Popularity: 3 (history)
Director: | Tom McCarthy |
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Writer: | Tom McCarthy, Josh Singer |
Staring: |
The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core. | |
Release Date: | Nov 06, 2015 |
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Director: | Tom McCarthy |
Writer: | Tom McCarthy, Josh Singer |
Genres: | Drama, History |
Keywords | pedophilia, florida, newspaper, journalist, child abuse, court, judge, boston, massachusetts, journalism, sex scandal, victim, based on true story, cover-up, priest, conspiracy, lawyer, historical fiction, biting, catholic, roman catholic church, lgbt, catholicism, 9/11, child molestation, archdiocese, investigative journalism, cardinal, serious, understated, critical, tense, powerful, tragic |
Production Companies | Participant, Anonymous Content, Open Road Films, Rocklin / Faust, First Look Media |
Box Office |
Revenue: $98,690,254
Budget: $20,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Mark Ruffalo | Michael Rezendes |
Michael Keaton | Walter 'Robby' Robinson |
Rachel McAdams | Sacha Pfeiffer |
Liev Schreiber | Marty Baron |
John Slattery | Ben Bradlee, Jr. |
Brian d'Arcy James | Matt Carroll |
Stanley Tucci | Mitchell Garabedian |
Elena Wohl | Barbara |
Gene Amoroso | Steve Kurkjian |
Doug Murray | Peter Canellos |
Sharon McFarlane | Helen Donovan |
Jamey Sheridan | Jim Sullivan |
Neal Huff | Phil Saviano |
Billy Crudup | Eric Macleish |
Robert B. Kennedy | Court Clerk Mark |
Duane Murray | Hansi Kalkofen |
Brian Chamberlain | Paul Burke |
Michael Cyril Creighton | Joe Crowley |
Paul Guilfoyle | Peter Conley |
Michael Countryman | Richard Gilman |
Tim Whalen | Young Cop |
Martin Roach | Cop in Coffee Shop |
Brad Borbridge | Sports Editor |
Don Allison | Bishop |
Patty Ross | Linda |
Paloma Nuñez | Garabedian's Receptionist |
Robert Clarke | Judge Volterra |
Gary Galone | Jack Dunn |
David Fraser | Jon Albano |
Paulette Sinclair | Receptionist at Judge's Chambers |
Laurie Heineman | Judge Sweeney |
Elena Juatco | Guest List Woman |
Nancy Villone | Maryetta Dussourd |
Wendy Merry | Female Editor |
Siobhan Murphy | Intern |
Eileen Padua | Sacha's Grandmother |
Darrin Baker | Middle Age Priest at St. Peter's |
Brett Cramp | Middle Aged Man |
Joe Stapleton | Older Cop |
Maureen Keiller | Eileen McNamara |
Jimmy LeBlanc | Patrick McSorley |
Tim Progosh | Principal Bill Kemeza |
Neion George | Waiter at Gala |
Laurie Murdoch | Wilson Rogers |
Zarrin Darnell-Martin | Intern Wanda |
Krista Morin | Young Reporter |
Paula Barrett | Jim's Wife |
Mairtin O'Carrigan | Stewart |
Rob deLeeuw | Herald Reporter Quimby |
Nancy E. Carroll | Jane Paquin |
Anthony Paolucci | Kevin |
Michele Proude | Lisa Tuite |
Richard O'Rourke | Ronald Paquin |
Len Cariou | Cardinal Law |
Dennis Lynch | Clerk O'Brian |
Stefanie Drummond | Sheila |
Mark McGrinder | Weeping Man |
Richard Fitzpatrick | Rectory Priest |
Tom Driscoll | Disgruntled Man |
Jeffrey Samai | Library Security |
Moira Driscoll | Woman Interviewee |
Forrest Weber | Angry Man |
Doreen Spencer | Older Southie Woman |
Janet Pinnick | Receptionist |
Shannon McDonough | Receptionist |
Shannon Ruth | Girl at Garabedian's |
Daniel Ruth | Boy at Garabedian's |
Jennifer Ruth | Mother at Garabedian's |
Timothy Mooney | Bad Priest |
Bruce-Robert Serafin | Boston Globe Security Guard |
Donna Sue Jahier | Angry Man's Sister |
Edward Brickley | Red Sox Announcer (voice) |
Richard Jenkins | Richard Sipe (voice) (uncredited) |
Elena Khan | Boston Reporter (uncredited) |
Teresa Wilson | Maureen (uncredited) |
Amy Whalen | Pedestrian (uncredited) |
John Franchi | Pedestrian (uncredited) |
Peter Lewis Walsh | Red Sox Fan (uncredited) |
Lance Norris | Driver (uncredited) |
Harold Rudolph | Lawyer (uncredited) |
Colleen Kelly | Librarian (uncredited) |
Name | Job |
---|---|
Tom McCarthy | Director, Writer |
Masanobu Takayanagi | Director of Photography |
Josh Singer | Writer |
Howard Shore | Original Music Composer |
Wendy Chuck | Costume Design |
John Buchan | Casting |
Jason Knight | Casting |
Mary Ramos | Music Supervisor |
Bobby Beckles | Stunt Coordinator |
Branko Racki | Stunt Coordinator |
Taryn Walsh | Set Costumer |
Andrew Pang | First Assistant Editor |
Shawnna Thibodeau | Stunt Driver |
Robert Racki | Stunt Driver |
Robyn Rosenberg | Costume Supervisor |
Stephen H. Carter | Production Design |
Daryl Richardson | Rigging Grip |
Neishaw Ali | Visual Effects Producer |
Mario Cacioppo | Makeup Artist |
Jason Dodds | Rigging Gaffer |
Mike Barber | Visual Effects Editor |
Marko Costanzo | Foley |
