Popularity: 5 (history)
Director: | Michael Bay |
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Writer: | Shane Salerno, Robert Roy Pool, Jonathan Hensleigh, J.J. Abrams, Tony Gilroy |
Staring: |
When an asteroid threatens to collide with Earth, NASA honcho Dan Truman determines the only way to stop it is to drill into its surface and detonate a nuclear bomb. This leads him to renowned driller Harry Stamper, who agrees to helm the dangerous space mission provided he can bring along his own hotshot crew. Among them is the cocksure A.J. who Harry thinks isn't good enough for his daughter, until the mission proves otherwise. | |
Release Date: | Jul 01, 1998 |
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Director: | Michael Bay |
Writer: | Shane Salerno, Robert Roy Pool, Jonathan Hensleigh, J.J. Abrams, Tony Gilroy |
Genres: | Adventure, Action, Science Fiction, Thriller |
Keywords | saving the world, paris, france, moon, washington dc, usa, loss of loved one, cataclysm, asteroid, self sacrifice, nasa, space marine, u.s. air force, race against time, natural disaster, daughter, space, end of the world, disaster, wedding, astronaut, duringcreditsstinger, disaster movie, heroic mission, daring rescue, space centre |
Production Companies | Jerry Bruckheimer Films, Touchstone Pictures, Valhalla Motion Pictures |
Box Office |
Revenue: $553,799,566
Budget: $140,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Bruce Willis | Harry S. Stamper |
Billy Bob Thornton | Dan Truman |
Ben Affleck | A.J. Frost |
Liv Tyler | Grace Stamper |
Will Patton | Chick |
Steve Buscemi | Rockhound |
William Fichtner | Colonel Willie Sharp |
Owen Wilson | Oscar |
Michael Clarke Duncan | Bear |
Peter Stormare | Lev Andropov |
Ken Hudson Campbell | Max |
Jessica Steen | Co-Pilot Jennifer Watts |
Keith David | General Kimsey |
Chris Ellis | Flight Director Clark |
Jason Isaacs | Ronald Quincy |
Grayson McCouch | Gruber |
Clark Heathcliffe Brolly | Noonan |
Marshall R. Teague | Colonel Davis |
Anthony Guidera | Co-Pilot Tucker |
Greg Collins | Halsey |
J. Patrick McCormack | General Boffer |
Ian Quinn | Astronaut Pete Shelby |
Christopher J. Worret | Operator #1 |
Adam C. Smith | Operator #2 |
John Mahon | Karl |
Grace Zabriskie | Dottie |
K.C. Leomiti | Samoan |
Eddie Griffin | Bike Messenger |
Deborah Nishimura | Client #1 |
Albert Wong | Client #2 |
Jim Ishida | Client #3 |
Stanley Anderson | President |
James Harper | Admiral Kelso |
Ellen Cleghorne | Helga the Nurse |
Udo Kier | Psychologist |
John Aylward | Dr. Banks |
Mark Curry | Stu the Cabbie |
Seiko Matsuda | Asian Tourist - Female |
Harry Humphries | Chuck Jr. |
Dyllan Christopher | Tommy |
Judith Hoag | Denise |
Sage Allen | Max's Mom |
Steven Ford | Nuke Tech |
Christian Clemenson | Droning Guy |
Andy Ryan | Greenpeace Guy |
Duke Valenti | Roughneck #1 |
Michael Taliferro | Roughneck #2 |
Billy Devlin | Roughneck #3 |
Kathleen Matthews | Newscaster #2 |
J.C. Hayward | Newscaster #3 |
Andrew Glassman | Newscaster #4 |
Shawnee Smith | Redhead |
Dwight Hicks | FBI Agent #1 |
Odile Corso | Geo Tech #1 |
Vic Manni | Loanshark |
Jim Maniaci | Biker Customer |
Layla Roberts | Molly Mounds |
Joe Allen | Kennedy Launch |
Bodhi Elfman | Math Guy |
Alexander Johnson | Newscaster |
Kathy Neff | Reporter #1 |
Victor Vinson | Sector Director |
Joseph Patrick Kelly | Marine #1 |
