Popularity: 0.4 (history)
Director: | Matthew Vaughn |
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Writer: | Sheldon Turner, Matthew Vaughn, Bryan Singer, Ashley Miller, Zack Stentz, Jane Goldman |
Staring: |
Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together with other mutants (some familiar, some new), to stop the greatest threat the world has ever known. | |
Release Date: | Jun 01, 2011 |
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Director: | Matthew Vaughn |
Writer: | Sheldon Turner, Matthew Vaughn, Bryan Singer, Ashley Miller, Zack Stentz, Jane Goldman |
Genres: | Adventure, Action, Science Fiction |
Keywords | central intelligence agency (cia), superhero, mine, superhuman, cuban missile crisis, 1960s, powerful, nuclear war, mutant, based on comic, historical fiction, world war iii, amused |
Production Companies | 20th Century Fox, The Donners' Company, Marvel Entertainment, Bad Hat Harry Productions |
Box Office |
Revenue: $353,624,124
Budget: $160,000,000 |
Updates |
Updated: Apr 08, 2025 (Update) Entered: Apr 28, 2024 |
Name | Character |
---|---|
James McAvoy | Charles Xavier |
Michael Fassbender | Erik Lehnsherr |
Jennifer Lawrence | Raven / Mystique |
Rose Byrne | Moira MacTaggert |
Kevin Bacon | Sebastian Shaw |
January Jones | Emma Frost |
Nicholas Hoult | Hank / Beast |
Lucas Till | Alex Summers / Havok |
Zoë Kravitz | Angel Salvadore |
Caleb Landry Jones | Cassidy / Banshee |
Oliver Platt | Man in Black Suit |
Jason Flemyng | Azazel |
Edi Gathegi | Darwin / Armando Muñoz |
Matt Craven | CIA Director McCone |
Álex González | Janos Quested / Riptide |
Rade Šerbedžija | Russian General |
Glenn Morshower | Colonel Hendry |
Laurence Belcher | Charles Xavier (12 Years) |
Bill Milner | Young Erik |
Morgan Lily | Young Raven (10 yrs) |
Beth Goddard | Mrs. Xavier |
Éva Magyar | Edie Lensherr |
Corey Johnson | Chief Warden |
Demetri Goritsas | Levene |
Don Creech | William Stryker |
James Remar | US General |
Ludger Pistor | 1st German / Pig Farmer |
Wilfried Hochholdinger | 2nd German / Tailor |
Greg Kolpakchi | Russian Soldier No. 1 |
Andrei Zayats | Russian Soldier No. 2 |
Ray Wise | Secretary of State |
Michael Medeiros | Political Officer |
Olek Krupa | Soviet Captain |
Yuri Naumkin | Soviet Fire Control |
Gene Farber | Soviet Radioman |
David Agranov | Soviet NCO |
Katrine De Candole | Swiss Receptionist |
James Faulkner | Swiss Bank Manager |
Annabelle Wallis | Co-Ed |
Juan Herrera | Airport Worker |
Greg Savage | Coast Guard |
Jarid Faubel | US Fire Control Officer |
Gregory Cox | Dr. Leigh |
Josh Cohen | Junior Agent |
David Crow | Weasley Agent |
Kieran Patrick Campbell | Little Boy |
Sasha Pieterse | Teenage Girl |
Brendan Fehr | Communications Officer |
Michael Ironside | Captain |
Jason Beghe | XO |
Venya Manzyuk | Lt. Commander |
Tony Curran | Man In Black Suit Agent |
Randall Batinkoff | Man In Black Suit Agent |
Peter Stark | Storm Trooper No. 1 |
Leonard Redlich | Storm Trooper No. 2 |
Carlos Peres | German Bartender |
Sean Brown | Russian Chopper Pilot |
Neil Fingleton | Russian General's Bodyguard 1 |
Georg Nikoloff | Mr. Lensherr (Erik's Dad) |
Arthur Darbinyan | Aral Sea Captain |
Hugh Jackman | Logan / Wolverine (uncredited) |
Rebecca Romijn | Mystique - Older (uncredited) |
David Joseph Martinez | Cuban General #1 (uncredited) |
Johnny Otto | Russian Soldier (uncredited) |
Josh Ramsay | Banshee (voice) (uncredited) |
John Snowden | Mafia Boss (uncredited) |
Leonardo Castro Sitiriche | Porter (uncredited) |
Name | Job |
---|---|
Greg Steele | Visual Effects Supervisor |
Nikos Kalaitzidis | Digital Effects Supervisor |
