Popularity: 4 (history)
Director: | John Moore |
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Writer: | Zak Penn, John Thomas, Jim Thomas, David Veloz |
Staring: |
While flying a routine reconnaissance mission over Bosnia, fighter pilot Lt. Chris Burnett photographs something he wasn't supposed to see and gets shot down behind enemy lines, where he must outrun an army led by a ruthless Serbian general. With time running out and a deadly tracker on his trail, Burnett's commanding officer, Admiral Reigart, decides to risk his career and launch a renegade rescue mission to save his life. | |
Release Date: | Nov 30, 2001 |
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Director: | John Moore |
Writer: | Zak Penn, John Thomas, Jim Thomas, David Veloz |
Genres: | Action, Drama, Thriller, War |
Keywords | bosnia and herzegovina, north atlantic treaty organization (nato), atrocity, mine field, reconnaissance, naval flight officer, rescue mission, naval officer, combat, hunted, mass grave, navy pilot, sniper, u.s. navy, bosnian war (1992-95), behind enemy lines, jet crash, marines, running for one's life, war crimes, based on true story, serbian, jet fighter pilot, aircraft carrier, enemy territory, no fly zone |
Production Companies | 20th Century Fox, Davis Entertainment |
Box Office |
Revenue: $91,753,202
Budget: $40,000,000 |
Updates |
Updated: Aug 09, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Owen Wilson | Lt. Chris 'Longhorn' Burnett |
Gene Hackman | Admiral Leslie Reigart, Commander Adriatic Battle Group |
Gabriel Macht | Lt. Jeremy 'Smoke' Stackhouse |
Olek Krupa | General Miroslav Lokar |
Vladimir Mashkov | Tracker (Sasha) |
Marko Igonda | Bazda |
David Keith | Master Chief Tom O'Malley |
Charles Malik Whitfield | Capt. Glen Rodway, USMC |
Eyal Podell | Petty Officer Kennedy |
Joaquim de Almeida | Admiral Juan-Miguel Piquet, Commander of NATO Naval Command |
Geoff Pierson | Admiral Donnelly |
Kamil Kollárik | Babic ('Ice Cube') |
Leon Russom | Ed Burnett |
Aernout Van Lynden | Aernout Van Lynden, Sky News Reporter |
Salaudin Bilal | Ejup |
Laurence Mason | Brandon |
Dragan Marinković 'Maca' | Damir |
Vladimír Oktávec | Petrovic |
Jared Chandler | Piquet's Aide |
Sam Jaeger | Red Crown Operator |
Shane Johnson | Red Crown Operator |
Don Winston | Red Crown Operator |
Elizabeth Perry | Red Crown Operator |
Igor Hajdarhodžić | Serb Spotter |
Tarik Filipović | Serb Soldier |
Peter Pálka | Serb Soldier at Lokar's Mansion |
Todd Boyce | Junior Officer |
Goran Grgić | Technician |
Ivan Urbánek | Father in Minefield |
Ismet Bagtasevic | Muslim Passenger |
Kamil Mikulčík | Tiger #1 |
Robert Franko | Tiger #2 |
Lukáš Hoffmann | Tiger #3 |
Vedrana Božinović | Serb Anchor |
Dorothy Lucey | Dorothy Lucey, Reporter |
Greg Goossen | CIA Spook |
Filip Nola | Serb Soldier at Mass Grave |
Bumper Robinson | Scif Technician |
Ann Sorum | Burnett's Mom |
George Davis | Sky News Camerman |
Tommy Mooney | Carrier Commanding Officer |
Mark Bocchetti | Navy Rep |
Lucia Srncova | Muslim Girl |
Daniel Margolius | Muslim Teenager |
Name | Job |
---|---|
R.J. Kizer | Dialogue Editor |
Nathan Crowley | Production Design |
Craig Berkey | Sound Designer, Supervising Sound Editor |
John Moore | Director |
Don Davis | Original Music Composer |
Rich Thorne | Visual Effects Supervisor |
Steve M. Davison | Stunt Coordinator, Second Unit Director |
Jared Chandler | Technical Advisor |
Dawn Michelle King | Assistant Editor |
Lance Gilbert | Stunts |
Vladimir "Furdo" Furdik | Stunts |
Douglas Kirkland | Still Photographer |
Johnny Gidcomb | ADR Voice Casting |
Troy Gilbert | Stunts |
Erik Rondell | Stunts |
Zak Penn | Screenplay |
Monika Fišerová | Stunts |
John Thomas | Story |
Eyde Belasco | Casting |
Sheila Trezise | Casting |
Nenad Pečur | Art Direction |
Dragan Josipovic | Production Manager |
Ray McIntyre Jr. | Visual Effects Supervisor |
Jason Gaudio | Visual Effects Editor |
Gary Gegan | Sound Re-Recording Mixer |
Zuzana Cizmarova | Set Designer |
David Dozoretz | Visual Effects Supervisor |
Cosmas Paul Bolger Jr. | Visual Effects Supervisor |
Joe Lisanti | Music Editor |
Jaromír Šedina | Steadicam Operator |
Steve Newman | Unit Publicist |
John Gazdik | Camera Operator |
Victor Abbene | Gaffer |
Ciarán Barry | Camera Operator |
Liz Ralston | Visual Effects Producer |
David E. Harshbarger | Property Master |
