Popularity: 7 (history)
Director: | Nikolaj Arcel |
---|---|
Writer: | Nikolaj Arcel, Anders Thomas Jensen, Stephen King, Jeff Pinkner, Akiva Goldsman |
Staring: |
A boy haunted by visions of a parallel world aids its disillusioned guardian in preventing the destruction of the nexus of universes known as the Dark Tower. | |
Release Date: | Aug 03, 2017 |
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Director: | Nikolaj Arcel |
Writer: | Nikolaj Arcel, Anders Thomas Jensen, Stephen King, Jeff Pinkner, Akiva Goldsman |
Genres: | Fantasy, Action, Science Fiction |
Keywords | gunslinger, based on novel or book, portal, mind control, parallel world, another world |
Production Companies | Columbia Pictures, Imagine Entertainment, Weed Road Pictures, MRC |
Box Office |
Revenue: $113,231,078
Budget: $60,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
---|---|
Jack Serino | Rigging Grip |
Maceo Bishop | Steadicam Operator |
Jason Martin | Underwater Camera |
Nikolaj Arcel | Director, Screenplay |
Anders Thomas Jensen | Screenplay |
Stephen King | Novel |
Tom Holkenborg | Original Music Composer |
Alan Edward Bell | Editor |
Oliver Scholl | Production Design |
Rosemary Brandenburg | Set Decoration |
Peter Bucossi | Stunt Coordinator |
Jim Ford | Stunts |
Jenna Hellmuth | Stunts |
Dan Hirst | Stunts |
Larry Nuñez | Stunts |
Robbie P Smith | Stunts |
Kabelo Bouga Chalatsane | Stunts |
Toni Jean Erasmus | Stunts |
Garrett Hammond | Stunts |
Ben Jenkin | Stunts |
Tim Lajcik | Stunts |
J.J. Perry | Stunt Coordinator, Second Unit Director |
Rose Sias | Stunts |
Frans Steyn | Stunts |
Matthew Van Leeve | Stunts |
Mark Weingarten | Sound Mixer |
Mike Burke | Stunts |
Jake Eavey | Stunts |
Paul Hampshire | Stunts |
Hiro Koda | Stunts |
Roberto Lopez | Stunts |
Travis Parker | Stunts |
Christopher Place | Stunts |
Thomas Place | Stunts |
Troy Robinson | Stunts |
Chris Navarro | ADR Mixer |
Shayne Hartigan | Extras Casting |
Gary A. Hecker | Foley Supervisor |
Duncan Foster | Conceptual Design |
Thomas Jones | Dialogue Editor |
Kate Geller | Casting |
Hlumela Matika | Travel Coordinator |
Swapnil S. Sonawane | Digital Compositor |
Pierre Buffin | Senior Visual Effects Supervisor |
Michael McCusker | Additional Editing |
Marius Matthee | Second Assistant Accountant |
Salpy Semerdjian | Second Assistant Accountant |
Matt DiGennaro | Second Assistant Accountant |
Alisha East | Set Production Assistant |
Ty Taylor | Set Production Assistant |
Emilia du Plooy | Studio Teacher |
Ilana Smit | Studio Teacher |
Brooke Ensign | Unit Publicist |
Westley Durand | Second Second Assistant Director |
Samantha Luu | Second Second Assistant Director |
Joe Moore | Second Second Assistant Director |
Sandile Ntobela | Second Second Assistant Director |
Darryn Bennett | Third Assistant Director |
Sarah Dano | Costumer |
Jeff Pinkner | Screenplay |
Cheryl Eatock | Line Producer |
Rasmus Videbæk | Director of Photography |
Dan Zimmerman | Editor |
Marisol Roncali | Casting |
Christopher Glass | Production Design |
Audra Avery | Art Direction |
Yuri Bartoli | Art Direction |
Patrick O'Connor | Art Direction |
Catherine Palmer | Art Direction |
Anneke Botha | Set Decoration |
Madelein Krugell | Key Hair Stylist |
Megan Tanner | Makeup Artist |
C. Scott Baker | Set Designer |
Nico Louw | Sound Mixer |
Guy Hodgen | Camera Operator |
Sachin Mathew | Animation |
Ryan Chavez | First Assistant Editor |
Lara Khachooni | Assistant Editor |
Joe Krenzer | Assistant Editor |
Guy Potgieter | Supervising Art Director |
Felicity Bowring | Makeup Artist, Hairstylist |
Ruth Carsch | Key Hair Stylist |
Jules Holdren | Hairstylist |
Jennifer Jefferson | Hairstylist |
Ann Pala | Makeup Department Head |
Nadine Prigge | Hair Department Head, Makeup Department Head |
Nancy Tong | Hair Department Head |
Marika Weber | Key Hair Stylist, Key Makeup Artist |
