Popularity: 0.4 (history)
Director: | Bryan Singer |
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Writer: | David Hayter, Bryan Singer, Tom DeSanto |
Staring: |
Two mutants, Rogue and Wolverine, come to a private academy for their kind whose resident superhero team, the X-Men, must oppose a terrorist organization with similar powers. | |
Release Date: | Jul 13, 2000 |
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Director: | Bryan Singer |
Writer: | David Hayter, Bryan Singer, Tom DeSanto |
Genres: | Adventure, Action, Science Fiction |
Keywords | mutant, superhuman, superhero, based on comic |
Production Companies | 20th Century Fox, The Donners' Company, Bad Hat Harry Productions, Marvel Entertainment Group |
Box Office |
Revenue: $296,339,527
Budget: $75,000,000 |
Updates |
Updated: Mar 19, 2025 (Update) Entered: Apr 28, 2024 |
Name | Character |
---|---|
Hugh Jackman | Logan / Wolverine |
Patrick Stewart | Xavier |
Ian McKellen | Magneto |
Famke Janssen | Jean Grey |
James Marsden | Cyclops |
Halle Berry | Storm |
Anna Paquin | Rogue |
Tyler Mane | Sabretooth |
Ray Park | Toad |
Rebecca Romijn | Mystique |
Bruce Davison | Senator Kelly |
Matthew Sharp | Henry Guyrich |
Brett Morris | Young Magneto |
Rhona Shekter | Magneto's Mother |
Kenneth McGregor | Magneto's Father |
Shawn Roberts | Rogue's Boyfriend |
Donna Goodhand | Rogue's Mother |
John Nelles | Rogue's Father |
George Buza | Trucker |
Darren McGuire | Contender |
Carson Manning | Waterboy #1 |
Scott Leva | Waterboy #2 |
Aron Tager | Emcee |
Kevin Rushton | Stu |
Doug Lennox | Bartender |
David Nichols | Newscaster #1 |
Malcolm Nefsky | Stu's Buddy |
Sumela Kay | Kitty |
Shawn Ashmore | Bobby Drake |
Katrina Florece | Jubilee |
Alex Burton | John Allerdyce |
Quinn Wright | Lily Pond Kid |
Daniel Magder | Boy on Raft |
Matt Weinberg | Tommy |
Madison Lanc | Tommy's Sister |
Stan Lee | Hot Dog Vendor |
Marsha Graham | Newscaster #2 |
Amy Leland | Cerebro (voice) |
Adam Robitel | Guy on Line |
David Lawrence Brown | Lead Cop |
Ben Jensen | Sabretooth Cop |
Tom DeSanto | Toad Cop |
Todd Dulmage | Coast Guard |
Dan Duran | Newscaster #3 |
Elias Zarou | U.N. Secretary General |
David Black | President |
Robert R. Snow | Secret Service |
David Hayter | Museum Cop |
Cecil Phillips | Security Guard |
Dave Allen Clark | Newscaster #4 |
Deryck Blake | Plastic Prison Guard |
Ilke Hincer | Translator |
Ron Sham | Translator |
Jay Yoo | Translator |
Grigori Miakouchkine | Translator |
Eleanore Comes | Translator |
Giuseppe Gallaccio | Translator |
Rupinder Brar | Translator |
Abi Ganem | Translator |
Joey Purpura | German Soldier |
Manuel Verge | German Soldier |
Wolfgang Müller | German Soldier |
Ralph Zuljan | German Soldier |
Andy Grote | German Soldier |
Eric Bryson | Cop (uncredited) |
Ben Champniss | Jewish Prisoner of War (uncredited) |
Cheryl De Luca | Mother on Train (uncredited) |
Jeremy Durgana | Student (uncredited) |
Wesley Finucan | Man at Train Station (uncredited) |
Kyler Fisher | Extra (uncredited) |
Brandon Marc Gagne | Bar Patron (uncredited) |
Matthew Galliford | Ellis Island Dignitary (uncredited) |
Gary Goddard | Man at Beach (uncredited) |
Matt Granger | Weapon X Program Surgeon (uncredited) |
Cyprian Lerch | Police Officer (uncredited) |
Donald MacKinnon | Student at Xavier School (uncredited) |
Brian Peck | Hot Dog Stand Patron (uncredited) |
Peter Schindelhauer | German Soldier (uncredited) |
Jimmy Star | Police Officer (uncredited) |
Daniel Vivian | Canadian (uncredited) |
Quentin Wright | Student at Xavier School (uncredited) |
Name | Job |
---|---|
David Hayter | Screenplay |
Michael Kamen | Conductor, Original Music Composer |
Steve Boeddeker | Sound Designer |
Anna Behlmer | Sound Re-Recording Mixer |
Rich Thorne | Production Executive |
Christopher Allen Nelson | Special Effects Makeup Artist |
Heather Burton | Stunts |
Stan Lee | Thanks |
Jack Kirby | Thanks |
