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X-Men: First Class Poster

X-Men: First Class

Witness the moment that will change our world.
2011 | 132m | English

(753501 votes)

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Popularity: 0.4 (history)

Details

Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together with other mutants (some familiar, some new), to stop the greatest threat the world has ever known.
Release Date: Jun 01, 2011
Director: Matthew Vaughn
Writer: Sheldon Turner, Matthew Vaughn, Bryan Singer, Ashley Miller, Zack Stentz, Jane Goldman
Genres: Adventure, Action, Science Fiction
Keywords central intelligence agency (cia), superhero, mine, superhuman, cuban missile crisis, 1960s, powerful, nuclear war, mutant, based on comic, historical fiction, world war iii, amused
Production Companies 20th Century Fox, The Donners' Company, Marvel Entertainment, Bad Hat Harry Productions
Box Office Revenue: $353,624,124
Budget: $160,000,000
Updates Updated: Apr 08, 2025 (Update)
Entered: Apr 28, 2024
Trailers and Extras

Full Credits

Name Character
James McAvoy Charles Xavier
Michael Fassbender Erik Lehnsherr
Jennifer Lawrence Raven / Mystique
Rose Byrne Moira MacTaggert
Kevin Bacon Sebastian Shaw
January Jones Emma Frost
Nicholas Hoult Hank / Beast
Lucas Till Alex Summers / Havok
Zoë Kravitz Angel Salvadore
Caleb Landry Jones Cassidy / Banshee
Oliver Platt Man in Black Suit
Jason Flemyng Azazel
Edi Gathegi Darwin / Armando Muñoz
Matt Craven CIA Director McCone
Álex González Janos Quested / Riptide
Rade Šerbedžija Russian General
Glenn Morshower Colonel Hendry
Laurence Belcher Charles Xavier (12 Years)
Bill Milner Young Erik
Morgan Lily Young Raven (10 yrs)
Beth Goddard Mrs. Xavier
Éva Magyar Edie Lensherr
Corey Johnson Chief Warden
Demetri Goritsas Levene
Don Creech William Stryker
James Remar US General
Ludger Pistor 1st German / Pig Farmer
Wilfried Hochholdinger 2nd German / Tailor
Greg Kolpakchi Russian Soldier No. 1
Andrei Zayats Russian Soldier No. 2
Ray Wise Secretary of State
Michael Medeiros Political Officer
Olek Krupa Soviet Captain
Yuri Naumkin Soviet Fire Control
Gene Farber Soviet Radioman
David Agranov Soviet NCO
Katrine De Candole Swiss Receptionist
James Faulkner Swiss Bank Manager
Annabelle Wallis Co-Ed
Juan Herrera Airport Worker
Greg Savage Coast Guard
Jarid Faubel US Fire Control Officer
Gregory Cox Dr. Leigh
Josh Cohen Junior Agent
David Crow Weasley Agent
Kieran Patrick Campbell Little Boy
Sasha Pieterse Teenage Girl
Brendan Fehr Communications Officer
Michael Ironside Captain
Jason Beghe XO
Venya Manzyuk Lt. Commander
Tony Curran Man In Black Suit Agent
Randall Batinkoff Man In Black Suit Agent
Peter Stark Storm Trooper No. 1
Leonard Redlich Storm Trooper No. 2
Carlos Peres German Bartender
Sean Brown Russian Chopper Pilot
Neil Fingleton Russian General's Bodyguard 1
Georg Nikoloff Mr. Lensherr (Erik's Dad)
Arthur Darbinyan Aral Sea Captain
Hugh Jackman Logan / Wolverine (uncredited)
Rebecca Romijn Mystique - Older (uncredited)
David Joseph Martinez Cuban General #1 (uncredited)
Johnny Otto Russian Soldier (uncredited)
Josh Ramsay Banshee (voice) (uncredited)
John Snowden Mafia Boss (uncredited)
Leonardo Castro Sitiriche Porter (uncredited)
Name Job
Greg Steele Visual Effects Supervisor
Nikos Kalaitzidis Digital Effects Supervisor
Jeremy Rich Casting
Lucinda Syson Casting
Chris Seagers Production Design
Paul Booth Art Direction
Gregory Goodman Unit Production Manager
Guy Williams Visual Effects Supervisor
Alex Cameron Art Direction
Steve Cooper Art Direction
John Frankish Art Direction
Tom Frohling Art Direction
Alan Gilmore Art Direction
James Hambidge Art Direction
Marc Homes Art Direction
Joe Howard Art Direction
Adam O'Neill Art Direction
Sue Whitaker Art Direction
Erin Boyd Set Decoration
Sonja Klaus Set Decoration
Nicole Young Costume Supervisor
Wendy M. Craig Costume Supervisor
Tyler DeLisle Lighting Artist
Justin Hammond Lighting Technician
Sachin Bangera VFX Artist
Matt Weaver Animation
Frank Reina Production Office Assistant
John King Supervising Art Director
Marc Fisichella Supervising Art Director
Dawn Swiderski Supervising Art Director
Ian Blum Animation
Sheldon Turner Story
Jeremiah Samuels Line Producer