Adam Brightman | Unit Production Manager |
Marc A. Hammer | Unit Production Manager |
Carol Heij | Production Manager |
Trish Hofmann | Unit Production Manager |
Kelly Todd | Production Supervisor |
Hercules Malan | Assistant Director |
Isabel Martens | Second Assistant Director |
David H. Venghaus Jr. | First Assistant Director |
Kimberly Asa | Art Department Coordinator |
Laurent Ben-Mimoun | Conceptual Illustrator |
Liz Chancey | Art Department Assistant |
Trevor Goring | Storyboard Designer |
Collin Grant | Storyboard Designer |
Anthony Liberatore | Storyboard Designer |
Kyle Marchiafava | Set Dresser |
Etienne Maree | Set Dresser |
Abner Marín | Creature Design |
Jeffrey D. McDonald | Assistant Art Director |
David Meyer | Set Designer |
David M. Milstien | Leadman |
Thomas A. Nelson | Storyboard Designer |
Josh Roth | Property Master |
Juan Sanchez | Assistant Art Director |
Malwande Sigabi | Set Designer |
Pravika Singh | Set Designer |
Christo Strydom | Art Department Coordinator |
Dan Sweetman | Storyboard Designer |
Sam Tung | Storyboard Designer |
Kerry van Lillenveld | Property Master |
Lisa Van Velden | Set Designer |
Tom Caton | Boom Operator |
Libero Colimberti | Boom Operator |
Kira Smith | Boom Operator |
Sarah Bourgeois | Assistant Sound Editor |
Chris Diebold | Sound Effects Editor |
Lee Gilmore | Sound Effects Editor |
Jeremy Peirson | Supervising Sound Editor |
Peter Schneider | Sound Mixer |
Burt Dalton | Special Effects Coordinator |
Nathan Barris | Fight Choreographer |
Myra 'Dakota' Bown | Stunts |
Nikki Brower | Stunts |
Eric Brown | Stunts |
Jacques du Plessis | Stunts |
Dewaldt Du Preez | Stunts |
Matt Esof | Stunts |
Brenda Firmani | Stunts |
Warren Germishuys | Stunts |
Damian Green | Stunts |
Kerry Gregg | Stunt Coordinator |
Greg Harvey | Stunts |
Jermaine Holt | Stunts |
Grant Hulley | Stunt Coordinator |
Allen Irwin | Stunts |
Malin Kirjonen | Stunts |
Shane John Kruger | Stunts |
Emmanuel Manzanares | Fight Choreographer |
Alwyn Marx | Stunts |
James Northrup | Stunts |
Vlad Rimburg | Stunts |
Noah Schultz | Stunts |
Nuo Sun | Stunts |
Taheen Tracker | Stunts |
Ross Van Der Walt | Stunts |
Shawn Van Zyl | Stunts |
Ian Williamson | Stunts |
Eric Boncher | Chief Lighting Technician, Gaffer |
David Emmerichs | Camera Operator, Steadicam Operator |
Pete Escobar | Grip |
Frank Gardner | First Assistant Camera |
Jed Harris | Electrician |
Justin Holdsworth | Gaffer |
Rob Koch | First Assistant Camera |
Nasmie Majiet | Key Grip |
Riyaad Majiet | Dolly Grip |
Moses Makateng | Electrician |
Matthew Pebler | Camera Operator |
Sarel Pretorius | Camera Operator |
Rob Riccobono | Assistant Chief Lighting Technician, Best Boy Electric |
Jim Shelton | Key Grip |
Adam Sudtell | Key Grip |
Sven Vosloo | Camera Operator |
Oliver Wilter | Chief Lighting Technician, Gaffer |
Mike Yurich | Key Grip |
Shane Richards | Animation |
Joseph Cigliano | Costume Supervisor |
Mia Hofmann | Costume Supervisor |
Jimmy McBride | Tailor |
Kelly Porter | Costume Supervisor |
Rachel Watson | Assistant Editor |
Matthew Bernstein | Location Manager |
Steven Carbajal | Location Manager |
Patty Carey | Location Scout |
Peter Costelli | Location Manager |
Deon Du Preez | Location Manager |
John Rakich | Location Scout |
Jonathan Beard | Orchestrator |
Jordan Cox | Music |
Morag Cameron | Script Supervisor |
Bernard L. Eatmon | Script Supervisor |
Susan Hegarty | Dialect Coach |
Susan Malerstein | Script Supervisor |
Carla Meyer | Dialect Coach |
Carien Schutte | Script Supervisor |
Sarah Sprague | Production Coordinator |
Dezi Rorich | Unit Publicist |
Neil Swain | Dialect Coach |
James Luccarda | Location Scout |
Brad Ricker | Art Direction |
Ralph Osborn | Dialogue Editor |
Lisa Jaime | Music Editor |
Kenneth Karman | Music Editor |
Scott Cannizzaro | ADR Mixer |
