Popularity: 4 (history)
Director: | Roland Emmerich |
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Writer: | Roland Emmerich, Ted Elliott, Terry Rossio, Dean Devlin |
Staring: |
French nuclear tests irradiate an iguana into a giant monster that viciously attacks freighter ships in the Pacific Ocean. A team of experts, including Niko Tatopoulos, conclude that the oversized reptile is the culprit. Before long, the giant lizard is loose in Manhattan as the US military races to destroy the monster before it reproduces and it's spawn takes over the world. | |
Release Date: | May 20, 1998 |
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Director: | Roland Emmerich |
Writer: | Roland Emmerich, Ted Elliott, Terry Rossio, Dean Devlin |
Genres: | Action, Science Fiction, Thriller |
Keywords | new york city, atomic bomb, intelligence, missile, destroy, pregnancy, boat accident, flowerpot, atomic bomb test, us army, giant monster, creature, kaiju, military, animal horror, godzilla |
Production Companies | Centropolis Entertainment, TriStar Pictures, TOHO, Independent Pictures, Fried Films |
Box Office |
Revenue: $379,014,294
Budget: $130,000,000 |
Updates |
Updated: Aug 02, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Matthew Broderick | Dr. Niko Tatopoulos |
Jean Reno | Philippe Roaché |
Maria Pitillo | Audrey Timmonds |
Hank Azaria | Victor 'Animal' Palotti |
Kevin Dunn | Colonel Hicks |
Michael Lerner | Mayor Ebert |
Harry Shearer | Charles Caiman |
Arabella Field | Lucy Palotti |
Vicki Lewis | Dr. Elsie Chapman |
Doug Savant | Sergeant O'Neal |
Malcolm Danare | Dr. Mendel Craven |
Lorry Goldman | Gene, Mayor's Aide |
Christian Aubert | Jean-Luc |
Philippe Bergeron | Jean-Claude |
Frank Bruynbroek | Jean-Pierre |
François Giroday | Jean-Philippe |
Nicholas J. Giangiulio | Ed |
Robert Lesser | Murray |
Ralph Manza | Old Fisherman |
Greg Callahan | the Governor |
Chris Ellis | General Anderson |
Nancy Cartwright | Caiman's Secretary |
Richard Gant | Admiral Phelps |
Jack Moore | Leonard |
Steve Giannelli | Jules |
Brian Farabaugh | Arthur |
Stephen Xavier Lee | Lt. Anderson |
Bodhi Elfman | Freddie |
Rich Grosso | Jimmy |
Lloyd Kino | Japanese Tanker Cook |
Toshi Toda | Japanese Tanker Captain |
Clyde Kusatsu | Japanese Tanker Skipper |
Masaya Katō | Japanese Tanker Crew Member |
Glenn Morshower | Kyle Terrington |
Lola Pashalinski | Pharmacist |
Rob Fukuzaki | WIDF Co-Anchor |
Dale Harimoto | WKXI Anchor |
Gary W. Cruz | WFKK Anchor |
Derek Webster | Utah Captain |
Stuart Fratkin | Utah Ensign |
Frank Cilberg | Utah Sailor |
Jason Edward Jones | Utah Sailor |
Roger McIntyre | Utah Sailor |
David Pressman | Anchorage Captain |
Robert Faltisco | Anchorage Ensign |
Christopher Darius Maleki | Anchorage Ensign |
Scott Lusby | Anchorage Ensign |
Ali Afshar | Anchorage Sailor |
Terence Paul Winter | Apache Pilot |
Kirk Geiger | Apache Pilot |
Pat Mastroianni | Apache Pilot |
Eric Saiet | Apache Pilot |
Burt Bulos | Apache Pilot |
Robert Floyd | Apache Pilot |
Seth Peterson | Apache Pilot |
Jamison Yang | F-18 Pilot |
Nathan Anderson | F-18 Pilot |
Mark Munafo | F-18 Pilot |
Dwight Schmidt | F-18 Pilot |
Dwayne Swingler | Raven Pilot #2 |
Lawton Paseka | Officier |
Greg Collins | Soldier on the Bridge |
James Black | Soldier |
Thomas Giuseppe Giantonelli | Soldier |
Paul Ware | Soldier |
Montae Russell | Soldier on Plane |
Christopher Carruthers | Radio Technician |
Daniel Pearce | Radio Technician |
Mark Fite | Radio Operator |
Craig 'Radio Man' Castaldo | Radio Man |
Eric Paskel | Rodgers |
Lee Weaver | Homeless Guy |
Leonard Termo | Homeless Guy |
Joshua Taylor | Spotter |
Al Sapienza | Taxi Cab Driver |
Stoney Westmoreland | Tunnel Guard |
Gary Warner | Gun Technician |
Ed Wheeler | New York Cop |
Bill Hoag | New Jersey Cop |
Joseph Badalucco Jr. | Forklift Driver |