Gary Archer | Prosthetics |
Bryan Singer | Story, Director |
Brian Jagersky | Stunts |
Nick Alachiotis | Stunts |
Kathryn Anderson | Stunts |
Tom DeSanto | Story |
Kevin Stitt | Editor |
John Wright | Editor |
James Edward Ferrell Jr. | Set Decoration |
Louise Mingenbach | Costume Design |
Jay Du Boisson | Costume Supervisor |
Chris Howard | Gaffer |
Alyssa Fong | Visual Effects |
Greg Papalia | Art Direction |
Rando Schmook | Assistant Art Director |
Bill Harman | Construction Coordinator |
Sean Kirby | Greensman |
Henry Ranger | Painter |
Adam Brockbank | Production Illustrator |
Sheri O'Rourke | Set Decoration Buyer |
Thomas Carnegie | Set Designer |
Steven J. Winslow | Camera Technician |
Russel Bowie | First Assistant Camera |
Mark Manchester | Key Grip |
Rocky Brown | Grip |
Klemens Becker | Steadicam Operator |
Attila Dory | Still Photographer |
Cathy Crandall | Assistant Costume Designer |
Patricia Medina | Hairstylist |
Jennifer Bower O'Halloran | Key Hair Stylist |
Inge Klaudi | Makeup Artist |
Kenny Myers | Makeup Department Head |
Gordon J. Smith | Makeup Designer |
Brian Beck | Set Dressing Artist |
Tom Lawson | Carpenter |
David Prescott | CG Supervisor |
David Altenau | CGI Supervisor |
Danielle Greavette | Craft Service |
Charles 'Aloha Boy' Reed | Driver |
Chris Dowell | Post Production Assistant |
Charlie Davis | Post Production Supervisor |
Kieran Woo | Production Controller |
Sarah Freudeman | Production Office Assistant |
Graham Macpherson | Propmaker |
Christopher Geggie | Property Master |
Rob Boulet | Scenic Artist |
Marcus Paletta | Security |
Mike Currie | Set Production Assistant |
Craig Heath | Sound Recordist |
Colin Chilvers | Special Effects Coordinator |
Fred Fein | Stand In |
Rick Forsayeth | Stunt Coordinator |
Ben Farris | Systems Administrators & Support |
Pierre Cadieux | Telecine Colorist |
Frank Tenaglia | Transportation Captain |
Robert Tenaglia | Transportation Coordinator |
Joe Everett | Unit Publicist |
Mitchell Dean | Utility Stunts |
Tommy Dorsett | Visual Effects Editor |
Lee Cleary | First Assistant Director |
Blanche McDermaid | Script Supervisor |
Dale Caldwell | Color Timer |
Susan Dawes | Dialogue Editor |
Barbara Dunning | First Assistant Editor |
Greg Haddow | Best Boy Electric |
Michael Anderson | Electrician |
Anthony G. Nakonechnyj | Gaffer |
Barry Goodwin | Rigging Gaffer |
C.D. Champion | Rigging Grip |
Elizabeth Boykewich | Casting Associate |
Byron A. Martin | Location Manager |
Daryl C. Lefever | Production Accountant |
Janine Anderton | Production Coordinator |
Whitney Brown | Production Manager |
James Marbas | Production Supervisor |
Denis Bellingham | Boom Operator |
Curtis Roush | Music Editor |
Richard Burton | Sound Effects Editor |
John A. Larsen | Supervising Sound Editor |
John T. Van Vliet | Animation Supervisor |
Douglas Aiken | Digital Compositors |
Tony Kenny | Special Effects Supervisor |
Jonah Brennan | Visual Effects |
Thomas Clary | Visual Effects Coordinator |
Denise Davis | Visual Effects Producer |
Nick Veziris | Gun Wrangler |
Laurel Bresnahan | Studio Teachers |
Todd Busch | Additional Editing |
David Lee | Sound Mixer |
Bob Ringwood | Costume Consultant |
Edward Gould | Costumer |
Patricia Hanley Cumming | Key Set Costumer |
Anita Simard | Set Costumer |
Stephen J. Morrison | Second Second Assistant Director |
Bryn Caron | Third Assistant Director |
Henry Jesiak | Assistant Property Master |
Steve Burg | Concept Artist |
Monica Fedrick | Graphic Designer |
Brian N. Murray | Head Carpenter |
J. Tracy Budd | Lead Set Dresser |
Greg Beale | Second Assistant Art Director |
John Coven | Storyboard Artist |
Robert Dawson | Title Designer |
Mary Andrews | ADR Editor |
Derek Casari | ADR Engineer |
Ronny Cox | ADR Mixer |
Terry Brown | ADR Recordist |
David Betancourt | Foley Mixer |
Skip Longfellow | Sound Assistant |
Mike Kavanagh | Special Effects Technician |
Nick Hsieh | 2D Artist |