Aaron Hasson | ADR Mixer |
Michelle Pazer | ADR Editor |
Edward Sutton | ADR Mixer |
John Joseph Thomas | Foley Editor |
Randy Singer | Foley Mixer |
Paul Avery | Best Boy Electric |
Jason Collins | Makeup Effects Designer |
Michael J. Broomberg | Foley Artist |
Andy Smit | ADR Mixer |
David Lucarelli | ADR Mixer |
Michael Miller | ADR Mixer |
Jason Oliver | ADR Mixer |
Carolyn Tapp | ADR Recordist |
Patrick Cicero | Assistant Sound Editor |
Hunter Crowley | Production Sound Mixer |
Jeff Sawyer | Sound Effects Editor |
Jamey Scott | Sound Effects Editor |
Danny Michael | Sound Mixer |
Dieter Keck | Sound Mixer |
Bertrand Roets | Sound Mixer |
Daniel S. Irwin | Supervising ADR Editor |
Luke Q. Iaciofano | Utility Sound |
Sandiswa Mavi | Utility Sound |
Rie Nasu | Utility Sound |
Claire Hesom | Utility Sound |
John C. Stuver | Dialogue Editor |
Tamsyn Lee Wilson | Ager/Dyer |
Analucia McGorty | Assistant Costume Designer |
Sarah Evelyn | Assistant Costume Designer |
Sebastian Jaramillo | Costume Assistant |
Ingrid Ross | Costume Assistant |
Rafeeq Williams | Costume Assistant |
Aninka Möller | Costume Assistant |
Mandy Smit | Costume Coordinator |
Lucas Culshaw | Costume Illustrator |
Jacomina Jankowitz | Costume Set Supervisor |
Ilze Geustyn | Costume Standby |
Tim McKelvey | Costume Supervisor |
Clinton Booyse | Costumer |
Jeremy Johnson | Costumer |
Mitchell Ray Kenney | Costumer |
Anna Seltzer | Costumer |
Stacy L. Tyson | Costumer |
Daniel Hernandez | Costumer |
Rudy Rojas | Costumer |
Valentina Aulisi | Key Set Costumer |
Tricia Yoo | Principal Costumer |
Abdul Ngumbi | Wardrobe Assistant |
Zureta Schulz | Wardrobe Supervisor |
Bret Howe | Casting Assistant |
Chiara Molinaro | Casting Assistant |
Ravlin Smith | Casting Assistant |
Riva Cahn Thompson | Casting Associate |
J.P. van der Merwe | Extras Casting |
Sande Alessi | Extras Casting |
Lucy Pho | Extras Casting |
Josh Ginsburg | Extras Casting Assistant |
Reinhardt Rosenkranz | Extras Casting Assistant |
Jessica van der Merwe | Extras Casting Assistant |
Dianne Dreyer | Script Supervisor |
Jan Du Toit | Epk Camera Operator |
Rudolph Faurie | Armorer |
Andrew Germishuys | Armorer |
Ian Hatton | Armorer |
Leon Koop | Researcher |
Thato Mogoje | Travel Coordinator |
Michael Carstensen | Camera Operator, Steadicam Operator |
Patrick Capone | Camera Operator |
George Amos | Camera Operator |
Jessica Miglio | Additional Still Photographer |
Miguel Pask | Steadicam Operator |
Zolani Gojo | Assistant Chief Lighting Technician |
Selemani Mahango | Assistant Chief Lighting Technician |
Vikelani Ncube | Best Boy Grip |
Eric Tientcheu | Best Boy Grip |
Jon Sudtell | Best Boy Grip |
John Donohue Jr. | Best Boy Grip |
Kai Borson-Paine | Digital Imaging Technician |
Chris Hope | Dolly Grip |
Chris Leonard | Dolly Grip |
Rick Marroquin | Dolly Grip |
Vincent Ngcobo | Electrician |
Blaine Chou | Electrician |
Jem Rayner | First Assistant "A" Camera |
David A. Seekins | First Assistant "B" Camera |
Alex Worster | First Assistant "C" Camera |
Neil Baillie | First Assistant Camera |
Henrik Lyngbo | First Assistant Camera |
Caitlin Rollino | First Assistant Camera |
Rob Weidner | First Assistant Camera |
Craig Pressgrove | First Assistant "A" Camera |
Apiwe Diko | Grip |
Patrick Sheetz | Grip |
Zaan Wienand | Key Grip |
Rocco Proscia | Key Rigging Grip |
Keegan Horn | Libra Head Technician |
Marcel Klopper | Libra Head Technician |
Luis Badillo | Lighting Technician |
Duncan M. Sobel | Rigging Gaffer |
Andrew Riggs | Rigging Grip |
Milan Janicin | Second Assistant "A" Camera |
Marc Loforte | Second Assistant "A" Camera |
Roxanne Stephens | Second Assistant "B" Camera |
Margaret Muggleston | Second Assistant "B" Camera |
Rhett Mullins | Second Assistant "C" Camera |
Calen Van Schalkwyk | Second Assistant "C" Camera |
Edrich Hollis | Second Assistant Camera |