Peter White | Secretary of Defense |
Rudy Mettia | G-Man |
Frank Van Keeken | NASA Planner #1 |
Frederick Weller | NASA Tech |
Jeff Austin | NASA Tech |
Googy Gress | NASA Tech |
Matt Malloy | NASA Tech |
H. Richard Greene | NASA Tech |
Brian Brophy | NASA Tech |
Peter Murnik | NASA Tech |
Brian Hayes Currie | NASA Tech |
Andy Milder | NASA Tech |
Michael Kaplan | NASA Tech |
Patrick Richwood | Dr. Nerd |
Brian Mulligan | Dr. Nerd |
John H. Johnson | Pad Director |
Charles Stewart | Vacuum Chamber Tech |
Scarlet Forge | Young Grace |
Michael Tuck | American Newscaster |
Patrick Lander | British Newscaster |
Anne Varèze | French Newscaster |
Fritz Mashimo | Japanese Newscaster |
Dina Morrone | Italian Newscaster |
Ruben Olague | Spanish Newscaster |
Wolfgang Muser | German Newscaster |
Jim Fitzpatrick | NORAD Technician |
Franky | Dog / Little Richard |
Charlton Heston | Narration (voice) |
Michael Bay | NASA Scientist (uncredited) |
Lawrence Tierney | Eddie 'Gramp' Stamper (uncredited) |
Mark Boone Junior | New Yorker (uncredited) |
Name | Job |
---|---|
Shane Salerno | Adaptation |
Mauro Fiore | Second Unit Director of Photography |
Kevin Greutert | Assistant Editor |
Michael White | Production Design |
Glen Scantlebury | Editor |
Lawrence A. Hubbs | Art Direction |
Bruton Jones | Art Direction |
Rick Simpson | Set Decoration |
Edouard F. Henriques | Makeup Department Head |
Sue Moore | Costume Supervisor |
Crys Forsyth-Smith | Production Manager |
Ali Akdeniz | Production Manager |
Nancy Jane King | Production Supervisor |
Diane L. Sabatini | Production Supervisor |
Stacey Byers | Art Department Coordinator |
Byron K. Autrey | Construction Coordinator |
Greg John Callas | Construction Coordinator |
Doug J. Meerdink | Assistant Art Director |
Ron Mendell | Assistant Art Director |
Yarek Alfer | Sculptor |
Val Drake | Sculptor |
Grey Hill | Sculptor |
John A. Scott III | Leadman |
Mike Higelmire | Leadman |
John P. Bruce | Set Designer |
Todd Cherniawsky | Set Designer |
Kevin Ishioka | Set Designer |
Patricia Klawonn | Set Designer |
Steven M. Saylor | Set Designer |
Domenic Silvestri | Set Designer |
Bill Taliaferro | Set Designer |
Mindy R. Toback | Set Designer |
George Lee | Set Designer |
George Watters II | Supervising Sound Editor |
Ed Callahan | Sound Effects Editor |
Robert L. Sephton | Sound Effects Editor |
Greg P. Russell | Sound Re-Recording Mixer |
Kevin O'Connell | Sound Re-Recording Mixer |
David Bartholomew | Visual Effects Editor |
Richard E. Hollander | Visual Effects Supervisor |
Bruce Nicholson | Visual Effects Supervisor |
Debra Wolff | Visual Effects Editor |
Mary E. Walter | Visual Effects Editor |
Cari Thomas | Visual Effects Producer |
Ken Kokka | Visual Effects Producer |
Josh R. Jaggars | Visual Effects Producer |
Rae Griffith | Visual Effects Producer |
Krystyna Demkowicz | Visual Effects Producer |
Kenny Bates | Stunt Coordinator, Second Unit Director |
David Emmerichs | Camera Operator, Steadicam Operator |
Frank Masi | Still Photographer |
Pete Romano | Underwater Camera |
Andy Ryan | Gaffer |
Beau Desmond | Set Costumer |
Marci R. Johnson | Set Costumer |
Will Kaplan | Music Editor |
Bryce Guy Williams | Transportation Coordinator |
Joe D. Anderson | Transportation Coordinator |
Gabriela Gutentag | Publicist, Unit Publicist |
Richard Klotz | Location Manager |
Brett Paton | Animation |