S. 'Kiki' Chansamone | VFX Artist |
Kristopher Kasper | Visual Effects Assistant Editor |
Ted Andre | Visual Effects Compositor |
Michelle Eisenreich | Visual Effects Production Assistant |
Attila Luca | Assistant Camera |
Chris Weiss | Camera Loader |
Chris Moone | Camera Trainee |
Sean Nowlan | Data Wrangler |
Ron Forward | Dolly Grip |
Brad Crosbie | Second Assistant Camera |
John Mariella | Animation Director |
Yuichiro Yamashita | CG Animator |
Randy Goux | Lead Animator |
Mandy Sherman | Casting Assistant |
Tarah Burke | Wardrobe Assistant |
Shannon Carey | Assistant Editor |
Cynthia E. Thornton | Associate Editor |
David Bernstein | Colorist |
Michael Toll | Dailies Technician |
Gary Burritt | Negative Cutter |
Sara Burton | Assistant Location Manager |
Ron McKenzie | Location Assistant |
C. Louis Braid | Location Production Assistant |
Christopher Brooks | Music Consultant |
Daryl B. Kell | Supervising Music Editor |
Maureen 'Mo' Crutchfield | Accountant |
Heath Banks | Assistant Production Coordinator |
Jonathan Egstad | Compositing Supervisor |
Melissa Brockman | Digital Effects Producer |
Kathy Liska | Executive Assistant |
Scott Ross | General Manager |
John Irwin | Generator Operator |
Tim Sauder | Key Rigging Grip |
Ian Nelmes | Key Scenic Artist |
Murat Akser | Production Assistant |
Basil Person | Production Secretary |
Anne Richardson | Researcher |
Karen Klein | Rotoscoping Artist |
Jeffery A. Williams | Technical Advisor |
Lloyd Adams | Stunts |
James Bolt | Sound Re-Recording Mixer |
Patrick Rousseau | Sound Recordist |
Aric Dupere | Extras Casting Assistant |
Robert Reece | Stunts |
Ann Brodie | Makeup Artist |
John Hutchinson | Location Scout |
Liam Kiernan | Assistant Location Manager |
Andrew Tamandl | Animation |
Taryn Ash | Stunts |
Eric Bryson | Stunts |
Tom Farr | Stunts |
Mary Fallick | Stunts |
Tommy Chang | Stunts |
Jessica Meyer | Stunts |
Vicki Phillips | Stunts |
Mary Ann Stevens | Stunts |
Cotton Mather | Stunts |
Rebecca Stoneham | Stunts |
Ethan Jensen | Stunts |
Gary Jensen | Stunt Coordinator |
Ermes Blarasin | Stunts |
Kym Kristalie | Stunts |
Dan Belley | Stunts |
Newton Thomas Sigel | Director of Photography |
Steven Rosenblum | Editor |
John Myhre | Production Design |
Paul D. Austerberry | Art Direction |
Tamara Deverell | Art Direction |
Roger Mussenden | Casting |
Aeschylus Poulos | Art Department Coordinator |
Tim Monich | Dialect Coach |
Kevin Lingenfelser | Digital Effects Supervisor |
Ross T. Fanger | Unit Production Manager |
Robert Elhai | Orchestrator |
Craig Berkey | Sound Designer |
Craig Barron | Visual Effects Supervisor |
Stephen McLaughlin | Music Producer, Scoring Mixer |
Corey Yuen Kwai | Action Director |
Conrad E. Palmisano | Second Unit Director |
Dawn Fintor | Foley Artist |
R.J. Kizer | Supervising ADR Editor |
Troy Brenna | Stunt Double |
Andy Nelson | Sound Re-Recording Mixer |
Ke Huy Quan | Fight Choreographer |
Jeff Lew | 3D Animator |
Tim A. Davison | Stunts |
Derek Vanlint | Additional Photography |
Randy Butcher | Stunts |
Sue Parker | Stunts |
Danny Lima | Stunts |
Robert Racki | Stunts |
Dwayne McLean | Stunts |
Bryan Renfro | Stunts |
John Stoneham Sr. | Stunts |
Steven McMichael | Stunts |
Jamie Jones | Stunts |
Dennis Keiffer | Stunts |
Robert Hayley | Stunts |
C.J. Lusby | Stunts |
Billy Oliver | Stunts |
John Branagan | Stunt Coordinator |
Leigh Bianco | Stunts |
Matt Birman | Stunts |
Robert Hannah | Stunts |
Denny Arnold | Stunts |
Scott Leva | Stunt Coordinator, Stunts |
Ho Chow | Stunts |
Brian Kaulback | Stunts |
Peter Schindelhauer | Stunts |
Jim Flett | Stunts |
Dale Gibson | Stunts |
Simon Kim | Stunts |
Rick Parker | Stunts |
Henry Korhonen | Stunts |
Plato Fountidakis | Stunts |
Valentin Nedialkov | Stunts |
Peter Skoda | Stunts |
David Stevenson | Stunts |
Erin Jarvis | Stunts |
Darren McGuire | Stunts |
Peter Szkoda | Stunts |
Chad Camilleri | Stunts |
Phil Chiu | Stunts |
