Swordfish
Log on. Hack in. Go anywhere. Steal everything.
2001 | 99m | English
Popularity: 4 (history)
| Director: | Dominic Sena |
|---|---|
| Writer: | Skip Woods |
| Staring: |
| Rogue agent Gabriel Shear is determined to get his mitts on $9 billion stashed in a secret Drug Enforcement Administration account. He wants the cash to fight terrorism, but lacks the computer skills necessary to hack into the government mainframe. Enter Stanley Jobson, a n'er-do-well encryption expert who can log into anything. | |
| Release Date: | Jun 08, 2001 |
|---|---|
| Director: | Dominic Sena |
| Writer: | Skip Woods |
| Genres: | Action, Crime, Thriller |
| Keywords | hostage, hacker, secret agent, terrorism, bank robbery, ex-con, wire, misdirection, aftercreditsstinger |
| Production Companies | Village Roadshow Pictures, NPV Entertainment, Warner Bros. Pictures, Silver Pictures, Jonathan Krane Group |
| Box Office |
Revenue: $147,080,413
Budget: $102,000,000 |
| Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Michael Meinardus | Special Effects Coordinator |
| Vladimir Orlov | Stunts |
| Spiro Razatos | Stunts |
| Norb Phillips | Stunts |
| Eileen Weisinger | Stunts |
| Mark Norby | Stunts |
| Jeff Ramsey | Stunts |
| Mike Justus | Stunts |
| David Kilde | Stunt Double |
| Jennifer Caputo | Stunts |
| Tony Brubaker | Stunts |
| Gilbert B. Combs | Stunts |
| Dan Bradley | Second Unit Director, Stunt Coordinator |
| Bobby Burns | Stunts |
| Chad Wiebe | Visual Effects |
| Dominic Sena | Director |
| Christopher Young | Original Music Composer |
| Paul Cameron | Director of Photography |
| Stephen E. Rivkin | Editor |
| Tim Rigby | Stunts |
| Frank Lloyd | Stunts |
| Paul Oakenfold | Original Music Composer, Music Supervisor |
| Skip Woods | Writer |
| Lora Kennedy | Casting Director |
| Andrew Laws | Art Direction |
| Christien Tinsley | Key Makeup Artist |
| Nancy Thurston | Stunts |
| Debbie Evans | Stunts |
| Jay Caputo | Stunts |
| Richard Burden | Stunts |
| Mark Chadwick | Stunts |
| Eddie Braun | Stunts |
| Eliza Coleman | Stunts |
| Thomas DeWier | Stunts |
| Jeremy Fry | Stunts |
| Christian J. Fletcher | Stunts |
| Troy Gilbert | Stunts |
| Annie Ellis | Stunts |
| Richie Gaona | Stunts |
| Darrin Prescott | Stunts |
| Chris Palermo | Stunts |
| John T. Reitz | Sound Re-Recording Mixer |
| David E. Campbell | Sound Re-Recording Mixer |
| Gregg Rudloff | Sound Re-Recording Mixer |
| Jeff Mann | Production Design |
| Ha Nguyen | Costume Design |
| Boyd Shermis | Visual Effects Supervisor |
| Ronald G. Smith | Production Manager |
| Mark Cotone | First Assistant Director |
| Christina Fong | Second Assistant Director |
| Geoff Hubbard | Art Direction |
| Jeff Wallace | Art Direction |
| Frank G. Urioste | Post Production Supervisor |
| Julia Evershade | Supervising Sound Editor |
| Mindy Hall | Makeup Supervisor |
| Sheryl Blum | Key Hair Stylist |
| Mitchell S. Drain | Visual Effects Supervisor |
| Rocco Passionino | Digital Effects Supervisor |
| Chris Bond | Visual Effects Supervisor |
| Ken Zorniak | Visual Effects Producer |
| William Ostroff | Production Assistant |
| Tony Lee Boggs | Stunts |
| Cheryl Lawson | Stunts |
| Lane Leavitt | Stunts |
| Francine Morris | Stunts |
| Susan Purkhiser | Stunts |
| Aliza Washabaugh | Stunts |
| Chris Nielsen | Stunts |
| Monte Rex Perlin | Stunts |
| Chris Howell | Stunts |
| Mary L. Hart-Mastro | Key Hair Stylist |
| Robin Bonaccorsi | Stunts |
| Scotty Richards | Stunt Driver |
| Ben Hernandez Bray | Stunts |
| Jay Hart | Set Decoration |
| Dane A. Davis | Supervising Sound Editor, Sound Designer |
| James Camomile | Special Effects Technician |
| Name | Title |
|---|---|
| Joel Silver | Producer |
| Jonathan D. Krane | Producer |
| Skip Woods | Co-Producer |
| Linda Favila | Associate Producer |
| Paul Winze | Producer |
| Jim Van Wyck | Executive Producer |
| Dan Cracchiolo | Co-Producer |
| Anson Downes | Associate Producer |
| Bruce Berman | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 34 | 48 | 23 |
| 2024 | 5 | 37 | 77 | 21 |
| 2024 | 6 | 29 | 43 | 18 |
| 2024 | 7 | 32 | 49 | 22 |
| 2024 | 8 | 30 | 60 | 20 |
| 2024 | 9 | 20 | 31 | 13 |
| 2024 | 10 | 25 | 52 | 15 |
| 2024 | 11 | 22 | 42 | 15 |
| 2024 | 12 | 24 | 42 | 15 |
| 2025 | 1 | 29 | 58 | 16 |
| 2025 | 2 | 19 | 29 | 4 |
| 2025 | 3 | 8 | 28 | 2 |
| 2025 | 4 | 5 | 13 | 3 |
| 2025 | 5 | 4 | 13 | 2 |
| 2025 | 6 | 6 | 9 | 4 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 5 | 7 | 2 |
| 2025 | 9 | 6 | 8 | 4 |
| 2025 | 10 | 5 | 7 | 3 |
| 2025 | 11 | 5 | 5 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 343 | 669 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 685 | 846 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 473 | 748 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 324 | 749 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 187 | 623 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 37 | 390 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 736 | 894 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 369 | 567 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 696 | 815 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 225 | 660 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 611 | 900 |
JPV852
8.0
One of my all-time favorite guilty pleasures has it all with a convoluted plot, insane Bay-like explosions, that orange-tinge the early aughts were known for (also see Gone in 60 Seconds) and John Travolta sporting a soul-patch. Saw this one in theaters back in 2001 and like to put it on very couple ... of years when I feel like relaxing. **4.0/5**
Jun 12, 2022