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Godzilla

Size does matter.
1998 | 138m | English

(209719 votes)

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Popularity: 4 (history)

Details

French nuclear tests irradiate an iguana into a giant monster that viciously attacks freighter ships in the Pacific Ocean. A team of experts, including Niko Tatopoulos, conclude that the oversized reptile is the culprit. Before long, the giant lizard is loose in Manhattan as the US military races to destroy the monster before it reproduces and it's spawn takes over the world.
Release Date: May 20, 1998
Director: Roland Emmerich
Writer: Roland Emmerich, Ted Elliott, Terry Rossio, Dean Devlin
Genres: Action, Science Fiction, Thriller
Keywords new york city, atomic bomb, intelligence, missile, destroy, pregnancy, boat accident, flowerpot, atomic bomb test, us army, giant monster, creature, kaiju, military, animal horror, godzilla
Production Companies Centropolis Entertainment, TriStar Pictures, TOHO, Independent Pictures, Fried Films
Box Office Revenue: $379,014,294
Budget: $130,000,000
Updates Updated: Aug 02, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Matthew Broderick Dr. Niko Tatopoulos
Jean Reno Philippe Roaché
Maria Pitillo Audrey Timmonds
Hank Azaria Victor 'Animal' Palotti
Kevin Dunn Colonel Hicks
Michael Lerner Mayor Ebert
Harry Shearer Charles Caiman
Arabella Field Lucy Palotti
Vicki Lewis Dr. Elsie Chapman
Doug Savant Sergeant O'Neal
Malcolm Danare Dr. Mendel Craven
Lorry Goldman Gene, Mayor's Aide
Christian Aubert Jean-Luc
Philippe Bergeron Jean-Claude
Frank Bruynbroek Jean-Pierre
François Giroday Jean-Philippe
Nicholas J. Giangiulio Ed
Robert Lesser Murray
Ralph Manza Old Fisherman
Greg Callahan the Governor
Chris Ellis General Anderson
Nancy Cartwright Caiman's Secretary
Richard Gant Admiral Phelps
Jack Moore Leonard
Steve Giannelli Jules
Brian Farabaugh Arthur
Stephen Xavier Lee Lt. Anderson
Bodhi Elfman Freddie
Rich Grosso Jimmy
Lloyd Kino Japanese Tanker Cook
Toshi Toda Japanese Tanker Captain
Clyde Kusatsu Japanese Tanker Skipper
Masaya Katō Japanese Tanker Crew Member
Glenn Morshower Kyle Terrington
Lola Pashalinski Pharmacist
Rob Fukuzaki WIDF Co-Anchor
Dale Harimoto WKXI Anchor
Gary W. Cruz WFKK Anchor
Derek Webster Utah Captain
Stuart Fratkin Utah Ensign
Frank Cilberg Utah Sailor
Jason Edward Jones Utah Sailor
Roger McIntyre Utah Sailor
David Pressman Anchorage Captain
Robert Faltisco Anchorage Ensign
Christopher Darius Maleki Anchorage Ensign
Scott Lusby Anchorage Ensign
Ali Afshar Anchorage Sailor
Terence Paul Winter Apache Pilot
Kirk Geiger Apache Pilot
Pat Mastroianni Apache Pilot
Eric Saiet Apache Pilot
Burt Bulos Apache Pilot
Robert Floyd Apache Pilot
Seth Peterson Apache Pilot
Jamison Yang F-18 Pilot
Nathan Anderson F-18 Pilot
Mark Munafo F-18 Pilot
Dwight Schmidt F-18 Pilot
Dwayne Swingler Raven Pilot #2
Lawton Paseka Officier
Greg Collins Soldier on the Bridge
James Black Soldier
Thomas Giuseppe Giantonelli Soldier
Paul Ware Soldier
Montae Russell Soldier on Plane
Christopher Carruthers Radio Technician
Daniel Pearce Radio Technician
Mark Fite Radio Operator
Craig 'Radio Man' Castaldo Radio Man
Eric Paskel Rodgers
Lee Weaver Homeless Guy
Leonard Termo Homeless Guy
Joshua Taylor Spotter
Al Sapienza Taxi Cab Driver
Stoney Westmoreland Tunnel Guard
Gary Warner Gun Technician
Ed Wheeler New York Cop
Bill Hoag New Jersey Cop
Joseph Badalucco Jr. Forklift Driver
Jonathan Dienst Field Reporter
Benjamin Baird Reporters
Madeline McFadden Reporter
Julian M. Phillips Reporter
Raymond Ramos Reporter
Gary A. Hecker Creature Vocals (voice)
Frank Welker Creature Vocals (voice)
Al Leong Japanese Fishing Boat Crewman
