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X-Men

Trust a few. Fear the rest.
2000 | 104m | English

(680585 votes)

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Popularity: 0.4 (history)

Details

Two mutants, Rogue and Wolverine, come to a private academy for their kind whose resident superhero team, the X-Men, must oppose a terrorist organization with similar powers.
Release Date: Jul 13, 2000
Director: Bryan Singer
Writer: David Hayter, Bryan Singer, Tom DeSanto
Genres: Adventure, Action, Science Fiction
Keywords mutant, superhuman, superhero, based on comic
Production Companies 20th Century Fox, The Donners' Company, Bad Hat Harry Productions, Marvel Entertainment Group
Box Office Revenue: $296,339,527
Budget: $75,000,000
Updates Updated: Mar 19, 2025 (Update)
Entered: Apr 28, 2024
Trailers and Extras

Full Credits

Name Character
Hugh Jackman Logan / Wolverine
Patrick Stewart Xavier
Ian McKellen Magneto
Famke Janssen Jean Grey
James Marsden Cyclops
Halle Berry Storm
Anna Paquin Rogue
Tyler Mane Sabretooth
Ray Park Toad
Rebecca Romijn Mystique
Bruce Davison Senator Kelly
Matthew Sharp Henry Guyrich
Brett Morris Young Magneto
Rhona Shekter Magneto's Mother
Kenneth McGregor Magneto's Father
Shawn Roberts Rogue's Boyfriend
Donna Goodhand Rogue's Mother
John Nelles Rogue's Father
George Buza Trucker
Darren McGuire Contender
Carson Manning Waterboy #1
Scott Leva Waterboy #2
Aron Tager Emcee
Kevin Rushton Stu
Doug Lennox Bartender
David Nichols Newscaster #1
Malcolm Nefsky Stu's Buddy
Sumela Kay Kitty
Shawn Ashmore Bobby Drake
Katrina Florece Jubilee
Alex Burton John Allerdyce
Quinn Wright Lily Pond Kid
Daniel Magder Boy on Raft
Matt Weinberg Tommy
Madison Lanc Tommy's Sister
Stan Lee Hot Dog Vendor
Marsha Graham Newscaster #2
Amy Leland Cerebro (voice)
Adam Robitel Guy on Line
David Lawrence Brown Lead Cop
Ben Jensen Sabretooth Cop
Tom DeSanto Toad Cop
Todd Dulmage Coast Guard
Dan Duran Newscaster #3
Elias Zarou U.N. Secretary General
David Black President
Robert R. Snow Secret Service
David Hayter Museum Cop
Cecil Phillips Security Guard
Dave Allen Clark Newscaster #4
Deryck Blake Plastic Prison Guard
Ilke Hincer Translator
Ron Sham Translator
Jay Yoo Translator
Grigori Miakouchkine Translator
Eleanore Comes Translator
Giuseppe Gallaccio Translator
Rupinder Brar Translator
Abi Ganem Translator
Joey Purpura German Soldier
Manuel Verge German Soldier
Wolfgang Müller German Soldier
Ralph Zuljan German Soldier
Andy Grote German Soldier
Eric Bryson Cop (uncredited)
Ben Champniss Jewish Prisoner of War (uncredited)
Cheryl De Luca Mother on Train (uncredited)
Jeremy Durgana Student (uncredited)
Wesley Finucan Man at Train Station (uncredited)
Kyler Fisher Extra (uncredited)
Brandon Marc Gagne Bar Patron (uncredited)
Matthew Galliford Ellis Island Dignitary (uncredited)
Gary Goddard Man at Beach (uncredited)
Matt Granger Weapon X Program Surgeon (uncredited)
Cyprian Lerch Police Officer (uncredited)
Donald MacKinnon Student at Xavier School (uncredited)
Brian Peck Hot Dog Stand Patron (uncredited)
Peter Schindelhauer German Soldier (uncredited)
Jimmy Star Police Officer (uncredited)
Daniel Vivian Canadian (uncredited)
Quentin Wright Student at Xavier School (uncredited)
Name Job
David Hayter Screenplay
Michael Kamen Conductor, Original Music Composer
Steve Boeddeker Sound Designer
Anna Behlmer Sound Re-Recording Mixer
Rich Thorne Production Executive
Christopher Allen Nelson Special Effects Makeup Artist
Heather Burton Stunts
Stan Lee Thanks
Jack Kirby Thanks
Gary Archer Prosthetics
Bryan Singer Story, Director
Brian Jagersky Stunts
Nick Alachiotis Stunts
Kathryn Anderson Stunts
Tom DeSanto Story
Kevin Stitt Editor
John Wright Editor
James Edward Ferrell Jr. Set Decoration