Richard R. Hoover | Visual Effects Supervisor |
Yolanda Toussieng | Hair Department Head |
Bunny Parker | Hairstylist |
Lee Ann Brittenham | Key Hair Stylist |
Fred C. Blau Jr. | Makeup Artist |
Rick Stratton | Makeup Artist |
Lisa Fields | Casting Associate |
Alison E. McBryde | Casting Associate |
Karin Anderson | Script Coordinator |
Kevin Cooper | Script Coordinator |
Karen Golden | Script Supervisor |
Ali Salim Yaşar | Gaffer |
Jeffrey P. Soderberg | Rigging Gaffer |
William T. Jones | Rigging Grip |
Geoff Hubbard | Supervising Art Director |
Teri E. Dorman | Supervising Dialogue Editor |
Gloria D'Alessandro | Dialogue Editor |
Alison Fisher | Dialogue Editor |
Carin Rogers | Dialogue Editor |
Karen Spangenberg | Dialogue Editor |
Dan O'Connell | Foley Artist |
Juno J. Ellis | Supervising ADR Editor |
Andrea Horta | ADR Editor |
Mary Andrews | ADR Editor |
Stephen Janisz | ADR Editor |
Denise Horta | ADR Editor |
Nicholas Korda | ADR Editor |
Thomas J. O'Connell | ADR Mixer |
Bill W. Benton | Additional Sound Re-Recording Mixer |
James Ashwill | Foley Mixer |
John T. Cucci | Foley Artist |
Mark Pappas | Foley Editor |
Jonathan Klein | Foley Editor |
Jim Likowski | Foley Editor |
Linda Lew | Foley Recordist |
Denise Whiting | ADR Editor |
Gregory H. Watkins | Additional Sound Re-Recording Mixer |
Matthew Harrison | Foley Editor |
David Hopkins | Assistant Property Master |
Selmer Kora | Assistant Property Master |
Jennine Rimer | Assistant Property Master |
Kevin Wasner | Prop Maker |
Cagri Aydin | Props |
Matt Furginson | Set Dresser |
William S. Maxwell III | Set Dresser |
Greg Nestor | Set Dresser |
J.D. Smith | Set Dresser |
Benton E. Tedlie | Set Dresser |
Luigi Mugavero | Set Dresser |
Robert Consing | Storyboard Artist |
K.C. Hodenfield | First Assistant Director |
Steve Austin | Special Effects Technician |
William Dawson | Special Effects Technician |
Brandon K. McLaughlin | Special Effects Technician |
Ken Mieding | Special Effects Technician |
Bill Dietrich | CG Animator |
Tomás Rosenfeldt | CG Animator |
Joshua I. Kolden | CG Animator |
Bryan Hirota | CG Animator |
Bob Mercier | CG Animator |
Morgan Trotter | 3D Artist |
Blair Clark | Animation Supervisor |
Sean Dever | CG Supervisor |
Zoe Peck-Eyler | Compositing Supervisor |
Rob Hodgson | Digital Effects Supervisor |
Carlos Arguello | Digital Effects Supervisor |
Darin Hollings | Digital Effects Supervisor |
Peter Sternlicht | Digital Effects Supervisor |
George Trimmer | Visual Effects Art Director |
Michael Stuart | Visual Effects Art Director |
Mark Alan Loso | Visual Effects Compositor |
Brigitte Bourque | Visual Effects Compositor |
Richard Kaylor | Visual Effects Coordinator |
Jennifer Califano | Visual Effects Coordinator |
Molly Lynch | Visual Effects Coordinator |
Amy Pawlowski | Visual Effects Editor |
Nancy Ceo | Costumer |
Daniel Dirks | Costumer |
Jennifer Long | Costumer |
Rhona Meyers | Costumer |
Karo Vartanian | Costumer |
Mark J. Weitzman | Costumer |
Kathleen A. Wildman | Costumer |
Lizz Wolf | Costumer |
Susan Lichtman | Costumer |
Marie Kaperbeck | Costumer |
Annalisa Strickland | Costumer |
Robert Chase | Key Costumer |
Suzanne Pettit | Wardrobe Supervisor |
Karen E. Etcoff | Extras Casting |
Greg Farley | Extras Casting |
Chris Hutchins | Extras Casting |
Liz Keigley | Extras Casting |
Patricia Robinson | Extras Casting |
