Project Hail Mary
Believe in the Hail Mary.
2026 | 157m | English
Popularity: 303 (history)
| Director: | Phil Lord, Christopher Miller |
|---|---|
| Writer: | Andy Weir, Drew Goddard |
| Staring: |
| Science teacher Ryland Grace wakes up on a spaceship light years from home with no recollection of who he is or how he got there. As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction… but an unexpected friendship means he may not have to do it alone. | |
| Release Date: | Mar 15, 2026 |
|---|---|
| Director: | Phil Lord, Christopher Miller |
| Writer: | Andy Weir, Drew Goddard |
| Genres: | Science Fiction, Adventure |
| Keywords | based on novel or book, space travel, space mission, space, alien, science teacher, save the planet |
| Production Companies | Waypoint Entertainment, Lord Miller, Pascal Pictures, Amazon MGM Studios, Open Invite Entertainment |
| Box Office |
Revenue: $140,983,746
Budget: $200,000,000 |
| Updates |
Updated: Mar 27, 2026 Entered: Jun 11, 2024 |
| Name | Character |
|---|---|
| Ryan Gosling | Ryland Grace |
| James Ortiz | Rocky (voice) |
| Sandra Hüller | Eva Stratt |
| Lionel Boyce | Carl |
| Milana Vayntrub | Olesya Ilyukhina |
| Ken Leung | Yao |
| Priya Kansara | Mary (voice) |
| Mia Soteriou | Dr. Browne |
| Annelle Olaleye | Olivia |
| Maya Eva Hosein | Rekha |
| Bastian Antonio Fuentes | Parker |
| Alice Brittain | Hardware Store Cashier |
| Michael Akinsulire | Air Force Officer |
| Travis Jay | Tilt-A-Whirl |
| Geoffrey Lumb | Aircraft Carrier Officer |
| Paul Lambert | Dr. Scyther |
| Orion Lee | Dr. Li |
| Aaron Neil | Narender |
| Michelle Greenidge | Chimamanda |
| Bernhard Schütz | Voigt |
| Amira Ghazalla | Dr. Lokken |
| Malachi Kirby | DuBois |
| Liz Kingsman | Shapiro |
| Piotr Baumann | Piotr |
| Eunice Huthart | Rejected Rocky Voice (voice) |
| Damien de Froberville | Rejected Rocky Voice (voice) |
| Ray Porter | Rejected Rocky Voice (voice) |
| Meryl Streep | Rejected Rocky Voice (voice) |
| Isla McRae | Phillips (uncredited) |
| Sylvester Stallone | Rocky Balboa (archive footage) (uncredited) |
| Carl Weathers | Apollo Creed (archive footage) (uncredited) |
| Name | Job |
|---|---|
| Andy Weir | Novel |
| Dan Channing-Williams | First Assistant Director, Health and Safety, Special Effects Supervisor |
| Joel Venti | Storyboard Artist |
| Phil Lord | Director |
| Greig Fraser | Director of Photography |
| Mike Stallion | Art Direction |
| Tara Ilsley | Art Direction |
| Drew Goddard | Screenplay |
| Patricia Whitcher | Unit Production Manager, Line Producer |
| Christopher Knight | Drone Pilot |
| John Bush | Set Decoration |
| Lizzie Osborne | Assistant Art Director |
| Jason Ewart | "A" Camera Operator, Steadicam Operator |
| Thomas Brown | Supervising Art Director |
| Chris Rosewarne | Concept Artist |
| Charles Wood | Production Design |
| Christopher Miller | Director |
| Albert McCausland | Draughtsman |
| Tim Browning | Art Direction |
| Stuart Wilson | Production Sound Mixer |
| Jason Houssein | Draughtsman |
| Oliver Carroll | Art Direction |
| Chris Waegner | Visual Effects Supervisor |
| Arslan Elver | Animation Supervisor |
| Julia Dehoff | Art Direction |
| John Sorapure | Second Unit Director, Second Unit Director of Photography |
| Jamie Mills | Gaffer, Chief Lighting Technician |
| Stuart Penn | Visual Effects Supervisor |
| Bogdan Kumšackij | Stunts |
| Tracey Wilson | Storyboard Artist |
| Barrie Hemsley | Visual Effects Producer |
