Popularity: 7 (history)
Director: | Matt Reeves |
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Writer: | Mark Bomback, Matt Reeves |
Staring: |
Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet. | |
Release Date: | Jul 11, 2017 |
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Director: | Matt Reeves |
Writer: | Mark Bomback, Matt Reeves |
Genres: | Science Fiction, Drama, War |
Keywords | mutation, solidarity, intelligence, slavery, orangutan, death, murder by gunshot, soldiers, serious, civil war, anthropomorphism, betrayal, death of family, avalanche, primate, virus, assassination attempt, contagion, 2040s, animal human friendship, explosions, survival of the fittest, suicide, escape, gorilla, post-apocalyptic future, pacifism, colony, ape, evolution, enslavement, human becoming an animal, violence against animals, war horse, cruel, winter, peace, dystopia, horse, imprisonment, sequel, revenge, mute, snow, torture, disease, chimpanzee, albino, sign languages, underground tunnel, father son relationship, guns, avenging father, war, cgi-live action hybrid |
Production Companies | 20th Century Fox, Chernin Entertainment, TSG Entertainment |
Box Office |
Revenue: $490,719,763
Budget: $150,000,000 |
Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Zachary W. Sowinski | Grip |
Heike Brandstatter | Casting |
Coreen Mayrs | Casting |
Shayna Markowitz | Casting Associate |
Natasha Wehn | Casting Assistant |
Trisha Burton | Script Supervisor |
Cory Fleming | Aerial Coordinator |
Rob Fournier | Armorer |
Ana Oparnica Sebal | Script Supervisor |
Kimi Webber | Script Supervisor |
Ric Walkington | Armorer |
Paul Apelgren | Music Editor |
Jim Schultz | Music Editor |
Richard Bloom | Art Direction |
David Clarke | Art Direction |
Nigel Evans | Art Direction |
Lauren Geaghan | Art Department Coordinator |
Jesse Joslin | Construction Coordinator |
Callie Andreadis | Assistant Art Director |
Gustaf Aspegren | Assistant Art Director |
Chris Beach | Assistant Art Director |
Doug Girling | Assistant Art Director |
Callum Webster | Assistant Art Director |
Doug Harlocker | Property Master |
Amanda Moss Serino | Set Decoration |
Morgan Spry-Young | Ager/Dyer |
Briana Scott | Ager/Dyer |
Jennifer Grossman | Costume Supervisor |
Denise Gingrich | Ager/Dyer |
Sandy Dunn | Seamstress |
Patrice Yapp | Seamstress |
Phuong Chau | Set Costumer |
Michael Tamayo | Set Costumer |
Bev Wright | Key Makeup Artist |
Naomi Bakstad | Makeup Artist |
Vanessa Giles | Makeup Artist |
Tracy Richards | Makeup Artist |
Darah Wyant | Makeup Artist |
Hans Bjerno | Aerial Director of Photography |
Phil Pastuhov | Aerial Director of Photography |
Norbert Kaluza | Steadicam Operator |
Roger Vernon | Second Unit Director of Photography |
Darin Wong | Dolly Grip |
Kyle Robson | Dolly Grip |
Simon Hunt | Gaffer |
Joseph Krattiger | Gaffer |
Frank R. Sims | Key Grip |
Charles Crivier | Key Grip |
Sean Oxenbury | Rigging Gaffer |
Dennis Yoo | Animation Supervisor |
Alessandro Saponi | CG Supervisor |
Jérome Escobar | CG Supervisor |
Ronnie Menahem | CG Supervisor |
Darren Mortillaro | Creature Technical Director |
Christoph Meyer | Creature Technical Director |
Alex Burt | Lead Animator |
A.J. Briones | Pre-Visualization Supervisor |
Alex Blatt | VFX Editor |
Wes Walcott | VFX Editor |
Kate Elum | Visual Effects Coordinator |
Chloe Feodoroff | Visual Effects Coordinator |
Dominique Fernet | Visual Effects Coordinator |
Lucas John Ng | Visual Effects Coordinator |
Lily Shapiro | Visual Effects Coordinator |
Sheldon Smith | Visual Effects Coordinator |
Bonnie Gosnell | Visual Effects Coordinator |
Jana Jungk | Visual Effects Coordinator |
Maya Shimoguchi | Supervising Art Director |
Rocco Pierini | Visual Effects Coordinator |
R.J. Kizer | ADR Supervisor |
David Heinz | Visual Effects Editor |
Ben Powdrell | Visual Effects Editor |
Ryan Stafford | Visual Effects Producer |
Hayley Perkins | Visual Effects Producer |
Jennifer Lee Scheer | Visual Effects Producer |
Ruth Irvine-Hauer | Visual Effects Producer |
Luke Millar | Visual Effects Supervisor |
Josh Dagg | Visual Effects Supervisor |
