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Spotlight Poster

Spotlight

Break the story. Break the silence.
2015 | 129m | English

(524999 votes)

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Popularity: 3 (history)

Details

The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core.
Release Date: Nov 06, 2015
Director: Tom McCarthy
Writer: Tom McCarthy, Josh Singer
Genres: Drama, History
Keywords pedophilia, florida, newspaper, journalist, child abuse, court, judge, boston, massachusetts, journalism, sex scandal, victim, based on true story, cover-up, priest, conspiracy, lawyer, historical fiction, biting, catholic, roman catholic church, lgbt, catholicism, 9/11, child molestation, archdiocese, investigative journalism, cardinal, serious, understated, critical, tense, powerful, tragic
Production Companies Participant, Anonymous Content, Open Road Films, Rocklin / Faust, First Look Media
Box Office Revenue: $98,690,254
Budget: $20,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Mark Ruffalo Michael Rezendes
Michael Keaton Walter 'Robby' Robinson
Rachel McAdams Sacha Pfeiffer
Liev Schreiber Marty Baron
John Slattery Ben Bradlee, Jr.
Brian d'Arcy James Matt Carroll
Stanley Tucci Mitchell Garabedian
Elena Wohl Barbara
Gene Amoroso Steve Kurkjian
Doug Murray Peter Canellos
Sharon McFarlane Helen Donovan
Jamey Sheridan Jim Sullivan
Neal Huff Phil Saviano
Billy Crudup Eric Macleish
Robert B. Kennedy Court Clerk Mark
Duane Murray Hansi Kalkofen
Brian Chamberlain Paul Burke
Michael Cyril Creighton Joe Crowley
Paul Guilfoyle Peter Conley
Michael Countryman Richard Gilman
Tim Whalen Young Cop
Martin Roach Cop in Coffee Shop
Brad Borbridge Sports Editor
Don Allison Bishop
Patty Ross Linda
Paloma Nuñez Garabedian's Receptionist
Robert Clarke Judge Volterra
Gary Galone Jack Dunn
David Fraser Jon Albano
Paulette Sinclair Receptionist at Judge's Chambers
Laurie Heineman Judge Sweeney
Elena Juatco Guest List Woman
Nancy Villone Maryetta Dussourd
Wendy Merry Female Editor
Siobhan Murphy Intern
Eileen Padua Sacha's Grandmother
Darrin Baker Middle Age Priest at St. Peter's
Brett Cramp Middle Aged Man
Joe Stapleton Older Cop
Maureen Keiller Eileen McNamara
Jimmy LeBlanc Patrick McSorley
Tim Progosh Principal Bill Kemeza
Neion George Waiter at Gala
Laurie Murdoch Wilson Rogers
Zarrin Darnell-Martin Intern Wanda
Krista Morin Young Reporter
Paula Barrett Jim's Wife
Mairtin O'Carrigan Stewart
Rob deLeeuw Herald Reporter Quimby
Nancy E. Carroll Jane Paquin
Anthony Paolucci Kevin
Michele Proude Lisa Tuite
Richard O'Rourke Ronald Paquin
Len Cariou Cardinal Law
Dennis Lynch Clerk O'Brian
Stefanie Drummond Sheila
Mark McGrinder Weeping Man
Richard Fitzpatrick Rectory Priest
Tom Driscoll Disgruntled Man
Jeffrey Samai Library Security
Moira Driscoll Woman Interviewee
Forrest Weber Angry Man
Doreen Spencer Older Southie Woman
Janet Pinnick Receptionist
Shannon McDonough Receptionist
Shannon Ruth Girl at Garabedian's
Daniel Ruth Boy at Garabedian's
Jennifer Ruth Mother at Garabedian's
Timothy Mooney Bad Priest
Bruce-Robert Serafin Boston Globe Security Guard
Donna Sue Jahier Angry Man's Sister
Edward Brickley Red Sox Announcer (voice)
Richard Jenkins Richard Sipe (voice) (uncredited)
Elena Khan Boston Reporter (uncredited)
Teresa Wilson Maureen (uncredited)
Amy Whalen Pedestrian (uncredited)
John Franchi Pedestrian (uncredited)
Peter Lewis Walsh Red Sox Fan (uncredited)
Lance Norris Driver (uncredited)
Harold Rudolph Lawyer (uncredited)
Colleen Kelly Librarian (uncredited)
Name Job
Tom McCarthy Director, Writer
Masanobu Takayanagi Director of Photography
Josh Singer Writer
