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The Revenant

Revenge proves its own executioner.
2015 | 157m | English

(918627 votes)

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Popularity: 9 (history)

Details

In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
Release Date: Dec 25, 2015
Director: Alejandro González Iñárritu
Writer: Mark L. Smith, Michael Punke, Alejandro González Iñárritu
Genres: Adventure, Drama, Western
Keywords rape, based on novel or book, parent child relationship, mountain, winter, child murder, grizzly bear, wilderness, animal attack, forest, fur trapping, frontier, liar, based on true story, remake, revenge, murder, gore, native american, survival, bear, snow, scalping, animals, nature, wild west, bear attack, indian attack, dead horse, starvation, 19th century, wolves, ice
Production Companies Regency Enterprises, Appian Way, CatchPlay, Anonymous Content, New Regency Pictures, Hong Kong Alpha Motion Pictures Co., RatPac Entertainment, M Productions, Monarchy Enterprises S.a.r.l.
Box Office Revenue: $532,950,503
Budget: $135,000,000
Updates Updated: May 25, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Leonardo DiCaprio Hugh Glass
Tom Hardy John Fitzgerald
Domhnall Gleeson Captain Andrew Henry
Will Poulter Jim Bridger
Forrest Goodluck Hawk
Duane Howard Elk Dog
Arthur RedCloud Hikuc
Melaw Nakehk'o Powaqa
Grace Dove Hugh Glass' Wife
Lukas Haas Jones
Paul Anderson Anderson
Kristoffer Joner Murphy
Joshua Burge Stubby Bill
Fabrice Adde Toussaint
Christopher Rosamond Boone
Robert Moloney Dave Chapman
Brendan Fletcher Fryman
Tyson Wood Weston
McCaleb Burnett Beckett
Vincent Leclerc French Trapper
Stephane Legault French Trapper
Emmanuel Bilodeau French Interpreter
Cole Vandale Coulter Naked Pale Trapper
Tom Guiry Billy Brother Trapper
Scott Olynek Johnnie Brother Trapper
Amelia Crow Show Pregnant Pawnee Woman
Peter Strand Rumpel Scalped Shirtless Trapper
Timothy Lyle Gordon in Shack
Kory Grim Trapper Hatchet in Back
Anthony Starlight Arikara Chief
Jamie Medicine Crane Arikara Crying Woman
Veronica Marlowe Arikara Crying Woman
Clarence Hoof Arikara Healer
Dion Little Child Arikara Warrior
Blake Wildcat Arikara Warrior
Paul Young Pine Arikara Warrior
Cody Big Tobacco Arikara Warrior
Dallas Young Pine Arikara Warrior
Chesley Wilson Arikara Elder
Michael Fraser Trapper Violin Player
Scott Duncan Trapper Violin Player
Mariah Old Shoes Pawnee Prostitute
Adrian Glynn McMorran American Soldier
Isaiah Tootoosis Boy Hawk
Alex Bisping Trapper
Chris Ippolito Trapper
Jeffrey Olynek Trapper
C. Adam Leigh Trapper
Kevin Corey Trapper
Daniel Rampanen Trapper
Javier Botet Nightmare Character
Haysam Kadri Doctor
Jordan Crawford Fort Butcher
David Rampanen Harp Player
Brad Carter Johnnie (uncredited)
Rootie J. Boyd Southern Trapper (uncredited)
Ray Chase Southern Trapper (uncredited)
Glenn Ennis The Bear (uncredited)
Charles Fathy French Trapper (voice, uncredited)
Mark Krysko Trapper (uncredited)
Stephen Richard Lofstrom French Trapper (uncredited)
T. Michael Morris Irish Trapper (uncredited)
Bruno Stephane French Trapper (voice, uncredited)
Jay Tavare Native American Voices (uncredited)
Michael Villar Southern Trapper (uncredited)
Jay Cardinal Villeneuve French Fur Trapper (uncredited)
Del Zamora Native Voices (uncredited)
Duff Zayonce Trapper (uncredited)
Tighe Gill Young Trapper (uncredited)
Name Job
Loyd Bateman Stunts
Ed Anders Stunts
Francine Maisler Casting
Emmanuel Lubezki Director of Photography
Jack Fisk Production Design
P. Scott Sakamoto Camera Operator
Stephen Mirrione Editor
Hector C. Gika Sound Effects Editor
Randy Thom Sound Re-Recording Mixer, Supervising Sound Editor
Martín Hernández Supervising Sound Editor, Music Editor
Ryuichi Sakamoto Original Music Composer
Harry Yoon Visual Effects Editor
Jacqueline West Costume Design
Mark L. Smith Screenplay
Bryce Dessner Additional Music
Scott Robertson First Assistant Director
Doug Coleman Stunt Coordinator
Brian Machleit Stunt Coordinator
Mark Vanselow Stunt Coordinator
Brandon Proctor Additional Sound Re-Recording Mixer
Brian Chumney Dialogue Editor
