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Sunshine

If the sun dies, so do we.
2007 | 107m | English

(281083 votes)

TMDb IMDb

Popularity: 6 (history)

Director: Danny Boyle
Writer: Alex Garland
Staring:
Details

Fifty years into the future, the sun is dying, and Earth is threatened by arctic temperatures. A team of astronauts is sent to revive the Sun — but the mission fails. Seven years later, a new team is sent to finish the mission as mankind’s last hope.
Release Date: Apr 05, 2007
Director: Danny Boyle
Writer: Alex Garland
Genres: Science Fiction, Thriller
Keywords space suit, solar energy, suspenseful, foreboding, saving the world, space travel, introspective, audacious, space marine, sunlight, expiration, ambiguous, frightened, bomb, space mission, grand, awestruck, sun, earth, 2050s, baffled
Production Companies DNA Films, Ingenious Media, UK Film Council, Moving Picture Company
Box Office Revenue: $34,800,000
Budget: $50,000,000
Updates Updated: Jul 30, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Cillian Murphy Capa
Rose Byrne Cassie
Chris Evans Mace
Michelle Yeoh Corazon
Cliff Curtis Searle
Hiroyuki Sanada Kaneda
Troy Garity Harvey
Benedict Wong Trey
Mark Strong Pinbacker
Paloma Baeza Capa's Sister
Archie Macdonald Child
Sylvie Macdonald Child
Chipo Chung Voice of Icarus
Name Job
Matthew Robinson Draughtsman
Chris Gill Editor
Michelle Day Set Decoration
Michael Mooney Costume Supervisor
David Warren Supervising Art Director
Stephen Morahan Art Direction
Denis Schnegg Art Direction
Bernard Bellew Unit Production Manager
Clare St. John Post Production Supervisor
William Davies Casting Assistant
David Wheal Casting Assistant
Andrew Wilkinson Music Editor
Kate Penlington Production Coordinator
Anna Worley Script Supervisor
Faye Focus Puller
Jemma Scott-Knox-Gore Contact Lens Technician
Nuria Mbomio Makeup Artist
Lesa Warrener Makeup Artist
Matthew Smith Prosthetic Makeup Artist
Martha Fein Prosthetics Painter
Simon Webber Prosthetics Painter
Luke Fisher Prosthetics Sculptor
Amanda Dazely Art Department Assistant
Rachel Aulton Art Department Trainee
Helen Morgan Art Department Trainee
Guy Bradley Assistant Art Director
Sue Whitaker Assistant Art Director
Kathryn Pyle Assistant Set Decoration
Lee Biggs Carpenter
James Buxton Carpenter
Graham Cole Carpenter
David Dickinson Carpenter
Paul Duff Carpenter
Nick Goodall Carpenter
John Heayn Carpenter
Barry O'Brien Carpenter
Roy O'Brien Carpenter
William West Carpenter
Mark Weston Carpenter
Matt Whelan Carpenter
Dennis Wilson Carpenter
Daniel O'Regan Carpenter
Rowan E Cassidy Concept Artist
Zoe Robertson Construction Buyer
Tom Martin Construction Manager
Peter Dorme Draughtsman
Catherine Haugh Draughtsman
Emma Vane Draughtsman
Colin Bayliss Dressing Prop
Alex Boswell Dressing Prop
Gary Martin Dressing Prop
Adrian Platt Dressing Prop
Anita Dhillon Graphic Designer
John O'Brien Head Carpenter
Alastair Rae Camera Operator
Abi Oseni Camera Trainee
Peter Byrne Clapper Loader
Jason Dully Clapper Loader
Henry Landgrebe Clapper Loader