Jeff Kushner | Dialogue Editor |
Mario Ivezić | Set Decoration |
Martin Hall | Compositor |
Kevin Edwards | Visual Effects |
Marek Mackovic | Set Production Assistant |
David B. Nowell | Aerial Camera, Helicopter Camera |
David Blue Thompson | Lighting Technician |
Robert Getty | Dialogue Editor |
Branko Jehlar | Unit Manager |
Barry Berona | First Assistant Camera |
David Fencl | Armorer |
Geraldine Jones | Hairstylist |
Adam Silver | Location Scout |
Simon Firsht | Boom Operator |
Karel Charvát | Grip |
Korin A. Tarin | Post Production Accountant |
Stanislava Šlosserová | Set Costumer |
Justin Muller | First Assistant Director |
Kristine Greco | Script Supervisor |
Ian Voigt | Sound Mixer |
Carlane Passman | Assistant Costume Designer |
Marypat Plottner | First Assistant Editor |
Joseph A. Campayno | Makeup Artist |
Derek Casari | ADR Engineer |
Rob Meisenholder | First Assistant Accountant |
Clay Lacy | Pilot |
Rob Caves | Production Assistant |
Brendan Galvin | Director of Photography |
Paul Martin Smith | Editor |
Ivo Hušnjak | Art Direction |
Patrick Lumb | Supervising Art Director |
Steve Bissinger | Sound Effects Editor |
Damir Gabelica | Construction Coordinator |
Peter W. Moyer | Visual Effects Supervisor |
Kory Jones | Visual Effects Supervisor |
Mark Freund | Visual Effects Supervisor |
Ian Foster | Camera Operator |
Nada Pinter | Script Supervisor |
Alex Soria | Video Assist Operator |
Zdravko Madzarevic | Location Manager |
Dean Brkic | Best Boy Electric |
Jürgen Vollmer | Still Photographer |
Ryan Murphy | Sound Recordist |
Samir Kadric | Electrician |
Ladislav Markic | Set Dressing Artist |
Michael Haight | ADR Supervisor |
Charles John Bukey | Key Grip |
Andy Kopetzky | Foley Editor |
Reid Paul | Digital Effects Supervisor |
Garth Inns | Special Effects Supervisor |
Gary Gillingham | Production Controller |
Mike Hardison | CG Supervisor |
Fiona Connon | Key Makeup Artist |
Christopher Bates | Production Supervisor |
Romek Delmata | Production Illustrator |
Marek Bakic | Stunts |
Matt Linder | Leadman |
Charlie Davis | Post Production Supervisor |
Erik Lundborg | Orchestrator |
Bára Barová | Translator |
Garv Thorp | Visual Effects Compositor |
Chris Regan | Color Timer |
Larry Mah | Scoring Mixer |
Tom Karnowski | Unit Production Manager |
Katka Horska | Assistant Makeup Artist |
Brano Kollar | Assistant Unit Manager |
Danica Fleischerova | Assistant Production Coordinator |
Daisy Cummins | Assistant Director |
Vern Crofoot | Assistant Property Master |
Matthew Berner | Assistant Camera |
David Paris | Aerial Coordinator |
Adam Aldridge | Special Effects Technician |
Robyn Link | Camera Loader |
Karl Rogovin | Visual Effects Production Assistant |
Gary Burritt | Negative Cutter |
David Lucarelli | ADR Recordist |
Greg Steele | ADR Mixer |
Terry Naas | VFX Artist |
Toni Nunn | Production Secretary |
Eroc Moralls | Visual Effects Compositor |
Robert Palmer | Second Assistant Camera |
Jiri Tichacek | Assistant Accountant |
Audrey Chang | Visual Effects Editor |
Karen Golden | Additional Script Supervisor |
Maja Lojanova | Hairstylist |
Maha | Makeup Artist |
Robert Binnall | First Assistant "A" Camera |
Branko Knez | Assistant Camera |
Pablo Prietto | Assistant Editor |
Brad Moylan | Digital Compositor |
Marco S. Paolini | Digital Compositor |
Jim Passon | Color Timer |
Brian Bulman | Music Editor |
Dale White | Second Assistant Camera |
Sandro García | Video Assist Operator |
Paul Toomey | Second Assistant Camera |
Sean P. Fickert | Grip |
Paula Suhy | Assistant Editor |
Lenka Jones Štefankovičová | Location Casting |
Andrew Tamandl | VFX Artist |
Martin 'Mato' Uhrovcik | Stunts |
Peter Hric | Stunts |
Lubomir Misak | Utility Stunts |
Branislav Martinak | Stunts |
Gustáv Kyselica | Stunt Coordinator |
Kiante Elam | Stunts |
Michael Landsburg | Dolly Grip |
Nancy A. Terriberry | Second Assistant Accountant |
Greg Notzelman | Lead Animator |
Erik Lee | CG Animator |
Tyler Foell | 2D Supervisor |
Paul Szopa | Assistant Chief Lighting Technician |
Hope Garrison | Second Assistant Director |
Ken Dackermann | Digital Compositor |
Josh Campbell | Assistant Editor |
Nathan McGuinness | Senior Visual Effects Supervisor |
Alex Hamilton | Production Coordinator |
Roisin O'Reilly | Assistant Makeup Artist |
Viera Rajtárová | Hairstylist |
Jamie Keeney | Assistant Editor |
Shaina Holmes | Digital Compositor |
Jeff Lynn | Assistant Camera |