Ed Godziszewski Bridge Onlooker (uncredited)
Steven Ho Japanese Fishing Boat Crewman (uncredited)
George Cheung Japanese Fishing Boat Crewman (uncredited)
John Koyama Japanese Fishing Boat Crewman (uncredited)
Al Goto Japanese Fishing Boat Crewman (uncredited)
Norman Fessler WIDF News Worker in Elevator (uncredited)
Name Job
Josef Rusnak Second Unit Cinematographer
Tomoyuki Tanaka In Memory Of
Debbie Lynn Ross Stunts
Michael Lloyd Original Music Composer
Ueli Steiger Director of Photography
Peter Amundson Editor
David Bloch Casting
April Webster Casting
Oana Bogdan Miller Art Direction
Robert Woodruff Art Direction
Victor J. Zolfo Set Decoration
Katalin Elek Makeup Artist
Per Hallberg Supervising Sound Editor
John S. Baker Special Effects
Clay Pinney Special Effects Coordinator
Michael T. Brady Stunts
David Siegel Editor
William Ladd Skinner Supervising Art Director
Joshua Hunt Art Department Assistant
Gary A. Krakoff Construction Coordinator
Charles S. Serrano Construction Foreman
Wayne Shepherd Leadman
Adam Baer Location Scout
Donnie Grant Painter
Thomas Floutz Sculptor
Mick Cukurs Set Designer
Damon Bowden Standby Painter
Lance Fisher Additional Camera
Anthony T. Marra II Key Grip
Rodney Bauer Grip
Stephen St. John Steadicam Operator
Chantal Boom'la Hairstylist
Anita Louise Brown Set Costumer
Billy Baker Set Dressing Artist
Craig Byrom Carpenter
Chris Winn Craft Service
Gina August Driver
Tamara Smith Post Production Supervisor
Ben Baca Propmaker
Doug Harlocker Property Master
Michael Zansky Scenic Artist
Tamara Maellaro Set Medic
Michael D. Gillis Set Production Assistant
David R. Davies Software Engineer
Mickey Caputo Sound Recordist
Lisa Marie Boiko Stand In
Craig Lietzke Transportation Captain
David Shaffer Transportation Coordinator
Kelly Van Horn Unit Production Manager
Rachel Aberly Unit Publicist
Cinda-Lin James Utility Stunts
Alessandra Carlino Visual Effects Editor
Kim H. Winther First Assistant Director
Kim Berner Script Supervisor
Ryan Quigley Editorial Production Assistant
Doug Dalisera Best Boy Electric
Amy Alarian Electrician
Jeff Zucker Gaffer
Frederic Soumagnas Lighting Artist
Niles McElroy Lighting Technician
Tim Marshall Rigging Gaffer
Anna Liza Recto Casting Associate
Dionne McNeff Executive In Charge Of Production
Kenneth E. Fix Location Manager
Christopher Wolf Production Coordinator
Carl Clifford Production Manager
George Merkert Production Supervisor
Chris Jargo ADR Supervisor
Jonathan Fuh Boom Operator
Joaquin Gonzalo Avellán Assistant Sound Editor
Bob Beher Foley Editor
Dina Eaton Music Editor
Peter Afterman Music Supervisor
Christopher Assells Sound Effects Editor
Jeff Glueck Sound Engineer
Sean C. Cunningham Animation Supervisor
D. Walt Cameron Digital Compositors
Patrick Ellis Visual Effects Coordinator
Terry Clotiaux Visual Effects Producer
Mary Stuart Executive Visual Effects Producer
Nanci Roberts Visual Effects Art Director
Mark Kenna Dolby Consultant
Don Anderson Mechanical Designer
Thomas Hollier Supervising Technical Director
Harry Lu Armorer
David Orr Color Timer
Dennis Rogers First Assistant Camera
Lois DeArmond Costume Illustrator
Nancy Jarzynko Costumer
Nicholas Wolfert Additional Second Assistant Director
Greg Hale Second Second Assistant Director
Daniel Fisher Assistant Property Master
Martin Charles Graphic Designer
Craig T. Shordon Set Painter
Mike Bell Set Supervisor
P.K. MacCarthy Storyboard Artist
Lincoln D. Hiatt Title Designer
John K. Adams ADR Editor
Paul Drenning ADR Mixer
Karen Baker Landers First Assistant Sound Editor
Nerses Gezalyan Foley Mixer
Craig S. Jaeger Foley Supervisor
Bob Bowman Sound Assistant
Alan Roberts Special Effects Assistant
Ante Dugandzic Special Effects Technician
Kelly Granite Visual Effects Compositor