Howard Shore Original Music Composer
Wendy Chuck Costume Design
John Buchan Casting
Jason Knight Casting
Mary Ramos Music Supervisor
Bobby Beckles Stunt Coordinator
Branko Racki Stunt Coordinator
Taryn Walsh Set Costumer
Andrew Pang First Assistant Editor
Shawnna Thibodeau Stunt Driver
Robert Racki Stunt Driver
Robyn Rosenberg Costume Supervisor
Stephen H. Carter Production Design
Daryl Richardson Rigging Grip
Neishaw Ali Visual Effects Producer
Mario Cacioppo Makeup Artist
Jason Dodds Rigging Gaffer
Mike Barber Visual Effects Editor
Marko Costanzo Foley
Nichole Pleau Makeup Artist
Henry Tirl Camera Operator
Kerry Hayes Still Photographer
Patricia Keighran Makeup Artist
Matt Bouldry Casting Associate
Frank Kern Foley
James R. Mitchell Rigging Gaffer
Brenda McNally Key Hair Stylist
Kathleen Meade Costume Supervisor
Dusty Reeves Art Department Coordinator
Joey Montenarello Casting Associate
Patrick Stepien First Assistant Camera
Morris Flam Gaffer
Karola Dirnberger Hair Department Head
Kelly Shanks Hairstylist
Renee Fontana Assistant Costume Designer
Christa Tazzeo Visual Effects Producer
Colin Davies Visual Effects Supervisor
Paul Hsu Sound Designer
Kerry Barden Casting
Jenna Dayton Script Supervisor
Joseph Micomonaco First Assistant Camera
Chad Birmingham Music Editor
Philippe Majdalani Digital Intermediate
Greg Wimer First Assistant Camera
Seacia Pavao Still Photographer
Kayla Cabral Visual Effects Coordinator
Jennifer Dunnington Music Editor
Adam Richards Casting Associate
Maura Smith Casting Associate
Virginia B. Johnson Costume Supervisor
Tom Starnes Gaffer
Brandon Terry Visual Effects Editor
Vanessa Knoll Set Decoration
Michaela Cheyne Art Direction
Cathy Shibley Key Hair Stylist
Paul Schnee Casting
Dug Rotstein Script Supervisor
Ahmed Shehata CG Supervisor
Walter Gasparovic First Assistant Director
Heather Gross Sound Effects Editor
Jessica Drake Dialect Coach
Don McQueen Set Dresser
Mike Duffy Visual Effects Supervisor
Christopher Geggie Property Master
Nathan Alexander Kirk Set Dresser
Edward Hanrahan Visual Effects Coordinator
Marissa Littlefield ADR Editor
William Cheng Set Designer
John MacNeil Set Designer
Elspeth Cassar Production Coordinator
Toni Wong Set Dresser
Stephen Gabis Dialect Coach
Karl Denniston Brown Set Dresser
Jeffrey Lee Gibson Stunt Coordinator
Jeff Poulis Set Dresser
Branka Mrkic Dialogue Editor
Tom McArdle Editor
Gilles Corbeil Steadicam Operator
Shane Vieau Set Decoration
Jordan Samuel Makeup Department Head
Name Title
Jeff Skoll Executive Producer
Jonathan King Executive Producer
Josh Singer Executive Producer
Michael Sugar Producer
Steve Golin Producer
Bard Dorros Executive Producer
Michael Bederman Executive Producer
Xavier Marchand Executive Producer
Pierre Omidyar Executive Producer
Nicole Rocklin Producer
Blye Pagon Faust Producer
Tom Ortenberg Executive Producer
Peter Lawson Executive Producer
Youtchi von Lintel Co-Producer
David Mizner Associate Producer
Kate Churchill Co-Producer
Organization Category Person
Academy Awards Best Picture N/A Won
Golden Globes Best Picture N/A Nominated
Golden Globes Best Director Tom McCarthy Nominated
Spirit Awards Best Actor Michael Keaton Nominated
Venice Film Festival Best Picture N/A Nominated
Venice Film Festival Best Actress Meryl Streep Won
BAFTA Awards Best Picture N/A Nominated
SAG Awards Best Picture N/A Won
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 44 72 26
2024 5 65 97 52
2024 6 39 61 27
2024 7 28 41 19
2024 8 28 59 17
2024 9 23 35 14
2024 10 21 31 14
2024 11 28 68 17
2024 12 23 32 18
2025 1 29 57 17
2025 2 20 37 3
2025 3 9 27 2
2025 4 5 7 3
2025 5 5 7 5
2025 6 4 5 3
2025 7 5 7 3
2025 8 5 7 3
2025 9 4 6 3