Jonathan Dienst | Field Reporter |
Benjamin Baird | Reporters |
Madeline McFadden | Reporter |
Julian M. Phillips | Reporter |
Raymond Ramos | Reporter |
Gary A. Hecker | Creature Vocals (voice) |
Frank Welker | Creature Vocals (voice) |
Al Leong | Japanese Fishing Boat Crewman |
Ed Godziszewski | Bridge Onlooker (uncredited) |
Steven Ho | Japanese Fishing Boat Crewman (uncredited) |
George Cheung | Japanese Fishing Boat Crewman (uncredited) |
John Koyama | Japanese Fishing Boat Crewman (uncredited) |
Al Goto | Japanese Fishing Boat Crewman (uncredited) |
Norman Fessler | WIDF News Worker in Elevator (uncredited) |
Name | Job |
---|---|
Josef Rusnak | Second Unit Cinematographer |
Tomoyuki Tanaka | In Memory Of |
Debbie Lynn Ross | Stunts |
Michael Lloyd | Original Music Composer |
Ueli Steiger | Director of Photography |
Peter Amundson | Editor |
David Bloch | Casting |
April Webster | Casting |
Oana Bogdan Miller | Art Direction |
Robert Woodruff | Art Direction |
Victor J. Zolfo | Set Decoration |
Katalin Elek | Makeup Artist |
Per Hallberg | Supervising Sound Editor |
John S. Baker | Special Effects |
Clay Pinney | Special Effects Coordinator |
Michael T. Brady | Stunts |
David Siegel | Editor |
William Ladd Skinner | Supervising Art Director |
Joshua Hunt | Art Department Assistant |
Gary A. Krakoff | Construction Coordinator |
Charles S. Serrano | Construction Foreman |
Wayne Shepherd | Leadman |
Adam Baer | Location Scout |
Donnie Grant | Painter |
Thomas Floutz | Sculptor |
Mick Cukurs | Set Designer |
Damon Bowden | Standby Painter |
Lance Fisher | Additional Camera |
Anthony T. Marra II | Key Grip |
Rodney Bauer | Grip |
Stephen St. John | Steadicam Operator |
Chantal Boom'la | Hairstylist |
Anita Louise Brown | Set Costumer |
Billy Baker | Set Dressing Artist |
Craig Byrom | Carpenter |
Chris Winn | Craft Service |
Gina August | Driver |
Tamara Smith | Post Production Supervisor |
Ben Baca | Propmaker |
Doug Harlocker | Property Master |
Michael Zansky | Scenic Artist |
Tamara Maellaro | Set Medic |
Michael D. Gillis | Set Production Assistant |
David R. Davies | Software Engineer |
Mickey Caputo | Sound Recordist |
Lisa Marie Boiko | Stand In |
Craig Lietzke | Transportation Captain |
David Shaffer | Transportation Coordinator |
Kelly Van Horn | Unit Production Manager |
Rachel Aberly | Unit Publicist |
Cinda-Lin James | Utility Stunts |
Alessandra Carlino | Visual Effects Editor |
Kim H. Winther | First Assistant Director |
Kim Berner | Script Supervisor |
Ryan Quigley | Editorial Production Assistant |
Doug Dalisera | Best Boy Electric |
Amy Alarian | Electrician |
Jeff Zucker | Gaffer |
Frederic Soumagnas | Lighting Artist |
Niles McElroy | Lighting Technician |
Tim Marshall | Rigging Gaffer |
Anna Liza Recto | Casting Associate |
Dionne McNeff | Executive In Charge Of Production |
Kenneth E. Fix | Location Manager |
Christopher Wolf | Production Coordinator |
Carl Clifford | Production Manager |
George Merkert | Production Supervisor |
Chris Jargo | ADR Supervisor |
Jonathan Fuh | Boom Operator |
Joaquin Gonzalo Avellán | Assistant Sound Editor |
Bob Beher | Foley Editor |
Dina Eaton | Music Editor |
Peter Afterman | Music Supervisor |
Christopher Assells | Sound Effects Editor |
Jeff Glueck | Sound Engineer |
Sean C. Cunningham | Animation Supervisor |
D. Walt Cameron | Digital Compositors |
Patrick Ellis | Visual Effects Coordinator |
Terry Clotiaux | Visual Effects Producer |
Mary Stuart | Executive Visual Effects Producer |
Nanci Roberts | Visual Effects Art Director |
Mark Kenna | Dolby Consultant |
Don Anderson | Mechanical Designer |
Thomas Hollier | Supervising Technical Director |
Harry Lu | Armorer |
David Orr | Color Timer |
Dennis Rogers | First Assistant Camera |
Lois DeArmond | Costume Illustrator |
Nancy Jarzynko | Costumer |