Jon Howard Clapper Loader
Richard Copeman Clapper Loader
Mark Funnell Electrician
Tom Lea Electrician
Terry Roberts Electrician
Martin Taylor Electrician
Adrian Mackay Electrician
Roy Branch Electrician
Chris Mortley Electrician
Luis Santos Electrician
Steve O'Donoghue Electrician
Olly Tellett Focus Puller
Simon Heck Focus Puller
Alex Howe Focus Puller
Reuben Garrett Gaffer
Harry Wiggins Gaffer
Paul Hatchman Grip
Nic Cupac Grip
Jim Crowther Grip
Stuart Bell Grip
Adrian McCarthy Key Grip
David Maund Key Grip
Ian Franklin Rigging Gaffer
Barny Crocker Second Assistant Camera
Chaz Lyon Second Assistant "B" Camera
Paul Edwards Steadicam Operator
Nicole Young Assistant Costume Designer
Michele Carragher Costume Assistant
Calandra Meredith Costume Assistant
Joanna Wright Costume Assistant
Andrew Baggarley 3D Artist
Alfonso Cottier 3D Modeller
Paul Brannan CG Artist
Andrew Morley CG Supervisor
Kieron Helsdon CG Supervisor
Marian Mavrovic Compositing Supervisor
Steve McGee Compositor
Malcolm Souter Compositor
Mark Curtis Compositor
Henrik Holmberg Matte Painter
Charles Darby Matte Painter
Alistair Bell Modeling
Bryan Litson Modeling
Sean Mathiesen Pre-Visualization Supervisor
Paul Driver Visual Effects Coordinator
Helen Judd Visual Effects Coordinator
Gemma Thompson Visual Effects Coordinator
Mark Eckersley Visual Effects Editor
Tim Pounds-Cornish Visual Effects Editor
Stefan Drury Visual Effects Producer
Joanna Nodwell Visual Effects Producer
Adrian Hedgecock Visual Effects Production Assistant
Jennifer Loughnan Visual Effects Production Assistant
Robert A. Willis Visual Effects Production Assistant
Sally Spencer Visual Effects Production Manager
Tom Wood Visual Effects Supervisor
Howard Margolius Visual Effects Technical Director
Ian Tapp Additional Sound Re-Recording Mixer
Paul Carr ADR Mixer
Andy Thompson ADR Mixer
James Bennett ADR Recordist
William Towers Boom Operator
Gillian Dodders Dialogue Editor
Hugo Adams Foley Editor
Philippe Amouroux Foley Recordist
Tim Fraser Production Sound Mixer
Calum Thomson Sound Assistant
Tom Sayers Sound Designer, Sound Effects Editor
Niv Adiri Sound Effects Editor
Keith Tinman Sound Effects Editor
James Doyle Sound Mix Technician
John Hayward Sound Re-Recording Mixer
Richard Pryke Sound Re-Recording Mixer
Robbie Scott Special Effects Coordinator
Richard Conway Special Effects Supervisor
Paul Clayton Special Effects Technician
John Cramman Special Effects Technician
Neil Davies Special Effects Technician
Mark Holdcroft Special Effects Technician
Nick Smith Special Effects Technician
Stephen Paton Special Effects Technician
Steven Scott Special Effects Technician
Pete Sellers Special Effects Technician
Karl Wardle Special Effects Technician
Peter Seymour Howell Special Effects Technician
Dean Ford Special Effects Technician
Julian Spencer Stunt Coordinator
Tracey Curtis Senior Modeller
Alec Gibson Color Timer
Royce Smith Color Timer
Emanuele Giraldo First Assistant Editor
Mark Wright Negative Cutter
Thomas Urbye Online Editor
Toby Ford First Assistant Director