| Tristan Myles | Visual Effects Supervisor |
| Stefan Drury | Executive Visual Effects Producer |
| Adele Jones-Venables | Executive Visual Effects Producer |
| Karen Clarke | Visual Effects Producer |
| Daniel Pemberton | Original Music Composer |
| Julian Morson | Additional Director of Photography |
| Robert Winter | Visual Effects Supervisor |
| Peter James | Standby Art Director |
| Nicholas St. Clair | Lead Animator |
| Aulo Licinio | Animation Supervisor |
| Craig Gilroy | Art Direction |
| Erik Aadahl | Sound Designer, Supervising Sound Editor |
| Craig McPherson | Animation Supervisor |
| Paul Lambert | Visual Effects Supervisor |
| Matthew Smith | Assistant Art Director |
| Joel Negron | Editor |
| Diego De Lajonquiere | Art Direction |
| David Crossman | Costume Design |
| Glyn Dillon | Costume Design |
| Jan Zalar | Second Assistant Director |
| Per Mørk-Jensen | Compositing Supervisor |
| Ethan Van der Ryn | Sound Designer, Supervising Sound Editor |
| Pamela Joyce | Unit Production Manager |
| Jeanne McCarthy | Casting |
| Nicole Abellera Hallman | Casting |
| Stephane Vogel | Visual Effects Supervisor |
| Eunice Huthart | Stunt Coordinator |
| Ben Jenkin | Stunts |
| Adam Bowman | Stunts |
| Arrie Decker | Stunts |
| Dan Dow | Stunts |
| Daniel Rawlins | Stunts |
| David Collom | Stunts |
| James O'Daly | Stunts |
| Joe Kennard | Stunts |
| Kierron Quest | Stunts |
| Kim McGarrity | Stunts |
| Liam Coote | Stunts |
| TJ Roberts | Stunts |
| Thomas Billings | Stunts |
| Susan E. Novick | Post Production Supervisor |
| Katie Greathouse | Supervising Music Editor |
| David Cole | Colorist |
| Sheila Waldron | Script Supervisor |
| Alex Smith | Art Direction |
| Peter Dorme | Art Direction |
| Emma Vane | Assistant Art Director |
| Ian Bunting | Assistant Art Director |
| James Spencer | Assistant Art Director |
| Emily Connell | Assistant Art Director |
| Jack Leather | Assistant Art Director |
| Shalina Bhamra | Assistant Art Director |
| Alfredo Lupo | Draughtsman |
| Amy Eloise Herring | Draughtsman |
| Andrew Proctor | Draughtsman |
| Austin Huntley | Draughtsman |
| Cheyenne Hughes | Draughtsman |
| Jake Jerrard-Dinn | Draughtsman |
| Owen Meadows | Draughtsman |
| Marei Siewers | Draughtsman |
| Sarah Greenslade | Draughtsman |
| Conrad Ayling | Modeling |
| Francesca Tessi | Modeling |
| Bob Cheshire | Concept Artist |
| Chris Kesler | Modeling |
| Dan Walker | Concept Artist |
| Ivan Weightman | Concept Artist |
| Matthew Savage | Concept Artist |
| Paul Chadeisson | Concept Artist |
| Ian Galvin | Concept Artist |
| Godwin Akpan | Concept Artist |
| Fausto De Martini | Concept Artist |
| Jesús Alonso Iglesias | Concept Artist |
| Simon Webber | Concept Artist |
| Kris Anka | Concept Artist |
| Walker DuBois | Concept Artist |
| Phillip Boutte Jr. | Concept Artist |
| David Bleich | Concept Artist |
| Patrick O'Keefe | Concept Artist |
| Michael Moon | Concept Artist |
| Helen Koutas | Graphic Designer |
| Chris Tooth | Graphic Designer |
| Richard Phelan | Head of Story |
| David Allcock | Storyboard Artist |
| Ben Choi | Storyboard Artist |
| Warren Leonhardt | Storyboard Artist |
| Eric Ramsey | Storyboard Artist |
| Wynton Redmond | Storyboard Artist |
| Jake Lunt | Storyboard Artist |
| Joaquim Dos Santos | Storyboard Artist |
| Katie Ralph | Assistant Set Decoration |
| Ellie Shanks | Assistant Set Decoration |
| Katie Dadswell | Draughtsman |
| Robert Hainsworth | Draughtsman |
| Will Htay | Concept Artist |
