augsburg Stunts
Gerd Breiter Camera Operator
Michael White Electrician
Lars Richter First Assistant Camera
Sandro Eichler Grip
Dieter Bähr Key Grip
David Hörnle Video Assist Operator
Gérard Estival Color Timer
Anja Müller Location Scout
Dina Eaton Music Editor
David Arch Musician
Thomas Lauterkorn Driver
Heinz Werner Schneider Transportation Captain
Richard Bain Digital Effects Supervisor
Tish Johnson Post Production Accountant
Claudia Davids Production Accountant
Volker Beyer Production Controller
Kris Olson Production Coordinator
Paul I. Goldsmith Set Production Assistant
Daniel Pruß Stand In
Lothar Albrecht Technical Supervisor
Gitti Fuchs Additional Wardrobe Assistant
Almut Gramer Assistant Makeup Artist
Sonja Mantel Costume Set Supervisor
Carmen Stahlhoven Costumer
Eike Neumann Tailor
Sabina Franke Additional Second Assistant Director
Paul Goldsmith Assistant Director
Paul Taylor Second Assistant Director
Basia Baumann Second Second Assistant Director
Allen Smith Second Unit Director
Peter Dorme Draughtsman
Pierre Brayard Key Set Painter
Paul J. Hayes Supervising Carpenter
Nick Lowe ADR Editor
Peter Gleaves ADR Mixer
Paul Carr Foley Mixer
Kevin Tayler Foley Recordist
Martin Zillger Sound Assistant
Jörg Brehm Special Effects Assistant
Manfred Arlt Special Effects Technician
Michael Brink Additional Visual Effects
Andy Stevens Visual Effects Camera
Peter Talbot VFX Director of Photography
Graham Hall Assistant Camera
Jan Brun Dolly Grip
Johnny Feurer Focus Puller
Stefan Grandinetti Second Assistant Camera
Vanessa Baker ADR Voice Casting
Etienne Boussac Assistant Editor
Renate Siegl Negative Cutter
Giulia Maura Post Production Coordinator
Mark Stehli Assistant Location Manager
Roman Avianus Location Assistant
Cathi Black Music Coordinator
Jim Henrikson Supervising Music Editor
Anja Wedell Assistant Production Coordinator
Penny Leyton CG Artist
Sarah Soulsby Compositing Artist
J.J. Gordon Dialogue Coach
Michael Illingworth Digital Compositor
Iris Müller Extras Casting
Tanja Ploetz Extras Casting Assistant
Jay Roberts First Assistant Accountant
Michael Elson Head of Production
Ciaran Crowley Matte Painter
Anna Schmigalla Payroll Accountant
Georg Ilse Production Assistant
Marcel Ahrens Production Driver
Udo Happel Production Executive
Stephanie Dölker Production Secretary
Martin Body Rotoscoping Artist
Arthur Wicks Property Master
Colin Ritchie Dialogue Editor
Paul J. Franklin Sequence Supervisor
Steven Rosenblum Additional Editor
Name Title
Alain Godard Executive Producer
Jean-Jacques Annaud Producer
Roland Pellegrino Executive Producer
Jörg Reichl Executive Producer
John D. Schofield Producer
Alisa Tager Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 40 52 32
2024 5 43 68 24
2024 6 37 60 24
2024 7 45 67 24
2024 8 35 61 23
2024 9 27 37 21
2024 10 40 58 24
2024 11 38 80 27
2024 12 35 45 26
2025 1 45 63 36
2025 2 31 50 5
2025 3 10 40 3
2025 4 8 11 5
2025 5 8 14 6
2025 6 7 9 5
2025 7 4 6 4
2025 8 5 5 5

Trending Position


Year Month High Avg
2025 8 642 876
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2025 7 402 626
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2025 6 250 683
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2025 5 626 810
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2025 4 576 772
Year Month High Avg
2025 3 218 693
Year Month High Avg
2025 2 722 867
Year Month High Avg
2024 12 295 658
Year Month High Avg
2024 11 897 945
Year Month High Avg
2024 8 993 993

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Reviews

Wuchak
7.0

***War of the rats in crumbling Stalingrad during WWII*** RELEASED IN 2001 and directed by Jean-Jacques Annaud, "Enemy at the Gates" takes place in the last four months of 1942 during the pivotal Battle of Stalingrad. Russian troops are carted in by the literal trainloads as the Germans attack/bo ... mb the city. Once the dust clears the situation settles into a more personal battle of sharpshooting wills. A lowly young Russian soldier named Vassili (Jude Law) distinguishes himself for his shooting skills and is promoted as a national hero to motivate the Russian cause. After numerous German officers are assassinated, Major König (Ed Harris), the top German sniper, is assigned to seek out and eliminate Vassili. Most WWII films take place on the Western Front whereas "Enemy" is one of only two mainline films I can think of that address the Eastern front, the other being Sam Peckinpah's underrated "Cross of Iron" (1977). Three things stuck in my mind after seeing “Enemy at the Gates” years ago: (1.) The opening sequence where the Russian troops are boated across the Volga to join the fight is extremely harrowing, not far removed from the opening D-Day invasion in “Saving Private Ryan” (1998), but different. “Enemy” is worth viewing for this sequence alone. (2.) The city-in-rubble sets with bodies strewn everywhere had a lasting impression on me as did the scurrying-like-rats-through-the-rubble warfare. (3.) Some may find this weird, but I always remembered the discreet lovemaking scene while the soldiers lain in the rubble trying to sleep. I'm not sure why this left an impression, maybe because it struck me as so real: Men & women would be drawn to one another and mate even in the worst possible scenarios. The film was based on the book "War of the Rats" by David L. Robbins and thus intentionally provokes the imagery of human rats scurrying through the debris. The cast also includes Joseph Fiennes as the political officer who elevates Vassili to hero status via his pamphlets and articles, while Rachel Weisz plays the romantic interest between the two. Ron Perlman is also on hand in a limited role as Vassili's sharpshooting comrade. As with any film based on historical events there are facts-obsessed critics who decry the lack of authenticity in this or that detail (e.g. "The zippers on the trousers aren't right, blasphemy!!"), but "Enemy" gets the gist correct and, besides, it motivates the viewer to research the actual Battle of Stalingrad. What more can you ask for? The fact is Vassili had 260 verified Nazi kills and played a key role in motivating the Russians to victory in the Battle of Stalingrad, the largest and bloodiest battle in the history of warfare (with roughly 2 million killed, wounded or captured). The movie effectively shows how the Russian combatants weren't necessarily professionally trained soldiers; many of them were peasants, workers, teachers, mailmen, farmers, etc. They knew they could die the next morning hence they celebrated (and made love) while they could. Stalingrad was one of the major turning points of World War II; from then on it was all downhill for Germany. FINAL WORD: "Enemy at the Gates" details an oft-ignored important aspect of WWII, the Eastern front. It has several memorable scenes, especially the opening crossing of the Volga and also a clever sequence involving a large shard of reflective glass. THE FILM RUNS 2 hours, 11 minutes and was shot entirely in Germany (Brandenburg and Bavaria). GRADE: B+

Jun 23, 2021