Popularity: 4 (history)
Director: | Antoine Fuqua |
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Writer: | Alex Lasker, Patrick Cirillo |
Staring: |
Navy SEAL Lieutenant A.K. Waters and his elite squadron of tactical specialists are forced to choose between their duty and their humanity, between following orders by ignoring the conflict that surrounds them, or finding the courage to follow their conscience and protect a group of innocent refugees. When the democratic government of Nigeria collapses and the country is taken over by a ruthless military dictator, Waters, a fiercely loyal and hardened veteran is dispatched on a routine mission to retrieve a Doctors Without Borders physician. | |
Release Date: | Mar 07, 2003 |
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Director: | Antoine Fuqua |
Writer: | Alex Lasker, Patrick Cirillo |
Genres: | Action, Drama, War |
Keywords | civil war, refugee, war crimes, evacuation, border, us army, village, nigeria, president, rescue mission, doctor, massacre, brutality, military, child soldier |
Production Companies | Columbia Pictures, Revolution Studios, Cheyenne Enterprises, Michael Lobell Productions |
Box Office |
Revenue: $86,500,000
Budget: $75,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Bruce Willis | Lieutenant A.K. Waters |
Monica Bellucci | Dr. Lena Fiore Kendricks |
Cole Hauser | James 'Red' Atkins |
Eamonn Walker | Ellis 'Zee' Pettigrew |
Johnny Messner | Kelly Lake |
Nick Chinlund | Michael 'Slo' Slowenski |
Tom Skerritt | Captain Bill Rhodes |
Akosua Busia | Patience |
Peter Mensah | Terwase |
Malick Bowens | Colonel Idris Sadick |
Chad Smith | Jason 'Flea' Mabry |
Charles Ingram | Demetrius 'Silk' Owens |
Paul Francis | Danny 'Doc' Kelley |
Sammi Rotibi | Arthur Azuka |
Jimmy Jean-Louis | Gideon |
Awaovieyi Agie | Musa |
Ida Onyango | Lasana |
Benjamin Ochieng | Colonel Emanuel Okeze |
Kanayo Chiemelu | General Mustafa Yakubu |
Hadar Busia-Singleton | Amaka |
Fabrice Yahve Habimana Jr. | Bujo |
Fionnula Flanagan | Sister Grace |
Cornelia Hayes O'Herlihy | Sister Siobhan |
Pierrino Mascarino | Father Gianni |
Howard Mungo | President Samuel Azuka |
Cle Sloan | Mission Rebel |
Allison Dean | Rape Victim |
Rodney Charles | Christopher Marwa |
Jewel McDonald | Village Woman |
Harry Van Gorkum | Carrier Reporter |
Michael Clossin | Rhodes' Aide |
Name | Job |
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Marlene Stewart | Costume Design |
Daniel Boccoli | Assistant Editor |
Russell Earl | CG Supervisor |
Antoine Fuqua | Director |
Lisa Gerrard | Vocals, Original Music Composer |
Mauro Fiore | Director of Photography |
Naomi Shohan | Production Design |
Barbara Mesney | Set Designer |
Scott Farrar | Visual Effects Supervisor |
Denise Ream | Visual Effects Producer |
Phil Neilson | Stunt Coordinator, Second Unit Director |
Toby Bronson | Key Set Costumer |
George Simpson | Supervising Sound Editor |
Kym Stys | Stand In |
Layla Alexander | Stunts |
Josef Cannon | Utility Stunts |
Mitchell Bell | Production Coordinator |
Willie D. Burton | Production Sound Mixer |
Douglas Noe | Prosthetic Makeup Artist |
Barbara Harris | ADR Voice Casting |
Jim Dooley | Additional Music |
Kelly Loo | Driver |
Harry Humphries | Technical Advisor |
Deborah Rutherford | Makeup Artist |
Keith Woulard | Stunt Coordinator |
Eric Chambers | Stunts |
Eugene Collier | Stunts |
Alex Lasker | Screenplay |
Conrad Buff IV | Editor |
Christopher Holmes | Editor |
Patrick Cirillo | Screenplay |
Stuart Abramson | Key Grip |
David Lazan | Art Direction |
Mark Peterson | Costume Supervisor |
Larry Dias | Set Decoration |
Steven J. Winslow | Camera Technician |
Ronald S. Baratie | Greensman |
Joe Ondrejko | Construction Coordinator |
Ken J. Johnson | Sound Effects Editor, Sound Designer |
Lori Harris | Set Costumer |
Melody Bishop | Art Department Coordinator |
Frank Masi | Still Photographer |
Jason Bedig | Leadman |
Isaia Robins | Greensman |
Gary Diamond | Set Designer |
Steven Schwartz | Assistant Art Director |
Maguy R. Cohen | Translator |
Domenic Silvestri | Set Designer |
Maurice K. McGuire | Camera Operator |
Rhona Gordon | Studio Teachers |
Michael Herbick | Sound Re-Recording Mixer |
Slamm Andrews | Music Editor |
Lars Jensvold | Visual Effects Editor |
Mary Anne Seward | Script Supervisor |
Marvin E. Lewis | Boom Operator |
Charisse Cardenas | Set Designer |
Daniel J. Leahy | Sound Re-Recording Mixer |
