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Wonder Woman

Power. Grace. Wisdom. Wonder.
2017 | 141m | English

(726647 votes)

TMDb IMDb

Popularity: 15 (history)

Details

An Amazon princess comes to the world of Man in the grips of the First World War to confront the forces of evil and bring an end to human conflict.
Release Date: May 30, 2017
Director: Patty Jenkins
Writer: Zack Snyder, Allan Heinberg, Jason Fuchs
Genres: Fantasy, Adventure, Action
Keywords island, strong woman, empowerment, hero, world war i, superhero, greek mythology, female protagonist, super power, woman director, 1910s, feminism, based on comic, period drama, heroine, female empowerment, dc extended universe (dceu)
Production Companies Atlas Entertainment, Cruel & Unusual Films, DC Films
Box Office Revenue: $823,970,682
Budget: $149,000,000
Updates Updated: Jun 10, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Gal Gadot Diana Prince / Wonder Woman
Chris Pine Steve Trevor
Connie Nielsen Hippolyta
Robin Wright Antiope
Danny Huston Ludendorff
David Thewlis Sir Patrick / Ares
Saïd Taghmaoui Sameer
Ewen Bremner Charlie
Eugene Brave Rock The Chief
Lucy Davis Etta
Elena Anaya Dr. Maru
Lilly Aspell Diana (Age 8)
Lisa Loven Kongsli Menalippe
Ann Wolfe Artemis
Ann Ogbomo Phillipus
Emily Carey Diana (Age 12)
James Cosmo FIeld Marshall Haig
Wolf Kahler German Commander
Alexander Terentyev German Lieutenant
Martin Bishop Kaiser Wilhelm II
Flora Nicholson Marie
Pat Abernethy Photographer
Freddy Elletson Trench Sentry
Sammy Hayman Trench Sentry
Michael Tantrum Trench Sentry
Philippe Spall Trench Officer - Belgian
Edward Wolstenholme Trench Officer - British
Ian Hughes German Soldier
Marko Leht German Soldier in Boat
Steffan Rhodri Colonel Darnell
Andrew Byron Weary Captain (Shot)
Dominic Kinnaird Suited Man
Rachel Pickup Fausta Grables
Ulli Ackermann Guard at Invite Table
Frank Allen Forbes Turkish Slave
Peter Stark Soldier at Gala
Rainer Bock Von Hindenberg
Josh Bromley Young Soldier (Station)
Jennie Eggleton Young Wife (Station)
Eva Dabrowski Nina
Harvey James German Pilot
George Johnston German Pilot
Danielle Lewis Senator Timandra
Florence Kasumba Senator Acantha
Eleanor Matsuura Epione
Josette Simon Mnemosyne
Doutzen Kroes Venelia
Hayley Warnes Aella
Caitlin Burles Queen's Guard
Jemma Moore Queens Guard
Samantha Win Euboea
Brooke Ence Penthiselea
Madeleine Vall Egeria
Hari James Trigona
Jacqui-Lee Pryce Niobe
Betty Adewole Amazon Army
Caroline Winberg Amazon Army
Lizzie Bowden Amazon Army
Kattreya Scheurer-Smith Amazon Army
Rekha Luther Amazon Townsfolk
Thaina Oliveira Amazon Townfolk
Ooooota Adepo Amazon Townsfolk
Zinnia Kumar Amazon Townsfolk
Toma McDonagh Amazon Townfolk
Amber Doyle Mother
Freddy Carter Soldier
Fred Fergus Soldier
Tim Pritchett Wounded Soldier
Gana Bayarsaikhan Throne Room Amazon
Camilla Roholm Throne Room Amazon
Stephanie Haymes-Roven Amazon Cavalry General
Nia Burke Veld Singer
Dee Lewis Clay Singer
Tori Letzler Singer
Mayling Ng Amazon Warrior (Orana)
Zack Snyder U.S. Soldier (uncredited)
Lee Neville Scottish Regiment Soldier (uncredited)
Ana Cilas Amazon Warrior (uncredited)
Alexander Terentyev German Lieutenant
Philip Harvey British Soldier
Sofia Abbasi Turkish Worker
Name Job
Chelsea Mather Stunts
Darrell Warner Costume Illustrator
Lindy Hemming Costume Design
Martin Walsh Editor
Lora Kennedy Casting
Aline Bonetto Production Design
Peter Burgis Foley
Zack Snyder Story
Alex Bailey Still Photographer
Nick Davis First Assistant Editor
Matthew Jensen Director of Photography
Patty Jenkins Director, Script Supervisor
Allan Heinberg Story, Screenplay
Damon Caro Stunt Coordinator, Second Unit Director
Theo Morton Stunts
Lauren Okadigbo Stunts