Michael R. Miller | Additional Editor |
Elisa Cohen | Assistant Editor |
Greg Thompson | Assistant Editor |
Paul M. Wagner | Assistant Editor |
Christopher Marino | Assistant Editor |
Nathan R. Fitzgerald | Assistant Editor |
Karen Dimmig | Assistant Editor |
Joel Negron | Assistant Editor |
Tucker Stilley | Assistant Editor |
Roger Barton | Associate Editor |
Todd E. Miller | Associate Editor |
Bob Kaiser | Color Timer |
Monica Anderson | First Assistant Editor |
Mary Beth Smith | Negative Cutter |
Cynthia Feyrer | Negative Cutter |
David B. Nowell | Aerial Director of Photography |
Kurt E. Soderling | Aerial Director of Photography |
Larry Blanford | Aerial Director of Photography |
Brian Evans | Assistant Chief Lighting Technician |
Audie Aragon | Best Boy Grip |
Michael T. Travers | Best Boy Grip |
Charlie Marroquin | Best Boy Grip |
Daniel C. McFadden | Camera Loader |
Tom Fraser | Camera Operator |
Bill O'Leary | Chief Lighting Technician |
James M. McEwen | Chief Lighting Technician |
Brad Rea | Dolly Grip |
Jeff Case | Dolly Grip |
Miles Strassner | Dolly Grip |
Patrick Hoeschen | Electrician |
Richard Mosier | First Assistant "A" Camera |
Heather Page | First Assistant "B" Camera |
Les T. Tomita | Key Grip |
George W. Borthwick | Key Grip |
Chad Rivetti | Libra Head Technician |
Thomas D. Lairson Jr. | Second Assistant "A" Camera |
Charles B. Katz | Second Assistant "B" Camera |
Mark Plummer | Second Unit Director of Photography |
Patrick Murray | Underwater Gaffer |
Josh Levy | Video Assist Operator |
Richard Scarpone | Video Assist Operator |
Robert Dawson | Title Designer |
Ed Nyerick | Marine Coordinator |
Jason Bogard | Production Accountant |
Julie Jones | Production Controller |
Jennifer Campbell | Production Coordinator |
Sandra K. Jantzen | Production Coordinator |
Leslie Stevens | Production Coordinator |
Lonnie Kandel | Production Coordinator |
Stacy Foot | Production Secretary |
Cecily Gambrell | Production Secretary |
Kevin Clark | Visual Effects Editor |
Janet Brady | Stunts |
Anthony Cecere | Stunts |
Danny Costa | Stunts |
Ivan Bates | Stunts |
Charlie Curtis | Stunts |
Richard Epper | Stunts |
Tommy J. Huff | Stunts |
Tabby Hanson | Stunts |
Steve Hulin | Stunts |
Terry Jackson | Stunts |
Jay Krueger | Stunts |
Bennie Moore | Stunts |
Alan Oliney | Stunts |
Theresa Pink | Stunts |
Robert Powell | Stunts |
Victor Paul | Stunts |
Frank Torres | Stunts |
Marvin Walters | Stunts |
Astrid Walti | Stunts |
Steve Wooten | Stunts |
Jeff Okabayashi | Second Assistant Director |
Nick Satriano | Second Second Assistant Director |
Robert Roy Pool | Story |
Robert Chapin | CG Animator |
Danny Rogers | Stunts |
Trevor Rabin | Original Music Composer |
Bonnie Timmermann | Casting |
Mark Goldblatt | Editor |
Chris Lebenzon | Editor |
Christopher Boyes | Sound Designer |
Michael Kaplan | Costume Design |
Jonathan Hensleigh | Story, Screenplay |
Steve Boeddeker | Sound Effects Editor |
Midge Costin | Sound Effects Editor |
David Farmer | Sound Effects Editor |
Hoyt Yeatman | Visual Effects Supervisor |
Mitchell Amundsen | Camera Operator |
Michael Bay | Director |
Tom Myers | Sound Effects Editor |
Craig Barron | Visual Effects Supervisor |
Kathy Jeung | Makeup Artist |
J.J. Abrams | Screenplay |
Alan D. Purwin | Aerial Coordinator |
Dan DeLeeuw | Digital Effects Supervisor |
Frédéric North | Aerial Coordinator |
