| After escaping a Puget Sound institution, "Stepfather" Gene Clifford alters his appearance with plastic surgery and takes on another new identity: Keith Grant. Moving to Deer View, California, Keith falls for a divorced school principal, arousing the suspicions of her wheelchair-bound, computer-savvy son. | |
| Release Date: | Jun 04, 1992 |
|---|---|
| Director: | Guy Magar |
| Writer: | Guy Magar, Marc B. Ray |
| Genres: | Horror, TV Movie, Thriller |
| Keywords | stepfather, sequel, serial killer |
| Production Companies | ITC Entertainment, Trimark Pictures |
| Box Office |
Revenue: $0
Budget: $1,800,000 |
| Updates |
Updated: Feb 03, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Robert Wightman | Keith Grant / The Stepfather |
| Priscilla Barnes | Christine Ann Davis |
| Season Hubley | Jennifer Ashley |
| David Tom | Andy Davis |
| John Ingle | Father Ernest Thomas Brennan |
| Dennis Paladino | Mr. Thompson |
| Stephen Mendel | Mark Wraynal |
| Jay Acovone | Steve Davis |
| Christa Miller | Beth Davis |
| Mario Roccuzzo | Plastic Surgeon |
| Joan Dareth | Bernice |
| Brenda Strong | Lauren Sutliffe |
| Sumer Park | Maggie |
| Mindy Ann Martin | Tiffany |
| Jennifer Bassey | Dr. Brady |
| Mort Lewis | Funeral Priest |
| Adam Wylie | Easter Party Boy |
| Name | Job |
|---|---|
| Guy Magar | Writer, Director |
| Marc B. Ray | Writer |
| Brian Garfield | Characters |
| Carolyn Lefcourt | Characters |
| Alan Caso | Director of Photography, Camera Operator |
| Lindsay Chag | Casting |
| Jeanne Van Cott | Production Supervisor |
| Tom Blank | First Assistant Director |
| Missy Pray | Production Coordinator |
| Laurie Scott | Set Decoration, Art Direction |
| Kevin Kubota | Boom Operator |
| Bill O'Drobinak | Camera Operator |
| Tammy Fouts | Second Assistant Camera |
| Tom Ladwig | Camera Loader |
| Linda Morgenstern | First Assistant "B" Camera |
| Christian H. Burton | Second Assistant "B" Camera |
| Scott C. Johnston | Key Grip |
| Michael Gulbin | Dolly Grip |
| Pat Regan | Original Music Composer |
| Patrick Gregston | Editor, Post Production Supervisor |
| Judie C. Champion | Costume Design |
| Paul Moen | Unit Production Manager |
| Kristi Tyminski | Second Assistant Director |
| Shelly Strong | Assistant Production Coordinator |
| William Fiege | Sound Mixer |
| Robert E. Stuard | First Assistant Camera |
| Suzanne Berger | Second Assistant Camera |
| Michael E. Little | "B" Camera Operator |
| Lisa Guerriero | Second Assistant "B" Camera |
| Bruce Zachary Herman | Still Photographer |
| Juan M. García | Best Boy Grip |
| Dean Jackson | Dolly Grip |
| J. Wesley Tillman | Grip |
| Ignacio Woolfolk | Grip |
| George A. Hock | Best Boy Electric |
| Michael Mims | Electrician |
| Dan Kerns | Electrician |
| Miles J. Henley | Location Manager |
| Gail Goldberg | Casting Assistant |
| Karen Scales | Hairstylist |
| Francine Steadman | Assistant Makeup Artist |
| Brian Shelby Huie | Lead Set Dresser |
| Mimi Verbist Bashford | Art Department Assistant |
| Chuck Dutrow | Props |
| John 'Mac' McWilliams | Property Master |
| Diane Spahn | Assistant Property Master |
| Dennis McCarthy | Costume Set Supervisor |
| Jon Conrad Pochron | Stunt Coordinator |
| Víctor Quintero | Stunts |
| Lynn Salvatori | Stunts |
| Jerry Spicer | Stunts |
| Giuliano Fiumani | Special Effects |
| Paul Kowalczyk | Transportation Coordinator |
| Garry E. Gant | Craft Service |
| Michael L. Ryan | Set Medic |
| Leonard Morpurgo | Unit Publicist |
| Tim Boettcher | Assistant Editor |
| Ed Fassl | Supervising Sound Editor |