| Adrian Platt | Set Dresser |
| Paul Burrows | Set Dressing Supervisor |
| Tommy Cochrane | Set Dresser |
| Euan Holmes | Set Dresser |
| Billy Marchant | Set Dresser |
| Tom Moriarty | Set Dresser |
| Joe Reaney | Set Dresser |
| Craig Tarry | Set Dresser |
| Ashley Walton | Set Dresser |
| Gill Farr | Set Decoration Buyer |
| Lara Gilroy | Set Decoration Buyer |
| Clare Holton | Set Decorating Coordinator |
| Stella Atkinson | Assistant Costume Designer |
| Neil Murphy | Costume Supervisor |
| Sally James | Costume Supervisor |
| William Steggle | Costume Supervisor |
| Melissa Layton | Costume Supervisor |
| Mark Avery | Costumer |
| Kim Pickering | Costume Supervisor |
| Tim Shanahan | Textile Artist |
| Monica Jezierska | Costume Supervisor |
| Kate Lawson | Textile Artist |
| Caroline Carrig | Textile Artist |
| Emma MacKenzie | Textile Artist |
| Charlotte Pittuck | Costume Coordinator |
| Cara Stevens | Costume Assistant |
| Chloe Murphy | Costume Assistant |
| Poppy Ridgway | Costume Assistant |
| Steven Morris | Property Master |
| James Wickison | Painter |
| Richard Derbyshire | Painter |
| Doug Emanuel | Painter |
| Philip Hawley | Painter |
| Claire Tuffy | Petty Cash Buyer |
| Candice Banks | Hair Department Head, Makeup Department Head |
| Shane Thomas | Makeup Artist |
| Lizzie Judd | Makeup & Hair |
| Daisy Almond | Hair Supervisor, Makeup Supervisor |
| Jake Marcuson | First Assistant "A" Camera |
| Tom Lane | First Assistant "B" Camera |
| Russel Torode | Second Assistant "A" Camera |
| Billy Askew | Second Assistant "B" Camera |
| Dan Carling | Digital Imaging Technician |
| Kieran Toman | Digital Imaging Technician |
| Julia Hardecka | Second Assistant Sound |
| Jay Dingle | Graphic Designer |
| Jackson Nash | Graphic Designer |
| Ian Sargent | Graphic Designer |
| Matt Raichel | First Assistant Editor |
| Warren Hickman | Visual Effects Editor |
| Ethan B. Henerey | Visual Effects Editor |
| Jonny Winograd | Visual Effects Editor |
| Seth Glennie-Smith | Music Editor |
| Barbara McDermott | Music Editor |
| Jeanette Surga | Music Editor |
| Natalie Cartwright | Post Production Assistant |
| Malte Bieler | Sound Designer |
| Dave Whitehead | Sound Designer |
| Jason Dotts | ADR Supervisor |
| Kira Roessler | Dialogue Editor |
| Darren Maynard | Sound Effects Editor |
| Dan Gamache | Sound Effects Editor |
| Jon Greasley | Sound Effects Editor |
| Jesse Rosenman | Assistant Sound Editor |
| Jonathan Klein | Foley Editor |
| Willard Overstreet | Foley Editor |
| Shannon Mills | Sound Designer, Supervising Sound Editor |
| Nia Hansen | Sound Designer |
| Jacob Riehle | Dialogue Editor |
| Chris Kahwaty | Dialogue Editor |
| Daniel Laurie | Dialogue Editor |
| Justin Doyle | Sound Effects Editor |
| Cameron Barker | Sound Effects Editor |
| Samson Neslund | Sound Effects Editor |
| Steve Schatz | Assistant Sound Editor |
| Allison Ng | Assistant Sound Editor |
| Kevin Froines | Mix Technician |
| Dan O'Connell | Foley Artist |
| Jack Cucci | Foley Mixer |
| Hunter Berk | ADR Mixer |
| Aaron Hasson | ADR Mixer |
| Tami Treadwell | ADR Mixer |
| John Ash | Assistant Chief Lighting Technician |
| Jamie Cantwell | Electrician |
| Reece Powton | Electrician |
| Tommy Flynn-Stringer | Electrician |
| Blu O'Reilly | Standby Rigger |
| George Bird | Rigging Supervisor |
| Dennis Baldwin | Electrician |
| Glenn Bellis | Electrician |
| Iain Lowe | Rigging Supervisor |
| Ron Nicholls | Second Company Grip |