Clay Enos Still Photographer
Jo Cameron Brown Dialect Coach
Jason Fuchs Story
Bill Westenhofer Visual Effects Supervisor
Jessie Graff Stunts
Wayne Dalglish Fight Choreographer
Tim Rigby Stunt Coordinator
Judith Georgi Loop Group Coordinator
Robert Kanigher Thanks
Gary Hoptrough Stunts
Jack Jagodka Stunts
Chris Upson Visual Effects
Ryan Watson Stunt Coordinator
Gordon Alexander Stunts
Bradley James Allan Stunts
Caitlin Dechelle Stunt Double
William Moulton Marston Characters
Benton Jew Storyboard Artist
Jay Oliva Storyboard Artist
David Anders Stunts
Nellie Burroughes Stunts
Natalie Padilla Stunt Double
Alicia Vela-Bailey Stunt Double
Lucy Cork Stunts
Julia Schunevitsch Stunts
Sarah Lochlan Stunts
Mike Deodato Thanks
Kristy Carlson Casting
Domenico Sica Art Direction
Janice Macrae Set Decoration Buyer
Steve Carter Art Direction
Christine Blundell Makeup Department Head
Lucinda Syson Casting
James Collins Art Direction
Anna Lynch-Robinson Set Decoration
Stuart Kearns Art Direction
Phil Harvey Art Direction
Remo Tozzi Art Direction
Dominic Masters Art Direction
Patrick Harris Assistant Art Director
Samir Fočo Sound Effects Editor
David Mackie Assistant Sound Editor
Kirsty Mcqueen Makeup Artist
James Mather Supervising Sound Editor
Damian Anderson Production Supervisor
Simon Changer Music Editor
Dominick Certo Music Editor
Karen Elliott Music Supervisor
Lulu Morgan Production Manager
Michele Ottaggio Unit Manager
Clara Gomez del Moral Draughtsman
Todd Kleparski Production Design
Wayne King Gaffer
Leigh Ann Smith Casting Assistant
Lucy Donowho Set Costumer
Matthew Tucker Associate Editor
Carrick Welsh Unit Manager
Roberto Oliveri Set Dresser
Bex Reynolds Casting Assistant
Katrina Annan Assistant Editor
J.J. George Music Editor
Marco Milani Unit Manager
Mark Mostyn Unit Production Manager
Jimmy Chhiu Stunts
Tom Hallahan Stunts
David Penfold First Assistant Camera
Leonardo Cellai Location Manager
Enzo Sisti Line Producer
Andy Reeve Unit Manager
Lee Sheward Stunt Coordinator
Andrea di Benedetto Grip
Mauro Faina Grip
David Butterworth Orchestrator
Linda Zirkus Makeup Artist
Erik Paoletti Unit Production Manager
Kevin Timon Hill Assistant Art Director
Peter Ayriss Drone Operator
Steve Minett Still Photographer
Spencer Murray First Assistant Camera
Marco Calabrese Production Coordinator
Andrea Alunni Unit Manager
Carmen Pepelea Production Supervisor
Kye Mckee Stunts
Justin A. Williams Stunts
Milla Wilcock Casting
Kieran Waller Assistant Editor
Steve Mair Musician
Isabel Baquero Choreographer
Daniele Di Biasio Unit Manager
Elisabetta Tomasso Unit Manager
Ben Adefarasin Camera Operator
Duncan Broadfoot Location Manager
Massimiliano Sisti Unit Manager
Irene Orru Assistant Art Director
Luke Gray Technical Supervisor
Ben Wilson Camera Operator
Jacob McIntyre Location Manager
Steve Mortimore Location Manager
José Antonio Oña Sánchez Stunts
Carlos De Carvalho Additional Photography
Lorenzo Senatore Second Unit Director of Photography, Additional Photography
Georgette Turner Location Manager
Thomas Kennedy Sound Design Assistant
Daniele Postiglione Grip
Stamos Triantafyllos Camera Operator
Gianluca Barra Location Scout
Chloe Meddings Makeup Artist
Claire Matthews Makeup Artist
Laura Morse Hairstylist
Nuria Mbomio Makeup Artist, Hairstylist
David Sinfield Gaffer
Simon Elsley Assistant Art Director
Kate Ringsell Casting Associate
Fred Brown II Assistant Editor
Fabio Ferrante Location Manager
Andrea Cracknell Hairstylist
Roxanne Pinheiro Production Manager
René Adefarasin First Assistant Camera
Peter Batten Camera Operator
Jeanette Benzie Casting Associate
Jed Loughran Sound Effects Editor
Kevin Fraser Key Grip
Freddie Hall Additional Photography