Louise Mingenbach Costume Design
Jay Du Boisson Costume Supervisor
Chris Howard Gaffer
Alyssa Fong Visual Effects
Greg Papalia Art Direction
Rando Schmook Assistant Art Director
Bill Harman Construction Coordinator
Sean Kirby Greensman
Henry Ranger Painter
Adam Brockbank Production Illustrator
Sheri O'Rourke Set Decoration Buyer
Thomas Carnegie Set Designer
Steven J. Winslow Camera Technician
Russel Bowie First Assistant Camera
Mark Manchester Key Grip
Rocky Brown Grip
Klemens Becker Steadicam Operator
Attila Dory Still Photographer
Cathy Crandall Assistant Costume Designer
Patricia Medina Hairstylist
Jennifer Bower O'Halloran Key Hair Stylist
Inge Klaudi Makeup Artist
Kenny Myers Makeup Department Head
Gordon J. Smith Makeup Designer
Brian Beck Set Dressing Artist
Tom Lawson Carpenter
David Prescott CG Supervisor
David Altenau CGI Supervisor
Danielle Greavette Craft Service
Charles 'Aloha Boy' Reed Driver
Chris Dowell Post Production Assistant
Charlie Davis Post Production Supervisor
Kieran Woo Production Controller
Sarah Freudeman Production Office Assistant
Graham Macpherson Propmaker
Christopher Geggie Property Master
Rob Boulet Scenic Artist
Marcus Paletta Security
Mike Currie Set Production Assistant
Craig Heath Sound Recordist
Colin Chilvers Special Effects Coordinator
Fred Fein Stand In
Rick Forsayeth Stunt Coordinator
Ben Farris Systems Administrators & Support
Pierre Cadieux Telecine Colorist
Frank Tenaglia Transportation Captain
Robert Tenaglia Transportation Coordinator
Joe Everett Unit Publicist
Mitchell Dean Utility Stunts
Tommy Dorsett Visual Effects Editor
Lee Cleary First Assistant Director
Blanche McDermaid Script Supervisor
Dale Caldwell Color Timer
Susan Dawes Dialogue Editor
Barbara Dunning First Assistant Editor
Greg Haddow Best Boy Electric
Michael Anderson Electrician
Anthony G. Nakonechnyj Gaffer
Barry Goodwin Rigging Gaffer
C.D. Champion Rigging Grip
Elizabeth Boykewich Casting Associate
Byron A. Martin Location Manager
Daryl C. Lefever Production Accountant
Janine Anderton Production Coordinator
Whitney Brown Production Manager
James Marbas Production Supervisor
Denis Bellingham Boom Operator
Curtis Roush Music Editor
Richard Burton Sound Effects Editor
John A. Larsen Supervising Sound Editor
John T. Van Vliet Animation Supervisor
Douglas Aiken Digital Compositors
Tony Kenny Special Effects Supervisor
Jonah Brennan Visual Effects
Thomas Clary Visual Effects Coordinator
Denise Davis Visual Effects Producer
Nick Veziris Gun Wrangler
Laurel Bresnahan Studio Teachers
Todd Busch Additional Editing
David Lee Sound Mixer
Bob Ringwood Costume Consultant
Edward Gould Costumer
Patricia Hanley Cumming Key Set Costumer
Anita Simard Set Costumer
Stephen J. Morrison Second Second Assistant Director
Bryn Caron Third Assistant Director
Henry Jesiak Assistant Property Master
Steve Burg Concept Artist
Monica Fedrick Graphic Designer
Brian N. Murray Head Carpenter
J. Tracy Budd Lead Set Dresser
Greg Beale Second Assistant Art Director
John Coven Storyboard Artist
Robert Dawson Title Designer
Mary Andrews ADR Editor
Derek Casari ADR Engineer
Ronny Cox ADR Mixer
Terry Brown ADR Recordist
David Betancourt Foley Mixer
Skip Longfellow Sound Assistant
Mike Kavanagh Special Effects Technician
Nick Hsieh 2D Artist
S. 'Kiki' Chansamone VFX Artist
Kristopher Kasper Visual Effects Assistant Editor
Ted Andre Visual Effects Compositor
Michelle Eisenreich Visual Effects Production Assistant
Attila Luca Assistant Camera
Chris Weiss Camera Loader
Chris Moone Camera Trainee
Sean Nowlan Data Wrangler
Ron Forward Dolly Grip
Brad Crosbie Second Assistant Camera
John Mariella Animation Director
Yuichiro Yamashita CG Animator
Randy Goux Lead Animator
Mandy Sherman Casting Assistant
