Popularity: 6 (history)
Director: | Danny Boyle |
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Writer: | Alex Garland |
Staring: |
Fifty years into the future, the sun is dying, and Earth is threatened by arctic temperatures. A team of astronauts is sent to revive the Sun — but the mission fails. Seven years later, a new team is sent to finish the mission as mankind’s last hope. | |
Release Date: | Apr 05, 2007 |
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Director: | Danny Boyle |
Writer: | Alex Garland |
Genres: | Science Fiction, Thriller |
Keywords | space suit, solar energy, suspenseful, foreboding, saving the world, space travel, introspective, audacious, space marine, sunlight, expiration, ambiguous, frightened, bomb, space mission, grand, awestruck, sun, earth, 2050s, baffled |
Production Companies | DNA Films, Ingenious Media, UK Film Council, Moving Picture Company |
Box Office |
Revenue: $34,800,000
Budget: $50,000,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Cillian Murphy | Capa |
Rose Byrne | Cassie |
Chris Evans | Mace |
Michelle Yeoh | Corazon |
Cliff Curtis | Searle |
Hiroyuki Sanada | Kaneda |
Troy Garity | Harvey |
Benedict Wong | Trey |
Mark Strong | Pinbacker |
Paloma Baeza | Capa's Sister |
Archie Macdonald | Child |
Sylvie Macdonald | Child |
Chipo Chung | Voice of Icarus |
Name | Job |
---|---|
Matthew Robinson | Draughtsman |
Chris Gill | Editor |
Michelle Day | Set Decoration |
Michael Mooney | Costume Supervisor |
David Warren | Supervising Art Director |
Stephen Morahan | Art Direction |
Denis Schnegg | Art Direction |
Bernard Bellew | Unit Production Manager |
Clare St. John | Post Production Supervisor |
William Davies | Casting Assistant |
David Wheal | Casting Assistant |
Andrew Wilkinson | Music Editor |
Kate Penlington | Production Coordinator |
Anna Worley | Script Supervisor |
Faye | Focus Puller |
Jemma Scott-Knox-Gore | Contact Lens Technician |
Nuria Mbomio | Makeup Artist |
Lesa Warrener | Makeup Artist |
Matthew Smith | Prosthetic Makeup Artist |
Martha Fein | Prosthetics Painter |
Simon Webber | Prosthetics Painter |
Luke Fisher | Prosthetics Sculptor |
Amanda Dazely | Art Department Assistant |
Rachel Aulton | Art Department Trainee |
Helen Morgan | Art Department Trainee |
Guy Bradley | Assistant Art Director |
Sue Whitaker | Assistant Art Director |
Kathryn Pyle | Assistant Set Decoration |
Lee Biggs | Carpenter |
James Buxton | Carpenter |
Graham Cole | Carpenter |
David Dickinson | Carpenter |
Paul Duff | Carpenter |
Nick Goodall | Carpenter |
John Heayn | Carpenter |
Barry O'Brien | Carpenter |
Roy O'Brien | Carpenter |
William West | Carpenter |
Mark Weston | Carpenter |
Matt Whelan | Carpenter |
Dennis Wilson | Carpenter |
Daniel O'Regan | Carpenter |
Rowan E Cassidy | Concept Artist |
Zoe Robertson | Construction Buyer |
Tom Martin | Construction Manager |
Peter Dorme | Draughtsman |
Catherine Haugh | Draughtsman |
Emma Vane | Draughtsman |
Colin Bayliss | Dressing Prop |
Alex Boswell | Dressing Prop |
Gary Martin | Dressing Prop |
Adrian Platt | Dressing Prop |
Anita Dhillon | Graphic Designer |
John O'Brien | Head Carpenter |
Alastair Rae | Camera Operator |
Abi Oseni | Camera Trainee |
Peter Byrne | Clapper Loader |
Jason Dully | Clapper Loader |
Henry Landgrebe | Clapper Loader |
Jon Howard | Clapper Loader |
Richard Copeman | Clapper Loader |
Mark Funnell | Electrician |
Tom Lea | Electrician |
Terry Roberts | Electrician |
Martin Taylor | Electrician |
Adrian Mackay | Electrician |
Roy Branch | Electrician |
Chris Mortley | Electrician |
Luis Santos | Electrician |
Steve O'Donoghue | Electrician |
Olly Tellett | Focus Puller |
Simon Heck | Focus Puller |
Alex Howe | Focus Puller |
Reuben Garrett | Gaffer |
Harry Wiggins | Gaffer |