| Regan Mitchell | Rigging Grip |
| Myles Soldenhoff | Dolly Grip |
| Luke Pastow | Standby Carpenter |
| Paul Couch | Standby Painter |
| Charlie Wright | Standby Rigger |
| Chris Corbould | Special Effects Supervisor |
| Jason Leinster | Special Effects Supervisor |
| Jamie Corbould | Special Effects Supervisor |
| Andy Hayes | Special Effects Technician |
| Mat Duggan | Special Effects Technician |
| Adam Banks | Special Effects Technician |
| Frederick Buhagiar | Special Effects Technician |
| Dean Coote | Special Effects Technician |
| Harry Eves | Special Effects Technician |
| Vinnie Gilbert | Special Effects Technician |
| Colin Nicholson | Special Effects Technician |
| Jonny Oram | Special Effects Technician |
| Charles Pedersen | Special Effects Technician |
| Jaydan Smith | Special Effects Technician |
| Phoebe Tat | Special Effects Technician |
| Luke Turner | Special Effects Technician |
| Rob Eves | Special Effects Technician |
| Kiri Louca | Special Effects Technician |
| Billy Mackenzie | Special Effects Technician |
| Harry Rhys | Special Effects Technician |
| Matt Sheehy | Special Effects Technician |
| Aaron Street | Special Effects Technician |
| Anthony Bruton | Special Effects Technician |
| Giovannandrea Piano | Special Effects |
| Connor Wade | Special Effects |
| Hollie Clancy | Special Effects Coordinator |
| Hamish Farrant | Special Effects Technician |
| Ben Morten | Special Effects Technician |
| Poppy Halford | Special Effects Assistant |
| Teddy Westaway-Christopher | Special Effects Assistant |
| Stefano Cordioli | Creature Design, Sculptor |
| Ivan Manzella | Creature Design, Sculptor |
| Justin Pitkethley | Creature Design, Sculptor |
| Martin Rezard | Creature Design, Sculptor |
| Louis Wiltshire | Creature Design, Sculptor |
| David Farrow | Animatronics Designer |
| Matt MacMurray | Animatronics Designer |
| Ashton McCarthy-Gardner | Animatronics Designer |
| Nicolas Ferrard | Animatronics Designer |
| Michael John Collard | Visual Effects Producer |
| Kit Greene | Visual Effects Coordinator |
| Rockford Moore | Visual Effects Coordinator |
| Niamh McKenna | Visual Effects Coordinator |
| Tiasha Chouhan | Visual Effects Coordinator |
| Sarah 'Blu' Platt | Visual Effects Coordinator |
| Camilo Gamboa Merlo | Visual Effects Production Assistant |
| Natalie Byrdsong | Visual Effects Production Assistant |
| Zofia Halaczek | Visual Effects Production Assistant |
| Dan Kunz | Visual Effects Supervisor |
| Gareth Daley | Visual Effects Supervisor |
| Klara Waldberg | Visual Effects Production Assistant |
| Felix de Bagota | Visual Effects Production Assistant |
| William Coyner | Concept Artist |
| Lu Anna Jurado Taylor | Assistant Production Coordinator |
| Lauren Leogue | Assistant Production Coordinator |
| Tera Havey | Assistant Production Coordinator |
| Jheryl Stewart | Production Secretary |
| Maya Nurmohamed | Production Assistant |
| Callum Dawson | Crowd Assistant Director |
| Amy Wellington | Set Production Assistant |
| Camille Hatcher | Set Production Assistant |
| Lorianne Ho | Set Production Assistant |
| Sanders Walker | Set Production Assistant |
| Tola Teriba | Set Production Assistant |
| Camilla Stephenson | Location Manager |
| Florence Cleverdon | Location Manager |
| Michael Grisewood | Location Scout |
| Joshua Benedetti | Location Scout |
| Chor Man | Location Coordinator |
| Marialucia Apicella | Assistant Location Manager |
| Pippa Vaughan | Assistant Location Manager |