Nicholas Wolfert | Additional Second Assistant Director |
Greg Hale | Second Second Assistant Director |
Daniel Fisher | Assistant Property Master |
Martin Charles | Graphic Designer |
Craig T. Shordon | Set Painter |
Mike Bell | Set Supervisor |
P.K. MacCarthy | Storyboard Artist |
Lincoln D. Hiatt | Title Designer |
John K. Adams | ADR Editor |
Paul Drenning | ADR Mixer |
Karen Baker Landers | First Assistant Sound Editor |
Nerses Gezalyan | Foley Mixer |
Craig S. Jaeger | Foley Supervisor |
Bob Bowman | Sound Assistant |
Alan Roberts | Special Effects Assistant |
Ante Dugandzic | Special Effects Technician |
Kelly Granite | Visual Effects Compositor |
Gerald McRobbie | Visual Effects Production Assistant |
Michael Luciano | Visual Effects Production Manager |
Suza Kohlstedt | Assistant Camera |
Tony Chiu | Camera Loader |
Arthur Blum | Dolly Grip |
Gary L. Camp | Second Assistant Camera |
Caroline Choat | Character Designer |
Matthew Hackett | Lead Animator |
Faras Rabadi | Casting Assistant |
David Feldman | Assistant Editor |
Greg Hanigan | Digital Color Timer |
Mo Henry | Negative Cutter |
Kathleen Corgan | Assistant Location Manager |
Len Murach | Location Assistant |
Nicholas Dodd | Conductor |
Art Ford | Music Consultant |
Glen L. Chin | Additional Production Assistant |
Kevin LaRosa | Aerial Coordinator |
Shannon Speaker | Assistant Production Coordinator |
Kenneth Bailey | CG Artist |
Gimo Chanphianamvong | Compositing Artist |
Mitchell S. Drain | Compositing Supervisor |
Kristen Branan | Digital Effects Producer |
Riccardo Bertoni | Extras Casting |
Arturs Rusis | I/O Manager |
John P. McMullen | Production Assistant |
Shaun Ryan | Production Driver |
Lisa D. DiSanto | Production Secretary |
Robert Cribbett | Rotoscoping Artist |
Crista Birgy | Second Assistant Accountant |
Tom Elliott | Stunt Double |
Lou Kleinman | Foley Editor |
Mark R. La Pointe | Dialogue Editor |
Colin Green | Visual Effects |
Marc Christie | Rigging Grip |
James M. Halty | Stunts |
Dustin Meier | Utility Stunts |
Jimmy Romano | Stunts |
Alan Oliney | Stunts |
Bennie Moore | Stunts |
Steven D. Ito | Stunts |
Scott Hubbell | Stunts |
Chuck 'Chaz' Hosack | Stunts |
Gene Harrison | Stunts |
Phil Chong | Stunts |
Tommy J. Huff | Stunts |
Monica Anderson | First Assistant Editor |
Jeffrey Rollins | Set Dresser |
Roland Emmerich | Story, Director, Screenplay |
David Arnold | Original Music Composer |
Oliver Scholl | Production Design |
Joseph A. Porro | Costume Design |
R.A. Rondell | Stunt Coordinator |
Mauro Borrelli | Production Illustrator |
Dylan Goss | Aerial Camera |
Claudette Barius | Still Photographer |
Keith Collea | Video Assist Operator |
Scott Martin Gershin | Sound Designer |
Bill Anagnos | Stunt Driver, Stunts |
Ted Elliott | Story |
Volker Engel | Visual Effects Supervisor |
Peter Ramsey | Second Unit Director |
Gary A. Hecker | Foley Artist |
Terry Rossio | Story |
Troy Gilbert | Stunts |
Chuck Picerni Jr. | Stunts |
Steve M. Davison | Stunts |
Eddy Donno | Stunts |
Al Goto | Stunts |
Thomas Robinson Harper | Stunts |
Blaise Corrigan | Stunts |
Scott Workman | Stunts |
Mic Rodgers | Stunts |
Chad Randall | Stunts |
Steve Picerni | Stunts |
Danny Epper | Stunts |
Annie Ellis | Stunts |
Patricia Tallman | Utility Stunts |
John C. Meier | Stunts |
Shane Dixon | Stunts |
Jeff Brockton | Stunts |
Billy D. Lucas | Stunts |
Danny Wynands | Stunts |
Larry Rippenkroeger | Stunts |
Kurt D. Lott | Stunts |
Eddie Perez | Stunts |
Al Leong | Stunts |
Peter Epstein | Stunts |
Chris Cenatiempo | Stunts |
Michael Runyard | Stunts |
John Cenatiempo | Stunts |
Kenny Endoso | Stunts |
Jill Brown | Stunts |
Maya Shimoguchi | Assistant Art Director |
Jerome Chen | Digital Effects Supervisor, Visual Effects Supervisor |
Steve Kirshoff | Special Effects Coordinator |