Jeremy Rich | Casting |
Lucinda Syson | Casting |
Chris Seagers | Production Design |
Paul Booth | Art Direction |
Gregory Goodman | Unit Production Manager |
Guy Williams | Visual Effects Supervisor |
Alex Cameron | Art Direction |
Steve Cooper | Art Direction |
John Frankish | Art Direction |
Tom Frohling | Art Direction |
Alan Gilmore | Art Direction |
James Hambidge | Art Direction |
Marc Homes | Art Direction |
Joe Howard | Art Direction |
Adam O'Neill | Art Direction |
Sue Whitaker | Art Direction |
Erin Boyd | Set Decoration |
Sonja Klaus | Set Decoration |
Nicole Young | Costume Supervisor |
Wendy M. Craig | Costume Supervisor |
Tyler DeLisle | Lighting Artist |
Justin Hammond | Lighting Technician |
Sachin Bangera | VFX Artist |
Matt Weaver | Animation |
Frank Reina | Production Office Assistant |
John King | Supervising Art Director |
Marc Fisichella | Supervising Art Director |
Dawn Swiderski | Supervising Art Director |
Ian Blum | Animation |
Sheldon Turner | Story |
Jeremiah Samuels | Line Producer |
Roger Mussenden | Casting |
John Dykstra | Visual Effects Supervisor |
David Reid | Line Producer |
Chris Dowell | Post Production Supervisor |
Jerad Marantz | Character Designer |
Archie Campbell-Baldwin | Assistant Set Decoration |
Chris Cleek | Assistant Art Director |
Janine Modder | Unit Production Manager |
Kim H. Winther | First Assistant Director |
Josh Robertson | First Assistant Director |
Lee Tailor | Second Assistant Director |
Denise Davis | Visual Effects Producer |
Robin Mulcahy Fisichella | Production Supervisor |
Cheryl Gould Strang | Leadman |
Andrew Tapper | Graphic Designer |
Giles Asbury | Storyboard Artist |
Tony Chance | Storyboard Artist |
Jennifer Bowes | Art Department Coordinator |
Cliff Zimowski | Art Department Coordinator |
Pippa Needs | Art Department Coordinator |
Martin Hume | Camera Operator |
Daniele Massaccesi | Camera Operator |
David Cozens | First Assistant Camera |
Chris Bain | First Assistant Camera |
Murray Close | Still Photographer |
Robin Johnson | Boom Operator |
Arthur Fenn | Boom Operator |
Terry Woods | Property Master |
Brian Seccombe | Assistant Property Master |
Annie Penn | Script Supervisor |
Diane Durant | Script Supervisor |
Tim Gomillion | Sound Recordist |
John A. Larsen | Supervising Sound Editor |
Chris Burdon | Sound Re-Recording Mixer |
Matthew Collinge | Sound Designer |
Rob Prynne | Sound Designer |
John Morris | Sound Effects Editor |
Wayne Lemmer | Sound Effects Editor |
David Grimaldi | Sound Effects Editor |
Bob Kellough | Sound Effects Editor |
Danny Sheehan | Supervising Dialogue Editor |
Michael Maroussas | Dialogue Editor |
Donald Sylvester | ADR Editor |
Laura Graham | ADR Editor |
John Murray | Foley Supervisor |
Scott Curtis | Foley Editor |
Doug Jackson | Foley Editor |
R.J. Kizer | Supervising ADR Editor |
Simon Hayes | Production Sound Mixer |
Bruce Tanis | Foley Editor |
Christopher Flick | Foley Editor |
Randall Guth | First Assistant Sound Editor |
Blake R. Cornett | Assistant Sound Editor |
Gavin Rose | Assistant Sound Editor |
Charleen Richards-Steeves | ADR Mixer |
David Lucarelli | ADR Recordist |
Derek Casari | ADR Engineer |
Dan O'Connell | Foley Artist |
John T. Cucci | Foley Artist |
James Ashwill | Foley Mixer |
Richard Duarte | Foley Mixer |
George Chavez | Color Timer |
Gary Burritt | Negative Cutter |
Loan Phan | Digital Intermediate Producer |
Lisa Tutunjian | Digital Intermediate Editor |
David Smith | Gaffer |
Andrew Watson | Rigging Gaffer |
Stewart Monteith | Best Boy Electric |
Billy Gamble | Best Boy Electric |
Guy Minoli | Best Boy Electric |