| Lilly-Ann Jones | Assistant Location Manager |
| Anna Ziff | Location Assistant |
| Caius Tabberer | Location Assistant |
| Zou Toulson | Location Assistant |
| Edward Farmer | Conductor |
| Henry James Tufnell | Legal Services |
| JJ Berthelsen | Legal Services |
| Stephen M. Gallagher | Legal Services |
| Cherise Honey Hallenbeck | Legal Services |
| Alexandra Tashman | Legal Services |
| Mag Sarnowska | Visual Effects Supervisor |
| Neal Scanlan | Other |
| Kier Lehman | Music Supervisor |
| Juan Peralta | Sound Re-Recording Mixer |
| Michael Semanick | Sound Re-Recording Mixer |
| Name | Title |
|---|---|
| Will Allegra | Executive Producer |
| Amy Pascal | Producer |
| Phil Lord | Producer |
| Aditya Sood | Producer |
| Drew Goddard | Executive Producer |
| Sarah Esberg | Executive Producer |
| Ken Kao | Executive Producer |
| Patricia Whitcher | Executive Producer |
| Christopher Miller | Producer |
| Andy Weir | Producer |
| Nikki Baida | Executive Producer |
| Lucy Kitada | Executive Producer |
| Rachel O'Connor | Producer |
| Ryan Gosling | Producer |
| Barrie Hemsley | Co-Producer |
| Ross Jensen | Associate Producer |
| J. Wheeler White | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
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| 2024 | 4 | 6 | 9 | 3 |
| 2024 | 5 | 7 | 11 | 4 |
| 2024 | 6 | 11 | 21 | 6 |
| 2024 | 7 | 10 | 20 | 5 |
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| 2024 | 9 | 7 | 10 | 4 |
| 2024 | 10 | 10 | 17 | 5 |
| 2024 | 11 | 12 | 18 | 6 |
| 2024 | 12 | 9 | 18 | 5 |
| 2025 | 1 | 9 | 16 | 6 |
| 2025 | 2 | 6 | 9 | 1 |
| 2025 | 3 | 3 | 8 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 10 | 20 | 3 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 3 | 3 | 2 |
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| 2025 | 11 | 5 | 8 | 2 |
| 2025 | 12 | 6 | 8 | 4 |
| 2026 | 1 | 7 | 10 | 5 |
| 2026 | 2 | 13 | 19 | 7 |
| 2026 | 3 | 126 | 355 | 19 |
Trending Position
| Year | Month | High | Avg |
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| 2026 | 3 | 1 | 8 |
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| 2026 | 2 | 12 | 65 |
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| 2026 | 1 | 52 | 208 |
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| 2025 | 12 | 128 | 462 |
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| 2025 | 11 | 26 | 412 |
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| 2025 | 10 | 367 | 800 |
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| 2025 | 9 | 650 | 823 |
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| 2025 | 8 | 695 | 874 |
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| 2025 | 7 | 10 | 429 |
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| 2025 | 6 | 14 | 372 |
When times are tough and world-weary souls have looked for an avenue of escapism to retreat from their woes, worries and weltschmerz, they’ve often flocked to the movies to relieve that pent-up pressure. And, at a time when it feels like the world is going to you-know-where in a you-know-what (like ... now), that’s true more than ever. So it’s with that in mind that this much-anticipated sci-fi space adventure from directors Phil Lord and Christopher Miller enters the picture, a release promulgated with the hope of providing that much-needed and much-hoped-for entertainment remedy. Unfortunately, it comes up seriously short of the mark. When once-famous but now-discredited scientist Ryland Grace (Ryan