José Antonio García | Production Sound Mixer |
Patrick Tatopoulos | Creature Design |
Bob Brown | Stunts |
Cameron Watson | Dialogue Coach |
Dean Devlin | Story, Screenplay |
Florian Ballhaus | Camera Operator |
Scott Stokdyk | CG Supervisor |
Lars P. Winther | Second Assistant Director |
Bill Díaz | Senior Animator |
Jules Sylvester | Animal Wrangler |
Danny Rogers | Stunts |
Jimmy N. Roberts | Stunts |
Frank Detone Jr. | Grip |
Name | Title |
---|---|
Ute Emmerich | Executive Producer |
William Fay | Executive Producer |
Robert N. Fried | Co-Executive Producer |
Kelly Van Horn | Co-Producer |
Peter Winther | Co-Producer |
Roland Emmerich | Executive Producer |
Cary Woods | Co-Executive Producer |
Dean Devlin | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 82 | 117 | 65 |
2024 | 5 | 77 | 119 | 44 |
2024 | 6 | 51 | 69 | 31 |
2024 | 7 | 49 | 83 | 28 |
2024 | 8 | 38 | 55 | 25 |
2024 | 9 | 30 | 37 | 20 |
2024 | 10 | 31 | 50 | 21 |
2024 | 11 | 32 | 44 | 22 |
2024 | 12 | 30 | 39 | 23 |
2025 | 1 | 39 | 76 | 24 |
2025 | 2 | 26 | 40 | 4 |
2025 | 3 | 9 | 38 | 3 |
2025 | 4 | 7 | 15 | 4 |
2025 | 5 | 7 | 17 | 4 |
2025 | 6 | 6 | 9 | 4 |
2025 | 7 | 5 | 7 | 3 |
2025 | 8 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 435 | 563 |
Year | Month | High | Avg |
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2025 | 7 | 382 | 687 |
Year | Month | High | Avg |
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2025 | 6 | 359 | 697 |
Year | Month | High | Avg |
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2025 | 5 | 906 | 938 |
Year | Month | High | Avg |
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2025 | 4 | 149 | 648 |
Year | Month | High | Avg |
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2025 | 3 | 178 | 693 |
Year | Month | High | Avg |
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2025 | 2 | 424 | 711 |
Year | Month | High | Avg |
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2025 | 1 | 236 | 675 |
Year | Month | High | Avg |
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2024 | 12 | 325 | 797 |
Year | Month | High | Avg |
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2024 | 11 | 113 | 749 |
Year | Month | High | Avg |
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2024 | 10 | 764 | 852 |
Year | Month | High | Avg |
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2024 | 9 | 660 | 820 |
Year | Month | High | Avg |
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2024 | 8 | 475 | 762 |
***HERE THERE BE SPOILERS*** This version of Godzilla is a difficult one to give a simple overall rating. Honestly, if Hollywood had just made this into a generic monster movie, kind of the way they did with Cloverfield, it would have easily been an above average movie, possibly even breaking int ... o 4 star territory. The acting is above average (including the must-have flavor of the month, Jean Reno), the F/X are excellent for 1998 and the plot actually makes sense. Nevertheless, the failure for this movie is that it was made by people not familiar with the franchise and/or what Godzilla means to his fanbase. Godzilla is to the people of Japan what Batman and Superman are to Americans, what Dr. Who and James Bond are to the British and what Shaft and the Black Panther are to the Black Community. The demotion of Godzilla to that of nothing more than an over-sized animal working wholly upon instinct instead of the more humanistic level of intelligence that we in the fandom have come to know and expect was a slap in the face. Furthermore, the final scene where Godzilla is killed (a blasphemy only seen two other times in his 60 year history (Gojira (1954) and Godzilla vs. Destoroyah (1995), the later being the planned end to the franchise in its entirety) by only three F/18s and a total of 6 missiles when entire armies