Roger Mussenden Casting
John Dykstra Visual Effects Supervisor
David Reid Line Producer
Chris Dowell Post Production Supervisor
Jerad Marantz Character Designer
Archie Campbell-Baldwin Assistant Set Decoration
Chris Cleek Assistant Art Director
Janine Modder Unit Production Manager
Kim H. Winther First Assistant Director
Josh Robertson First Assistant Director
Lee Tailor Second Assistant Director
Denise Davis Visual Effects Producer
Robin Mulcahy Fisichella Production Supervisor
Cheryl Gould Strang Leadman
Andrew Tapper Graphic Designer
Giles Asbury Storyboard Artist
Tony Chance Storyboard Artist
Jennifer Bowes Art Department Coordinator
Cliff Zimowski Art Department Coordinator
Pippa Needs Art Department Coordinator
Martin Hume Camera Operator
Daniele Massaccesi Camera Operator
David Cozens First Assistant Camera
Chris Bain First Assistant Camera
Murray Close Still Photographer
Robin Johnson Boom Operator
Arthur Fenn Boom Operator
Terry Woods Property Master
Brian Seccombe Assistant Property Master
Annie Penn Script Supervisor
Diane Durant Script Supervisor
Tim Gomillion Sound Recordist
John A. Larsen Supervising Sound Editor
Chris Burdon Sound Re-Recording Mixer
Matthew Collinge Sound Designer
Rob Prynne Sound Designer
John Morris Sound Effects Editor
Wayne Lemmer Sound Effects Editor
David Grimaldi Sound Effects Editor
Bob Kellough Sound Effects Editor
Danny Sheehan Supervising Dialogue Editor
Michael Maroussas Dialogue Editor
Donald Sylvester ADR Editor
Laura Graham ADR Editor
John Murray Foley Supervisor
Scott Curtis Foley Editor
Doug Jackson Foley Editor
R.J. Kizer Supervising ADR Editor
Simon Hayes Production Sound Mixer
Bruce Tanis Foley Editor
Christopher Flick Foley Editor
Randall Guth First Assistant Sound Editor
Blake R. Cornett Assistant Sound Editor
Gavin Rose Assistant Sound Editor
Charleen Richards-Steeves ADR Mixer
David Lucarelli ADR Recordist
Derek Casari ADR Engineer
Dan O'Connell Foley Artist
John T. Cucci Foley Artist
James Ashwill Foley Mixer
Richard Duarte Foley Mixer
George Chavez Color Timer
Gary Burritt Negative Cutter
Loan Phan Digital Intermediate Producer
Lisa Tutunjian Digital Intermediate Editor
David Smith Gaffer
Andrew Watson Rigging Gaffer
Stewart Monteith Best Boy Electric
Billy Gamble Best Boy Electric
Guy Minoli Best Boy Electric
John Flemming Key Grip
Derek Russell Best Boy Grip
Keith Manning Dolly Grip
Jack Flemming Dolly Grip
Nic Cupac Dolly Grip
Ralph Scherer Dolly Grip
Richard Sale Assistant Costume Designer
Sharon McCormack Tailor
Bruno de Santa Set Costumer
Stephanie Paul Set Costumer
Risa Garcia Set Costumer
Miloslav Skorepa Set Costumer
Dale DeStefani Construction Coordinator
Stacy Mann Unit Publicist
Jess Platt Dialogue Coach
Daniel Pinder Supervising Music Editor
John Finklea Music Editor
Steve Burgess First Assistant Camera
Sammy Sheldon Costume Design
Matthew Vaughn Screenplay, Director
John Mathieson Director of Photography
Lee Smith Editor
Jessie Graff Utility Stunts
Tom Struthers Stunt Coordinator
Bryan Singer Story
Grant Armstrong Art Direction
Adam Bohling Line Producer
Ashley Miller Screenplay
Zack Stentz Screenplay
Jane Goldman Screenplay
Brian Smrz Second Unit Director
Jeff Habberstad Stunt Coordinator
Craig Berkey Sound Designer, Supervising Sound Editor
Ron Bartlett Sound Re-Recording Mixer
Doug Hemphill Sound Re-Recording Mixer
Johnny Gidcomb ADR Voice Casting
Spiro Razatos Second Unit Director
Alexander Witt Second Unit Director
Josh McLaglen First Assistant Director
Sian Milne Stunt Double
Alicia Vela-Bailey Stunt Double
Garrett Warren Utility Stunts
Zack Duhame Stunts
Marc Mailley Stunts
Duffy Gaver Stunts, Utility Stunts
Joey Box Utility Stunts
Chris O'Hara Utility Stunts
Henry Jackman Original Music Composer
Eddie Hamilton Editor
Kelly Golden Prosthetic Makeup Artist
Ben Wright Stunts
Daniel Macarin CG Supervisor
Yvan Lucas Digital Intermediate Colorist
Ben Scott Utility Stunts
Name Title
Jason Taylor Co-Producer
Gregory Goodman Producer
Tarquin Pack Executive Producer
Tom Cohen Associate Producer
Simon Kinberg Producer
Lauren Shuler Donner Producer
Bryan Singer Producer
Stan Lee Executive Producer
Josh McLaglen Executive Producer
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Reviews