Harry Humphries | Technical Advisor |
Nancy Thurston | Stunts |
Kurt Bryant | Stunts |
Troy Gilbert | Stunts |
Jeff Imada | Stunts |
Charlie Picerni | Stunts |
Henry Kingi | Stunts |
Andy Gill | Stunts |
Gregory J. Barnett | Stunts |
Steve M. Davison | Stunts |
John C. Meier | Stunts |
Gilbert B. Combs | Stunts |
Jay Amor | Stunts |
Jill Brown | Stunts |
Chris Durand | Stunts |
Kenny Endoso | Stunts |
Tom Harper | Stunts |
Steve Kelso | Stunts |
Ryan Christopher Keys | Stunts |
Phil Neilson | Stunts |
Cazimir Milostan | Stunts |
Gary Price | Stunts |
Jennifer Tung | Stunts |
Rick Barker | Stunts |
Tony Gilroy | Adaptation |
John Schwartzman | Director of Photography |
Magali Guidasci | Costume Design |
Erik Nash | Visual Effects Supervisor |
Bryan Grill | Digital Effects Supervisor |
John Frazier | Special Effects Supervisor |
Mitch Lillian | Key Grip |
Jeannie Epper | Stunts |
Gary Epper | Stunts |
Barry H. Waldman | Unit Production Manager |
Steven Meyer | Digital Compositor |
Glenn Hiramatsu | Graphic Designer |
Glen Kennedy | Set Dresser |
Robert Legato | Visual Effects Supervisor |
Maggie Ostroff | Assistant Sound Editor |
Angelo J. Orefice | Driver |
William Clause III | Modelling Supervisor |
William H. Schirmer | Special Effects Coordinator |
Ronnie E. Williams Jr. | Digital Compositor |
Guy Williams | 3D Supervisor |
Tommy Williamson | Digital Effects Supervisor |
William R. Traetta | Costumer |
William R. Traetta | Costumer |
Name | Title |
---|---|
Pat Sandston | Associate Producer |
Kenny Bates | Associate Producer |
Jim Van Wyck | Executive Producer |
Michael Bay | Producer |
Jonathan Hensleigh | Executive Producer |
Chad Oman | Executive Producer |
Jerry Bruckheimer | Producer |
Gale Anne Hurd | Producer |
Barry H. Waldman | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 67 | 98 | 47 |
2024 | 5 | 62 | 108 | 45 |
2024 | 6 | 53 | 74 | 36 |
2024 | 7 | 58 | 86 | 42 |
2024 | 8 | 50 | 87 | 36 |
2024 | 9 | 56 | 89 | 34 |
2024 | 10 | 48 | 78 | 30 |
2024 | 11 | 42 | 54 | 33 |
2024 | 12 | 47 | 61 | 37 |
2025 | 1 | 57 | 97 | 38 |
2025 | 2 | 42 | 61 | 8 |
2025 | 3 | 14 | 43 | 4 |
2025 | 4 | 10 | 18 | 7 |
2025 | 5 | 11 | 19 | 7 |
2025 | 6 | 9 | 12 | 7 |
2025 | 7 | 8 | 9 | 7 |
2025 | 8 | 7 | 8 | 5 |
Trending Position
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2025 | 8 | 543 | 682 |
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2025 | 6 | 190 | 649 |
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2025 | 3 | 237 | 643 |
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2024 | 11 | 318 | 694 |
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2024 | 10 | 754 | 883 |
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2024 | 9 | 561 | 793 |
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2024 | 8 | 482 | 679 |
It's Bayhem time again. An asteroid the size of Texas is heading towards Earth, the consequence if it hits is a global killer, the end of mankind. In spite of the billions invested in the space programme, NASA has no answers other than the notion that the asteroid will need to be nuked, from the ... inside. Enter Harry Stamper and his rough and rugged crew of deep core drillers. Can NASA get these men up on the asteroid and do the job? The fate of mankind rests with a bunch of odd balls! Perhaps because I have a particular kink for the disaster picture, I find it hard to