John Flemming | Key Grip |
Derek Russell | Best Boy Grip |
Keith Manning | Dolly Grip |
Jack Flemming | Dolly Grip |
Nic Cupac | Dolly Grip |
Ralph Scherer | Dolly Grip |
Richard Sale | Assistant Costume Designer |
Sharon McCormack | Tailor |
Bruno de Santa | Set Costumer |
Stephanie Paul | Set Costumer |
Risa Garcia | Set Costumer |
Miloslav Skorepa | Set Costumer |
Dale DeStefani | Construction Coordinator |
Stacy Mann | Unit Publicist |
Jess Platt | Dialogue Coach |
Daniel Pinder | Supervising Music Editor |
John Finklea | Music Editor |
Steve Burgess | First Assistant Camera |
Sammy Sheldon | Costume Design |
Matthew Vaughn | Screenplay, Director |
John Mathieson | Director of Photography |
Lee Smith | Editor |
Jessie Graff | Utility Stunts |
Tom Struthers | Stunt Coordinator |
Bryan Singer | Story |
Grant Armstrong | Art Direction |
Adam Bohling | Line Producer |
Ashley Miller | Screenplay |
Zack Stentz | Screenplay |
Jane Goldman | Screenplay |
Brian Smrz | Second Unit Director |
Jeff Habberstad | Stunt Coordinator |
Craig Berkey | Sound Designer, Supervising Sound Editor |
Ron Bartlett | Sound Re-Recording Mixer |
Doug Hemphill | Sound Re-Recording Mixer |
Johnny Gidcomb | ADR Voice Casting |
Spiro Razatos | Second Unit Director |
Alexander Witt | Second Unit Director |
Josh McLaglen | First Assistant Director |
Sian Milne | Stunt Double |
Alicia Vela-Bailey | Stunt Double |
Garrett Warren | Utility Stunts |
Zack Duhame | Stunts |
Marc Mailley | Stunts |
Duffy Gaver | Stunts, Utility Stunts |
Joey Box | Utility Stunts |
Chris O'Hara | Utility Stunts |
Henry Jackman | Original Music Composer |
Eddie Hamilton | Editor |
Kelly Golden | Prosthetic Makeup Artist |
Ben Wright | Stunts |
Daniel Macarin | CG Supervisor |
Yvan Lucas | Digital Intermediate Colorist |
Ben Scott | Utility Stunts |
Name | Title |
---|---|
Jason Taylor | Co-Producer |
Gregory Goodman | Producer |
Tarquin Pack | Executive Producer |
Tom Cohen | Associate Producer |
Simon Kinberg | Producer |
Lauren Shuler Donner | Producer |
Bryan Singer | Producer |
Stan Lee | Executive Producer |
Josh McLaglen | Executive Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 3 | 4 | 2 |
2024 | 5 | 3 | 5 | 2 |
2024 | 6 | 2 | 4 | 2 |
2024 | 7 | 3 | 5 | 1 |
2024 | 8 | 4 | 6 | 3 |
2024 | 9 | 2 | 3 | 1 |
2024 | 10 | 2 | 3 | 1 |
2024 | 11 | 2 | 4 | 1 |
2024 | 12 | 1 | 2 | 1 |
2025 | 1 | 1 | 2 | 1 |
2025 | 2 | 1 | 2 | 0 |
2025 | 3 | 2 | 19 | 0 |
2025 | 4 | 0 | 0 | 0 |
2025 | 5 | 0 | 0 | 0 |
2025 | 6 | 0 | 0 | 0 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 0 | 0 |
2025 | 9 | 0 | 0 | 0 |
Trending Position
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2025 | 9 | 311 | 733 |
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2025 | 7 | 251 | 643 |
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2024 | 12 | 536 | 789 |
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2024 | 11 | 467 | 769 |
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2024 | 10 | 577 | 791 |
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2024 | 9 | 393 | 757 |
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2024 | 8 | 349 | 648 |
A very good movie! I'm not a massive comic book reader/fan and when I watched the first couple of the X-men movies I always wondered how it all begin and this movie do it justice! The actors where great (there no Patrick Stewart or Ian McKellen), Kevin Bacon played the baddie very well and was well ... suited for it and it was graphically impressive. Loved to see the development of the characters over the duration of the film. In all, I think it was a excellent movie.