Steve Pederson | Sound Re-Recording Mixer |
Douglas Olivares | Camera Operator |
John Blake | Makeup Department Head |
Randy Peters | Transportation Coordinator, Aerial Coordinator |
Robert Fechtman | Assistant Art Director |
Michael Bauman | Gaffer |
Gary Katsuya Ushino | First Assistant Camera |
Mike Cunningham | Armorer |
Sheree Greco | Set Production Assistant |
Bruce Fowler | Conductor, Orchestrator |
Tory Mercer | Digital Compositors |
Scott Ejercito | Projection |
Erma Kent | Hairstylist |
Carole A. Kenneally | First Assistant Editor |
Liz Matthews | Location Manager |
John Charles | Software Engineer |
David M. Gray | Visual Effects Coordinator |
Dan Moore | Additional Photography |
Steena Petersen | Security |
Steven P. Saeta | Unit Production Manager |
Ernie Malik | Unit Publicist |
Daniel R. Chavez | Executive In Charge Of Post Production |
Denise Morgan McGrath | Production Accountant |
Susan E. Novick | Post Production Supervisor |
Brett Phillips | Propmaker |
Kevin Brown | Electrician |
Shalimar Reodica | Casting Associate |
Guy Belegaud | Construction Foreman |
Armen Gharagozian | Rigging Grip |
Malcolm Luker | Scoring Mixer |
Leslie Devlin | Makeup Artist |
Irish Barber | Transportation Captain |
Charlie McIntyre | Rigging Gaffer |
Amina Allean Dieye | Researcher |
Chantal Boom'la | Makeup Effects |
Jim Passon | Color Timer |
Michael Tolochko | Best Boy Electric |
Bob Wachs | Transportation Co-Captain |
Jonas C. Matz | Set Medic |
Heather Hudson | Art Department Assistant |
Kenneth Walker | Key Hair Stylist |
Patrick Phillips | Visual Effects |
K.C. Hodenfield | First Assistant Director |
Cathie Valdovino | Tailor |
Elizabeth Kenton | ADR Supervisor |
Oscar Mitt | Assistant Sound Editor |
Russell Maki | Set Dresser |
Mary Andrews | ADR Editor |
Bob Badami | Supervising Music Editor |
Seth Greenwald | Dolly Grip |
Thomas L. Gunderson | Animal Coordinator |
David Paris | Pilot |
Beanie Barnes | Casting Assistant |
Harrison White | Playback Singer |
Kelly Clear | Chief Lighting Technician |
Hugh Marsh | Musician |
Richard Snell | Key Makeup Artist |
Alan Mozo | Grip |
Jeff Okabayashi | Second Assistant Director |
Matthias Weber | Music Programmer |
Holly Davis | Key Costumer |
Susan Ehrhart | Assistant Production Coordinator |
Melissa Feinberg | Assistant Property Master |
Larry Blanford | Aerial Director of Photography |
Mike Chock | Foley Editor |
Rebeka L. Roberts | Ager/Dyer |
Mo Henry | Negative Cutter |
Eric J. Bates | Property Master |
David H. Allen | Property Master |
Tyler Allison | Assistant Camera |
Sean Landeros | Sound Recordist |
Hugo Weng | Dialogue Editor |
Curt Schulkey | Dialogue Editor |
Susan Dudeck | Dialogue Editor |
Charles Grisham | Stunt Double |
Paula Case | Second Second Assistant Director |
Josephine Nericcio | First Assistant Sound Editor |
Nancy Collini | Costumer |
Shannon Hart | Assistant Decorator |
Deedra Ricketts | Extras Casting |
Jim Magdaleno | Storyboard Artist |
Archie Ahuna | Special Effects Technician |
Ken Bazal | Second Assistant Camera |
Jennifer Calbi | Assistant Editor |
Sissy Grover | Travel Coordinator |
Anne Marie Wilson | Art Department Production Assistant |
John Joseph Thomas | Foley Supervisor |
Giselle Gurza | Additional Second Assistant Director |
Simone Perusse | Assistant Chief Lighting Technician |
Scott Hanson | Production Secretary |
John Armstrong | Generator Operator |
Adam Howell | Intern |
Doug Carter | Production Assistant |
Noelle Coughlan | First Assistant Accountant |
Howard London | ADR Mixer |
Brad Bell | Assistant Location Manager |
Joseph K. Borrelli | Assistant Accountant |
David Krudis | Payroll Accountant |
Jason Sweers | Graphic Designer |
Eileen M. Dennis | Second Assistant Accountant |
Robert Baek | Additional Second Assistant Camera |
Norman Kali | Location Assistant |
K.D. Smith | Extras Casting Assistant |
Kira Burns | Extras Casting Coordinator |
Mary Vernieu | Casting |
Hans Zimmer | Original Music Composer |
John Frazier | Special Effects Supervisor |
Clinton Wayne | Prosthetic Makeup Artist |
Name | Title |
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Arnold Rifkin | Producer |
Joe Roth | Executive Producer |
Stephen J. Eads | Associate Producer |
Cathy Schulman | Associate Producer |
Mike Lobell | Producer |
Steven P. Saeta | Co-Producer |
Heidi Fugeman | Associate Producer |
Ian Bryce | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 43 | 55 | 36 |