understand the hate for Armageddon. I am after all a man who gleefully defends The Towering Inferno et al with staunch defiance. Armageddon does exactly what was expected from it, ridiculous high octane entertainment with laughs, peril and obligatory chest thumping bravado. All of course cloaked in director Michael Bay's gleeful insistence on blowing things up with devilish panache. Sure there are some twee moments, sure there is some less than great acting on show, but you know what? It's a disaster picture for Michael Bay's crying out loud sake! Check the brain at the door, turn the sound and colour systems up, enjoy the effects on offer and singalong to Aeromith's smashing, "I Don't Want To Miss A Thing". Armageddon, does exactly what it says on the cover, don't take it so serious folks. 8/10
Good watch, might watch again, and can recommend. This has a great premise and stacked cast which is incredibly well balanced not only between the "diggers", but the control crew and the astronauts as well. While they take that opportunity use the characters to really build the world, the story ... really just boils down to "meteor going to kill earth" and "guy and girl connection, but girl's daddy doesn't like". Surprisingly the latter takes up a significant amount of time in the movie, but everyone gets their moment in the spotlight. Steve Buscemi definitely has some of the most memorable moments in the movie. This is the first movie I can think of that has this sort of detail of space travel, let alone tried to simulate the hellish landscape of an asteroid. It really feels like they put the production value into not only to making the movie look good but getting the details right. This is a "I laughed, I cried" sort of movie, and while I don't think it does any one thing especially well, it definitely delivers a solidly good experience.
This starts off quite entertaingly as "Stamper" (Bruce Willis) discovers that his daughter "Grace" (Liv Tyler) has been having a romance with one of his employees "AJ" (Ben Affleck) and so chases him around a drilling establishment taking pot shots at him with a shotgun. Sadly, though, this sillines ... s is soon replaced by a greater one as we discover a great meteor is heading our way and "Stamper" and his team might be the only hope for mankind. Egged on by "Truman" (Billy Bob Thornton) they must quickly learn to be astronauts, then by way of a Russian space station, head into space to plant a gazillion ton nuclear bomb on the thing so it will split up and harmlessly pass us by. This is probably Willis at the top of his game, lively and mischievous and Affleck was at his most eye-catching, but the rest of this just just fits nicely into the well trodden sphere of sci-fi disaster movie. The visual effects are fine, but the dialogue is pretty pedestrian and the ending has a cheesy sentimentality to it that made my eyes roll. It is far, far too long. We spend at least an hour faffing about on the preamble, establishing the characters and when finally lift off comes, I was not entirely convinced the meteor wasn't welcome. There is quite a fun contribution from cosmonaut "Andropov" (Peter Stormare) who knows just how to fix high-spec technology, but otherwise this is all just a rather colourful vehicle for the star that is enjoyable enough, eventually, but really nothing to phone home about.