Sam Donaghy-Bell | Second Assistant Camera |
Trevor Michael Brown | Second Unit Director of Photography |
Dale Rodkin | Steadicam Operator |
Ilze Kitshoff | Still Photographer |
Kelly A. Cook | Still Photographer |
Jaimie Trueblood | Still Photographer |
Harun Celebi | 3D Artist |
Andrew Doucette | Animation Supervisor |
Curtis Richardson-Smith | CG Animator |
Vladimir Ilić | CG Artist |
Tandogan Kocbogan | CG Artist |
Shane Simpson | CG Artist |
Mariusz Wesierski | CG Artist |
Reza Ghulam Yahya | CG Artist |
Steve Seongik Hong | CG Artist |
Joshua Koilpillai | CG Artist |
David Schulz | CG Artist |
Matthias Winkler | CG Artist |
David Dong | Generalist |
Darren Porter | Generalist |
Saskia Carolan | Generalist |
Michael Haupt | Generalist |
Philipp Wibisono | Generalist |
Andreas Frickinger | Compositing Artist |
Lu Bo | Compositing Artist |
Hou Chao | Compositing Artist |
Yuhan Li | Compositing Artist |
Mu Qiao | Compositing Artist |
Han Qingqing | Compositing Artist |
Huchuan Yang | Compositing Artist |
Chenxi Zhao | Compositing Artist |
Aleksei Chernogorod | Compositing Supervisor |
Kodavali Ashok Kumar | Compositing Supervisor |
Tim Llewellyn | Compositing Supervisor |
Zameer Hussain | Compositing Supervisor |
Benjamin Burr | Compositing Supervisor |
Oliver Hohn | Compositing Supervisor |
Nicolas Leu | Compositing Supervisor |
Jonathan Weber | Compositing Supervisor |
Kevin Conlon | Compositor |
Marco Hermida | Compositor |
Daniel Chunghwan Lee | Compositor |
Sriram Rajaram | Compositor |
Vinayaga Sundar | Compositor |
Jordan Vanderlinden | Compositor |
Moosuddee Zoubhair | Compositor |
Andrew Barrie | Digital Compositor |
Andre Bruto | Digital Compositor |
Pradeep Gownipuram | Digital Compositor |
Alison Lake | Digital Compositor |
Tony Marioni | Digital Compositor |
Achal Muchhala | Digital Compositor |
Nibinraj | Digital Compositor |
Siraphurin Nimmahnratanakul | Digital Compositor |
Karthik Ramasamy | Digital Compositor |
Sajeer Abdul Salam | Digital Compositor |
Saurabh Tripathi | Digital Compositor |
Vignesh Govindaraj | Digital Compositor |
Bryan Litson | Digital Effects Supervisor |
Dnyandeep Pundkar | Compositing Lead |
Arnab Sanyal | Compositing Lead |
Robert A. Willis | Compositing Lead |
Victor Radulov | Compositing Lead |
Anshad Abu | VFX Lighting Artist |
Leonardo Ledesma | VFX Lighting Artist |
Natalia Valbuena | VFX Lighting Artist |
Tim Crowson | VFX Lighting Artist |
Aby John Ettonnil | VFX Lighting Artist |
Liz Feldstein | VFX Lighting Artist |
Patrick O'Connor | VFX Lighting Artist |
Yoann Schmid | VFX Lighting Artist |
Clifford Otomi Green | VFX Lighting Artist |
Aeryn Gray | Matte Painter |
Felix Haas | Matte Painter |
Richard S. Lee | Matte Painter |
Frank Jentner | Matte Painter |
Dziga Kaiser | Matte Painter |
Salgaonkar Anurag | Modeling |
Manmath Matondkar | Modeling |
Andrea De Martis | Modeling |
Madhav Kumar | Modeling |
Felix Bucella | Pipeline Technical Director |
Sebastian Elsner | Pipeline Technical Director |
Lukas Mehl | Pipeline Technical Director |
Kyle Robinson | Pre-Visualization Supervisor |
Steve Yamamoto | Pre-Visualization Supervisor |
Darko Ilievski | Rotoscoping Artist |
Jason Fittipaldi | Senior Animator |
Rémy Normand | Sequence Supervisor |
Jana Rexhausen | Systems Administrators & Support |
Jérémie Sebban | Systems Administrators & Support |
Nick Murphy | VFX Editor |
Michael Fournier | VFX Editor |
Juan Barrales | VFX Artist |
Morgan Caruso | VFX Artist |
Brody Fikkert | VFX Artist |
Andrius Gabriunas | VFX Artist |
Aleksandar Horak | VFX Artist |
Weihao Huang | VFX Artist |
Rajeev K.J. | VFX Artist |
Alex Chun Yiu Leung | VFX Artist |
Nicholas Lutzko | VFX Artist |
Provash Paul | VFX Artist |
Pete Polyakov | VFX Artist |
Aurore Sabrier | VFX Artist |
SenthilRaja | VFX Artist |
Ranjeet Singh | VFX Artist |