Bryn Lawrence First Assistant Director
Sharon Mansfield Script Supervisor
Michael Dovey Thanks
Richard Seymour Thanks
Kate Grimble Art Direction
Dougal Cadiou Assistant Accountant
Susan Chika Anisiobi Assistant Accountant
Linda Bowen Assistant Accountant
Alex Warder Assistant Production Coordinator
Michael D. Walsh Assistant Production Coordinator
Carey Berlin Producer's Assistant
Alexis Hall CG Artist
Mark Newport Visual Effects Technical Director, CG Artist
Richard Gomes CG Artist
Teresa Alvarez Pino CG Artist
Clare Pakeman CG Artist
Dave Child CG Artist
Haslina Dasley CG Artist
Jessica Groom CG Artist
Miles Glyn CG Artist
Uzma Khalid CG Artist
Rob Andrews CG Artist
David Basalla CG Artist
Andy Robb Chef
Leigh Nicol Daily Wardrobe
Lewis Guarniere Data Wrangler
Bob McGovern Driver
Jean-Clement Soret Digital Colorist
Arek Komorowski Digital Compositor
Ben Perrott Digital Compositor
Carlo Scaduto Digital Compositor
Christian Irles Digital Compositor
David E. Scott Digital Compositor
Delphine Buratti Digital Compositor
Giuseppe Tagliavini Digital Compositor
Henry Badgett Digital Compositor
Hugh Macdonald Digital Compositor
Jeremy Hey Digital Compositor
Jesus Lavin Digital Compositor
John Hardwick Digital Compositor
John Slattery Digital Compositor
Julian Gnass Digital Compositor
Kim Stevenson Digital Compositor
Mark Barber Digital Compositor
Mark Richardson Digital Compositor
Matthew Packham Digital Compositor
Michael Harrison Digital Compositor
Paul Kulikowski Digital Compositor
Qian Han Digital Compositor
Richard Little Digital Compositor
Robin Hollander Digital Compositor
Ron Ganbar Digital Compositor
Steve Tizzard Digital Compositor
Terence Alvares Digital Compositor
Tom Kimberley Digital Compositor
Tony Man Digital Compositor
Vaibhav Marathe Digital Compositor
Yasmine El-Ghamrawy Digital Compositor
Ammann Christine Wong Digital Compositor
Douglas Larmour Digital Compositor
James D. Etherington Digital Compositor
Jennifer Giovanna Meire Digital Compositor
Martin R. Davison Digital Compositor
Steve J. Sanchez Digital Compositor
Miquel Ubeda Digital Compositor
Christopher Anthony Visual Effects Technical Director
Emanuele D'Arrigo Visual Effects Technical Director
Evangelos Christopoulos Visual Effects Technical Director
Niall Flinn Visual Effects Technical Director
Tim Riley Visual Effects Technical Director
Tom Beckwith Phillips Visual Effects Technical Director
Daniel Jerome Gill Floor Runner
Clare Cunningham First Assistant Accountant
Mick Hurrell Health and Safety
Martin Riedel Compositing Lead
Sean Heuston Compositing Lead
Stuart Lashley Compositing Lead
Rafael Morant Sequence Supervisor
Melody Woodford Matchmove Supervisor
Gustavo Borner Scoring Mixer
Pat Wintersgill Online Editor
Clive Whitbread Painter
Glyn Evans Painter
Tyrone Greg O'Donnell Painter
Joe Monks Painter
John Daynes Painter
Kevin Biggs Painter
Luke Goodman Painter
Steve Sibley Painter
Trevor Eve Painter
Tarn Harper Post Production Accountant
Leah Clarke Producer's Assistant
Wendy Ellerker Production Accountant