Megan Flood | Visual Effects Supervisor |
Mike F. Hedayati | Visual Effects Supervisor |
Mark Gee | Visual Effects Supervisor |
Anders Langlands | Visual Effects Supervisor |
Vasilis Antipas | Visual Effects Technical Director |
Stefanie Blatt | Visual Effects Technical Director |
Oliver Ferguson | Visual Effects Technical Director |
Laura Languillet | Visual Effects Technical Director |
Dan Cervin | Special Effects Supervisor |
Joel Whist | Special Effects Supervisor |
Adam Heinis | Special Effects Coordinator |
Charles O'Shea | Boom Operator |
Tom Hartig | Boom Operator |
Jim Brookshire | ADR Editor |
Laura Graham | ADR Editor |
John T. Cucci | Foley |
Thom Brennan | Foley Editor |
Matthew Harrison | Foley Editor |
Willard Overstreet | Foley Editor |
John Morris | Foley |
Will Files | Sound Designer, Supervising Sound Editor |
Dan O'Connell | Foley |
Christian Prejza | Digital Intermediate |
Ian Sullivan | Digital Intermediate |
Melissa Remenarich | First Assistant Editor |
Tyler Ruocco | First Assistant Editor |
Stephen Shapiro | First Assistant Editor |
Emile Ghorayeb | Animation Supervisor |
Rich Romig | Set Designer |
Graham Binding | Senior Animator |
John Stoneham Jr. | Stunt Coordinator |
Maja Aro | Stunts |
Michael Seresin | Director of Photography |
James Chinlund | Production Design |
Debra Zane | Casting |
Dylan Jury | Casting Associate |
Michael Giacchino | Original Music Composer |
Amanda Silver | Characters |
Johnny Gidcomb | ADR Voice Casting |
Doane Gregory | Still Photographer |
Kim Foscato | ADR Editor |
Melissa Bruning | Costume Design |
Daniel Barrett | Animation Supervisor |
Cassandra Ebner | Stunts |
Mathew Yanagiya | Stunts |
Steve Chang | Stunts |
Brett Armstrong | Stunts |
Scott Lang | Stunts |
Jeff Sanca | Stunt Driver |
Todd Scott | Stunts |
Paul Wu | Stunts |
Chris Webb | Stunts |
Mark Bomback | Writer |
Patrick Miller | Visual Effects Coordinator |
Stan Salfas | Editor |
Meow Nutjaree Wannasri | VFX Artist |
Rick Pearce | Stunts |
Janene Carleton | Stunts |
Krista Bell | Stunt Double |
Owen Walstrom | Stunts |
Lauro David Chartrand-DelValle | Stunts |
Clint Carleton | Stunts |
Jason Bell | Stunts |
Matt Reeves | Director, Writer |
Rick Jaffa | Characters |
Andy Nelson | Sound Re-Recording Mixer |
Joe Letteri | Visual Effects Supervisor |
Joe Studzinski | Conceptual Illustrator |
Angel Foisy | Production Coordinator |
Glenn Foerster | Greensman |
Glenn Guenette | Visual Effects Coordinator |
Julian Bryant | Digital Compositor |
Maximillian McNair MacEwan | Visual Effects Assistant Editor |
Emiliano Nanfaro | Visual Effects Producer |
Natalie Zara Smith | Studio Teacher |
Dan Lemmon | Visual Effects Supervisor |
William Hoy | Editor |
Sidney Kombo | Animation Supervisor |
Erik Winquist | Visual Effects Supervisor |
A.R. Björklund | Editorial Production Assistant |
Phillip Leonhardt | Sequence Supervisor |
Jason Lei Howden | VFX Artist |
Name | Title |
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Dylan Clark | Producer |
Peter Chernin | Producer |
Amanda Silver | Producer |
Rick Jaffa | Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 166 | 280 | 93 |
2024 | 5 | 404 | 631 | 225 |
2024 | 6 | 207 | 369 | 113 |
2024 | 7 | 134 | 197 | 89 |
2024 | 8 | 99 | 143 | 68 |
2024 | 9 | 65 | 93 | 49 |
2024 | 10 | 66 | 111 | 49 |
2024 | 11 | 73 | 139 | 52 |
2024 | 12 | 63 | 108 | 47 |
2025 | 1 | 60 | 95 | 47 |
2025 | 2 | 49 | 73 | 10 |
2025 | 3 | 17 | 67 | 3 |
2025 | 4 | 8 | 10 | 6 |
2025 | 5 | 28 | 140 | 8 |
2025 | 6 | 30 | 101 | 7 |
2025 | 7 | 7 | 8 | 6 |
2025 | 8 | 8 | 12 | 6 |
2025 | 9 | 8 | 11 | 6 |
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2024 | 8 | 138 | 319 |
Excellent trilogy Most Hollywood remakes/reboots are failed cash grabs. They are pale imitations of the superior originals. But the new Planet of the Apes trilogy surprises in that it trumps all the previous Apes films--those from the 60's and 70's as well as the Tim Burton 2001 misfire. Caesar s ... till leads the intelligent apes against the human forces who want to eradicate them. Caesar even shows mercy to some of his human captives, but the humans who fear the apes will not relent in their attempts to destroy them. The movie is driven largely by Andy Serkis's superb portrayal of Caesar. He is a complex and intriguing character. Woody Harrelson is also very good as the villain. His character is no generic, stock bad guy. He's layered and you may even surprisingly feel some sympathy for him. A great and thought provoking popcorn flick.