Natasha Vincent Casting Associate
Asha Sharma Location Scout
Melissa Muik Music Editor
Chris Munro Production Sound Mixer
Amber Kirsch Visual Effects Producer
Goran Backman CG Supervisor
Elzbieta Trosinska Visual Effects Producer
Laurence Berkani Visual Effects Producer
Fulvio Segianni Rigging Gaffer
Nicholas Symons Animation Supervisor
Omar Morsy Animation Supervisor
Frazer Churchill Visual Effects Supervisor
Toby Tyler Jr. Lighting Technician
James Rustad CG Supervisor
Edward Churchward Visual Effects Producer
Viktor Müller Visual Effects Supervisor
Jessica Norman Visual Effects Supervisor
Javier Meroño Visual Effects Technical Director
Matt McClurg Pre-Visualization Supervisor
Shenyan Liu VFX Editor
Jonathan Opgenhaffen Visual Effects Art Director
Zachary Vesely Visual Effects Producer
Ben Wiggs Animation Supervisor
Antoine Moulineau CG Supervisor
Jorge Razon CG Supervisor
Jeremy Braben Aerial Director of Photography
Toby Plaskitt Russian Arm Operator
Tricia Kim Matchmove Supervisor
Mohak Sharma Visual Effects Producer
Gabi Brown Art Department Coordinator
Michael Langford Lead Animator
Mark Hunter Visual Effects Editor
Kelly Noordermeer Visual Effects Editor
Matthew Pellar Visual Effects Producer
Francesco Zaccaria Rigging Gaffer
Joel Green CG Supervisor
Praveen Kilaru Visual Effects Producer
Peter Pelisek Roto Supervisor
Ken Dailey Visual Effects Producer
Loeng Wong-Savun Visual Effects Supervisor
Sam Lane Visual Effects Editor
Guy Botham Visual Effects Producer
Keith Miller Visual Effects Supervisor
Harlon Haveland Lighting Technician
Aaron Reznick 3D Coordinator
Mihaela Orzea Visual Effects Supervisor
Adam Janeczek Visual Effects Supervisor
Yafes Sahin Visual Effects Technical Director
Dan Smith Lighting Technician
Wes Walcott VFX Editor
Constantin Brodt Visual Effects Editor
Lena Scanlan Visual Effects Producer
Alex Wuttke Visual Effects Supervisor
Alec Roberts Orchestrator
Jason Oliver ADR & Dubbing
Jolie Lennon Stunts
Ana McKillop Special Effects Technician
Paul Cathie Second Assistant Director
María Cuenca Assistant Director
Joe Geary Second Unit First Assistant Director
Clare Glass Third Assistant Director
Andy Madden Second Assistant Director
Robert Madden Third Assistant Director
Andy Evans Construction Manager
Amy Grewcock Graphic Designer
Carol Kupisz Graphic Designer
Camise Oldfield Graphic Designer
Terry Woods Property Master
Anson Jew Storyboard Artist
Rob Killick Dialogue Editor
Oscar Wright Storyboard Artist
Emily Thomas Production Assistant
Manjari Makijany Production Assistant
Rupert Gregson-Williams Original Music Composer
Tommy Gormley First Assistant Director
Aidan Brindle Stunts
Simon Finney "B" Camera Operator
Tim Wooster Second Unit Director of Photography
Michael Byrch Stunts
Pete Ford Stunts
Luke Tumber Stunts
Josh Dyer Stunts
Ben Wright Stunts
Cristian Knight Stunts
Rachael Evelyn Stunts
Peng Zhang Stunts
Stephen Doyle Props
Mariluz Noto Visual Effects Coordinator
Annabel Wood Stunts
Bobby Holland Hanton Stunt Double
Adelaide Filippe Costumer
Joanna Bennett Stunt Double
Name Title
Deborah Snyder Producer
Zack Snyder Producer
Geoff Johns Executive Producer
Wesley Coller Executive Producer
Steven Mnuchin Executive Producer
Richard Suckle Producer
Stephen Jones Executive Producer
Rebecca Steel Roven Executive Producer
Jon Berg Executive Producer
Charles Roven Producer
Tommy Gormley Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 196 480 128
2024 5 428 579 370
2024 6 324 498 134
2024 7 151 232 50
2024 8 78 175 53
2024 9 58 79 44
2024 10 64 109 45
2024 11 58 114 46
2024 12 60 81 48
2025 1 67 111 46
2025 2 45 70 10
2025 3 19 59 3
2025 4 33 118 9
2025 5 59 204 8
2025 6 41 133 11
2025 7 26 34 22
2025 8 24 33 18
2025 9 14 17 13