GeekMasher
9.0

A very good movie! I'm not a massive comic book reader/fan and when I watched the first couple of the X-men movies I always wondered how it all begin and this movie do it justice! The actors where great (there no Patrick Stewart or Ian McKellen), Kevin Bacon played the baddie very well and was well ... suited for it and it was graphically impressive. Loved to see the development of the characters over the duration of the film. In all, I think it was a excellent movie.

Jun 23, 2021
travisbell
8.0

I didn't love this movie. There were aspects about it from the perspective of an origin story that were interesting but something about the pacing and acting just felt… off. I can't quite put my finger on it but the first word that comes to mind is "campy". Kind of like I was watching one of the las ... t three Star Wars movies. The dialog and overall tone just weren't serious enough. The trailer for [X-Men: Days of Future Past](https://www.themoviedb.org/movie/127585-x-men-days-of-future-past) looks better and Bryan Singer is back at the helm. The best X-Men movies are without a doubt 1 & 2 so here's hoping he can steer this back a bit.

Jun 23, 2021
DoryDarko
9.0

On IMDb, X-Men: First Class has garnered the highest rating of all films in the X-Men franchise so far. Given the fact that this film features only a few of the familiar characters of the previous films, portrayed by different, younger actors, and the complete absence of Wolverine, the (current) rat ... ing of 8.1 somewhat surprised me. That was before I had seen it... Being a pretty big X-Men fan myself, I was excited to see this, regardless of plot or characters. However, I was also a little wary of what to expect, for the reasons stated above. I suspect that anybody reading this might feel the same way. But rest assured, any doubts were quickly dispelled no later than the opening scene. First Class starts off very well, with the exact same opening scene as the first X-Men, featuring a young Erik Lehnsherr being separated from his parents in a Nazi concentration camp. What follows after this familiar story is something completely new and particularly dark and brutal. I won't give away any important plot lines, but suffice it to say there won't be a single person left wondering why Magneto is so resentful of "normal" people. This event also sets the tone for the rest of the film, and, to a great extent, explains why First Class is such a success: this film is all about character. Whereas all the other films were mostly about cool superheroes and special effects, First Class is all about character development and the history of those who would later become Professor X and Magneto. This concept might have failed big time if it wasn't for the superb screenplay. I take my hat off to whoever managed to incorporate every little, but crucial, character and storyline and made it flow together so beautifully. Literally everything comes together in this film, everything you might have wondered (why is Xavier paralyzed?) is given a credible and fitting explanation. Another real strength of FC is its cast. Everybody in this film is right where they should be. Kevin Bacon is the perfect villain (but we already knew that…), James McAvoy not only looks, but sounds and moves like the young Charles Xavier would. Jennifer Lawrence is a convincing, young (and believe it or not, insecure) Mystique. All other characters are perfectly cast as well, humans and mutants alike. However, I feel that most credit is due to Michael Fassbender, an actor I am now ashamed to say I had never even heard of before. The way he portrays the 30-something Erik Lehnsherr/Magneto is stunning. His entire physique, down to every little twitch in his face, truly captivates all the pain and agony Erik has had to endure throughout his life. It makes you sympathize with Magneto and understand why he is the way he is. Whereas the "old" Magneto was little more than a bitter old man who despised Homo sapiens for undisclosed reasons (with no discredit to Ian McKellen intended here), Michael Fassbender does something I thought was almost impossible in a superhero flick: he gives Magneto a soul. In case I might have given the impression that X-Men: First Class is no more than some wishy-washy character drama, don't worry. There are plenty of awesome action sequences and special effects to keep the more adrenaline-pumped movie-goer satisfied. And before I forget: there are two small, but awesome cameo appearances which I know you will enjoy… Finally, a small note on parental guidance: I was absolutely baffled to see that half of the audience consisted of parents with small children. Like I said before, this is not just another cool superhero movie. X-Men: First Class features elements which are quite dark and graphic, and especially the scenes portraying Nazi brutality are not intended for a young audience. Personally, I would say 14 is the appropriate minimum age. With all that said, I would recommend this film to anyone, even to those of you who aren't X-Men fans. It doesn't happen very often that I can't find a single flaw in a film, but I guess this is just one of those rare cases. Great directing, great acting, great everything. Period. _(July 2011)_