Gerald McRobbie Visual Effects Production Assistant
Michael Luciano Visual Effects Production Manager
Suza Kohlstedt Assistant Camera
Tony Chiu Camera Loader
Arthur Blum Dolly Grip
Gary L. Camp Second Assistant Camera
Caroline Choat Character Designer
Matthew Hackett Lead Animator
Faras Rabadi Casting Assistant
David Feldman Assistant Editor
Greg Hanigan Digital Color Timer
Mo Henry Negative Cutter
Kathleen Corgan Assistant Location Manager
Len Murach Location Assistant
Nicholas Dodd Conductor
Art Ford Music Consultant
Glen L. Chin Additional Production Assistant
Kevin LaRosa Aerial Coordinator
Shannon Speaker Assistant Production Coordinator
Kenneth Bailey CG Artist
Gimo Chanphianamvong Compositing Artist
Mitchell S. Drain Compositing Supervisor
Kristen Branan Digital Effects Producer
Riccardo Bertoni Extras Casting
Arturs Rusis I/O Manager
John P. McMullen Production Assistant
Shaun Ryan Production Driver
Lisa D. DiSanto Production Secretary
Robert Cribbett Rotoscoping Artist
Crista Birgy Second Assistant Accountant
Tom Elliott Stunt Double
Lou Kleinman Foley Editor
Mark R. La Pointe Dialogue Editor
Colin Green Visual Effects
Marc Christie Rigging Grip
James M. Halty Stunts
Dustin Meier Utility Stunts
Jimmy Romano Stunts
Alan Oliney Stunts
Bennie Moore Stunts
Steven D. Ito Stunts
Scott Hubbell Stunts
Chuck 'Chaz' Hosack Stunts
Gene Harrison Stunts
Phil Chong Stunts
Tommy J. Huff Stunts
Monica Anderson First Assistant Editor
Jeffrey Rollins Set Dresser
Roland Emmerich Story, Director, Screenplay
David Arnold Original Music Composer
Oliver Scholl Production Design
Joseph A. Porro Costume Design
R.A. Rondell Stunt Coordinator
Mauro Borrelli Production Illustrator
Dylan Goss Aerial Camera
Claudette Barius Still Photographer
Keith Collea Video Assist Operator
Scott Martin Gershin Sound Designer
Bill Anagnos Stunt Driver, Stunts
Ted Elliott Story
Volker Engel Visual Effects Supervisor
Peter Ramsey Second Unit Director
Gary A. Hecker Foley Artist
Terry Rossio Story
Troy Gilbert Stunts
Chuck Picerni Jr. Stunts
Steve M. Davison Stunts
Eddy Donno Stunts
Al Goto Stunts
Thomas Robinson Harper Stunts
Blaise Corrigan Stunts
Scott Workman Stunts
Mic Rodgers Stunts
Chad Randall Stunts
Steve Picerni Stunts
Danny Epper Stunts
Annie Ellis Stunts
Patricia Tallman Utility Stunts
John C. Meier Stunts
Shane Dixon Stunts
Jeff Brockton Stunts
Billy D. Lucas Stunts
Danny Wynands Stunts
Larry Rippenkroeger Stunts
Kurt D. Lott Stunts
Eddie Perez Stunts
Al Leong Stunts
Peter Epstein Stunts
Chris Cenatiempo Stunts
Michael Runyard Stunts
John Cenatiempo Stunts
Kenny Endoso Stunts
Jill Brown Stunts
Maya Shimoguchi Assistant Art Director
Jerome Chen Digital Effects Supervisor, Visual Effects Supervisor
Steve Kirshoff Special Effects Coordinator
José Antonio García Production Sound Mixer
Patrick Tatopoulos Creature Design
Bob Brown Stunts
Cameron Watson Dialogue Coach
Dean Devlin Story, Screenplay
Florian Ballhaus Camera Operator
Scott Stokdyk CG Supervisor
Lars P. Winther Second Assistant Director
Bill Díaz Senior Animator
Jules Sylvester Animal Wrangler
Danny Rogers Stunts
Jimmy N. Roberts Stunts
Frank Detone Jr. Grip
Name Title
Ute Emmerich Executive Producer
William Fay Executive Producer
Robert N. Fried Co-Executive Producer
Kelly Van Horn Co-Producer
Peter Winther Co-Producer
Roland Emmerich Executive Producer
Cary Woods Co-Executive Producer
Dean Devlin Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 82 117 65
2024 5 77 119 44
2024 6 51 69 31
2024 7 49 83 28
2024 8 38 55 25
2024 9 30 37 20
2024 10 31 50 21
2024 11 32 44 22
2024 12 30 39 23
2025 1 39 76 24
2025 2 26 40 4
2025 3 9 38 3
2025 4 7 15 4
2025 5 7 17 4
2025 6 6 9 4
2025 7 5 7 3
2025 8 4 4 3