2024 | 5 | 54 | 67 | 40 |
2024 | 6 | 50 | 91 | 25 |
2024 | 7 | 51 | 80 | 35 |
2024 | 8 | 41 | 49 | 31 |
2024 | 9 | 37 | 63 | 24 |
2024 | 10 | 42 | 66 | 28 |
2024 | 11 | 40 | 51 | 28 |
2024 | 12 | 41 | 53 | 29 |
2025 | 1 | 39 | 53 | 30 |
2025 | 2 | 31 | 47 | 6 |
2025 | 3 | 11 | 40 | 3 |
2025 | 4 | 8 | 12 | 5 |
2025 | 5 | 8 | 14 | 5 |
2025 | 6 | 6 | 9 | 4 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 4 | 4 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 7 | 780 | 852 |
Year | Month | High | Avg |
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2025 | 6 | 838 | 926 |
Year | Month | High | Avg |
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2025 | 5 | 455 | 798 |
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2025 | 4 | 252 | 607 |
Year | Month | High | Avg |
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2025 | 3 | 215 | 770 |
Year | Month | High | Avg |
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2025 | 2 | 651 | 796 |
Year | Month | High | Avg |
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2025 | 1 | 732 | 886 |
Year | Month | High | Avg |
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2024 | 12 | 548 | 781 |
Year | Month | High | Avg |
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2024 | 11 | 412 | 660 |
Year | Month | High | Avg |
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2024 | 8 | 241 | 570 |
**_Solemn life-or-death jungle mission is one-note, but worthwhile for a few reasons_** A squadron of Navy Seals led by Lt. Waters (Bruce Willis) are ordered to Nigeria to remove a beautiful American doctor (Monica Belucci) from a Christian village before Islamic militants move in and annihilate ... 'em all. The Doctor insists that "her people" go with them and so Waters opts for leading 'em out on foot to the Cameroon border. Will they make it out alive? "Tears of the Sun" (2003) has an ultra-serious vibe and _some_ depth. If you appreciate "The 7th Dawn" (1964) with William Holden and Capucine, this is cut from the same cloth, just with modern production quality and more focus on grim jungle drama & action, like "Rambo" (2008). While it's arguably on par with "The 7th Dawn," it doesn't stand with the giants of the genre, such as "Apocalypse Now" (1979) or "Platoon" (1986). For one thing, the characters outside of those played by Willis and Belucci are relatively forgettable, which isn't the case with "Apocalypse Now" and "Platoon" wherein you know and remember the bulk of the key characters. Another good example would be "Last Of The Mohicans" (1992), which has a similar tone and theme, i.e. protagonists being chased through the forest by savage antagonists. The issue I have with "Tears of the Sun" is that it jumps right into the thick of the jungle story without allowing the viewer to get to know anyone. The theme is heavy and the vibe is fittingly serious, including the score, but because we aren't emotionally tied to the characters the picture comes across too heavy-handed and melodramatic. It doesn't help that it's one-dimensional. Meanwhile the 2-hour movie is fairly slow moving with the big-action sequence not taking place until the finale. The problem with this "exciting" climax is that the viewer, once again, doesn't care what happens at this point because we don't really know the characters and therefore have little emotional attachment. Although the story takes place in Nigeria the picture was obviously shot in Hawaii. The difference in geography is enough that the film loses points for realism, but who can deny the beauty of Hawaii? So maybe it gains the points back. The Director's Cut merely adds the deleted scenes from the Special Edition DVD to the film. In other words, unless you absolutely love the flick it's not necessary to buy the Director's Cut; just watch the deleted scenes. Speaking of the deleted scenes, there's one quietly potent scene where a black American talks with a black Nigerian. It has good dialogue and should've never been cut. Yet "Tears of the Sun" has some attributes, including the ultra-serious vibe, cinematography, score and Monica Belucci. The harrowing sequence where the squadron saves a rural village from some ruthless militants is well done. But this is far from a good film IMHO; at the same time, it's not bad and has its points of interest. Check out "Rambo" (2008) if you want to see the same theme done in a more effective manner. GRADE: B-/C+