Penny Frost Production Runner
Ty Senior Prop Maker
Nick Thomas Property Master
Laura Savage Set Dresser
Alasdair McNeill Roto Supervisor
Reuben Barkataki Roto Supervisor
Tim Barter Roto Supervisor
Donna Poynton Rotoscoping Artist
Keith Jones Rotoscoping Artist
Lionel Heath Rotoscoping Artist
Luan Davis Rotoscoping Artist
Marc Hutchings Rotoscoping Artist
Mark Tremble Rotoscoping Artist
Naveen Medaram Rotoscoping Artist
Richard Baillie Rotoscoping Artist
Richard Fox Rotoscoping Artist
Rupert Davies Rotoscoping Artist
Ryan Hutchings Rotoscoping Artist
Ryan Mullany Rotoscoping Artist
Stuart Bullen Rotoscoping Artist
Ellen E. Miki Rotoscoping Artist
Greg Howe-Davies Rotoscoping Artist
Carlos Fidel Second Assistant Director
Nigel Blake Senior Modeller
David Johns Special Effects
Amy Irvine Stand In
Gavin Fitch Standby Art Director
Remo Tozzi Standby Art Director
John McGee Standby Carpenter
Paul Webb Standby Carpenter
Steve Clarke Standby Painter
Chris Hawkins Standby Rigger
Steven Pollecutt Standby Rigger
Brendan Houghton Storyboard Artist
Justin Pearson Stunt Double
Kim McGarrity Stunts
Maxine Whittaker Stunts
Tim O'Halloran Stunts
Arran Topham Stunts
Eamon McLoughlin Supervising Carpenter
Danny O'Regan Jr. Supervising Carpenter
David Lowery Supervising Carpenter
Susan Drennan Third Assistant Director
Henry Forsyth Third Assistant Director
Roy Clarke Transportation Captain
Allan Bradshaw Driver
Mike Beaven Driver
Simon Hudnott Driver
Sarah Clark Unit Publicist
Gia Milinovich Web Designer
Paul Alexiou Visual Effects Editor
Annette Wullems Executive Visual Effects Producer
Martin Hobbs Executive Visual Effects Producer
Michael Elson Executive Visual Effects Producer
Adrian Getley Senior Modeller
Richard Styles First Assistant Director
Peter Talbot Second Unit Director of Photography
Sam Conway Special Effects Technician
Ben Johnson Dressing Prop
Danny Boyle Director
Alex Garland Screenplay
Donna Isaacson Casting
Alwin H. Küchler Director of Photography
Gary Freeman Art Direction
Matt Curtis Title Designer
Mark Coulier Makeup Designer
Alex Bailey Still Photographer
Jay Maidment Still Photographer
Nicolas Becker Foley Artist
Glenn Freemantle Sound Designer, Supervising Sound Editor
Matt Dunkley Conductor
Andrew Jack Dialect Coach
Tess Malone Script Supervisor
Guillaume Rocheron CG Artist
Bastiaan Koch Modelling Supervisor
Brian Cox Scientific Consultant
William Willoughby Stunt Double
Glenn Foster Stunts
Nicholas Daines Stunts
Lee-Anne Telford Stunts
John Murphy Original Music Composer
Gail Stevens Casting
Mark Tildesley Production Design
Suttirat Anne Larlarb Costume Design
Murray Barber Digital Compositor
Duncan Jarman Prosthetic Makeup Artist
Name Title
Bernard Bellew Co-Producer
Andrew Macdonald Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 44 69 26
2024 5 62 80 53
2024 6 48 73 28
2024 7 37 64 25
2024 8 31 49 18
2024 9 25 44 18
2024 10 27 53 15
2024 11 25 37 19
2024 12 25 33 19
2025 1 29 49 19
2025 2 21 38 5
2025 3 10 30 2
2025 4 5 6 3
2025 5 4 5 3
2025 6 4 6 3
2025 7 4 6 3
2025 8 4 5 3
2025 9 5 8 4