| David D. Caldwell | Sound Editor |
| Lenny Jennings | Sound Editor |
| Greg Stacy | Sound Editor |
| Stephen Zipper | Assistant Sound Editor |
| Lee Tinkham | Foley Mixer, ADR Mixer |
| Ross Davis | Sound Re-Recording Mixer |
| Jim Passon | Color Timer |
| Debra O'Connor | Foley |
| Brett Santucci | Grip |
| Kevin McNeil | Grip |
| Rick A. West | Gaffer |
| Marek Bojsza | Electrician |
| Roy Gittens | Electrician |
| Tracy L. Moody | Script Supervisor |
| Jean Henley | Location Coordinator |
| Candace Wessinger | Stunts, Key Makeup Artist |
| Heidi Seeholzer | Makeup Artist |
| Anthony Bashford | Assistant Set Decoration |
| Eric Luling | Lead Set Dresser |
| Craig W. O'Rourke | Construction Coordinator |
| Catherine Burns | Scenic Artist |
| Francesca M. Urbini | Assistant Property Master |
| 'Chickie' Wing | Costume Supervisor |
| Rachael Bailey | Costume Assistant |
| Rick Deming | Stunts |
| Lana Lee Wilson | Stunts |
| Andre G. Ellingson | Special Effects Coordinator |
| Randy Tarum | Special Effects |
| David Shaffer | Transportation Captain |
| Joseph Bauer | Studio Teacher |
| Dick Delson | Unit Publicist |
| Susan Kesner | Post Production Coordinator |
| Craig A. Dellinger | ADR Editor |
| Cameron Frankley | Sound Editor |
| David P. Hart | Sound Editor |
| John Kestler | Assistant Sound Editor |
| John L. Anderson | Sound Re-Recording Mixer |
| M. Curtis Price | Sound Re-Recording Mixer |
| Ginny Parillo | Negative Cutter |
| James Bailey | Foley |
| Donald E. Westlake | Characters |
| Richard B. Lewis | Production Design |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 37 | 72 | 17 |
| 2024 | 5 | 54 | 84 | 41 |
| 2024 | 6 | 30 | 40 | 18 |
| 2024 | 7 | 19 | 28 | 11 |
| 2024 | 8 | 23 | 40 | 11 |
| 2024 | 9 | 27 | 41 | 12 |
| 2024 | 10 | 30 | 46 | 21 |
| 2024 | 11 | 18 | 39 | 7 |
| 2024 | 12 | 12 | 22 | 8 |
| 2025 | 1 | 14 | 30 | 7 |
| 2025 | 2 | 12 | 19 | 2 |
| 2025 | 3 | 4 | 13 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 1 | 3 | 0 |
| 2025 | 11 | 1 | 3 | 1 |
| 2025 | 12 | 3 | 4 | 1 |
| 2026 | 1 | 2 | 4 | 1 |
| 2026 | 2 | 4 | 4 | 3 |
Trending Position
By now we must know this man isn’t going to die! Only this time, well he has - sort of. Terry Quinn clearly read the script and decided to sit this out, ergo “Jerry” now becomes “Keith” (Robert Wightman). He has escaped from a not so high-security institution, had some plastic surgery and headed for ... the unsuspecting “Davis” family. That’s mom “Christine” (Priscilla Barnes) and her wheelchair-bound, terrapin-keeping, young son “Andy” (David Tom). It’s actually the latter character who begins to smell a rat as his new father makes a few slip ups which he confides to local priest (John Ingle). Sadly, though, his dog-collar proves little protection as the growing body count takes us nicely to a finale in a nursery equipped with loads of shears, pitch-forks, hoes and one those industrial-scale tree shredders. Sadly, nobody thought to put the script in there first, and/or the notes from the casting session as for almost two hours we are subjected to something feeble and predictable. For horror to work, I think, it has to be vaguely plausible but here the whole scenario is nonsense from start to finish. This wasn’t a very strong franchise to start with, but by now we are well and truly squeezing the dregs from an idea that should never have got off the (very small) drawing board. The denouement is actually not just ridiculous but I also think quite philosophically dangerous too, but to be honest I can’t recommend that you ever get anywhere near that far.