Bryan J. Thomas | Stunts |
Ben Jensen | Stunts |
Baz Karbouris | Stunts |
James Kim | Stunts |
Claire Webb | Stunts |
Anton Tyukodi | Stunts |
Len Wagner | Stunts |
Tony Ling Chi-Wah | Fight Choreographer |
Regan Moore | Stunts |
Ron Van Hart | Stunts |
Glenn Cotter | 3D Artist |
William Engel | Grip |
William M. Weberg | Key Grip |
William L. Tataryn | Driver |
Michael Golden | Thanks |
Name | Title |
---|---|
Lauren Shuler Donner | Producer |
Avi Arad | Executive Producer |
Stan Lee | Executive Producer |
Ralph Winter | Producer |
Matthew Edelman | Associate Producer |
Joel Simon | Co-Producer |
Bill Todman Jr. | Co-Producer |
Tom DeSanto | Executive Producer |
Richard Donner | Executive Producer |
Scott Nimerfro | Associate Producer |
Kevin Feige | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 3 | 5 | 1 |
2024 | 5 | 3 | 6 | 2 |
2024 | 6 | 2 | 3 | 1 |
2024 | 7 | 3 | 7 | 1 |
2024 | 8 | 5 | 8 | 3 |
2024 | 9 | 2 | 3 | 1 |
2024 | 10 | 2 | 3 | 1 |
2024 | 11 | 2 | 3 | 1 |
2024 | 12 | 2 | 5 | 1 |
2025 | 1 | 2 | 4 | 1 |
2025 | 2 | 2 | 2 | 1 |
2025 | 3 | 3 | 30 | 0 |
2025 | 4 | 0 | 0 | 0 |
2025 | 5 | 0 | 0 | 0 |
2025 | 6 | 0 | 0 | 0 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 0 | 0 |
2025 | 9 | 0 | 0 | 0 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 633 | 735 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 793 | 852 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 932 | 945 |
Year | Month | High | Avg |
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2025 | 5 | 652 | 838 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 515 | 698 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 224 | 577 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 775 | 804 |
***“X-Men” laid the foundation for all the great Superhero flicks to come*** I think the X-Men films have been so popular because the X-Men dare to be different. The concept of the X-Men strays far from superhero conventions. If you approach the X-Men films thinking you're getting something aki ... n to Superman, Spider-Man or Batman, forget it. The unique concept of the X-Men is that humanity is starting to evolve to the next level and a small percentage of humans all over the globe are starting to manifest superhuman powers from the mutant "X" gene. Two mutant leaders, who are old friends, take totally contrasting positions: Charles Xavier starts a school for mutant youths in upstate New York. His attitude is positive and his goal benign. Eric Lensherr or Magneto, on the other hand, is fed up with the paranoia of non-mutants. He starts a "Brotherhood of Mutants" with an attitude of superiority. Unfortunately, power corrupts and absolute power corrupts absolutely. You could say that Xavier takes the approach of Martin Luther King Jr. while Magneto goes the route of Malcolm X, an interesting comparison. Although everybody has their favorite, I feel all three films in the original trilogy are of the same general quality: "X-Men" (2000), "X2: X-Men United" (2003) and "X-Men: The Last Stand" (2006). "X-Men" naturally lays the foundation by introducing the principle characters and the plight of the mutants. Wolverine and Rogue are introduced and slowly develop an interesting big brother/little sister type relationship. They come into contact with both Magneto's Brotherhood and Xavier's school and nobly opt for the latter. Magneto's bunch includes Sabertooth, Toad and Mystique, while Xavier's team includes Cyclops, Jean Grey and Storm, as well as adolescents Iceman and Pyro. Both groups of mutants meet and tussle at Liberty Island in New York Harbor, which is the weakest part of the film, but not bad. When "X-Men" debuted in 2000 it was easily the best comic-to-film adaption since "Superman" (1978) and "Superman II" (1980). It was the precursor to all the great superhero films that came out in the 2000s and has only lost some of its allure due to the quality of many of those films. The movie runs 1 hour, 44 minutes with several interesting deleted scenes available. GRADE: A-
X-Men is a milestone in cinema history. Without it being actually good and such a smash success, we wouldn't be enjoying the comic book movie world that rules the box office today. The approach of X-Men was the right one. It told a relevant human story about prejudice, treating the source materia ... l respectfully and seriously. It's legacy may be greater than the actual movie, but X-Men is x-cellent!