Jun 23, 2021
r96sk
8.0

My favourite so far. <em>'X-Men: First Class'</em> is great fun. I felt entertained throughout with nothing bothering me whatsoever, with the score and the cast particularly standing out. I will say it starts stronger than it ends, but that's not to say it isn't all enjoyable because it certainly ... is. James McAvoy is very good as Charles Xavier, while Michael Fassbender is excellent as Erik Lehnsherr. Rose Byrne, Jennifer Lawrence and Kevin Bacon were three others who I liked watching too. Back to the score, it's tremendous - some parts reminded me of the outstanding theme of television's <em>'The Crown'</em>. I was feeling the decline across the preceding four releases, but thankfully this regains the series' footing and then some. Intrigued to see where it goes from here. Onwards to <em>'The Wolverine'</em>*! *watching in release order /copied directly from my Letterboxd review\

Jun 23, 2021
Geronimo1967
7.0

If it's not sacrilegious for a Brit, I found this outing for the "X-Men" to be far better without the presence of the two elderly thespians who usually underpin these adventures. James McCoy takes on the mantle of the younger "Xavier" with Michael Fassbender introducing us to the role of "Erik". The ... former has the ability to read minds, his friend to manipulate metal. By means of flashbacks, we learn the back story for both of these characters, illustrating how they met and started to work together to ensure that their kind were safe and sound in an increasingly hostile world of human paranoia and suspicion. They are making progress until the re-emergence of "Shaw" (Kevin Bacon). Now he and "Erik" have a past - and the latter blames the other for leading atrocities carried out by the Nazis on his Polish family during WWII. His determination to seek revenge causes a rift between the two friends, and soon they - and their respective followers - are at loggerheads whilst a dangerous nuclear war looms for an humanity caught up in a devious cross-fire. Bacon isn't at his best here, he isn't remotely menacing - but the others, including Jennifer Lawrence's "Raven" and Nicholas Hoult's geeky "Hank" work well to give us quite an action-packed flavour of the birth of "Magneto" and of the foundations of his later hostilities with the "X-Men". The visual effects deliver well and the underlying narrative actually offers us a bit to think about - forgiveness, vengeance, fear and intolerance are all touched upon with a superior script that doesn't entirely rely on the effects and pyrotechnics to make it's point. This film works better on a big screen, these stories never really thrive on the television, and is easily - for my money - the best of the franchise I've yet seen.

Dec 03, 2022
mooney240
8.0

**X-Men: First Class reset the board and brought new life to a franchise that had lost its way.** After X-Men: The Last Stand and Wolverine Origins, it was clear the X-Men franchise had gone off the rails, but First Class saved the day! First Class tells the origin story of Xavier, Magneto, and t ... he X-Men with a 1960s setting and inexperienced young heroes. These raw and unrefined portrayals of Magneto and Xavier shined the characters in a fascinating new light. The story was engaging and fresh. It felt so new and unique - unlike anything ever seen before with this franchise. All these little-known characters raised the stakes since so many weren’t a part of the original movies leaving their fates unknown and futures unsecured. The 60s style added a cool new aesthetic to the franchise and seeing the beginning of the friendship between Xavier and Magneto with moments of laughter and fun gave the franchise the reboot it needed.

Feb 11, 2023