Trending Position


Year Month High Avg
2025 7 475 637
Year Month High Avg
2024 9 818 818

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Reviews

Rangan
8.0

> Uncovering the sins committed by whom the millions of people believe in. A documentary film would show the real faces of those offenders to shame them. That's the reason I desperately wanted it to be a documentary, then I would have definitely given a maximum mark. There's no complaint about th ... is movie, but adaptation means fakes acting, fake settings and awards goes to non real achievers. Anyway, this movie kind looked a semi documentary and liked the way it was made. The movie exposed a very important scandal. If something is open for a debate in the US means, the rest of the world would follow the same route. That's where this theme was inspired by. It all begins with a group of journalists from the Boston Globe with their new editor instruct them to research on sexual abuse of children by priests. So their lead only gets bigger and puts them to recover more evidence in order to publish. How they come up with the story that shake up not only the nation, but the entire world is the remaining. A collection of bunch fine performances. There's no lead actors in this. Everyone is in the supporting roles. Out of 6, it got nominated both male and female in the category of supporting role for the Academy Awards. I am very disappointed, Mark Ruffalo's performance in 'Infinitely Polar Bear' deserved another nominee. Anyway, this 15 year old story still looks a hot topic. It was a great comeback for the director after critics assaulted him with their words for his previous film 'The Cobbler' only to show their rage on Sandler. It is a must-must see. Beware, is is not your weekend entertainer, but based on the real. 8/10

May 16, 2024
tanty
7.0

Spotlight story is interesting and has a good cast which performs very well, but the feeling of the story is flat. First, they are talking about abuses to children but you feel almost the whole time that they are following the lead of any other story almost as bureaucrats. There is not much of se ... nsitivity put into the matter. Second, they are exposing a huge case of system "missbehavior" (to say the least) in the Catholic Church hierarchy and you see how the whole city of Boston is treating this institution with great care. Then, this movie is about showing to the world how the exposition was done and the treatment to the Catholic Church is almost as exquisite as the one that has enabled this institution to hide all this cases. For gods sake! These people are criminals covering the crimes of even bigger criminals and it seems like we still cannot face them and tell them clearly and to their faces the horrible things they have tolerated and hidden.

Jun 23, 2021
mattwilde123
8.0

This was a very shocking and well made film. It is about the scandal involving a cover-up of Catholic priests molesting children in the Boston area. I was surprised with the delicate nature of the film's script and how well it was handled. It had a very solid ensemble cast which helped make the film ... moving and horrific in parts. I am glad that a film like this won Best Picture at the Academy Awards as it had a very important message (even if I was rooting for 'The Revenant'). ★★★★

Jun 23, 2021
nutshell
8.0

A true account of the Boston Globe's investigative reporting on the vatican's approval of sexual predator priests over many decades. Disturbing to say the least. Excellent performances from Mark Ruffalo and Michael Keaton. It's easy for movies like this to get bogged down in the details but the paci ... ng here is remarkably fluid, just a bit over 2 hours very well spent.

Jun 23, 2021
tmdb40011370
9.0

A friend recommended this film to me. I was reluctant because I am no big fan of Micheal Keaton. But I watched it anyway purely because of the disturbing subject matter. Clearly this cover-up resonates throughout the US a great deal, but living in England for most of my life I don't think the sh ... ocking revelations ever rang out much other than for a random story-line that probably got buried after the immediate events of 9/11. I won't repeat the story here because other reviewers have already covered that; but what I really admired about the film was how very underplayed it felt throughout. The pacing, the somber soundtrack, the unhurried editing, even the narration all helped capture the suffocating mood of the story as it unraveled in shocking detail. There was no histrionics that you sometimes get with films that are about to expose something deeply shocking. I am reminded of films such as "The Insider" and "All the President's Men" where the the lives of the investigators/victims/whistle-blowers are put into immediate danger by a "dark force" should they expose their findings to the public. But with Spotlight, such things were avoided. Instead everything was kept at a "civil" level between The Boston Globe and The Church, even though you could feel an underlying dread or threat simmering throughout. I particularly liked the ending because even though the story was published and the victims finally came forward before the credits rolled, there was no big fanfare declaring how wonderful the Spotlight team were in exposing this evil. Instead it left us with a reminder that the abuse of children by the RC church was (and probably still is) a world-wide problem; not helped when you learn that Cardinal Law was never arrested, but was later reassigned to a high ranking position in the Vatican, even though both he and the Vatican itself was perfectly aware of the crimes committed by the Church against innocent boys and girls.

Jun 23, 2021