Trending Position


Year Month High Avg
2025 8 435 563
Year Month High Avg
2025 7 382 687
Year Month High Avg
2025 6 359 697
Year Month High Avg
2025 5 906 938
Year Month High Avg
2025 4 149 648
Year Month High Avg
2025 3 178 693
Year Month High Avg
2025 2 424 711
Year Month High Avg
2025 1 236 675
Year Month High Avg
2024 12 325 797
Year Month High Avg
2024 11 113 749
Year Month High Avg
2024 10 764 852
Year Month High Avg
2024 9 660 820
Year Month High Avg
2024 8 475 762

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Reviews

tmdb27219454
5.0

***HERE THERE BE SPOILERS*** This version of Godzilla is a difficult one to give a simple overall rating. Honestly, if Hollywood had just made this into a generic monster movie, kind of the way they did with Cloverfield, it would have easily been an above average movie, possibly even breaking int ... o 4 star territory. The acting is above average (including the must-have flavor of the month, Jean Reno), the F/X are excellent for 1998 and the plot actually makes sense. Nevertheless, the failure for this movie is that it was made by people not familiar with the franchise and/or what Godzilla means to his fanbase. Godzilla is to the people of Japan what Batman and Superman are to Americans, what Dr. Who and James Bond are to the British and what Shaft and the Black Panther are to the Black Community. The demotion of Godzilla to that of nothing more than an over-sized animal working wholly upon instinct instead of the more humanistic level of intelligence that we in the fandom have come to know and expect was a slap in the face. Furthermore, the final scene where Godzilla is killed (a blasphemy only seen two other times in his 60 year history (Gojira (1954) and Godzilla vs. Destoroyah (1995), the later being the planned end to the franchise in its entirety) by only three F/18s and a total of 6 missiles when entire armies have done nothing more than irritate the King of Monsters was beyond belief. For those not familiar with Godzilla's accomplishments and reputation, imagine the outrage that would come from the respective communities if James Bond was taken out by a mall cop or Superman was killed by 3 six-year-old brats with baseball bats. Now you understand why Japanese movie-goers were storming the box-offices DEMANDING a full refund for this insult and why Toho quickly resurrected their dearly departed Kaiju less than one year later for probably one of the best movies in the entire franchise, Godzilla 1999 (Godzilla 2000 here in the United States). All in all, as a monster movie, Godzilla gets 3.75 stars. However, for a Godzilla movie, it gets a 1 star rating. I'll cut the difference and meet them somewhere around the middle with a 2.5 star final score.

Jun 23, 2021
John Chard
5.0

The hype was as big as the monster to start with! It felt like this take on Godzilla was advertised for 2 years in advance of the actual release, every time (it seemed) I went to the cinema I was awestruck by little teaser trailers, in fact the one of the old guy fishing and hooking Zilla is a p ... ersonal favourite...SIZE DOES MATTER! Love it I do. Sadly as most of us now know, the film didn't meet fans and critics expectations at all, but was the film done down by the hype and an expectation of a masterpiece for the genre?. Well it didn't help that is for sure, but taking aside that problem, the film only glimpses at what might have been. It has many great points that seem to have been forgotten, so sadly we are all too aware of the film's failings on the makers behalf. The build up in the film is excellent, the makers mount the tension in steady strokes, doing what all classic monster movie makers do, they have you waiting with gripping expectation of the creature by a series of scenarios and inventive dialogue. The sound is incredible, making it an essential viewing for those who cherish home surround cinema, while some of the shots and destruction of New York are well worth the viewers time. But then? Well they throw the good work away by turning the film's focus away from the big lizard to a story line that was only fitting for the cartoon version of Godzooki. Thus rendering the film as a poor man's Jurassic Park, which quite frankly doesn't sit well. Matthew Broderick, Jean Reno and Hank Azaria all deserved better scripting, hell we all did! It's not the evil stinker some would have you believe, it does have its moments of both good and bad, it is, by definition, very much a film split down the middle. 5/10

May 16, 2024
Geronimo1967
6.0

I found this to be quite a fun take on the Godzilla fable. Matthew Broderick as "the worm guy" and Jean Reno as the French Secret agent deliver quite watchable performances as they investigate some radioactive shipping incidents and some really big footprints. The special effects are decent enough t ... oo and help carry this admittedly over-long little movie. Roland Emmerich & Dean Devlin are quite good at churning out these adventure films - never great, but usually they move along nicely and keep you entertained and the last half hour of this is actually quite fun to watch and on a big screen if you get the chance.

Aug 27, 2023
Prodank
6.0

As a kid, I was absolutely fascinated by dinosaurs, so you can imagine how Godzilla (1998) held a special place in my heart. Back then, I found the film to be a thrilling spectacle filled with awe-inspiring giant creatures and epic city-destroying action. However, as an adult revisiting this chil ... dhood classic, I couldn't help but view it through a more critical lens. The standout disappointment, of course, was the design of Godzilla itself. It departed significantly from the beloved original, leaving a lot to be desired in terms of authenticity. It's not a good movie, but it's fun to watch 6/10.

Sep 21, 2023