Nichole Pleau | Makeup Artist |
Henry Tirl | Camera Operator |
Kerry Hayes | Still Photographer |
Patricia Keighran | Makeup Artist |
Matt Bouldry | Casting Associate |
Frank Kern | Foley |
James R. Mitchell | Rigging Gaffer |
Brenda McNally | Key Hair Stylist |
Kathleen Meade | Costume Supervisor |
Dusty Reeves | Art Department Coordinator |
Joey Montenarello | Casting Associate |
Patrick Stepien | First Assistant Camera |
Morris Flam | Gaffer |
Karola Dirnberger | Hair Department Head |
Kelly Shanks | Hairstylist |
Renee Fontana | Assistant Costume Designer |
Christa Tazzeo | Visual Effects Producer |
Colin Davies | Visual Effects Supervisor |
Paul Hsu | Sound Designer |
Kerry Barden | Casting |
Jenna Dayton | Script Supervisor |
Joseph Micomonaco | First Assistant Camera |
Chad Birmingham | Music Editor |
Philippe Majdalani | Digital Intermediate |
Greg Wimer | First Assistant Camera |
Seacia Pavao | Still Photographer |
Kayla Cabral | Visual Effects Coordinator |
Jennifer Dunnington | Music Editor |
Adam Richards | Casting Associate |
Maura Smith | Casting Associate |
Virginia B. Johnson | Costume Supervisor |
Tom Starnes | Gaffer |
Brandon Terry | Visual Effects Editor |
Vanessa Knoll | Set Decoration |
Michaela Cheyne | Art Direction |
Cathy Shibley | Key Hair Stylist |
Paul Schnee | Casting |
Dug Rotstein | Script Supervisor |
Ahmed Shehata | CG Supervisor |
Walter Gasparovic | First Assistant Director |
Heather Gross | Sound Effects Editor |
Jessica Drake | Dialect Coach |
Don McQueen | Set Dresser |
Mike Duffy | Visual Effects Supervisor |
Christopher Geggie | Property Master |
Nathan Alexander Kirk | Set Dresser |
Edward Hanrahan | Visual Effects Coordinator |
Marissa Littlefield | ADR Editor |
William Cheng | Set Designer |
John MacNeil | Set Designer |
Elspeth Cassar | Production Coordinator |
Toni Wong | Set Dresser |
Stephen Gabis | Dialect Coach |
Karl Denniston Brown | Set Dresser |
Jeffrey Lee Gibson | Stunt Coordinator |
Jeff Poulis | Set Dresser |
Branka Mrkic | Dialogue Editor |
Tom McArdle | Editor |
Gilles Corbeil | Steadicam Operator |
Shane Vieau | Set Decoration |
Jordan Samuel | Makeup Department Head |
Name | Title |
---|---|
Jeff Skoll | Executive Producer |
Jonathan King | Executive Producer |
Josh Singer | Executive Producer |
Michael Sugar | Producer |
Steve Golin | Producer |
Bard Dorros | Executive Producer |
Michael Bederman | Executive Producer |
Xavier Marchand | Executive Producer |
Pierre Omidyar | Executive Producer |
Nicole Rocklin | Producer |
Blye Pagon Faust | Producer |
Tom Ortenberg | Executive Producer |
Peter Lawson | Executive Producer |
Youtchi von Lintel | Co-Producer |
David Mizner | Associate Producer |
Kate Churchill | Co-Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Picture | N/A | Won |
Golden Globes | Best Picture | N/A | Nominated |
Golden Globes | Best Director | Tom McCarthy | Nominated |
Spirit Awards | Best Actor | Michael Keaton | Nominated |
Venice Film Festival | Best Picture | N/A | Nominated |
Venice Film Festival | Best Actress | Meryl Streep | Won |
BAFTA Awards | Best Picture | N/A | Nominated |
SAG Awards | Best Picture | N/A | Won |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 44 | 72 | 26 |
2024 | 5 | 65 | 97 | 52 |
2024 | 6 | 39 | 61 | 27 |
2024 | 7 | 28 | 41 | 19 |
2024 | 8 | 28 | 59 | 17 |
2024 | 9 | 23 | 35 | 14 |
2024 | 10 | 21 | 31 | 14 |
2024 | 11 | 28 | 68 | 17 |
2024 | 12 | 23 | 32 | 18 |
2025 | 1 | 29 | 57 | 17 |
2025 | 2 | 20 | 37 | 3 |
2025 | 3 | 9 | 27 | 2 |
2025 | 4 | 5 | 7 | 3 |
2025 | 5 | 5 | 7 | 5 |
2025 | 6 | 4 | 5 | 3 |
2025 | 7 | 5 | 7 | 3 |
2025 | 8 | 5 | 7 | 3 |
2025 | 9 | 4 | 6 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 475 | 637 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 818 | 818 |
> Uncovering the sins committed by whom the millions of people believe in. A documentary film would show the real faces of those offenders to shame them. That's the reason I desperately wanted it to be a documentary, then I would have definitely given a maximum mark. There's no complaint about th ... is movie, but adaptation means fakes acting, fake settings and awards goes to non real achievers. Anyway, this movie kind looked a semi documentary and liked the way it was made. The movie exposed a very important scandal. If something is open for a debate in the US means, the rest of the world would follow the same route. That's where this theme was inspired by. It all begins with a group of journalists from the Boston Globe with their new editor instruct them to research on sexual abuse of children by priests. So their