Adam Brailsford | Visual Effects Coordinator |
Diane Coote | Visual Effects Coordinator |
Dale Davies | Visual Effects Coordinator |
Deepak Jalesh | Visual Effects Coordinator |
Collin Kortschak | Visual Effects Coordinator |
Oscar Lacson Jr. | Visual Effects Coordinator |
Warren Larkam | Visual Effects Coordinator |
Jérémie Maitrejean | Visual Effects Coordinator |
Laura McGlynn | Visual Effects Coordinator |
Patrizia Mulè | Visual Effects Coordinator |
Amanda Ninness | Visual Effects Coordinator |
Stephen Parsey | Visual Effects Coordinator |
Ioana Alexandra Pirvu | Visual Effects Coordinator |
Mary Swain | Visual Effects Coordinator |
Catrina Chelariu | Visual Effects Coordinator |
Andrej Loebel | Visual Effects Coordinator |
Viktoria Rucker | Visual Effects Coordinator |
Sara Sarmiento | Visual Effects Coordinator |
John Berri | VFX Editor |
Eileen de Klerk | VFX Editor |
Diego Manssur | VFX Editor |
Tom Reagan | VFX Editor |
Danny Walker | VFX Editor |
Gian Ganziano | VFX Editor |
Hero Chev | VFX Editor |
Jackson Chow | VFX Editor |
Shae Salmon | VFX Editor |
Patrick Patzschke | VFX Editor |
Dane Allan Smith | Visual Effects Producer |
Nicolas Bonnell | Visual Effects Producer |
Patrice Cormier | Visual Effects Producer |
Coline Six | Visual Effects Producer |
Kim Menaster | Visual Effects Producer |
Laura Schultz | Visual Effects Producer |
Kim Lee | Visual Effects Producer |
Patrick Neighly | Visual Effects Producer |
Helena Wegmann | Visual Effects Producer |
Edward Churchward | Visual Effects Producer |
Rebecca West | Visual Effects Producer |
Josephine Dinata | Visual Effects Production Manager |
Holly Gosnell | Visual Effects Production Manager |
Neil Impey | Visual Effects Production Manager |
Nicolas Aithadi | Visual Effects Supervisor |
Dominique Vidal | Visual Effects Supervisor |
Christopher Downs | Visual Effects Supervisor |
Don Lee | Visual Effects Supervisor |
Philip Nussbaumer | Visual Effects Supervisor |
Patrick Schuler | Visual Effects Supervisor |
Florian Gellinger | Visual Effects Supervisor |
Loeng Wong-Savun | Visual Effects Supervisor |
Myke Mendes | Visual Effects Technical Director |
Christine Thompson | Visual Effects Technical Director |
Jesús Nieto Rubalcava | Visual Effects Technical Director |
Lance Peters | Armory Coordinator |
Sheena Peters | Armory Coordinator |
Sarah Delucchi | Art Department Coordinator |
Wylie Griffin | Art Department Coordinator |
Martin Barrios | Art Department Production Assistant |
Maria Labuschagne | Assistant Art Director |
Cristiana Serra | Assistant Art Director |
Max Bozeman | Assistant Property Master |
Don O'Reilly | Assistant Property Master |
Cobus Van Der Waal | Assistant Set Decoration |
Anthony Allan | Concept Artist |
Keith Christensen | Concept Artist |
Darren Christian | Concept Artist |
Jonas De Ro | Concept Artist |
Brendan Heffernan | Concept Artist |
Dan Milligan | Concept Artist |
Stephen Molyneaux | Concept Artist |
Karl Schulschenk | Concept Artist |
Simon Webber | Concept Artist |
Ivan Khomenko | Concept Artist |
Annis Naeem | Conceptual Illustrator |
Josue Clotaire Fleurimond | Conceptual Illustrator |
Elzaan Wilson | Construction Coordinator |
Michael Diersing | Construction Coordinator |
Kenneth Nelson | Construction Coordinator |
John Coda | Construction Foreman |
Tim Davies | Construction Grip |
Brendan Smithers | Construction Manager |
Nicola Campbell | Creature Design |
Thomas Dorman | Graphic Designer |
Steven Milosavleski | Graphic Designer |
Colin Robert Tomas | Graphic Designer |
Paul Pretorius | Greensman |
Norest Ruvinga | Greensman |
Pete Dancy | Property Master |
Pieter Rall | Propmaker |
David Ryan Chandler | Props |
Thembela Charlie | Props |
Jeni Harden | Props |
Tate Van Oudtshoorn | Props |
Camilla van Zyl | Props |
Diane Rich | Scenic Artist |
Wolf-Dieter Stoeffelmeier | Scenic Artist |