Gosling) redeems himself by discovering the cause of a space-based catastrophe lying in wait with the potential to devastate the Earth, he’s “recruited” by an international panel of investigators (led by a regrettably miscast Sandra Hüller) to participate in a mission to resolve the issue. He’s reluctant to go, given personal misgivings and his lack of experience as an astronaut, apprehensions that are unsurprisingly confirmed when he wakes up from hibernation to find he’s the only member of his crew to survive. He’s thus left to teach himself how to pilot his spacecraft on his own and to look for a solution to the impending calamity, one that has apparently affected all of our neighboring solar systems but one. And, upon his arrival at that sole surviving locale, he encounters a stone-faced alien whom he names “Rocky” (voiced by James Ortiz) who has been dispatched from his home world to this same location for the same purpose. Perhaps working together will yield an answer for this unlikely duo, but first these two very different beings must learn how to communicate if they’re to collaborate successfully, a challenge almost as big as their scientific dilemma. While this may sound like a plausible premise for an escapist fantasy offering, problems arise not so much in the nature of the story but in its error-filled execution. For starters, at a runtime of 2:36:00, it’s too long to maintain viewer interest with what it has to work with. That’s because the treatment never takes itself seriously enough to make audience members want to care about the characters or the outcome. Instead of creating a thrilling and engaging space adventure, the film becomes more of a lightweight buddy movie (and a very silly, almost juvenile, one at that). Comic relief is one thing, but this production carries this idea way too far, and this ends up becoming a chief source of the picture’s desperate need for editing. On top of this, the narrative isn’t especially original, combining tropes found in releases like “Interstellar” (2014), “The Martian” (2015), and, even as unlikely as it may sound, “Cast Away” (2000), with visual elements that look like they were plucked from “2001: A Space Odyssey” (1968) and “2010: The Year We Make Contact” (1984). And, speaking of visuals, the special effects are a decidedly mixed bag of images, with some stunningly beautiful and others that unbelievably look like they’re 40 years out of date (talk about continuity issues). Then there’s the lead performance by Gosling, who carries much of the picture by himself, again portraying (or attempting to portray) his signature supposedly soft-spoken everyman, but who, in this instance, routinely steps out of character and goes over the top with displays that are unmitigatedly hammy and cloying (much like his extraterrestrial co-star). Consequently, when all is said and done, “Project Hail Mary” comes up an unexpected disappointment, failing to deliver the goods that its marketing team so fervently promised. I realize that I probably sound cantankerous and curmudgeonly in my assessment and that this will likely end up being an unpopular opinion that goes against what most critics and viewers say about it, but I truthfully came away from this one feeling unsatisfied. Nevertheless, if you’re still compelled to see this one any way, at least do yourself the favor of watching it on an IMAX screen for best effect. But, if I were you, I’d wait for it to come to streaming instead.