lead only gets bigger and puts them to recover more evidence in order to publish. How they come up with the story that shake up not only the nation, but the entire world is the remaining. A collection of bunch fine performances. There's no lead actors in this. Everyone is in the supporting roles. Out of 6, it got nominated both male and female in the category of supporting role for the Academy Awards. I am very disappointed, Mark Ruffalo's performance in 'Infinitely Polar Bear' deserved another nominee. Anyway, this 15 year old story still looks a hot topic. It was a great comeback for the director after critics assaulted him with their words for his previous film 'The Cobbler' only to show their rage on Sandler. It is a must-must see. Beware, is is not your weekend entertainer, but based on the real. 8/10
Spotlight story is interesting and has a good cast which performs very well, but the feeling of the story is flat. First, they are talking about abuses to children but you feel almost the whole time that they are following the lead of any other story almost as bureaucrats. There is not much of se ... nsitivity put into the matter. Second, they are exposing a huge case of system "missbehavior" (to say the least) in the Catholic Church hierarchy and you see how the whole city of Boston is treating this institution with great care. Then, this movie is about showing to the world how the exposition was done and the treatment to the Catholic Church is almost as exquisite as the one that has enabled this institution to hide all this cases. For gods sake! These people are criminals covering the crimes of even bigger criminals and it seems like we still cannot face them and tell them clearly and to their faces the horrible things they have tolerated and hidden.
This was a very shocking and well made film. It is about the scandal involving a cover-up of Catholic priests molesting children in the Boston area. I was surprised with the delicate nature of the film's script and how well it was handled. It had a very solid ensemble cast which helped make the film ... moving and horrific in parts. I am glad that a film like this won Best Picture at the Academy Awards as it had a very important message (even if I was rooting for 'The Revenant'). ★★★★
A true account of the Boston Globe's investigative reporting on the vatican's approval of sexual predator priests over many decades. Disturbing to say the least. Excellent performances from Mark Ruffalo and Michael Keaton. It's easy for movies like this to get bogged down in the details but the paci ... ng here is remarkably fluid, just a bit over 2 hours very well spent.
A friend recommended this film to me. I was reluctant because I am no big fan of Micheal Keaton. But I watched it anyway purely because of the disturbing subject matter. Clearly this cover-up resonates throughout the US a great deal, but living in England for most of my life I don't think the sh ... ocking revelations ever rang out much other than for a random story-line that probably got buried after the immediate events of 9/11. I won't repeat the story here because other reviewers have already covered that; but what I really admired about the film was how very underplayed it felt throughout. The pacing, the somber soundtrack, the unhurried editing, even the narration all helped capture the suffocating mood of the story as it unraveled in shocking detail. There was no histrionics that you sometimes get with films that are about to expose something deeply shocking. I am reminded of films such as "The Insider" and "All the President's Men" where the the lives of the investigators/victims/whistle-blowers are put into immediate danger by a "dark force" should they expose their findings to the public. But with Spotlight, such things were avoided. Instead everything was kept at a "civil" level between The Boston Globe and The Church, even though you could feel an underlying dread or threat simmering throughout. I particularly liked the ending because even though the story was published and the victims finally came forward before the credits rolled, there was no big fanfare declaring how wonderful the Spotlight team were in exposing this evil. Instead it left us with a reminder that the abuse of children by the RC church was (and probably still is) a world-wide problem; not helped when you learn that Cardinal Law was never arrested, but was later reassigned to a high ranking position in the Vatican, even though both he and the Vatican itself was perfectly aware of the crimes committed by the Church against innocent boys and girls.