Popularity: 5 (history)
Director: | David Leitch |
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Writer: | Kurt Johnstad |
Staring: |
An undercover MI6 agent is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents. | |
Release Date: | Jul 26, 2017 |
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Director: | David Leitch |
Writer: | Kurt Johnstad |
Genres: | Adventure, Action, Thriller |
Keywords | undercover, stasi, europe, mi6, berlin, germany, spy, vodka, based on comic, ddr, germany, bisexuality, double agent, murder investigation, undercover agent, cold war, kgb, murder |
Production Companies | Film i Väst, Denver & Delilah Productions, Focus Features, 87Eleven, Sierra/Affinity, Closed on Mondays Entertainment, TGIM Films |
Box Office |
Revenue: $100,014,025
Budget: $30,000,000 |
Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Charlize Theron | Lorraine Broughton |
James McAvoy | David Percival |
Eddie Marsan | Spyglass |
John Goodman | Emmett Kurzfeld |
Toby Jones | Eric Gray |
James Faulkner | Chief "C" |
Roland Møller | Aleksander Bremovych |
Sofia Boutella | Delphine Lasalle |
Bill Skarsgård | Merkel |
Sam Hargrave | James Gasciogne |
Jóhannes Haukur Jóhannesson | Yuri Bakhtin |
Til Schweiger | Watchmaker |
Barbara Sukowa | Coroner |
Attila Árpa | East German Guard #1 |
Martin Angerbauer | East German Guard #2 |
Lili Gesler | Helena |
Sara Natasa Szonda | Audrey |
Declan Hannigan | Driver |
Balázs Lengyel | Gentleman |
Daniel Hargrave | Sniper |
Greg Rementer | Spotter |
Daniel Bernhardt | Soldier |
Cale Schultz | Boris |
Attila Hasznosi | Protester in Berlin (uncredited) |
Balázs Veres | Berlin Protester (uncredited) |
Ronald Reagan | Self (archive footage) (uncredited) |
Name | Job |
---|---|
Kurt Johnstad | Screenplay |
Jonathan Sela | Director of Photography |
Elísabet Ronaldsdóttir | Editor |
Monique Ganderton | Stunt Coordinator, Stunts |
Jon Valera | Fight Choreographer |
Balázs Varga | Sound Mixer |
Daniel Hargrave | Stunts |
Sam Hargrave | Stunt Coordinator, Second Unit Director |
Domonkos Párdányi | Stunt Coordinator |
Greg Rementer | Stunts |
Cale Schultz | Stunts |
John Houlihan | Music Supervisor |
Jörg Widmer | Camera Operator |
Katia Bokor | Dialect Coach |
Constantine Gregory | Dialect Coach |
Peter Schueller | Dialect Coach |
Dave Lovano | Stunt Coordinator |
Daniel Bernhardt | Stunts |
Lucy Bevan | Local Casting |
Szonja Szekerák | Second Second Assistant Director |
Zsolt Tolmár | Second Assistant Director, Second Unit First Assistant Director |
Ferenc Tóth | Set Production Assistant |
József Varjú | Set Production Assistant |
Caroline Veyssière | Second Assistant Director |
Susie Jones | Script Supervisor |
Gabriella Winkler | Script Supervisor |
Marisol Roncali | Casting |
Tibor Lázár | Art Direction |
Wolfgang Metschan | Art Direction |
Cindy Evans | Costume Design |
Lilla Németh | Stunt Coordinator |
Zsuzsa Mihalek | Set Decoration |
Mark Rosinski | Set Decoration |
Enzo Angileri | Hairstylist |
Rita Balla | Makeup Artist |
Csilla Blake-Horváth | Makeup Supervisor, Hair Supervisor |
Krisztina Fehér | Hairdresser, Hairstylist |
Winnie Mattheus | Hairstylist, Makeup Artist |
Paul Pattison | Makeup Department Head, Key Makeup Artist, Makeup Designer, Hair Designer |
Francesca Tolot | Makeup Artist |
Vickie M. Hsieh | Production Supervisor |
Mónika Nagy | Production Manager |
Jasmina Torbati | Unit Production Manager, Line Producer |
Rickie-Lee Roberts | Second Assistant Director |
Roxana Szarisz | Third Assistant Director |
Lisa C. Satriano | First Assistant Director |
István Balogh | Property Master |
Marcus Haendgen | Property Master |
Hardy Ilona | Art Department Coordinator |
Jonas Jansson | Sound Designer |
György Mihályi | Boom Operator |
Máté Péterffy | Sound Recordist |
Norbert Szekeres | Boom Operator |
Mac Ruth | Sound Mixer |
Gyula Krasnyánszky | Pyrotechnic Supervisor |
Tímea Bárdi | Stunts |
József Fodor | Stunts |
Kinga Kosá-Gavalda | Stunts |
Florian Hotz | Stunt Coordinator |
Géza Kovács | Stunts |
Balázs Lengyel | Stunts |
Richárd Nagy | Stunts |
Béla Orsányi | Stunts |
Gábor Piroch | Stunts |
Frank Bohn | Wardrobe Supervisor |
Zsoka Hoka | Costume Supervisor |
Bea Beliczai | Location Manager |
Klaus Große Darrelmann | Location Manager |
Charlie Hayes | Location Manager |
Peter Cseri | Stand In |
Vanessa Nagy | Stand In |
Imre Juhász | Second Unit Director of Photography |