Paul Hatchman | Grip |
Nic Cupac | Grip |
Jim Crowther | Grip |
Stuart Bell | Grip |
Adrian McCarthy | Key Grip |
David Maund | Key Grip |
Ian Franklin | Rigging Gaffer |
Barny Crocker | Second Assistant Camera |
Chaz Lyon | Second Assistant "B" Camera |
Paul Edwards | Steadicam Operator |
Nicole Young | Assistant Costume Designer |
Michele Carragher | Costume Assistant |
Calandra Meredith | Costume Assistant |
Joanna Wright | Costume Assistant |
Andrew Baggarley | 3D Artist |
Alfonso Cottier | 3D Modeller |
Paul Brannan | CG Artist |
Andrew Morley | CG Supervisor |
Kieron Helsdon | CG Supervisor |
Marian Mavrovic | Compositing Supervisor |
Steve McGee | Compositor |
Malcolm Souter | Compositor |
Mark Curtis | Compositor |
Henrik Holmberg | Matte Painter |
Charles Darby | Matte Painter |
Alistair Bell | Modeling |
Bryan Litson | Modeling |
Sean Mathiesen | Pre-Visualization Supervisor |
Paul Driver | Visual Effects Coordinator |
Helen Judd | Visual Effects Coordinator |
Gemma Thompson | Visual Effects Coordinator |
Mark Eckersley | Visual Effects Editor |
Tim Pounds-Cornish | Visual Effects Editor |
Stefan Drury | Visual Effects Producer |
Joanna Nodwell | Visual Effects Producer |
Adrian Hedgecock | Visual Effects Production Assistant |
Jennifer Loughnan | Visual Effects Production Assistant |
Robert A. Willis | Visual Effects Production Assistant |
Sally Spencer | Visual Effects Production Manager |
Tom Wood | Visual Effects Supervisor |
Howard Margolius | Visual Effects Technical Director |
Ian Tapp | Additional Sound Re-Recording Mixer |
Paul Carr | ADR Mixer |
Andy Thompson | ADR Mixer |
James Bennett | ADR Recordist |
William Towers | Boom Operator |
Gillian Dodders | Dialogue Editor |
Hugo Adams | Foley Editor |
Philippe Amouroux | Foley Recordist |
Tim Fraser | Production Sound Mixer |
Calum Thomson | Sound Assistant |
Tom Sayers | Sound Designer, Sound Effects Editor |
Niv Adiri | Sound Effects Editor |
Keith Tinman | Sound Effects Editor |
James Doyle | Sound Mix Technician |
John Hayward | Sound Re-Recording Mixer |
Richard Pryke | Sound Re-Recording Mixer |
Robbie Scott | Special Effects Coordinator |
Richard Conway | Special Effects Supervisor |
Paul Clayton | Special Effects Technician |
John Cramman | Special Effects Technician |
Neil Davies | Special Effects Technician |
Mark Holdcroft | Special Effects Technician |
Nick Smith | Special Effects Technician |
Stephen Paton | Special Effects Technician |
Steven Scott | Special Effects Technician |
Pete Sellers | Special Effects Technician |
Karl Wardle | Special Effects Technician |
Peter Seymour Howell | Special Effects Technician |
Dean Ford | Special Effects Technician |
Julian Spencer | Stunt Coordinator |
Tracey Curtis | Senior Modeller |
Alec Gibson | Color Timer |
Royce Smith | Color Timer |
Emanuele Giraldo | First Assistant Editor |
Mark Wright | Negative Cutter |
Thomas Urbye | Online Editor |
Toby Ford | First Assistant Director |
Bryn Lawrence | First Assistant Director |
Sharon Mansfield | Script Supervisor |
Michael Dovey | Thanks |
Richard Seymour | Thanks |
Kate Grimble | Art Direction |
Dougal Cadiou | Assistant Accountant |
Susan Chika Anisiobi | Assistant Accountant |
Linda Bowen | Assistant Accountant |
Alex Warder | Assistant Production Coordinator |
Michael D. Walsh | Assistant Production Coordinator |
Carey Berlin | Producer's Assistant |
Alexis Hall | CG Artist |
Mark Newport | Visual Effects Technical Director, CG Artist |
Richard Gomes | CG Artist |
Teresa Alvarez Pino | CG Artist |
Clare Pakeman | CG Artist |
Dave Child | CG Artist |
Haslina Dasley | CG Artist |
Jessica Groom | CG Artist |
Miles Glyn | CG Artist |
Uzma Khalid | CG Artist |
Rob Andrews | CG Artist |
David Basalla | CG Artist |