**Armageddon might not be as good as I think, but it’s definitely not as bad as many say.** I know I’m an extreme to love this movie as much as I do, but I can’t help it! I know it’s filled with scientific inaccuracies (I’m ok with that. I don’t watch Michael Bay movies for the science). I know i ... t has some cliche parts and cheesy lines, but it all just works. The casting director for this movie needs a trophy because every character has the perfect actor portraying them. From Stomare’s crazy cosmonaut to Fitchner’s by-the-book commander, along with Affleck, Duncan, Tyler, Wilson, Thornton, and more - this cast is stacked! Bruce Willis is the perfect choice for a grizzled oil driller that could save the world. The result is a cast of characters you care for, are scared for, root for, and almost mourn for. Michael Bay’s explosive directing and love for special effects guys this outlandish plot perfectly. And the soundtrack! Liv’s father, Steven Tyler, and Aerosmith provide an iconic soundtrack with songs like Sweet Emotion, Come Together, and I Don’t Wanna Miss a Thing. The cast, music, effects, camaraderie, and epic heroism make this movie one of my all-time favorites!
Directed by Michael Bay, co-written by J.J. Abrams and starring Bruce Willis just being Bruce Willis while he saves the world from a giant asteroid with a proper bunch of misfits and some oil drilling equipment. I'm in! ...
Another end of the world movie. Not really action more drama then anything. It's an unlikely team that saves the world. ...
**_First, there was "2001: A Space Odyssey," and then..._** ..."Armageddon." Lol, okay maybe it suffers from too much modern blockbuster syndrome, but I couldn't help thinking that 1998's "Armageddon" was the 1990's "2001: A Space Odyssey." I visualize the sci-fi progression something like thi ... s: 1968: "2001: A Space Odyssey" 1979: "Star Trek: The Motion Picture" (which towers alone in the Trek franchise -- a profoundly spiritual TRIUMPH) 1986: "Aliens" 1998: "Armageddon" Some might object that I omitted "Star Wars: Episode IV - A New Hope" (1977), but it really doesn't fit the list. Don't get me wrong, it's good for what it is, a space fantasy, but it's just too kid-oriented to be relevant to adult-oriented sci-fi. In any case, I hated "Armageddon" when I first saw it and never cared to see it again. My dislike was a combination of the whole "blockbuster" syndrome with its fast-editing to please those with ADHD approach and, believe it or not, Roger Ebert's scathing denouncement, which illustrates the power of words. Well I decided to give it another chance. Wow, was I entertained! Despite my dislike of fast-editing techniques, the story pulled me in right away and held me to the end. Yeah, some of the melodrama is too much, like Willis' scene with his daughter (Liv Tyler) near the end (rolling my eyes), but the filmmakers actually put some depth into the story and it mixes well with the action and humor. Their best move was to focus on character so that we knew and identified (with) the many individuals before the last hour's non-stop suspense & action kicked-in. Speaking of the humor, there are some laugh-out-loud lines, like the one on not paying taxes, ever. Furthermore, the star-studded cast is great and I especially appreciated the inclusion of Keith David and Michael Clarke Duncan (RIP). The film is rather long at 2 hours and 31 minutes (the DC adds two additional minutes), but the story maintains your attention and the suspense, action and F/X are literally senses-shattering. So, yeah, it's a shameless, over-the-top "blockbuster," but it tries so hard to entertain that you can't help but respect it. Besides, in addition to the disasters, action and humor, there's some actual depth to the characters and story. Take, for instance, Willis' character stumbling upon Affleck and Tyler during an intimate moment where Affleck literally covers her with kisses while she just eats it up. Willis stops, looks, and reconsiders his stubborn position. Then you know why he does what he does at the end. GRADE: B+/A-
Armageddon might not be a science lesson, but man, is it a good time! Bruce Willis leads a team of misfit oil drillers sent to save Earth from a giant asteroid, and yeah, almost none of it is scientifically accurate, but honestly, who cares? This movie is packed with action, laughs, and just the ... right amount of emotional moments to keep you hooked from start to finish. The characters are great, each bringing their own quirky energy, and the mix of humor and tension works really well. The whole movie keeps you on the edge of your seat, and even if you know it’s not realistic, you’re still rooting for these guys. By the end, it actually hits you in the feels too. Overall, Armageddon is a fantastic watch. If you’re looking for a fun, thrilling ride and don’t mind leaving real-world logic at the door, this is a movie you’ll love.