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Year Month High Avg
2025 9 113 468
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2025 7 91 358
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2025 6 79 395
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2025 5 158 443
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2025 3 21 486
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2025 2 89 394
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2024 12 106 659
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2024 11 191 584
Year Month High Avg
2024 9 251 498

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Reviews

Ruuz
7.0

I'd just like to thank Patty Jenkins for making a DCIThoughtSheWasWithUniverse movie that wasn't fucking garbage. If I'm being completely honest, the two people I went to the cinema to watch _Wonder Woman_ with and I did spend the next two hours after coming out of our screening discussing the va ... rious problems with the movie, but we also all agreed on one thing: We still loved it. Maybe it's just the rose-coloured glasses of comparison, but I had an excellent time with _Wonder Woman_, and I'm excited to go back to the cinema and watch it, at least one more time. It's the first time I've said that about a DC movie since _The Dark Knight Rises_. _Final rating:★★★½ - I strongly recommend you make the time._

Jun 23, 2021
Movie Queen41
9.0

**The First Great DCEU Film** This film is the origin story of Diana Prince/Wonder Woman (Gal Gadot), who was first introduced in Batman v. Superman last year. She is born and trained on Themyscira, the hidden island where the powerful warrior women known as the Amazons live. One day, Steve Trevo ... r (Chris Pine), an American World War I spy, crashes off the coast of Themyscira and is rescued by Diana and the two team up to take down Ares, the God of War, and the Germans, who are developing a very deadly form of mustard gas. There are fantastic action sequences in this film, especially by Gal Gadot. It's amazing to see her single-handedly storm the German front, inspiring the Allies to fight with her. Gadot takes over from the legendary Linda Carter and makes the role her own. She has great chemistry with Pine. They are complete equals in this film. It's refreshing to see the female lead in a superhero film not be the love interest. The only negative part of the film are the lackluster villains. Hopefully, Wonder Woman will have more formidable foes in future films.