Andy Robb | Chef |
Leigh Nicol | Daily Wardrobe |
Lewis Guarniere | Data Wrangler |
Bob McGovern | Driver |
Jean-Clement Soret | Digital Colorist |
Arek Komorowski | Digital Compositor |
Ben Perrott | Digital Compositor |
Carlo Scaduto | Digital Compositor |
Christian Irles | Digital Compositor |
David E. Scott | Digital Compositor |
Delphine Buratti | Digital Compositor |
Giuseppe Tagliavini | Digital Compositor |
Henry Badgett | Digital Compositor |
Hugh Macdonald | Digital Compositor |
Jeremy Hey | Digital Compositor |
Jesus Lavin | Digital Compositor |
John Hardwick | Digital Compositor |
John Slattery | Digital Compositor |
Julian Gnass | Digital Compositor |
Kim Stevenson | Digital Compositor |
Mark Barber | Digital Compositor |
Mark Richardson | Digital Compositor |
Matthew Packham | Digital Compositor |
Michael Harrison | Digital Compositor |
Paul Kulikowski | Digital Compositor |
Qian Han | Digital Compositor |
Richard Little | Digital Compositor |
Robin Hollander | Digital Compositor |
Ron Ganbar | Digital Compositor |
Steve Tizzard | Digital Compositor |
Terence Alvares | Digital Compositor |
Tom Kimberley | Digital Compositor |
Tony Man | Digital Compositor |
Vaibhav Marathe | Digital Compositor |
Yasmine El-Ghamrawy | Digital Compositor |
Ammann Christine Wong | Digital Compositor |
Douglas Larmour | Digital Compositor |
James D. Etherington | Digital Compositor |
Jennifer Giovanna Meire | Digital Compositor |
Martin R. Davison | Digital Compositor |
Steve J. Sanchez | Digital Compositor |
Miquel Ubeda | Digital Compositor |
Christopher Anthony | Visual Effects Technical Director |
Emanuele D'Arrigo | Visual Effects Technical Director |
Evangelos Christopoulos | Visual Effects Technical Director |
Niall Flinn | Visual Effects Technical Director |
Tim Riley | Visual Effects Technical Director |
Tom Beckwith Phillips | Visual Effects Technical Director |
Daniel Jerome Gill | Floor Runner |
Clare Cunningham | First Assistant Accountant |
Mick Hurrell | Health and Safety |
Martin Riedel | Compositing Lead |
Sean Heuston | Compositing Lead |
Stuart Lashley | Compositing Lead |
Rafael Morant | Sequence Supervisor |
Melody Woodford | Matchmove Supervisor |
Gustavo Borner | Scoring Mixer |
Pat Wintersgill | Online Editor |
Clive Whitbread | Painter |
Glyn Evans | Painter |
Tyrone Greg O'Donnell | Painter |
Joe Monks | Painter |
John Daynes | Painter |
Kevin Biggs | Painter |
Luke Goodman | Painter |
Steve Sibley | Painter |
Trevor Eve | Painter |
Tarn Harper | Post Production Accountant |
Leah Clarke | Producer's Assistant |
Wendy Ellerker | Production Accountant |
Penny Frost | Production Runner |
Ty Senior | Prop Maker |
Nick Thomas | Property Master |
Laura Savage | Set Dresser |
Alasdair McNeill | Roto Supervisor |
Reuben Barkataki | Roto Supervisor |
Tim Barter | Roto Supervisor |
Donna Poynton | Rotoscoping Artist |
Keith Jones | Rotoscoping Artist |
Lionel Heath | Rotoscoping Artist |
Luan Davis | Rotoscoping Artist |
Marc Hutchings | Rotoscoping Artist |
Mark Tremble | Rotoscoping Artist |
Naveen Medaram | Rotoscoping Artist |
Richard Baillie | Rotoscoping Artist |
Richard Fox | Rotoscoping Artist |
Rupert Davies | Rotoscoping Artist |
Ryan Hutchings | Rotoscoping Artist |
Ryan Mullany | Rotoscoping Artist |
Stuart Bullen | Rotoscoping Artist |
Ellen E. Miki | Rotoscoping Artist |
Greg Howe-Davies | Rotoscoping Artist |
Carlos Fidel | Second Assistant Director |
Nigel Blake | Senior Modeller |
David Johns | Special Effects |
Amy Irvine | Stand In |
Gavin Fitch | Standby Art Director |
Remo Tozzi | Standby Art Director |
John McGee | Standby Carpenter |
Paul Webb | Standby Carpenter |
Steve Clarke | Standby Painter |
Chris Hawkins | Standby Rigger |
Steven Pollecutt | Standby Rigger |