Lucie Bourgeau | Set Decorating Coordinator |
Bryan Cantwell | Set Dresser |
James Hargitai | Set Dresser |
Kathleen Pullan | Set Dresser |
Hasan Schahbaz | Set Dresser |
Lauren Sevior | Set Dresser |
Leslie Smith | Set Dresser |
Gregor Telfer | Set Dresser |
Aurora Pegon | Set Dresser |
Terry Simpson | Colorist |
Matt Wallach | Colorist |
Oliver Farkas | Colorist |
Reanne de Klerk | Dailies Technician |
Rhiannon Moriarty | Dailies Technician |
David Alonzo | Digital Intermediate |
Ian Sullivan | Digital Intermediate |
Giovanni DiGiorgio | Digital Intermediate Assistant |
Joe Ken | Digital Intermediate Editor |
Ryan Katz | Editorial Production Assistant |
Melite Vivier | Editorial Production Assistant |
Garin van Munster | Animal Wrangler |
Estelle Vockerodt | Assistant Accountant |
Fiona Ramsay | Dialect Coach |
Coleen Aiello | First Assistant Accountant |
Gerrard Coffey | First Assistant Accountant |
Gai Harvison-Petzer | First Assistant Accountant |
Brian Cantaldi | First Assistant Accountant |
Ozayr Vally | Health and Safety |
Alton Stoffels | Health and Safety |
Steve Loff | Payroll Accountant |
Nadeema October | Payroll Accountant |
Julie Hansen | Post Production Accountant |
Hugh Barrett | Production Accountant |
Chris Conkling | Production Accountant |
Khosie Dali | Production Coordinator |
Sydne Japtha | Production Coordinator |
Aqeel Isaacs | Production Secretary |
Anthony Melillo III | Production Secretary |
Fernanda Vazquez | Production Secretary |
Amanda Kotze | Second Assistant Accountant |
Ashleigh Mackrill | Second Assistant Accountant |
Roland McLennan | Third Assistant Director |
Dwayne Titus | Third Assistant Director |
Lee-Roy Titus | Third Assistant Director |
Akiva Goldsman | Screenplay |
Mary Vernieu | Casting |
Trish Summerville | Costume Design |
Stephen Nakamura | Colorist |
Name | Title |
---|---|
Brian Grazer | Producer |
Stephen King | Producer |
Anders Thomas Jensen | Executive Producer |
G. Mac Brown | Executive Producer |
Trish Hofmann | Executive Producer |
Erica Huggins | Executive Producer |
Jeff Pinkner | Executive Producer |
David H. Venghaus Jr. | Associate Producer |
Ron Howard | Producer |
Akiva Goldsman | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 67 | 106 | 47 |
2024 | 5 | 134 | 187 | 95 |
2024 | 6 | 88 | 141 | 47 |
2024 | 7 | 54 | 84 | 33 |
2024 | 8 | 64 | 137 | 32 |
2024 | 9 | 49 | 94 | 27 |
2024 | 10 | 81 | 187 | 28 |
2024 | 11 | 52 | 75 | 32 |
2024 | 12 | 60 | 118 | 38 |
2025 | 1 | 63 | 103 | 36 |
2025 | 2 | 38 | 63 | 11 |
2025 | 3 | 16 | 74 | 3 |
2025 | 4 | 17 | 30 | 8 |
2025 | 5 | 29 | 98 | 8 |
2025 | 6 | 25 | 79 | 5 |
2025 | 7 | 6 | 8 | 4 |
2025 | 8 | 6 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 653 | 779 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 606 | 824 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 388 | 686 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 335 | 789 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 354 | 602 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 550 | 771 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 698 | 786 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 589 | 733 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 610 | 839 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 170 | 695 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 616 | 832 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 917 | 917 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 578 | 788 |
ok here are my personal thought on this movie I think you can say what you want but I really liked it this movie had a lot of action and fun you really cant go wrong here the action packed fun and enjoyment mcconihey was a pure joy as the evil villain he really knows how to excite an audience you ne ... ed to see this movie