Andrea Gard Foley Artist
Joseph S. DeBeasi Music Editor
Rick Pearce Stunts
Eliza Coleman Utility Stunts
Owen Walstrom Utility Stunts
Steven McMichael Stunts
Jodi Stecyk Stunt Double
Kurt D. Lott Utility Stunts
Tamiko Brownlee Stunt Double
Jacob Tomuri Stunt Double
Garvin Cross Stunts
Michael Punke Novel
Laurel Bergman Art Direction
Hamish Purdy Set Decoration
Cameron Chapman Art Department Coordinator
Shannon Courte Art Department Coordinator
Melissa Kostenbauder Casting Associate
Monique McRae Assistant Costume Designer
Jana MacDonald Costume Supervisor
Pamela Cameron Set Costumer
Nicola Ryall Set Costumer
Sandy Dunn Seamstress
Wendy Foster Seamstress
Tannis Hegan Seamstress
Petra Wright Seamstress
Jeremy Muir Armorer
Nick Bradford Researcher
Robert A. Pandini Hair Department Head
Jo-Dee Thomson Key Hair Stylist
Sian Grigg Makeup Artist
Audrey Doyle Makeup Artist
Stacey Butterworth Wigmaker
Paul Atkins Second Unit Director of Photography, Second Unit Cinematographer
Martin Keough Gaffer
Kimberly French Still Photographer
Peter Markowski Rigging Gaffer
Scott Andrew Armstrong Rigging Grip
Matt Shumway Animation Supervisor
James Rustad CG Supervisor
François Schneider CG Supervisor
Elizabeth Leslie VFX Production Coordinator
Jon Title Sound Designer
Bill R. Dean Sound Effects Editor
D. Chris Smith Sound Effects Editor
Jessica Clothier Script Supervisor
Samantha Ellison Script Coordinator
Richard B. Molina First Assistant Editor
Tom Barber Visual Effects Coordinator
Sarah Moussaif Visual Effects Coordinator
Kraig Tytus Visual Effects Coordinator
Raphaelle Weisz Visual Effects Coordinator
Daniel Charchuk Visual Effects Coordinator
CJ Cole Visual Effects Coordinator
Michael Buck Visual Effects Editor
Anik Seguin Visual Effects Editor
Sam Paul Toms Visual Effects Editor
Jim Milton Visual Effects Editor
Ivy Agregan Visual Effects Producer
Marie Rheinschild-Jordan Visual Effects Producer
Jennifer Silver Visual Effects Producer
Allan Magled Visual Effects Producer
Ryan Wiederkehr Visual Effects Producer
Eric A. Kohler Visual Effects Producer
Richard McBride Visual Effects Supervisor
Jason Smith Visual Effects Supervisor
Chris Beach Assistant Art Director
Jon Taylor Sound Re-Recording Mixer
Frank A. Montaño Sound Re-Recording Mixer
Chris Duesterdiek Production Sound Mixer
Mick Flowers Property Master
Duncan Jarman Makeup Artist, Prosthetic Makeup Artist
Larry Kemp Dialogue Editor
Dror Mohar Dialogue Editor
Shane Hayes Dialogue Editor
Paul Hackner Dialogue Editor
Alva Noto Original Music Composer
Drew Locke Unit Production Manager
Megan Shank Second Assistant Director
James W. Skotchdopole Unit Production Manager
Scott J. Ateah Stunt Coordinator
Douglas Jones Unit Production Manager
John T. Connor First Assistant Camera
Gregor Tavenner First Assistant Camera
Todd Schlopy First Assistant Camera
Alex Martinez First Assistant Camera
Ian R. C. Levine Second Assistant Camera
Spiro Grant Second Assistant Camera
Preston Cook Second Assistant Camera
Sarah Mather Camera Loader
Ray Garcia Key Grip
Matt Almas Best Boy Grip
Ryan Monro Dolly Grip
Todd Hlagi Grip
Francis Padilla Grip
Dave Kampman Grip
Matt Floyd Key Rigging Grip
Bryce Munro Rigging Grip
Scott Patten Rigging Grip
Jeremy Marks Second Assistant Director
Silver Butler Third Assistant Director
Valerie Flueger Veras Post Production Supervisor
Patrick J. Smith Assistant Editor
Chelsea Dinsdale Assistant Editor
Jamal McLemore Assistant Editor
Joshua A.C. Johnson Assistant Editor
Alan Z. McCurdy Visual Effects Assistant Editor
Peter Mavromates Additional Post-Production Supervisor
Katie Calhoon Post Production Coordinator
Lon Bender Supervising Sound Editor
Lynn Fainchtein Music Supervisor
Lisa J. Levine ADR Supervisor
John C. Stuver Dialogue Editor
Christopher T. Welch Dialogue Editor
Julie Feiner ADR Editor
Michele Perrone ADR Editor
Laura Graham ADR Editor
Glenn T. Morgan ADR Editor
G.W. Brown ADR Editor
Mark Larry Sound Effects Editor
Dino DiMuro Sound Effects Editor
Adam Kopald Sound Effects Editor
Dave McMoyler Sound Effects Editor
Stephen P. Robinson Sound Effects Editor
Geordy Sincavage Foley Artist