Tarah Burke Wardrobe Assistant
Shannon Carey Assistant Editor
Cynthia E. Thornton Associate Editor
David Bernstein Colorist
Michael Toll Dailies Technician
Gary Burritt Negative Cutter
Sara Burton Assistant Location Manager
Ron McKenzie Location Assistant
C. Louis Braid Location Production Assistant
Christopher Brooks Music Consultant
Daryl B. Kell Supervising Music Editor
Maureen 'Mo' Crutchfield Accountant
Heath Banks Assistant Production Coordinator
Jonathan Egstad Compositing Supervisor
Melissa Brockman Digital Effects Producer
Kathy Liska Executive Assistant
Scott Ross General Manager
John Irwin Generator Operator
Tim Sauder Key Rigging Grip
Ian Nelmes Key Scenic Artist
Murat Akser Production Assistant
Basil Person Production Secretary
Anne Richardson Researcher
Karen Klein Rotoscoping Artist
Jeffery A. Williams Technical Advisor
Lloyd Adams Stunts
James Bolt Sound Re-Recording Mixer
Patrick Rousseau Sound Recordist
Aric Dupere Extras Casting Assistant
Robert Reece Stunts
Ann Brodie Makeup Artist
John Hutchinson Location Scout
Liam Kiernan Assistant Location Manager
Andrew Tamandl Animation
Taryn Ash Stunts
Eric Bryson Stunts
Tom Farr Stunts
Mary Fallick Stunts
Tommy Chang Stunts
Jessica Meyer Stunts
Vicki Phillips Stunts
Mary Ann Stevens Stunts
Cotton Mather Stunts
Rebecca Stoneham Stunts
Ethan Jensen Stunts
Gary Jensen Stunt Coordinator
Ermes Blarasin Stunts
Kym Kristalie Stunts
Dan Belley Stunts
Newton Thomas Sigel Director of Photography
Steven Rosenblum Editor
John Myhre Production Design
Paul D. Austerberry Art Direction
Tamara Deverell Art Direction
Roger Mussenden Casting
Aeschylus Poulos Art Department Coordinator
Tim Monich Dialect Coach
Kevin Lingenfelser Digital Effects Supervisor
Ross T. Fanger Unit Production Manager
Robert Elhai Orchestrator
Craig Berkey Sound Designer
Craig Barron Visual Effects Supervisor
Stephen McLaughlin Music Producer, Scoring Mixer
Corey Yuen Kwai Action Director
Conrad E. Palmisano Second Unit Director
Dawn Fintor Foley Artist
R.J. Kizer Supervising ADR Editor
Troy Brenna Stunt Double
Andy Nelson Sound Re-Recording Mixer
Ke Huy Quan Fight Choreographer
Jeff Lew 3D Animator
Tim A. Davison Stunts
Derek Vanlint Additional Photography
Randy Butcher Stunts
Sue Parker Stunts
Danny Lima Stunts
Robert Racki Stunts
Dwayne McLean Stunts
Bryan Renfro Stunts
John Stoneham Sr. Stunts
Steven McMichael Stunts
Jamie Jones Stunts
Dennis Keiffer Stunts
Robert Hayley Stunts
C.J. Lusby Stunts
Billy Oliver Stunts
John Branagan Stunt Coordinator
Leigh Bianco Stunts
Matt Birman Stunts
Robert Hannah Stunts
Denny Arnold Stunts
Scott Leva Stunt Coordinator, Stunts
Ho Chow Stunts
Brian Kaulback Stunts
Peter Schindelhauer Stunts
Jim Flett Stunts
Dale Gibson Stunts
Simon Kim Stunts
Rick Parker Stunts
Henry Korhonen Stunts
Plato Fountidakis Stunts
Valentin Nedialkov Stunts
Peter Skoda Stunts
David Stevenson Stunts
Erin Jarvis Stunts
Darren McGuire Stunts
Peter Szkoda Stunts
Chad Camilleri Stunts
Phil Chiu Stunts
Bryan J. Thomas Stunts
Ben Jensen Stunts
Baz Karbouris Stunts
James Kim Stunts
Claire Webb Stunts
Anton Tyukodi Stunts
Len Wagner Stunts
Tony Ling Chi-Wah Fight Choreographer
Regan Moore Stunts
Ron Van Hart Stunts
Glenn Cotter 3D Artist
William Engel Grip
William M. Weberg Key Grip
William L. Tataryn Driver
Michael Golden Thanks
Name Title
Lauren Shuler Donner Producer
Avi Arad Executive Producer
Stan Lee Executive Producer
Ralph Winter Producer
Matthew Edelman Associate Producer
Joel Simon Co-Producer
Bill Todman Jr. Co-Producer
Tom DeSanto Executive Producer
Richard Donner Executive Producer
Scott Nimerfro Associate Producer
Kevin Feige Associate Producer
Organization Category Person
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Reviews