have done nothing more than irritate the King of Monsters was beyond belief. For those not familiar with Godzilla's accomplishments and reputation, imagine the outrage that would come from the respective communities if James Bond was taken out by a mall cop or Superman was killed by 3 six-year-old brats with baseball bats. Now you understand why Japanese movie-goers were storming the box-offices DEMANDING a full refund for this insult and why Toho quickly resurrected their dearly departed Kaiju less than one year later for probably one of the best movies in the entire franchise, Godzilla 1999 (Godzilla 2000 here in the United States). All in all, as a monster movie, Godzilla gets 3.75 stars. However, for a Godzilla movie, it gets a 1 star rating. I'll cut the difference and meet them somewhere around the middle with a 2.5 star final score.
The hype was as big as the monster to start with! It felt like this take on Godzilla was advertised for 2 years in advance of the actual release, every time (it seemed) I went to the cinema I was awestruck by little teaser trailers, in fact the one of the old guy fishing and hooking Zilla is a p ... ersonal favourite...SIZE DOES MATTER! Love it I do. Sadly as most of us now know, the film didn't meet fans and critics expectations at all, but was the film done down by the hype and an expectation of a masterpiece for the genre?. Well it didn't help that is for sure, but taking aside that problem, the film only glimpses at what might have been. It has many great points that seem to have been forgotten, so sadly we are all too aware of the film's failings on the makers behalf. The build up in the film is excellent, the makers mount the tension in steady strokes, doing what all classic monster movie makers do, they have you waiting with gripping expectation of the creature by a series of scenarios and inventive dialogue. The sound is incredible, making it an essential viewing for those who cherish home surround cinema, while some of the shots and destruction of New York are well worth the viewers time. But then? Well they throw the good work away by turning the film's focus away from the big lizard to a story line that was only fitting for the cartoon version of Godzooki. Thus rendering the film as a poor man's Jurassic Park, which quite frankly doesn't sit well. Matthew Broderick, Jean Reno and Hank Azaria all deserved better scripting, hell we all did! It's not the evil stinker some would have you believe, it does have its moments of both good and bad, it is, by definition, very much a film split down the middle. 5/10
I found this to be quite a fun take on the Godzilla fable. Matthew Broderick as "the worm guy" and Jean Reno as the French Secret agent deliver quite watchable performances as they investigate some radioactive shipping incidents and some really big footprints. The special effects are decent enough t ... oo and help carry this admittedly over-long little movie. Roland Emmerich & Dean Devlin are quite good at churning out these adventure films - never great, but usually they move along nicely and keep you entertained and the last half hour of this is actually quite fun to watch and on a big screen if you get the chance.
As a kid, I was absolutely fascinated by dinosaurs, so you can imagine how Godzilla (1998) held a special place in my heart. Back then, I found the film to be a thrilling spectacle filled with awe-inspiring giant creatures and epic city-destroying action. However, as an adult revisiting this chil ... dhood classic, I couldn't help but view it through a more critical lens. The standout disappointment, of course, was the design of Godzilla itself. It departed significantly from the beloved original, leaving a lot to be desired in terms of authenticity. It's not a good movie, but it's fun to watch 6/10.