Vincent Guisetti Foley Artist
Rick Owens Foley Artist
Catherine Harper Foley Artist
Gregg Barbanell Foley Artist
Nancy MacLeod Foley Editor
Leff Lefferts Additional Sound Re-Recording Mixer
Frank Rinella Foley Mixer
Michael Miller ADR Mixer
Jeff Gomillion ADR Mixer
Eros Hoagland Still Photographer
Isabelle Guay Supervising Art Director
Michael Diner Supervising Art Director
Brent Boates Storyboard Artist
Scott Calderwood Assistant Set Decoration
Linda Ganderton Set Decorating Coordinator
Amy A. Brewster Set Decoration Buyer
Dean Eilertson Property Master
Ken Wills Property Master
Robin Mounsey Location Manager
Bruce L. Brownstein Unit Manager, Location Manager
Jason Nolan Location Manager
Mandi Dillin Location Manager
Colin Allen Best Boy Electric
Charles O'Shea Boom Operator
Candice Todesco Sound Assistant
Carole Griffin Costume Coordinator
Carolyn Bentley Set Supervisor
Sharon Toohey Key Makeup Artist
Vicki Syskakis Key Makeup Artist
Adrien Morot Special Effects Key Makeup Artist
Brandi Boulet Special Effects Makeup Artist
Maiko 'Mo' Gomyo Special Effects Makeup Artist
Jessica Shannon Special Effects Makeup Artist
Graham Johnston Makeup Department Head
Linda Nelson Hairstylist
Kathryn Blondell Hairstylist
Jill Christensen Production Coordinator
Kim Goddard-Rains Production Coordinator
Tim Patterson Production Coordinator
John Dale Construction Foreman
Stewart Bradley Special Effects Coordinator
David Benediktson Special Effects Coordinator
Kathy Driscoll-Mohler Casting Associate
Michelle Allen Local Casting
Alyson Lockwood Local Casting
Kate Dowd Additional Casting
Andrea Brown Extras Casting Assistant
Grant McPhee Transportation Coordinator
Mark 'Blue' Angus Transportation Coordinator
Tyler Miller Transportation Captain
Tim Fortin Transportation Captain
Todd W. Nobles Transportation Co-Captain
Lorraine Jamison Unit Publicist
Richard Henderson Music Editor
Steven A. Saltzman Music Editor
Curt Sobel Music Editor
Terry Wilson Music Editor
Tyler Johnson Visual Effects Coordinator
Leandro Estebecorena CG Supervisor
Chris Hanson Visual Effects Production Assistant
Kelsey Davidson Visual Effects Production Assistant
Peter Nofz Visual Effects Supervisor
Asregadoo Arundi Visual Effects Supervisor
David Crawford Digital Compositor
Alejandro González Iñárritu Director, Screenplay
Cameron Waldbauer Special Effects Supervisor
Adam Somner First Assistant Director
Michael Hatzer Digital Intermediate Colorist
Larissa Lowthorp Art Department Coordinator
Alex Kyshkovych Stunt Double
Name Title
Steve Golin Producer
Arnon Milchan Producer
Mary Parent Producer
Scott Robertson Co-Producer
Nicolás Giacobone Co-Producer
Alexander Dinelaris Co-Producer
Keith Redmon Producer
James W. Skotchdopole Producer
James Packer Executive Producer
David Kanter Executive Producer
Markus Barmettler Executive Producer
Jake Myers Executive Producer
Philip Lee Executive Producer
Alex G. Scott Co-Producer
Douglas Jones Co-Producer
Alejandro González Iñárritu Producer
Brett Ratner Executive Producer
Jennifer Davisson Executive Producer
Organization Category Person
Academy Awards Best Actor Leonardo DiCaprio Won
Academy Awards Best Supporting Actor Sylvester Stallone Won
Academy Awards Best Picture N/A Nominated
Golden Globes Best Picture N/A Won
Golden Globes Best Actor Leonardo DiCaprio Won
Golden Globes Best Director N/A Won
Golden Globes Best Supporting Actor Frank Passingham Won
BAFTA Awards Best Picture N/A Won
BAFTA Awards Best Actor Leonardo DiCaprio Won
BAFTA Awards Best Supporting Actor Will Poulter Nominated
SAG Awards Best Actor Leonardo DiCaprio Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 61 98 38
2024 5 68 138 51
2024 6 58 87 39
2024 7 74 152 40
2024 8 62 106 41
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2024 12 63 106 44
2025 1 80 117 62
2025 2 65 102 16
2025 3 24 72 3
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2025 5 12 22 9
2025 6 9 12 7
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Year Month High Avg
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2024 9 333 661
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2024 8 364 705