Wuchak
8.0

***“X-Men” laid the foundation for all the great Superhero flicks to come*** I think the X-Men films have been so popular because the X-Men dare to be different. The concept of the X-Men strays far from superhero conventions. If you approach the X-Men films thinking you're getting something aki ... n to Superman, Spider-Man or Batman, forget it. The unique concept of the X-Men is that humanity is starting to evolve to the next level and a small percentage of humans all over the globe are starting to manifest superhuman powers from the mutant "X" gene. Two mutant leaders, who are old friends, take totally contrasting positions: Charles Xavier starts a school for mutant youths in upstate New York. His attitude is positive and his goal benign. Eric Lensherr or Magneto, on the other hand, is fed up with the paranoia of non-mutants. He starts a "Brotherhood of Mutants" with an attitude of superiority. Unfortunately, power corrupts and absolute power corrupts absolutely. You could say that Xavier takes the approach of Martin Luther King Jr. while Magneto goes the route of Malcolm X, an interesting comparison. Although everybody has their favorite, I feel all three films in the original trilogy are of the same general quality: "X-Men" (2000), "X2: X-Men United" (2003) and "X-Men: The Last Stand" (2006). "X-Men" naturally lays the foundation by introducing the principle characters and the plight of the mutants. Wolverine and Rogue are introduced and slowly develop an interesting big brother/little sister type relationship. They come into contact with both Magneto's Brotherhood and Xavier's school and nobly opt for the latter. Magneto's bunch includes Sabertooth, Toad and Mystique, while Xavier's team includes Cyclops, Jean Grey and Storm, as well as adolescents Iceman and Pyro. Both groups of mutants meet and tussle at Liberty Island in New York Harbor, which is the weakest part of the film, but not bad. When "X-Men" debuted in 2000 it was easily the best comic-to-film adaption since "Superman" (1978) and "Superman II" (1980). It was the precursor to all the great superhero films that came out in the 2000s and has only lost some of its allure due to the quality of many of those films. The movie runs 1 hour, 44 minutes with several interesting deleted scenes available. GRADE: A-