I think this might be my favourite sci-fi film since “Galaxy Quest” (1999) and like that, this is a solid and entertaining story led by an actor who is quite possibly getting better looking and more charismatic as he gets older. “Grace” (Ryan Gosling) is the kind of interactive science teacher that ... I’d have loved. Few text books, just gadgets, gizmos and beanbag factoids that appear to keep his teenage students interested and enthusiastic. When he leaves one afternoon he encounters the enigmatic "Eva” (Sandra Hüller) who knows of his more rebellious past amongst the scientific community and who invites him to participate in a crucial and global project. The sun is dying, and rapidly, and they have identified what they think might be the cause. Quickly identifying what he calls the “astrophage”, he is soon aboard an aircraft carrier in the middle of the ocean working on an antidote that might be sourced from a star light years from earth. A scientist he wants to be - an astronaut, well that's a different matter - and so after an unfortunate explosion that’s where “Eva” has a difficult decision to make. Running in parallel to this thread is one on a spaceship in a galaxy far, far, away - and where it’s lone astronaut has met and befriended another wanderer looking for a solution to this intergalactic plague. The two are pretty much polar opposites. They’ve no language in common and they don’t even breathe the same air - but some technical legerdemain, sign language, model making and good old-fashioned goodwill might just help them find a solution in time? Aside from a couple of quite sparing interventions from Hüller - and a mean bit of her karaoke, this is really just Gosling demonstrating that cardigans are cool as he hurtles through space. The writing provides him with some quite witty dialogue a well as just an hint or two of actual science; the visual effects are impressive too but ultimately it’s his amiable characterisation that makes us smile and tugs at our heartstrings almost simultaneously as their story races along for a couple of hours mixing jeopardy, humour and the power of friendship into it as it goes. It looks great on a big screen and I'd certainly be up for a sequel.
Incredible movie. So heartwarming and funny. The cinematography is gorgeous, the story is so entertaining and you get so emotionally invested to the characters. Ryan Gosling will never disappoint me. ...
Full review: https://movieswetextedabout.com/project-hail-mary-movie-review-ryan-gosling-shines-in-a-visually-stunning-redemption-story-for-the-ages/ Rating: A- "Project Hail Mary stands as a triumph of narrative over technique, where the redemption of a man who believed himself a coward becom ... es the symbol of hope for an entire civilization. It’s a beautiful exploration of how genuine communication and personal sacrifice can tear down the most unthinkable barriers, uniting two beings from opposite worlds in a common purpose. Leaving the theater, my thoughts weren’t focused on orbital physics or alien chemistry, but on the profound lesson of altruism that Rocky and Grace leave to the real world. It asserts itself as one of the most immersive and emotionally rewarding sci-fi experiences in recent cinema, joining the technical grandeur of an IMAX production with the intimacy of one of the purest friendships ever seen on screen through a memorable performance by Ryan Gosling. It reminds us that, in the deafening silence of the cosmos, our greatest strength doesn’t lie in the problems solved, but in the courage to reach out to the unknown to discover that one is never truly alone. In the end, what really lasts aren’t the cutting-edge visual effects or the scientific rigor, but the soul of the story."
Never read (or heard of the book but not much of a book reader aside from crime-thrillers) so I don't know anything about it, but thought this was a lot of fun with heart and Ryan Gosling was great. Hampering my experience was a girl next to me trying to get every drop of her slushie and the last 30 ... minutes having a full bladder not to mention the really warm theater. I was in a D-BOX seat which was well utilized. I'll check it out again once it gets to 4K. Still, solid sci-fi drama. **4/5**
Project Hail Mary is a prime example of why cinemaphiles love going to the theater. If popcorn flicks are capable of being intellectually stimulating, incredibly emotional, and monumentally worthwhile, then Project Hail Mary is the ultimate popcorn flick. https://www.giantfreakinrobot.com/ent/sci ... fi/hail-mary-review.html
Project Hail Mary presents itself as a modern science fiction centered on the classic mission to save the world, or in this case, multiple worlds. During his journey, the protagonist is joined by the likable Rocky, a character used to further lighten the tone and distract from a plot that evolves th ... rough one contrivance after another. The convenient demise of the entire crew feels highly engineered, serving only to force an intimate dynamic between the two characters. A series of convenient coincidences allows the story to conclude in the most favorable way possible. Furthermore, what initially appeared to be a scientific focal point, the protagonist’s conviction regarding non carbon based life, is effectively validated by Rocky’s existence, yet the film fails to follow through leaving a significant thematic thread unresolved. Ultimately, it is an enjoyable, light, and occasionally humorous film; however it fails to leave a lasting impression. While the viewer is certainly entertained for the duration, the experience doesn't leave anything meaningful to reflect on.