ok so I walked into the theater with full expectations of this one sucking however I really had a nice time watching it this was filled with action and adventure just what you want from a end of summer flick just a good time and loads of fun at the movies ...
I liked the movie was really good. But yet a little disappointed that the movie missed so many things from the book.in my opinion this should of been done in a series setting..just my two cents ...
My hard & fast rule of "Never pay ticket price for anything with Matthew McConaughey in a leading role" has served me well once more, because though one of the biggest problems with _The Dark Tower_ was how they tried to squeeze decades of lore into 95 minute movie, the best part about it was still ... somehow that it was over pretty quick. _Final rating:★½: - Boring/disappointing. Avoid where possible._
**The dark force, the dark tower and then there's heroes!** Based on the book of the same name. It is a book series, so we can expect a new franchise here. Another fantasy series, but is it worth is the real question. I don't know how famous is the original source, but I did not find the film any ... good. For me, it was another teen film like the majority of similarly themed films that flopped terribly. But here, an adult holds a prominent role that played by Idris Elba. Maybe this is just an introduction, but still the first impression failed. The youngsters might enjoy it better than the adults. Particularly the teenagers. A teenager having a series of strange dreams about another world is all actually comes true when he enters through a portal to one of those worlds in the same universe. Now he's tailed by a most dangerous force in the universe, but accompanied by a gunslinger, he has to find a way to stop an apocalypse that's going strike his world and to rest of the universe. Being very simple could be the reason I did not enjoy it. Basically, there's no twist in it. What they have called twist was a cliche in this kind of theme. The cast was okay, and so the visuals. But it all points to the story. The sequel could get better, so lets wait and see. In the meantime, I've heard that a completely a new version of the television series is on the development. I hope it works out better than the film franchise. Finally, it is an average film, neither worth nor a waste of time! I hope you make the right decision regarding watching it! _5/10_
Click here for a video version of this review: https://youtu.be/V_PCAIQ7AvE I’ve not read a lot of Stephen King books, but one which I read and loved was _The Gunslinger_ which is the first book in _The Dark Tower_ series. In 2017 a movie adaptation came out and was named after the series. Starri ... ng Idris Elba and Matthew McConaughey it was hotly anticipated but was met with bad reviews on release. Having loved _The Gunslinger_ and hearing those reviews it’s taken me a long time to get around to watching this. Having now seen it, I gotta say, I agree with those reviews. It’s not a trash movie, but it is also not even close to being a good movie. The core problem is that there are eight books of source material, and for some reason they try to distil all that lore and world building into one 95min film. For that reason alone it was doomed from the start, but add in hilariously uncharismatic acting, shoddy CGI, and a copy pasted plot from 100 other sci-fi or fantasy films, and you have a recipe for mediocrity. Now I will say, I am not a fan of Idris Elba, but I actually thought he played the part of Roland, the Gunslinger, quite well. As for McConaughey, all this did was confirm for me that he is one of the most overrated actors of our generation. My suggestion would be to avoid the movie and pick up the books, because the books will take you away on an epic journey much much more than this movie ever does.