Frank Buono | Camera Operator |
Botond Aszalós | Camera Operator |
Jan Brun | Dolly Grip |
Mark Hyde | Key Grip |
István Török | Key Grip |
Zoltán Lakatos | Rigging Gaffer |
Attila Pfeffer | Steadicam Operator |
Jonathan Prime | Still Photographer |
Kata Vermes | Still Photographer |
Zoltán Schrammel | Techno Crane Operator |
Hinrich Peters | Lighting Technician |
Alex Zeihn | Lighting Technician |
Balázs Várszegi | Video Assist Operator |
Emil Kovács | Video Assist Operator |
Bence Kalmár | Assistant Art Director |
László Szirmai | Assistant Art Director |
Maja Meschede | Assistant Costume Designer |
Lisa Parmet | Assistant Costume Designer |
Michael Kulzer | Visual Effects Supervisor |
Michael Wortmann | Visual Effects Supervisor |
Fredrik Nord | Visual Effects Supervisor |
Eva Mularonek | Visual Effects Coordinator |
Olivia Maier | Visual Effects Coordinator |
Gábor Kiszelly | Special Effects Supervisor |
Vincent Larsson | Digital Intermediate |
Jakub Sokołowski | Digital Intermediate |
Charlotta Weckström | Digital Intermediate |
Anneli Oscarsson | Digital Intermediate |
Matt Absher | First Assistant Editor |
Mattias Eklund | Sound Editor |
Sam Hart | Graphic Novel |
Antony Johnston | Graphic Novel |
Ethan Smith | Unit Production Manager |
Josy Capkun | Second Assistant Director |
Matyas Fekete | Assistant Editor |
Varun Viswanath | Assistant Editor |
Hilton Jones | Assistant Editor |
Axel Hedberg | Assistant Editor |
Mitch Dorf | ADR Mixer |
Ingela Jönsson | Foley Artist |
Nick Jimenez | ADR Recordist |
Mark McBryde | ADR Mixer |
Viktor Belágyi | Set Dresser |
Enci Bognar | Graphic Designer |
Henning Brehm | Graphic Designer |
József Kiss | Construction Manager |
Balazs Kovacs | Construction Manager |
Márk Kun | Set Dresser |
Zsuzsi Nonn | Graphic Designer |
Dalia Salamah | Graphic Designer |
Péter Behan | Armorer |
Elena Baranova | Dialect Coach |
Barbara Berkery | Dialect Coach |
Eleanor Boyce | Dialect Coach |
Zoltán Bus | Armorer |
Julian Bucknall | First Assistant "A" Camera |
Krisztián Galanics | Second Assistant "C" Camera |
István Gottmann | First Assistant "C" Camera |
Tibor Gulyás | Second Assistant "A" Camera |
Martin Hemzsel | Assistant Camera |
Tamás Jánossa | First Assistant "B" Camera |
Zsolt Big Nagy | Epk Camera Operator |
Laura Nathalie Naschenlas | Second Assistant Camera |
Csaba Nemesházi | Second Assistant "B" Camera |
Mathias Riemann | Best Boy Grip |
Albrecht Silberberger | Gaffer |
Balázs Vákár | Gaffer |
Todd Harris | Storyboard Artist |
Luise Eigner | Casting |
Zsolt Csutak | Local Casting |
Zsuzsa Kismarty-Lechner | Supervising Art Director |
Babette Bröseke | Hairstylist, Makeup Artist |
Móni Csomós | Makeup Supervisor, Hair Supervisor |
Gabriele Hahn-Laue | Hairstylist, Makeup Artist |
Nóra Kapás | Makeup Artist |
Klaudia Király | Hairstylist |
Grit Kosse | Hairstylist, Makeup Artist |
Monika Lienig | Hairstylist, Makeup Artist |
Wolfgang Lienig | Hairstylist, Makeup Artist |
Silka Lisku | Hairstylist |
Réka Maróti | Hairstylist, Makeup Artist |
Karla Meirer | Hairstylist, Makeup Artist |
Ernst-Oskar Modrow | Contact Lens Technician |
Erzsébet Bodor | Contact Lens Technician |
Brigitta Mogony | Hairstylist, Makeup Artist |
Jeannette Tripodi | Hairstylist, Makeup Artist |
Lili Turi | Hairstylist, Makeup Artist |
Kevin Carter | Contact Lens Technician |
Judit Farkas-Arful | Makeup Artist |
Dóra Horváth Kertai | Makeup Artist |
Rita Horváth | Prosthetics |
Gábor Molnár | Contact Lens Designer |
Shaun Smith | Makeup Effects |
Noemi Varro | Assistant Hairstylist |
Nora Feher | Assistant Production Manager |
Ádám Gonda | Assistant Unit Manager |
Tim Pedegana | Post Production Supervisor |
Richard Szabó | Unit Manager |
Dennis Becker | Assistant Director, Second Second Assistant Director |
Veronika Binder | Assistant Director, Set Production Assistant |
András Boza | Third Assistant Director |
Kat Dietl | Assistant Director, Set Production Assistant |
Milán Gajdos | Set Production Assistant |
Mielle Gerard | Assistant Director, Set Production Assistant |
Hajós Péter | Set Production Assistant |
Christiana Hug | Assistant Director |
András Krucsai | Second Second Assistant Director |
Frank Kusche | Second Unit First Assistant Director |
Marian Mächler | Assistant Director, Set Production Assistant |
Benedek Nagy | Second Assistant Director |
Joe Newson | Set Production Assistant |