Jun 23, 2021
in_the_crease
6.0

**DC Hits A...Bunt. But compared to the strikeouts, a bunt seems impressive.** Wonder Woman had some things working for it--things other comic book movies have faltered on. But it had a lot of things not working for it too. The result is an average median between what works and what doesn't. Whil ... e the film is spectacular within the struggling DCEU, as a stand alone film it's mediocre at best. Diana's origin story--how she came to be and how she came to be a super hero was refreshing. It showcased the world of the Amazon warriors. It was unique in the often cookie-cutter super hero origin stories. Patty Jenkins did a good job of framing it, but I think the character's origin story dating back to the comics has always been unique in comparison to other super heroes. The result is that the first third or so of the movie is satisfying--despite dull performances from Gal Gadot and Chris Pine (who had zero chemistry as a couple). But once we leave the confines of the island and enter the real world, the movie becomes hit or miss. WWI (that's right, WWI now, not WWII. The reason for the change in setting is never apparent) London is portrayed in a way that is almost a distraction. Yes, the world isn't white washed; diversity is a thing--a wonderful thing at that. But DC's version of Captain America's Howling Commandos consist of an Arab and an American Indian. Diversity for diversity's sake becomes distracting--especially when paired with a low-rent Simon Pegg whose soul function is being a deadly sniper who never fires his weapon (that's helpful on a top-secret mission behind enemy lines). It's almost as if the movie telegraphs all of these unnecessary plot hiccups to remind you that this is a super hero film, and no matter how much the mortal humans fail, it will all be okay because the super hero will save the day. The dialogue can be clichéd at times, and the final theme of the movie--one of love conquering all and the acknowledgement that, overall, mankind is good, is laughable in it's amateur preachiness. But what the film lacks in substance and script, it makes up for in the visuals. I found the action sequences to be great fun. Heavily stylized "Matrix-style" fight scenes seem right at home in a film about super hero Gods. The freeze frames worked too--as fight sequences froze in over-the-top super hero poses that harkened back to the source material's comic book roots. The final confrontation between Wonder Woman and Ares--while dragging on a little long--was well done, being one of the few super hero movie climaxes that delivered. While aspects of the movie were so similar (Hell! Identical!) to Captain America: The First Avenger, I actually felt embarrassed for the filmmakers, I did come away thinking this was the movie Captain America should have been. It succeeded in places where Captain America failed miserably. The movie is entertainment--pure, fun, pop-corn-gobbling entertainment. In that realm, it succeeds and succeeds well. But as a piece of cinematic art, it falls flat on its face with too many plot holes, script inconsistencies, clichés and mediocre acting. Wonder Woman will be an important movie for both the DCEU and the summer of 2017. But it lacks the magic and staying power of Nolan and Donner's contributions to DC comics' films.

Jun 23, 2021
tmdb15214618
6.0

I like the portrayal of the Greek/Amazonian myth; the part where Chris Pine is naked; the part where Wonder Woman overturns the tank; and the post-battle dance scene with her and Steve Trevor, and that's it. This could be mistaken for a mediocre, melodramatic, cheesy TV movie. Visually, it's less ... interesting than any of the other nu-DC fare; I never thought I'd miss Zach Snyder's sensibility but I did in this flick. Storywise, it may be a step up from the rest of the DCEU, but it still barely rivals the worst of the Marvel movies. Gal Gadot can't act, and Chris Pine couldn't make the clunky dialogue sound not ridiculous. Wonder Woman is tolerable. That's more than can be said for the other nu-DC movies but it's not a compliment.

Jun 23, 2021
Dark Jedi
8.0

I quite enjoyed this movie. When I learned that Zack Snyder had his fingers in it I got a worried since he recently wrote such atrocities as Batman vs Superman and sure enough the story is a really the weakest part of the movie. A typical nonsensical, unintelligent, Hollywood story/script were you a ... re better off putting your brain in idle when watching it. However it makes up for this with cool special effects and, surprisingly, quite enjoyable characters. This is definitely a movie that you watch for the sake of the special effects. Well, if you are a male teenager you might also be watching it to drool over Gal Gadot of course (I have to admit that she is hot). There is not too much to say about the plot. Our Amazon hot chick discovers that there is a war going on and goes out to stop it. Since she has been overly protected by her guardian she is amazingly clueless about life outside of her little island. Especially aspects involving men. Something which creates some funny moments as well as some embarrassingly silly ones. This, Diana’s gradual evolution where she not only is learning about life but also discovers her considerable powers, is one of the enjoyable aspects of the movie though. It is of course also one of the dummer aspects of the movie. How the f… could the Amazon Queen race Diana to be so ignorant about everything? Another not so enjoyable part of the movie is the ludicrous scenes where the britts are trying to obtain peace at all costs as well as the stereotypical portrayal of Ludendorff as some megalomaniacal, half crazy war-mongerer. This was just dumb. I guess Zac Snyder just picked the name out of some history book without bothering to read up on the character. Typical lack of intelligence and respect, a la Hollywood, for anything outside of their, very limited, sphere of knowledge. Well, at least Danny Huston did a pretty decent job of the shitty role he was given. So did most of the rest of actors. I definitely liked Gal Gadot as Super Woman but then, although I am not a teenager, I am still a male so maybe I am biased when it comes to her? I definitely liked the special effects. The showdown at the end was great as far as I am concerned and the rest not bad either. They could have been even better though if it would not have been so obvious that the Germans where mostly incompetent extras waiting for Wonder Woman to show off her gymnastics and slow motion abilities. Come on, even superhero special effects should make some pretense of being “realistic” superhero special effects. The movie is definitely aimed at the young adult segment. Unfortunately it do not seem to know what it is aiming for. Sometimes it is almost adult, sometimes it is late teen and sometimes just so bloody TV-show silly that you’re wondering if it is aiming for even pre-teens. Anyway, regardless of its faults I did enjoy my 2+ hour spent on this movie. Enough to give it a 4 out of 5 rating