Brendan Houghton | Storyboard Artist |
Justin Pearson | Stunt Double |
Kim McGarrity | Stunts |
Maxine Whittaker | Stunts |
Tim O'Halloran | Stunts |
Arran Topham | Stunts |
Eamon McLoughlin | Supervising Carpenter |
Danny O'Regan Jr. | Supervising Carpenter |
David Lowery | Supervising Carpenter |
Susan Drennan | Third Assistant Director |
Henry Forsyth | Third Assistant Director |
Roy Clarke | Transportation Captain |
Allan Bradshaw | Driver |
Mike Beaven | Driver |
Simon Hudnott | Driver |
Sarah Clark | Unit Publicist |
Gia Milinovich | Web Designer |
Paul Alexiou | Visual Effects Editor |
Annette Wullems | Executive Visual Effects Producer |
Martin Hobbs | Executive Visual Effects Producer |
Michael Elson | Executive Visual Effects Producer |
Adrian Getley | Senior Modeller |
Richard Styles | First Assistant Director |
Peter Talbot | Second Unit Director of Photography |
Sam Conway | Special Effects Technician |
Ben Johnson | Dressing Prop |
Danny Boyle | Director |
Alex Garland | Screenplay |
Donna Isaacson | Casting |
Alwin H. Küchler | Director of Photography |
Gary Freeman | Art Direction |
Matt Curtis | Title Designer |
Mark Coulier | Makeup Designer |
Alex Bailey | Still Photographer |
Jay Maidment | Still Photographer |
Nicolas Becker | Foley Artist |
Glenn Freemantle | Sound Designer, Supervising Sound Editor |
Matt Dunkley | Conductor |
Andrew Jack | Dialect Coach |
Tess Malone | Script Supervisor |
Guillaume Rocheron | CG Artist |
Bastiaan Koch | Modelling Supervisor |
Brian Cox | Scientific Consultant |
William Willoughby | Stunt Double |
Glenn Foster | Stunts |
Nicholas Daines | Stunts |
Lee-Anne Telford | Stunts |
John Murphy | Original Music Composer |
Gail Stevens | Casting |
Mark Tildesley | Production Design |
Suttirat Anne Larlarb | Costume Design |
Murray Barber | Digital Compositor |
Duncan Jarman | Prosthetic Makeup Artist |
Name | Title |
---|---|
Bernard Bellew | Co-Producer |
Andrew Macdonald | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 44 | 69 | 26 |
2024 | 5 | 62 | 80 | 53 |
2024 | 6 | 48 | 73 | 28 |
2024 | 7 | 37 | 64 | 25 |
2024 | 8 | 31 | 49 | 18 |
2024 | 9 | 25 | 44 | 18 |
2024 | 10 | 27 | 53 | 15 |
2024 | 11 | 25 | 37 | 19 |
2024 | 12 | 25 | 33 | 19 |
2025 | 1 | 29 | 49 | 19 |
2025 | 2 | 21 | 38 | 5 |
2025 | 3 | 10 | 30 | 2 |
2025 | 4 | 5 | 6 | 3 |
2025 | 5 | 4 | 5 | 3 |
2025 | 6 | 4 | 6 | 3 |
2025 | 7 | 4 | 6 | 3 |
2025 | 8 | 4 | 5 | 3 |
2025 | 9 | 5 | 8 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 844 | 858 |
Are you an angel? Has the time come? I've been waiting so long. We are in the not too distant future and the Sun is fading out. After a first mission to reignite it with a nuclear bomb fails, with the ship apparently lost in space, a new team are sent to try again. But it really isn't as simple ... as that... Director Danny Boyle and writer Alex Garland team up once again for this sci-fi adventure thriller. For as long as I can personally remember, outer space and the planets that dwell within it, have always served us well for cinematic treats. Fears of the unknown and worries over the destruction of Earth, by and large make for great premise's. Not all films realise this potential of course, but it always makes for a great starting point. For his first venture into this realm, Boyle has gone for the Sun as his point of reference, and it makes for a marvellously claustrophobic picture that poses as many questions as it does answers. And even tho ultimately the science fiction aspects of it do not naturally add up, it's dazzling in its visuals and thought provoking into the bargain. Boyle has never hid his influences and favourites from the public, and here he homages everything from Alien to Event Horizon, stopping for tea and crumpets at 2001s house