I guess the studio execs decided the American public wasn't smart enough to get Stephen King...you know, the Godfather of accessible fiction. Seriously... What in the wide, wide world of sports happened here?!!!!! Honestly, it's a King movie, it doesn't need to be good. I mean look at the body ... of work that was made that people actually would agree were good: The Dead Zone, The Green Mile, Stand By Me, Shawshank, Carrie (1976), and The Shining (arguably among fans). 6 movies...that's about it. The rest are mediocre, 1408, Cat's Eyes, Misery, Firestarter. And the rest are low budget throw away films that can be enjoyed the same way that one can enjoy any B-Movie...and that's fine. I have a feeling that King appreciates B-Movies more than you'd think. At least that's what he wrote in "On Writing." But this...what the heck is this? Honestly, the Dark Tower series is one of my least favorite things that King has ever written...and I am a huge King fan...but even then, I didn't expect it to be this bad. For starters, it's really not the Dark Tower. I mean, the characters are the same in name...but really in name only. the Gunslinger is chasing the Man in Black...and that is all the similarities we have. You can't blame the actors on this one. You can't blame the source material either, they are at least readable. What you have here is a film that was re-written over and over and over and over again with, what I am guessing, is massive studio interference. The series is already a big part of pulp culture, it already has a huge following...but watching this you get the feeling that some important people didn't understand that and had it rewritten a thousand time to try to make a franchise out of it, rather than use the franchise already in place. Only they wanted to make a franchise by putting the entire franchise into a single film. In the end you can almost feel the different writers when you watch it. You can see where it was meant to go in one direction, then got taken in another, and then a third and a fourth until the actors were so confused they had no choice but to give up. In the end, I got the impression that no one involved knew exactly what they were trying to make any longer. Really, we should be demanding an instant remake and a total refund. Fans deserve no less.
**If we often think that a movie doesn't need to have sequels, this case is the opposite: this movie should have been thought of as the beginning of a franchise of several movies.** As far as I could tell, after some reading, this work of cinema was based on a work by Stephen King, composed of a ... long series of books. I'm sure the source material is good, King is one of the best and most ingenious fantastic writers of our time and his vast literary oeuvre has already made for surprising and remarkable films. What I question is the way this adaptation was made: what are eight books converted into a two-hour film? They probably only took advantage of a handful of characters and locations and threw everything else in the trash. Works like these can only be adapted in the form of trilogies, tetralogies or, in the television market, as series. Otherwise, the source material is not properly exploited in its richness. Regardless of these issues, the film is moderately good: it all starts when the young protagonist, haunted by visions he has, finds a portal to a world he does not know, the world of his visions, and finds a Gunslinger who will help him. Deep down, he already knows the essential: the universal balance is in danger because an evil sorcerer wants to bring down the grandiose Dark Tower which, at the center of all things, harmonizes this balance and cosmic energies. I am explaining it simply and in my own words. Now the task of the two heroes is to prevent this from happening. The best thing about this film is really the feeling of adventure, risk, the almost constant action and the way everything unfolds quickly, without dead moments. As an entertainment film, it is very good, and if we forget that it is the worst adaptation of King ever made for the cinema, we can really have a good time watching it. The big problem here is how rushed everything feels, with the film trying to do too much without having to reach its two and a half hour runtime. The quality of the cast is another asset that makes the film work reasonably well. None of the actors are amazing, there are no great performances, but what was done is enough to push the film in the right direction: Idris Elba is charismatic and likable without ceasing to be fearsome, something his character demanded and which the actor knew to adapt. Tom Taylor also did a good job in the role of the young hero, a role where it would have been very easy to make mistakes, be superficial or ham. The villain has fallen into the shoes of Matthew McConaughey, and despite being suitably dark, he's not really a palpable threat. Technically, the film relies heavily on CGI and effects. The film called for that, given the plot and sci-fi theme. The CGI and effects are good and work well for the most part, although there are a number of options and solutions that I would consider debatable. For example, the film never explores – nor does it have time for – the connections between parallel universes, and how there are so many people in our world who know this. The film would have gained in quality if it had been given an additional hour, or if it had been thought of as the beginning of a broader franchise, with several sequels. The cinematography is very good, the filming work is average, it has good sets, good costumes and excellent action scenes. The soundtrack, I confess, is not convincing, but it works effectively, which is already positive.