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Reviews

rahuliam
8.0

The Revenant, a ravishingly violent Western survival yarn from Alejandro González Iñárritu, has a healthy few, scattered like acorns across its two-and-a-half-hour canvas..... no matter how extended, the film’s tense story is under the director’s complete control...DiCaprio’s performance is an aston ... ishing testament to his commitment to a role. cinematographer Emmanuel Lubezki done a great job..as a supporting actor tom hardy is brilliant..must watch...

Jun 23, 2021
jamilammar
N/A

I thought this was a great movie. Seemed like it was a very physically demanding role for Leo. ...

Jun 23, 2021
tanty
7.0

Good performances by DiCaprio and, even more, Hardy. Good directing, specially the initial attack, photography, landscapes and soundtrack but the story is, at some points, unnecessarily violent and the action scenes are, sometimes, somehow stupid; people letting others to kill them, or ignoring f ... oes close by ... A good movie all in all, but not one of the greatests.

Jun 23, 2021
Rangan
7.0

> The one who came back from the dead to avenge. The movie was inspired by the real event that sets in the year 1823, United States. When one of the crew members of the hunters left behind after he was severely hurt from a bear attack, he desperately looks for a way to get back to the camp alive, ... especially to avenge for the death of his close one. The whole film was about survival in the wilderness and to avoid the native Americans. But the introduction in the opening was very brief and in the final act, it was another brief man hunt. Overall, it was an enjoyable movie for adults with some gruesome scenes. The movie was made on a grand scale. Well written screenplay, good direction, the cast, music and the locations, but it would have been even awesome if it was true to the original occurrence. I felt it was cinematically overdosed, especially for the commercial purpose. The fans of Leonardo Dicaprio's overwhelming celebration created a huge buzz. In fact, it looks like the entire Hollywood is his fan and the Oscars given to him out of sympathy, because I have seen his best performances better than this in the past. The length of the movie was a big concern, should have been at least 15 minutes shorter. But the visuals were fantastic, the CGI bear was almost flawless. There are plenty of reasons why this should not be missed, at a time the narration lacks the realism. Otherwise, it would have made a wonderful semi-documentary film. So don't have high hope on this, especially if you're no ones fans, but just love watching movies like me. A little bit overrated everywhere, but still this movie is good, just good, that's it, not a masterpiece. 7/10

May 16, 2024
hweird1
N/A

There's nothing really to complain about the acting but their praise and this movie is overrated. Read my full review here. http://www.hweird1reviews.com/allreviews//therevenant ...