along the way. But that is no bad thing, molding elements from great sci-fi past with his own intriguing story has given Sunshine a tremendous heart, to which Boyle then manages to cloak it with high quality drama. The crew are up there and we know that this is a genre piece and things invariably go wrong, this gives the discerning viewer an eager anticipation, a sense that one shouldn't go to the toilet for something will be missed. And Boyle lives up to the promise showed, such a pity then, that Boyle didn't let us get better acquainted with his characters at the start. Because then the impact would surely have doubled as each perilous and wrought scenario unfolded. Having racked up the tension and intrigued us with the premise, expertly fusing CGI with his own craft work along the way, Boyle's Sunshine lives or dies by it's last quarter; depending on your proclivity of course. It has proved to be a most divisive point with critics and fans alike. To say it's a genre shift accompanied with implausibility is being a touch unkind I feel, this is after all a sci-fi picture about a ship going to reignite the Sun! Never the less it doesn't quite close the film triumphantly after the twists that preceded it, turns and explosions have lulled the viewers in, but personally it satisfies this entertained observer. Not in a big bang dynamic way, but in the way that asks me for a further thought process, and that may just be what Boyle and Garland envisaged when they sat down to make the film? Again, depending on your proclivity of course! 8.5/10
Danny Boyle has assembled a stellar (had to be said) cast for this rather far-fetched story. The crew of the "Icarus II" are charged with dragging a massive nuclear bomb towards the sun with a view to giving it a bit of a pick-me-up. It's dying, you see. Needless to say their journey is fraught with ... danger, made worse when they discover the wreckage of a previous ship sent on a similar mission many years earlier. When they board it, though, all is not as it seems and danger lurks! Alex Garland knows how to write a good story and Cillian Murphy, Rose Byrne and Chris Evans work quite well together as the extra-terrestrial adventure gathers pace. The dialogue is not the best and the score overwhelms at times, but Boyle still manages to create quite a decent degree of peril mixing well the high quality special effects, a bit of sabotage, sexual tension and a good old-fashioned baddie.
This sci-fi thriller started so strong. It began as a hard science fiction film with a spaceship basically pushing a nuclear bomb the size of Manhattan towards the Sun. The ship and crew's task is to reignite the dying Sun. The look and feel of the first half of the movie are wonderful. One of the b ... est parts occurs early as the crew gets to witness the tiny planet Mercury passing between them and the Sun. The science of the movie; the 2001-"feel" of it, the repair of the ship and the golden space suits are really excellent. Unfortunately, in its last 30 minutes, **Sunshine** confuses, becoming more like _Event Horizon_. It also becomes quite confusing as Capa (Cillian Murphy) struggles or hallucinates, I'm not sure which, to complete the mission. It's difficult not to like **Sunshine** for its Sci-Fi wonders, but it falls off sharply in its final half.
In this movie, madness jeopardizes a mission essential to humanity's survival. It shows how faulty logic hardwired into our brains can make our lives less effective and meaningful. The movie gets a bit messy at the end and does a bit of cinematic mysticism which does not fit together with the rat ... ional message of the movie. Overall, this is one of my favorite movies because not a lot of movies try to send this particular message.