May 16, 2024
Rangan
8.0

**The Amazonian princess Diana's quest-come-self-discovery!** From all the superhero films, this was one of the most anticipated. Mainly because of the woman oriented theme. People were desperate to see the solo woman superhero. Today, we have the great visual effects technology, that anything ca ... n be possible to bring on to the screen. And actress like Gal Gadot, even better it gets. Yes, it was a wonderful film. A simple storyline, but a well made film. The Amazonians who are cut off from the rest of the world, is preparing for the battle if Ares returns. All these years nothing has happened, but one day a fighter pilot crash on the cost of their island. Then the princess embark a journey back with him to find, and end the Ares threat forever. But she only ends up in the WWII, and what happens in the following sequence are the rest of the film. Who would have done a better job than Patty Jenkins. She nailed it, and so set to direct the sequel too. Even the supporting cast was good. DC's visuals always high standards and so this one. Action sequences too amazing. There's lots of changes in the character, as well as in everything. Firstly a nice superhero costume. And connections like Diana's father, the island, all pretty nicely written out. The DC universe just got extended. I can't wait to see 'Justice League'. **8/10**

May 16, 2024
Wuchak
N/A

***Wonder Woman and Captain Steve Trevor seek to end WW1*** Near the end of WW1, an American spy (Chris Pine) is chased by Germans to the hidden island of Amazonian women created by Zeus to protect mankind. The princess of the island (Gal Gadot) leaves with the captain to help end the Great War a ... nd destroy Ares forever. "Wonder Woman" (2017) combines the Wonder Woman TV series (1975-1979) with elements of “All Quiet on the Western Front” (1979), "Raiders of the Lost Ark" (1981), “The Dirty Dozen” (1967), “Captain America: The First Avenger” (2011) and “Man of Steel” (2013). It’s a well done modern superhero flick and superior to both “The First Avenger” and “Man of Steel.” The opening paradisal island sequence is good without overstaying its welcome. The story really picks up when Captain Steve Trevor and Diana depart the island. They have great chemistry and their relationship adds human interest. Unlike “Man of Steel,” which devolved into super-beings constantly pulverizing each other in the second half, “Wonder Woman” has the poise to take its time and establish an interesting assortment of characters. The entire midsection is great, but the last act, to be expected, comes down to two super-beings pounding each other. But at least the creators tried to add a weighty moral. The film runs 2 hours, 21 minutes. GRADE: B

Jun 23, 2021
Peter89Spencer
8.0

I was wrong about Gal Gadot taking the role as Diana Prince/Wonder Woman since BvS. She was not bad. Then this film, her standalone film, really brought emphasis on female empowerment. ...

Jun 23, 2021
Trevfh
N/A

Such a really nice one & Gal Gadot is the perfect Wonder Woman ...

Sep 09, 2021
jceowoodard@yahoo.com
10.0

I truly enjoyed Wonder Woman after Diana’s BvS intro with that amazing theme music. I was disappointed Diana didn’t have the bullets and bracelets contest to return Steve to Man’s World. Director Patty Jenkins must have watched Justice League the animated series because Diana stole her costume in ... that episode. I read moviegoers review the 3rd act as a heavy CGI fest but but butt Diana’s a demi god fighting Ares,the God of War certainly they wouldn’t be mimicking a Saturday morning WWE wrestling match. Traveling by ship instead of invisible plane was another missed opportunity to stay true to the CB. The Themyscria healing waters was okay I would have liked the Purple Healing Ray - but but butt Director Patty Jenkins kept with the au naturel order of Mother Earth no guns, no electricity, no meat/fish only fruits and vegetables honouring the harvest goddess. 10/10

Nov 29, 2021
mooney240
9.0

**Overall : Wonder Woman exceeds the high expectations of existing fans while winning new fans with its amazing action, fantastic visuals, and sincere characters.** Zack Snyder’s casting of Gal Gadot as Wonder Woman was a masterstroke that shined in its full brilliance in this film. While I had h ... igh hopes for Patty Jenkins’ Wonder Woman, I didn’t expect this kind of excellence! Gal Gadot delighted as the powerful yet compassionate Diana. Jenkins carried that balance of elegance and strength throughout the entire film. The No Man’s Land scene stands out as one of the best action scenes in a comic book movie. Wonder Woman is full of fun, action, grace, and significance, making it a true stand-out in the ever-growing ocean of comic book films.