On this movie I have to get a couple of things out of the way straight away. First, the movie title and the blurb is hyperbole that has little to do with actual events in the movie. This is not some great war but just some silly little three way skirmish between some apes and two human factions. S ... econd, the story for this movie is clearly written by someone who has an agenda and that agenda includes preaching how bad the white man is. Not surprisingly the result is bland, boring, frustrating and not very entertaining. I thought Dawn of the Planet of the Apes was mildly entertaining. Mostly due to the special effects. I thought Rise of the Planet of the Apes was okay. Again due to the special effects and because it had a fair amount of action. War for the Planet of the Apes do have decent special effects but nothing else. Add the obvious political agenda and the movie goes straight into a nose dive. The humans in the movie are stereotypical bad people and the apes are victims whether they are actually good apes or just asshole apes. There’s some decent action in the beginning and some at the end. In between we are “treated” to a slew of emotional scenes (or at least I suppose that’s what they were supposed to be) were Ceasars grief and the evil of man are force fed down our throats. Not surprisingly the movie ends, which it of course do not do until all humans in sight are killed off for no good reason, with the apes finding their little part of heaven all shown in warm and rosy colors. Close curtain…thank good! I was not expecting much from this movie but this was a typical Hollywood-with-an-agenda-movie. That is, not a good movie as far as I am concerned.
The title _War for the Planet of the Apes_ is perhaps a misnomer, and it doesn't necessarily build the legend in the way I was expecting it to, but a worthy threequel it still makes, and blockbuster trilogy with no bad entries is a rare thing to see. _Final rating:★★★½ - I really liked it. Would ... strongly recommend you give it your time._
<em>'War for the Planet of the Apes'</em> wraps up a great trilogy strongly. I enjoyed this installment just as much as its two predecessors, all three films are just supremely entertaining and are very well put together. Caesar is a terrific character and continues to look fantastic in this; the ... special effects are top notch, even the way the apes are shown in shot is expertly done. The additions of Bad Ape and Nova are neat, too. I'd personally rank it above <em>'Dawn'</em> but below <em>'Rise'</em>, though there isn't much between them at all. Intrigued to see where they go with the proposed spin-off(s).
The relentless battles between apes and mankind are taking their toll, and forcing Caesar and his followers into the frozen wilderness where they encounter the megalomanic "Colonel" (Woody Harrelson). Tragically, coming off the worst at this meeting, the apes end up imprisoned by their new, ruthless ... , human masters - aided and abetted by some gorillas too - and used as little better than slaves. Adding to their woes, both sides know that an impending visit by some heavily armed troops is not in either of their interests! It now falls to "Caesar" to come up with a plan to free his species before they are all wiped out. Whilst I did quite enjoy this, it's not as good as the "Dawn..." (2014). It takes far too long to get going and Harrelson has all the menace of a cucumber sandwich. There is just too much dialogue (and sentiment) and Matt Reeves struggles to build, let alone sustain, the pace and menace that he did so well last time out. Although it is a bit on the long side, the last hour largely makes up most of these deficiencies as the plan for vengeance takes shape and the pyrotechnics go into overdrive. Good, but not great.