Jun 23, 2021
mattwilde123
9.0

This is the best film I have seen all year (since 'Birdman', in fact, the previous film by Innaritu). It was expertly directed. The use of natural light really adds to the danger of the environment that surrounds Hugh Glass (Leonardo DiCaprio). Innaritu loves the camera to pan around objects and peo ... ple to create a sense of awe and spectacle. Leonardo DiCaprio really did deserve all the awards that he got for this role. I thought it was his best film by far. The realism and intensity of his performance really comes through. The story was gripping throughout the whole film and I found the twists and turns very interesting. ★★★★½

Jun 23, 2021
Ruuz
7.0

**The following is a long form review that I originally wrote in 2015.** From a technical point of view, _The Revenant_ is one of the most masterful pieces of cinema I've ever seen. This made its one technical failure all the more jarring. The ADR. I don't know how or why this was allowed to happ ... en, but the dubbing of the Native Americans is some 70's style shit, it's awful, and it's awful every single time. In your average film this would be only a minor annoyance, but in _The Revenant_ which A) pretty much nails everything else in the AV department, and B) Takes itself so goddamn seriously, this issue is painfully distracting. I also found myself continuously rooting for the antagonists (first the bear, and later Hardy) subconsciously, and scolding myself for it. The good aspect of this is that it was rooted in the fact that all the characters are humanised (even the bear) and fallible, which I like, but the flip-side to that is I was less sympathetic to Leo's character, which takes up the majority of the screen time, and thusly I did not feel fully engaged for a large portion of the movie. In fact the whole second and third acts underwhelmed me in that exact way. That's not to say that they were bad, but they were invariably weaker than the first act. After its end the rest of the film did feel like it was stretched a mite thin. That all said, I knew within about 90 seconds that I was going to give _The Revenant_ a favourable review. Visually, it has this ethereal effect. It feels **too** real. So real that it must be a trick, the world of _The Revenant_ is alien in its realness. A bizarre contradictory nature that struck a chord with me immediately. For the average cinema-goer, I would say _The Revenant_ is worth your time, but for a movie aficionado or film student, I would say _The Revenant_ isn't anything short of a must. 75% -_Gimly_

Jun 23, 2021
MatthewL.Brady
10.0

"My heart bleeds. But revenge is in the creator's hands". The Revenant is set in the 1820s, in the uncharted wilderness of America, Hugh Glass set out with a hunting party on an expedition. Glass was mauled by a bear and left for dead but through sheer will and to get back to his family, Glass su ... rvived - but that wasn't the only thing on his mind as he set out to payback the men who left him behind. I remember last year around January time when I saw the two images for The Revenant, with Leo holding a Kentucky Flintlock Rifle looking like he's not playing around. Those two images straight away caught my interest. I then found out it was directed by the magnificent Alejandro González Iñárritu who did the Oscar wining "Birdman" (a movie that I personally loved). The Revenant quickly became my most anticipated movie of 2015, as I was looking forward to this movie more than Star Wars, and yes I said it. And after finally seeing the movie myself, I can safely say that I was not disappointed. The Revenant is one of the most stunning, brutal, intense, grizzly movie experience I've ever had. The movie isn't for everyone, but I loved it. Alejandro González Iñárritu is starting to become my 3rd favorite director working today, because he's such an old school director when it comes to storytelling by the use of art. There's been a lot of drama happening behind the scenes of this movie, with the weather stopping the production or if someone made a mistake while filming, the crew must stop for the day and wait until tomorrow, because one mistake could lose a lot of day light for a scene (It was shot in natural lighting). One of the studios suggested that the movie should be shot using computer generated to make things much easier, but luckily Iñárritu said no to the idea by stating, "If we ended up in greenscreen with coffee and everybody having a good time, everybody will be happy, but most likely the film would be a piece of shit." And after seeing the movie I gotta say that it was the perfect decision, because it's very rare for a director today to take that risk and avoid what the studio says. Yes there are some CGI scenes, but the way that the animated effect's blended together with the practical effect's is handled incredibly well. This is one of the best directed movies I've seen in 2015 and I know Iñárritu already won an Oscar already, but I hope he wins another one for this, because never before have I seen a revenge tale presented so unique and utterly magnificent. I respect Leonardo DiCaprio as an actor, but in this movie, he sleeps inside of a dead horse naked and eats raw food from animals, now if this doesn't get him an Oscar, nothing will. He's performance in this movie is what a call 'a silent performance', because Leo barley has that much lines in the movie and the only time he dose get to talk is in a different language (which Leo has said it was tricky to learn the language). DiCaprio has proven time and time again that he's more than a pretty face, but in this movie I only saw Hugh Glass, not DiCaprio. That's my biggest praise I have to give to Leo, as he had to deliver all the emotions, the pain and the tortured soul that Hugh Glass. All of that was all through his face and eyes and trust me when I say this, but it's not easy as you think. We are so use to seeing Leo as the angry, pretty boy billionaire in every movie he's in, but in this movie I thought he was fantastic. He played the man who lost everything. With very little lines he had, he still manages to make a powerful performance that's so far his best. I really hope Leo gets an Oscar for this. Tom Hardy also gave an Oscar worthy performance in this movie. I've heard that some people had trouble understanding him in this movie (or just in everything that he's in really). Sometimes I didn't understand what he said but for the most part I did. But all that a side, I still think he was fantastic in the movie. He really added a lot to his character, because sometimes you understand the things that he dose in movie and yes the things he dose in the movie are wrong, but in a rough environment that these people are in, you would likely do the same. I'm not sure if he would get in for best supporting actor, but I hope he dose. I'm running out of things to say about Emmanuel Lubezki breathtaking cinematography. The camera work and how he makes the camera feel like a character of it's own is seriously impressive. Lubezki captures nature on film, that shows it's beauty and it's unpredictable surprises. The people running the Oscars should just give Lubezki his third Oscar right now, because he's going to take that third trophy home. For flaws I had with the film it that some of the character logic towards the end of the movie didn't make that much senses to me. And that's it. Overall rating: "The Revenant" is one of most intense and stunning movies I've seen in 2015. The score is haunting, the editing was top notch and that bear attack scene was just terrifying. I mean how the hell did they do that? I don't know about you, but I honestly can't stop thinking about this movie. It's one of those movies that sticks with you after it's over and it isn't going away anytime soon.