I didn't love this movie. There were aspects about it from the perspective of an origin story that were interesting but something about the pacing and acting just felt… off. I can't quite put my finger on it but the first word that comes to mind is "campy". Kind of like I was watching one of the las ... t three Star Wars movies. The dialog and overall tone just weren't serious enough. The trailer for [X-Men: Days of Future Past](https://www.themoviedb.org/movie/127585-x-men-days-of-future-past) looks better and Bryan Singer is back at the helm. The best X-Men movies are without a doubt 1 & 2 so here's hoping he can steer this back a bit.
On IMDb, X-Men: First Class has garnered the highest rating of all films in the X-Men franchise so far. Given the fact that this film features only a few of the familiar characters of the previous films, portrayed by different, younger actors, and the complete absence of Wolverine, the (current) rat ... ing of 8.1 somewhat surprised me. That was before I had seen it... Being a pretty big X-Men fan myself, I was excited to see this, regardless of plot or characters. However, I was also a little wary of what to expect, for the reasons stated above. I suspect that anybody reading this might feel the same way. But rest assured, any doubts were quickly dispelled no later than the opening scene. First Class starts off very well, with the exact same opening scene as the first X-Men, featuring a young Erik Lehnsherr being separated from his parents in a Nazi concentration camp. What follows after this familiar story is something completely new and particularly dark and brutal. I won't give away any important plot lines, but suffice it to say there won't be a single person left wondering why Magneto is so resentful of "normal" people. This event also sets the tone for the rest of the film, and, to a great extent, explains why First Class is such a success: this film is all about character. Whereas all the other films were mostly about cool superheroes and special effects, First Class is all about character development and the history of those who would later become Professor X and Magneto. This concept might have failed big time if it wasn't for the superb screenplay. I take my hat off to whoever managed to incorporate every little, but crucial, character and storyline and made it flow together so beautifully. Literally everything comes together in this film, everything you might have wondered (why is Xavier paralyzed?) is given a credible and fitting explanation. Another real strength of FC is its cast. Everybody in this film is right where they should be. Kevin Bacon is the perfect villain (but we already knew that…), James McAvoy not only looks, but sounds and moves like the young Charles Xavier would. Jennifer Lawrence is a convincing, young (and believe it or not, insecure) Mystique. All other characters are perfectly cast as well, humans and mutants alike. However, I feel that most credit is due to Michael Fassbender, an actor I am now ashamed to say I had never even heard of before. The way he portrays the 30-something Erik Lehnsherr/Magneto is stunning. His entire physique, down to every little twitch in his face, truly captivates all the pain and agony Erik has had to endure throughout his life. It makes you sympathize with Magneto and understand why he is the way he is. Whereas the "old" Magneto was little more than a bitter old man who despised Homo sapiens for undisclosed reasons (with no discredit to Ian McKellen intended here), Michael Fassbender does something I thought was almost impossible in a superhero flick: he gives Magneto a soul. In case I might have given the impression that X-Men: First Class is no more than some wishy-washy character drama, don't worry. There are plenty of awesome action sequences and special effects to keep the more adrenaline-pumped movie-goer satisfied. And before I forget: there are two small, but awesome cameo appearances which I know you will enjoy… Finally, a small note on parental guidance: I was absolutely baffled to see that half of the audience consisted of parents with small children. Like I said before, this is not just another cool superhero movie. X-Men: First Class features elements which are quite dark and graphic, and especially the scenes portraying Nazi brutality are not intended for a young audience. Personally, I would say 14 is the appropriate minimum age. With all that said, I would recommend this film to anyone, even to those of you who aren't X-Men fans. It doesn't happen very often that I can't find a single flaw in a film, but I guess this is just one of those rare cases. Great directing, great acting, great everything. Period. _(July 2011)_