Sep 03, 2022
GenerationofSwine
10.0

OK, calm down....I am going to address the "controversy" around this first...and I can't believe I just had to write that. It's freaking Wonder Woman!!!!! I can see the X-Men being controversial, what with being primarily about Civil Rights and equality for minorities...but this is DC Comics. OK, ... so let me put it this way... ...I do NOT think that Wonder Woman is the greatest female protagonist in an action movie or sci-fi movies...and I am NOT a misogynist. My "lack of respect" of Wonder Woman doesn't stem from a hatred of strong female leads...I just think Sarah Conner (Especially in "Terminator the Sarah Conner Chronicles") is the absolute coolest and most bada$$ strong female lead that has ever graced the silver screen or your home television. Not only that, I was livid when it got canceled and, for the cherry on top, if you want a strong female role model...have one with the cold soldier discipline and the willingness to sacrifice her life for the mission that Sarah Conner has. Not only that, but to be further controversial, I don't believe that Wonder Woman is the first awesome strong female lead in an action movie. I mean, Ellen Ripely is almost as pure awesome as Sarah Conner...and who can forget Buffy, OK Buffy is touchy, when I mention her I am talking about Buffy from the TV show, not Buffy from the movie. Those are only to name a few. And then there are lesser ones that we hate yet still came before Wonder Woman....most recently the Ghost Busters and Mary Sue from the new Star Wars. So cool down on the politics...people that don't think Wonder Woman is the greatest female lead aren't necessarily misogynists forcing a male agenda....they may just be aware of Sarah Conner and Echo. Now...back to Wonder Woman. WHY DOES IT HAVE TO BE DARK, REALISTIC, AND GRITTY?!?!?! Seriously, I only like one (1) of the Nolan Batman movies and...Wonder Woman and Superman and the Justice League are NOT Batman. I don't want to sit through a Super Hero movie that is bucking for ultra-realistic. If I wanted that, I'd see a drama. There are few super heroes that you can go totally dark and Gritty with, Batman, Dare Devil, Green Arrow.... Speaking of Green Arrow, notice how he was dark and the Flash wasn't? Why can the WB understand this but not the film department? What you have here is a director trying to make a Batman movie using Wonder Woman and that doesn't work. If I want a dark and gritty female action protagonist I already have the Terminator and Alien franchises. the director, the studio, the writers should have concentrated more on making a Wonder Woman film and not another Batman movie...this failed for the same reason Batman V Superman did.

Jan 14, 2023
tmdb51616167
8.0

"Wonder Woman" was a groundbreaking film that revitalized the DC universe and reignited excitement for the Justice League. Gal Gadot's portrayal of Wonder Woman, while criticized for her acting skills, was visually captivating and suited the role perfectly. The film's World War I setting and charact ... er interactions added depth to the storyline, with quick wit enhancing the overall experience. The fight scenes were exhilarating, showcasing Wonder Woman's badass persona and making the movie a must-watch despite any shortcomings in acting. On the other hand, "Wonder Woman 1984" failed to live up to its predecessor, delivering a disjointed and disappointing sequel that veered off course from the established DC universe. The film's messy plot, lackluster excitement, and underdeveloped villain undermined the legacy created by the first movie. Director Patty Jenkins' handling of the story and character arcs fell short, leaving viewers with a subpar viewing experience marred by excessive CGI and a lack of substance. Ultimately, "Wonder Woman 1984" was deemed a misstep in the Wonder Woman franchise, failing to capture the magic of the original film and disappointing fans with its lackluster execution. The film's flaws overshadowed any potential it may have had, leaving audiences longing for a more cohesive and engaging continuation of Wonder Woman's story.

Sep 03, 2024