Jun 23, 2021
r96sk
9.0

Utterly riveting. It's no surprise this one got/gets rave reviews - it's outstanding! <em>'The Revenant'</em> isn't necessarily edge-of-your-seat viewing, though it's still a massively impactful watch as you feel every hit of Hugh Glass' journey. It's rather gruesome and bloody, while it also has ... a few top notch action sequences. Leonardo DiCaprio is easily one of my favourite actors of all-time, the man is simply a sensational actor - I'm yet to see an anything less than tremendous film involving him. I wouldn't even say this is his greatest performance, and that's saying something as DiCaprio is absolutely superb here. Away from the main man, Tom Hardy is also part of this film. He is great, as I always expect from him. He and DiCaprio are fantastic actors. Hardy portrays John Fitzgerald, brilliantly. However, his character isn't written perfectly - not poorly by any stretch, he's just a bit flip-floppy at the beginning. The way the story creates itself involving Fitzgerald being where he is isn't as amazing as it could've been - very minor criticism, mind. Another small complaint is the ending, there's nothing truly wrong with it at all but I, personally, would've concluded things about 10-15 minutes prior - there's a quality, almost Quentin Tarantino-esque, scene involving horses that would've made for a more thrilling end shot. To finish, everything's beautifully crafted together visually, from a filmmaker's viewpoint, too. A marvellous film no doubt, certainly a must-watch!

Jun 23, 2021
Geronimo1967
7.0

There is something gloriously brutal about this film - not in an especially violent, nor gory manner - but just in the combination of the best and worst of human traits (resilience, determination, betrayal, desertion, lust etc.) coupled with a truly magnificent depiction of the harshness of a wild M ... issouri winter. Leonardo DiCaprio is "Glass", who when out hunting with his team is savagely attacked by a bear. He is then for dead by his colleagues. To stay alive, he must use his innate skills to survive the environment and the hostile natives to get back to civilisation - all fuelled by his overwhelming desire for revenge on those who abandoned him to the elements. Iñárritu directs this adventure with considerable skill; you are immersed into the struggle "Glass" has for his very life and then into his vengeful hunt for Tom Hardy "Fitzgerald" whom he blames for his predicament. It may be that the director is trying to draw parallels between man's treatment of each other and of their treatment of nature - and of how there is little difference in the consideration afforded to either; but that's tangential in my view. This is an hugely enjoyable, character-driven, gritty film that builds slowly and relentlessly to a fitting denouement and left me looking for a cardigan.

Apr 26, 2024