My favourite so far. <em>'X-Men: First Class'</em> is great fun. I felt entertained throughout with nothing bothering me whatsoever, with the score and the cast particularly standing out. I will say it starts stronger than it ends, but that's not to say it isn't all enjoyable because it certainly ... is. James McAvoy is very good as Charles Xavier, while Michael Fassbender is excellent as Erik Lehnsherr. Rose Byrne, Jennifer Lawrence and Kevin Bacon were three others who I liked watching too. Back to the score, it's tremendous - some parts reminded me of the outstanding theme of television's <em>'The Crown'</em>. I was feeling the decline across the preceding four releases, but thankfully this regains the series' footing and then some. Intrigued to see where it goes from here. Onwards to <em>'The Wolverine'</em>*! *watching in release order /copied directly from my Letterboxd review\
If it's not sacrilegious for a Brit, I found this outing for the "X-Men" to be far better without the presence of the two elderly thespians who usually underpin these adventures. James McCoy takes on the mantle of the younger "Xavier" with Michael Fassbender introducing us to the role of "Erik". The ... former has the ability to read minds, his friend to manipulate metal. By means of flashbacks, we learn the back story for both of these characters, illustrating how they met and started to work together to ensure that their kind were safe and sound in an increasingly hostile world of human paranoia and suspicion. They are making progress until the re-emergence of "Shaw" (Kevin Bacon). Now he and "Erik" have a past - and the latter blames the other for leading atrocities carried out by the Nazis on his Polish family during WWII. His determination to seek revenge causes a rift between the two friends, and soon they - and their respective followers - are at loggerheads whilst a dangerous nuclear war looms for an humanity caught up in a devious cross-fire. Bacon isn't at his best here, he isn't remotely menacing - but the others, including Jennifer Lawrence's "Raven" and Nicholas Hoult's geeky "Hank" work well to give us quite an action-packed flavour of the birth of "Magneto" and of the foundations of his later hostilities with the "X-Men". The visual effects deliver well and the underlying narrative actually offers us a bit to think about - forgiveness, vengeance, fear and intolerance are all touched upon with a superior script that doesn't entirely rely on the effects and pyrotechnics to make it's point. This film works better on a big screen, these stories never really thrive on the television, and is easily - for my money - the best of the franchise I've yet seen.
**X-Men: First Class reset the board and brought new life to a franchise that had lost its way.** After X-Men: The Last Stand and Wolverine Origins, it was clear the X-Men franchise had gone off the rails, but First Class saved the day! First Class tells the origin story of Xavier, Magneto, and t ... he X-Men with a 1960s setting and inexperienced young heroes. These raw and unrefined portrayals of Magneto and Xavier shined the characters in a fascinating new light. The story was engaging and fresh. It felt so new and unique - unlike anything ever seen before with this franchise. All these little-known characters raised the stakes since so many weren’t a part of the original movies leaving their fates unknown and futures unsecured. The 60s style added a cool new aesthetic to the franchise and seeing the beginning of the friendship between Xavier and Magneto with moments of laughter and fun gave the franchise the reboot it needed.