Trending Position


Year Month High Avg
2024 8 844 858

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Reviews

John Chard
9.0

Are you an angel? Has the time come? I've been waiting so long. We are in the not too distant future and the Sun is fading out. After a first mission to reignite it with a nuclear bomb fails, with the ship apparently lost in space, a new team are sent to try again. But it really isn't as simple ... as that... Director Danny Boyle and writer Alex Garland team up once again for this sci-fi adventure thriller. For as long as I can personally remember, outer space and the planets that dwell within it, have always served us well for cinematic treats. Fears of the unknown and worries over the destruction of Earth, by and large make for great premise's. Not all films realise this potential of course, but it always makes for a great starting point. For his first venture into this realm, Boyle has gone for the Sun as his point of reference, and it makes for a marvellously claustrophobic picture that poses as many questions as it does answers. And even tho ultimately the science fiction aspects of it do not naturally add up, it's dazzling in its visuals and thought provoking into the bargain. Boyle has never hid his influences and favourites from the public, and here he homages everything from Alien to Event Horizon, stopping for tea and crumpets at 2001s house along the way. But that is no bad thing, molding elements from great sci-fi past with his own intriguing story has given Sunshine a tremendous heart, to which Boyle then manages to cloak it with high quality drama. The crew are up there and we know that this is a genre piece and things invariably go wrong, this gives the discerning viewer an eager anticipation, a sense that one shouldn't go to the toilet for something will be missed. And Boyle lives up to the promise showed, such a pity then, that Boyle didn't let us get better acquainted with his characters at the start. Because then the impact would surely have doubled as each perilous and wrought scenario unfolded. Having racked up the tension and intrigued us with the premise, expertly fusing CGI with his own craft work along the way, Boyle's Sunshine lives or dies by it's last quarter; depending on your proclivity of course. It has proved to be a most divisive point with critics and fans alike. To say it's a genre shift accompanied with implausibility is being a touch unkind I feel, this is after all a sci-fi picture about a ship going to reignite the Sun! Never the less it doesn't quite close the film triumphantly after the twists that preceded it, turns and explosions have lulled the viewers in, but personally it satisfies this entertained observer. Not in a big bang dynamic way, but in the way that asks me for a further thought process, and that may just be what Boyle and Garland envisaged when they sat down to make the film? Again, depending on your proclivity of course! 8.5/10

May 16, 2024
Geronimo1967
7.0

Danny Boyle has assembled a stellar (had to be said) cast for this rather far-fetched story. The crew of the "Icarus II" are charged with dragging a massive nuclear bomb towards the sun with a view to giving it a bit of a pick-me-up. It's dying, you see. Needless to say their journey is fraught with ... danger, made worse when they discover the wreckage of a previous ship sent on a similar mission many years earlier. When they board it, though, all is not as it seems and danger lurks! Alex Garland knows how to write a good story and Cillian Murphy, Rose Byrne and Chris Evans work quite well together as the extra-terrestrial adventure gathers pace. The dialogue is not the best and the score overwhelms at times, but Boyle still manages to create quite a decent degree of peril mixing well the high quality special effects, a bit of sabotage, sexual tension and a good old-fashioned baddie.

Mar 26, 2022
whitsbrain
6.0

This sci-fi thriller started so strong. It began as a hard science fiction film with a spaceship basically pushing a nuclear bomb the size of Manhattan towards the Sun. The ship and crew's task is to reignite the dying Sun. The look and feel of the first half of the movie are wonderful. One of the b ... est parts occurs early as the crew gets to witness the tiny planet Mercury passing between them and the Sun. The science of the movie; the 2001-"feel" of it, the repair of the ship and the golden space suits are really excellent. Unfortunately, in its last 30 minutes, **Sunshine** confuses, becoming more like _Event Horizon_. It also becomes quite confusing as Capa (Cillian Murphy) struggles or hallucinates, I'm not sure which, to complete the mission. It's difficult not to like **Sunshine** for its Sci-Fi wonders, but it falls off sharply in its final half.

Feb 09, 2024
Rolpbert
8.0

In this movie, madness jeopardizes a mission essential to humanity's survival. It shows how faulty logic hardwired into our brains can make our lives less effective and meaningful. The movie gets a bit messy at the end and does a bit of cinematic mysticism which does not fit together with the rat ... ional message of the movie. Overall, this is one of my favorite movies because not a lot of movies try to send this particular message.

Feb 29, 2024