Jun 23, 2021
tmdb44006625
7.0

X-Men is a milestone in cinema history. Without it being actually good and such a smash success, we wouldn't be enjoying the comic book movie world that rules the box office today. The approach of X-Men was the right one. It told a relevant human story about prejudice, treating the source materia ... l respectfully and seriously. It's legacy may be greater than the actual movie, but X-Men is x-cellent!

Jun 23, 2021
Kamurai
5.0

Decent watch, might watch again, and can recommend. This is not a good "comic book movie", but as a stand alone story, it's decent if derivative. Just pretend I did a whole rant about how this isn't like the comics, we're both better off this way. There are a lot good points like balancing ... the characters and stars in a way that was lauded way more in Avengers later on because everyone liked those characters better and there was some definite "oomph" to the Avengers franchise that the X-Men franchise was missing from the start, but no one had done it right yet so it was unclear what we didn't know at the time. Fox clearly put enough money into this on the basis of the cast paychecks alone, and there are several good visual effects throughout the movie. Comic consistencies aside, they really shoehorned some of the things in and there character writing is clearly misdirected. The writing has a good skeleton to it, but there are too many places where they wrote "and something cool happens to distract the audience". X-Men is a drama story, and they carried that into the movie, but it would seem they were aiming to be an action movie with a deep plot and just landed inbetween. The action is all between characters that (and I fully believed the actors did all they could) are limited to being awkward, goofy, stiff, or empty.

Jun 23, 2021
r96sk
8.0

<em>'X-Men'</em> is very good. Another franchise I'm checking out for the first time, despite knowing about it for a number of years. This is a positive opener, there is a lot to feel entertained by for sure. Hugh Jackman (Wolverine) is the star of the show, though Patrick Stewart (Professor X) a ... nd Ian McKellen (Magneto) are solid too. Intrigued to check out the sequels and the subsequent other productions. /copied directly from my Letterboxd review\

Jun 23, 2021
Geronimo1967
6.0

"Marie" (aka "Rogue" - Anna Paquin) really does know how to suck the joy out the relationship with her boyfriend, so runs away and hooks up with "Wolverine" (Hugh Jackman). Both of them are on the radar of the evil "Magneto" (Ian McKellen) so the benign "Dr. Xavier" (Patrick Stewart) dispatches "Sto ... rm" (Halle Berry) and "Cyclops" (James Marsden) to fetch them back to his school for the gifted. Here, he is able to train these powerful mutants so they are prepared to take on the megalomanic baddie. "Magneto", in turn, is intent on dealing once and for all with humanity, and it's intolerance of the whole of mutant-kind. This is very much an establishing film for a series yet to come. The backstories and identities are built up so we understand who is who, and why they are behaving as they do - and that includes the nervous humans led by "Sen. Kelly" (Bruce Davison). I'm not sure if it's search for mass appeal (it's rated 12) compromised it too much, but for the most part this is all just a rather procedural excuse for some long combat scenes and some special effects based around some handsome people in the cast. To be fair, there are a few fun rivalry scenes between Jackman and Marsden (though luckily no yellow spandex) but Stewart is just "Picard" in a wheelchair and though McKellen offers a more substantial effort as "Magneto", even he doesn't really have much by way of decent dialogue to get his teeth into. Indeed, the writing is really pretty lame throughout. It is a good film to watch, especially on a big screen, but let's hope the series storylines mature a bit for the next one.

Apr 14, 2022