Decent watch, might watch again, and can recommend. This is not a good "comic book movie", but as a stand alone story, it's decent if derivative. Just pretend I did a whole rant about how this isn't like the comics, we're both better off this way. There are a lot good points like balancing ... the characters and stars in a way that was lauded way more in Avengers later on because everyone liked those characters better and there was some definite "oomph" to the Avengers franchise that the X-Men franchise was missing from the start, but no one had done it right yet so it was unclear what we didn't know at the time. Fox clearly put enough money into this on the basis of the cast paychecks alone, and there are several good visual effects throughout the movie. Comic consistencies aside, they really shoehorned some of the things in and there character writing is clearly misdirected. The writing has a good skeleton to it, but there are too many places where they wrote "and something cool happens to distract the audience". X-Men is a drama story, and they carried that into the movie, but it would seem they were aiming to be an action movie with a deep plot and just landed inbetween. The action is all between characters that (and I fully believed the actors did all they could) are limited to being awkward, goofy, stiff, or empty.
<em>'X-Men'</em> is very good. Another franchise I'm checking out for the first time, despite knowing about it for a number of years. This is a positive opener, there is a lot to feel entertained by for sure. Hugh Jackman (Wolverine) is the star of the show, though Patrick Stewart (Professor X) a ... nd Ian McKellen (Magneto) are solid too. Intrigued to check out the sequels and the subsequent other productions. /copied directly from my Letterboxd review\
"Marie" (aka "Rogue" - Anna Paquin) really does know how to suck the joy out the relationship with her boyfriend, so runs away and hooks up with "Wolverine" (Hugh Jackman). Both of them are on the radar of the evil "Magneto" (Ian McKellen) so the benign "Dr. Xavier" (Patrick Stewart) dispatches "Sto ... rm" (Halle Berry) and "Cyclops" (James Marsden) to fetch them back to his school for the gifted. Here, he is able to train these powerful mutants so they are prepared to take on the megalomanic baddie. "Magneto", in turn, is intent on dealing once and for all with humanity, and it's intolerance of the whole of mutant-kind. This is very much an establishing film for a series yet to come. The backstories and identities are built up so we understand who is who, and why they are behaving as they do - and that includes the nervous humans led by "Sen. Kelly" (Bruce Davison). I'm not sure if it's search for mass appeal (it's rated 12) compromised it too much, but for the most part this is all just a rather procedural excuse for some long combat scenes and some special effects based around some handsome people in the cast. To be fair, there are a few fun rivalry scenes between Jackman and Marsden (though luckily no yellow spandex) but Stewart is just "Picard" in a wheelchair and though McKellen offers a more substantial effort as "Magneto", even he doesn't really have much by way of decent dialogue to get his teeth into. Indeed, the writing is really pretty lame throughout. It is a good film to watch, especially on a big screen, but let's hope the series storylines mature a bit for the next one.