Oliver Santa | Set Production Assistant |
David Leitch | Director |
Tyler Bates | Original Music Composer |
David Scheunemann | Production Design |
Mary Vernieu | Local Casting |
Gyula Tóth | Stunts |
Iván Orsányi | Stunts |
Péter Sokorai | Stunts |
László Roráriusz | Location Manager |
Balázs Szedlacsek | Assistant Art Director |
Name | Title |
---|---|
Kurt Johnstad | Executive Producer |
A.J. Dix | Producer |
Nick Meyer | Executive Producer |
Eric Gitter | Producer |
Antony Johnston | Co-Producer |
Beth Kono | Producer |
Jeff Morrone | Executive Producer |
Joe Nozemack | Executive Producer |
Steven V. Scavelli | Executive Producer |
Marc Schaberg | Executive Producer |
Peter Schwerin | Producer |
Ethan Smith | Executive Producer |
Lisa Widén | Associate Producer |
Fredrik Zander | Co-Executive Producer |
Anthony Muir | Co-Executive Producer |
David Guillod | Executive Producer |
Charlize Theron | Producer |
Ildikó Kemény | Co-Producer |
Kelly McCormick | Producer |
David Minkowski | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 47 | 69 | 26 |
2024 | 5 | 52 | 104 | 29 |
2024 | 6 | 34 | 58 | 26 |
2024 | 7 | 30 | 53 | 22 |
2024 | 8 | 37 | 76 | 21 |
2024 | 9 | 25 | 39 | 17 |
2024 | 10 | 34 | 63 | 16 |
2024 | 11 | 34 | 60 | 24 |
2024 | 12 | 34 | 45 | 20 |
2025 | 1 | 40 | 64 | 28 |
2025 | 2 | 28 | 45 | 7 |
2025 | 3 | 11 | 35 | 2 |
2025 | 4 | 7 | 11 | 5 |
2025 | 5 | 6 | 12 | 4 |
2025 | 6 | 8 | 16 | 4 |
2025 | 7 | 5 | 6 | 3 |
2025 | 8 | 6 | 16 | 3 |
2025 | 9 | 5 | 9 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 582 | 794 |
Year | Month | High | Avg |
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2025 | 8 | 195 | 744 |
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2025 | 7 | 311 | 673 |
Year | Month | High | Avg |
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2025 | 6 | 278 | 749 |
Year | Month | High | Avg |
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2025 | 5 | 139 | 725 |
Year | Month | High | Avg |
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2025 | 4 | 277 | 667 |
Year | Month | High | Avg |
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2025 | 3 | 370 | 771 |
Year | Month | High | Avg |
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2025 | 2 | 380 | 696 |
Year | Month | High | Avg |
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2025 | 1 | 440 | 756 |
Year | Month | High | Avg |
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2024 | 12 | 340 | 762 |
Year | Month | High | Avg |
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2024 | 11 | 509 | 778 |
Year | Month | High | Avg |
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2024 | 10 | 539 | 716 |
Year | Month | High | Avg |
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2024 | 9 | 265 | 678 |
Year | Month | High | Avg |
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2024 | 8 | 516 | 768 |
I have seen it said of _Atomic Blonde_ that it is hollow piece wrapped in an attractive shell. I would respond by saying that "attractive" hardly does the shell justice, it's absolutely fucking gorgeous. Otherwise though that sounds about right. No, in all seriousness, the plot itself is more tha ... n fine. Even the absolute worst aspects from any individual part of _Atomic Blonde_, no matter how much you pick them apart, more than pass the litmus test for minimum acceptable standard. It truly is a case of style over substance, and that is something that I can understand the complaint for. But it's style **over** substance, not style **instead of** substance. At no point did I feel that the story was cobbled together as an excuse to get to the next setpiece. The story was what it was (a pretty genuine throwback to the espionage thrillers of the late and post-Cold War era) and the aesthetic, the music, the design, was simply how that story was chosen to be delivered. And a brilliant choice at that. Walking in, I was already certain that I was going to like the film, because even if it was just an extended version of the trailer, then it appealed enough to my personal tastes that I was in for a good time. Walking out, I knew that taking everything beyond those factors into account, I didn’t just like _Atomic Blonde_, I loved it. _Final rating:★★★★ - Very strong appeal. A personal favourite._
