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Love Field Poster

Love Field

Her life began when her world fell apart.
1992 | 102m | English

(4882 votes)

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Popularity: 4 (history)

Director: Jonathan Kaplan
Writer: Don Roos
Staring:
Details

Dallas housewife Lurene Hallett's life revolves around the doings of Jacqueline Kennedy. She is devastated when President Kennedy is shot a few hours after she sees him arrive in Dallas. Despite her husband Ray's prohibition, she decides to attend the funeral in Washington, D.C. Forced to travel by bus, she befriends Jonell, the young black daughter of Paul Couter. Sensing something wrong, her good intentioned interference leads the mixed race threesome on an increasingly difficult journey to Washington with both the police and Ray looking for them.
Release Date: Dec 11, 1992
Director: Jonathan Kaplan
Writer: Don Roos
Genres: Drama, Romance
Keywords washington dc, usa, bus, dallas, texas, road trip, interracial relationship, racism, john f. kennedy assassination, 1960s
Production Companies Orion Pictures, Via Rosa Productions, Sanford/Pillsbury Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 03, 2026
Entered: Apr 13, 2024
Trailers

Extras

No extras available.

International Posters

Full Credits

Name Character
Michelle Pfeiffer Lurene Hallett
Dennis Haysbert Paul Cater
Stephanie McFadden Jonell
Brian Kerwin Ray Hallett
Louise Latham Mrs. Enright
Peggy Rea Mrs. Heisenbuttel
Beth Grant Hazel
Johnny Ray McGhee Mechanic
Cooper Huckabee Deputy Swinson
Troy Evans Lt. Galvan
Mark Jeffrey Miller Trooper Exley
Pearl Jones Mrs. Baker
Janell McLeod Station Cashier
Bob Minor Barricade Policeman
Rhoda Griffis Jacqueline Kennedy
Bob Gill President Kennedy
Shelley Reid Secret Service Agent
Michael Milgrom T.V. Director
Chestley Price Porter
Nick Searcy FBI Man
Jack Ruby Self (archive footage)
Burr DeBenning Announcer (voice)
Name Job
Don Roos Writer
Sally Dennison Casting
Mark S. Freeborn Production Design
David Willson Art Direction
Peter Mitchell Costume Design
Naomi Donne Key Makeup Artist
Michelle Johnson Hairstylist
Marilyn Peoples Makeup Artist
Gerard 'Gus' Williams Stunts
Kathy Brock Stunts
Steve Galich Special Effects
Jane Kurson Editor
Julie Selzer Casting
Byron King Art Direction
Jim Erickson Set Decoration
Alan D'Angerio Hair Designer
Paul Huntley Wig Designer
Barbara Lacy Makeup Artist
Chere Rae Stunts
William T. Lane Stunts
Mike Ryan Stunts
Glory Fioramonti Stunts
Richard E. Butler Stunts
Erik Cord Stunts
Jonathan Kaplan Director
Jerry Goldsmith Original Music Composer
Debby Porter Stunts
Bob Minor Stunt Coordinator
George Fisher Stunts
Ralf D. Bode Director of Photography
Jim Wilkey Stunts
Roydon Clark Stunts
Cody Frost Driver
Name Title
Midge Sanford Producer
Sulla Hamer Associate Producer
George Goodman Executive Producer
Sarah Pillsbury Producer
Don Roos Co-Producer
Kate Guinzburg Executive Producer
Michelle Pfeiffer Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 13 21 7
2024 5 14 27 8
2024 6 12 21 5
2024 7 11 18 8
2024 8 9 21 6
2024 9 6 12 3
2024 10 6 11 4
2024 11 7 15 4
2024 12 8 14 4
2025 1 10 22 5
2025 2 6 9 2
2025 3 4 11 1
2025 4 2 4 1
2025 5 2 4 1
2025 6 1 2 1
2025 7 0 1 0
2025 8 0 1 0
2025 9 1 2 0
2025 10 1 3 0
2025 11 2 3 1
2025 12 2 4 1
2026 1 2 4 0
2026 2 4 4 4

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Reviews

Geronimo1967
6.0

I know this is all set around the assassination of President Kennedy, but every time I saw Michelle Pfeiffer here I just thought of Marilyn Monroe! Anyway, she’s the contentedly married “Lurene” who tells husband “Ray” (Brian Kerwin) that she’s a mind to attend the President’s funeral. “Yeah, right” ... , thinks he and goes to bed. She, on the other hand, is quite serious so shoves some stuff in a suitcase and gets the Greyhound bus towards DC. It’s quite a schlep from their Dallas home, but on the bus she befriends - whether he likes it or not - “Paul” (Dennis Haysbert) and his shy young daughter “Jonell” (Stephanie McFadden). She quite quickly senses that all isn’t quite right here, but given they are African Americans there are additional concerns she ought to be wary of before she goes an-interfering. She’s a good-natured soul, though, and soon we learn a little of what’s going on just as things start to come to an head that has them holing up trying to avoid the police and her pursuing husband! The confined space of the bus helps this a little and Pfeiffer delivers quite engagingly, but there’s a real paucity of story. It plays to the prejudices of the time, especially those exacerbated by the murder of JFK that caused heightened tensions, but unlike the bus, it doesn’t really go anywhere. There’s a light humour amidst the rather wordy dialogue and the young McFadden acquits herself quite well, but Haysbert adds little with a role that could have been more potently presented. It all somewhat disappointingly peters out, I’m afraid.

Feb 05, 2025