Michael McDermott | Gaffer |
Sascha Seitz | Second Assistant Camera |
Branko Repalust | Supervising Armorer |
Dave Freeth | Libra Head Technician |
Lori L. Eschler | Music Editor |
George L. Little | Costume Designer |
Jim Thomas | Story |
Marek Toth | Stunts |
Stanislav Satko | Stunts |
Shawn Robinson | Stunts |
Peter Olgyay | Stunts |
Rastislav Kotula | Stunts |
Shawn Kautz | Stunts |
Eric Turner | Craft Service |
Jimmy N. Roberts | Stunt Double |
Alice Gu | Assistant Camera |
David Veloz | Screenplay |
Name | Title |
---|---|
John Davis | Producer |
Wyck Godfrey | Executive Producer |
Stephanie Austin | Executive Producer |
Alex Blum | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 34 | 42 | 23 |
2024 | 5 | 36 | 51 | 26 |
2024 | 6 | 40 | 72 | 24 |
2024 | 7 | 35 | 54 | 23 |
2024 | 8 | 27 | 37 | 21 |
2024 | 9 | 25 | 30 | 18 |
2024 | 10 | 27 | 50 | 19 |
2024 | 11 | 27 | 45 | 19 |
2024 | 12 | 25 | 45 | 18 |
2025 | 1 | 26 | 41 | 20 |
2025 | 2 | 20 | 33 | 4 |
2025 | 3 | 9 | 29 | 2 |
2025 | 4 | 4 | 8 | 2 |
2025 | 5 | 4 | 8 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 3 | 3 | 2 |
2025 | 8 | 3 | 5 | 2 |
2025 | 9 | 5 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 416 | 650 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 371 | 625 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 414 | 753 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 759 | 822 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 548 | 631 |
Year | Month | High | Avg |
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2025 | 3 | 451 | 791 |
Year | Month | High | Avg |
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2025 | 2 | 334 | 443 |
Year | Month | High | Avg |
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2025 | 1 | 669 | 754 |
Year | Month | High | Avg |
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2024 | 11 | 995 | 995 |
Owen Wilson is a disillusioned pilot aboard an American aircraft carrier. Bored with the relentlessness of it all, he puts in his papers to the chagrin of his commanding officer. With two weeks left to go, he is flying a reconnaissance mission over Bosnia when he is shot down, his pilot murdered by ... rogue troops and he is forced to flee for his life - pursued by a ruthless sniper - whilst his task force colleagues try to find and rescue him. Based on a true story, it is actually quite a well paced manhunt with plenty of peril and pace. What diminishes it is the really poor choice of actor to lead. Wilson plays the disinterested flier well enough at the start, but as things heat up on the ground he really isn't good enough to hold the film up en seul. Gene Hackman is his boss (Adm. Reigert), and he isn't really up to very much either - though he does do the slightly gung-go "go get our boy back" role well enough. The premiss of the genocide being perpetrated on the locals is writ large, and having seen much news coverage at the time of this largely forgotten Balkan war, the story is not without it's potency. It is quite watchable, but is still a somewhat light-weight depiction of a truly difficult situation.
Behind Enemy Lines is one of those movies that doesn't try to be anything more than what it is, a straightforward action thriller with high-stakes chases and explosions. The plot is predictable, filled with familiar tropes and moments that feel like they were borrowed from other war films and stitch ... ed together. It doesn’t have much depth or originality, but it still manages to be entertaining. The directing leans heavily on fast cuts and a hyperactive camera style, which can feel excessive at times, but it keeps the pacing tight. The cinematography does a decent job of capturing the tension, with some impressive aerial shots and a gritty, cold war-zone atmosphere. What carries the film is the acting. Owen Wilson, stepping away from his usual comedic roles, delivers a solid performance as the lead, and Gene Hackman brings the expected level of authority and gravitas. The script is functional but nothing special, just enough to push the action forward without adding much depth to the characters. The score complements the tension well but isn’t particularly memorable. Despite all its flaws, I still found myself enjoying it. Maybe it's the mix of solid performances and non-stop action, or maybe it's just one of those movies that works as a guilty pleasure.