This is a good solid cold war spy story with plenty of action. I have to say that I liked this movie a lot. I expected a fairly shallow over the top action flick with a sexy but not very bright kick-ass chick as the main protagonist. To my surprise I got something quite a bit more than that. Sure ... the movie is quite “Hollywoodish”, it is supposed to be a action movie after all, but it is surprisingly well done and Charlize Theron is great as the sexy, not at all stupid and very much kick-ass chick. As a bit of a twist the story is told in the form of a debriefing at the MI6 headquarter. This type of storytelling can be a bit miss or hit since, unless the writer is good at it, it has a tendency to spoil the movie and the events already when the movie starts. I would say that in this one they got it right. The movie is frequently quite dark and gritty which of course is fitting with the former East Germany setting. To my great delight they did not stoop to the usual dark, almost black and white, boring type of footage that you too frequently get. Instead the dark and gritty scenes are filmed in a “darkish” blue hue and the scenes actually have a lot of color in them. The story is a fairly standard spy-is-given-a-mission-behind-the-wall-and-it-all-goes-to-hell one. As a story goes it is really not much to write home about and it has the usual plot holes and illogical twists. What makes this movie good is how it is implemented. As I have already mentioned Charlize Theron is great in her role. She is sharp tongued, hot and kicks ass. Unlike many protagonists in movies like this one she not only administers pain but she receives it as well. Actually the movie starts with scenes of her showing off bruises all over her body (yes all of it). To fill out the picture we get some brutal, and I mean brutal, KGB agents, the traitorous colleague, the defector and a few other characters. Together they embark on a roller coaster ride of spy work, chases, (brutal) ass kicking etc. All of it very well done as far as I am concerned. It is not the silly fx loaded blow-everything-up kind of action but instead up-personal-beat-them-up action. I have to say that I quite liked the end of the movie as well. The twist at the end was maybe not the biggest surprise of the year but I definitely liked it. I really do not like movies that fizzles out with a bunch of loose ends and objectives not achieved. This movie is, to my great enjoyment, not one of those. To me this movie was really good. Certainly better than I expected.
IN MY DREAMS I AM LORIANNE BROUGHTON, IN REALITY I AM MONA LISA VITO. OH WELL A GIRL CAN DREAM. CHARLIZE THERION IS ICEY COLD PERFECTION. ...
IN MY DREAMS I AM LORIANNE BROUGHTON, IN REALITY I AM MONA LISA VITO. OH WELL A GIRL CAN DREAM. CHARLIZE THERION IS ICEY COLD PERFECTION. ...
It SHOULD have been good. It is a spy movie with a basic spy movie plot. It promises double crosses and intrigue. But it never really delivers on the suspense and tension that are the principle trope of good spy movies...and it never really delivers on the empty mindless popcorn stuffing atmosphe ... re that are the basic tropes of action movies. So in the end you're left with a movie that isn't tense and suspenseful enough to be "3 Days of the Condor" or "The Americans" and a movie that isn't as mindless action packed fun as James Bond. All the elements were there, but they never seemed to pull them off. It's like that old Native American saying, "if you chase two rabbits you'll lose them both." And that's really what happened here. it tried to be two different kinds of spy movie in one and never really made it into either. You're left wondering why you bothered. Had they picked one and went whole headlong for that goal, it could have been stellar. Instead it's luke warm at best.
The movie wasn't that good. It does have a lot of action though. Some pretty sweet fight scenes too. ...
<em>'Atomic Blonde'</em> entertains! A very stylish action-packed 115 minutes. Loved watching Charlize Theron in the lead role, a great performance from her. The whole cast are very good, though James McAvoy and Sofia Boutella stood out most to me. Some of the dialogue could've been better, while ... the story does get a bit overly entwined. Still, there is no doubt that I had fun with this 2017 flick; which was David Leitch's official directorial debut. I've seen all five movies of his now and I've enjoyed all of them, albeit to varying degrees. <em>'Bullet Train'</em> is definitely my favourite! 🚆