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Atomic Blonde

Talents can be overrated.
2017 | 115m | English

(216377 votes)

TMDb IMDb

Popularity: 5 (history)

Director: David Leitch
Writer: Kurt Johnstad
Staring:
Details

An undercover MI6 agent is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents.
Release Date: Jul 26, 2017
Director: David Leitch
Writer: Kurt Johnstad
Genres: Adventure, Action, Thriller
Keywords undercover, stasi, europe, mi6, berlin, germany, spy, vodka, based on comic, ddr, germany, bisexuality, double agent, murder investigation, undercover agent, cold war, kgb, murder
Production Companies Film i Väst, Denver & Delilah Productions, Focus Features, 87Eleven, Sierra/Affinity, Closed on Mondays Entertainment, TGIM Films
Box Office Revenue: $100,014,025
Budget: $30,000,000
Updates Updated: Aug 10, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Charlize Theron Lorraine Broughton
James McAvoy David Percival
Eddie Marsan Spyglass
John Goodman Emmett Kurzfeld
Toby Jones Eric Gray
James Faulkner Chief "C"
Roland Møller Aleksander Bremovych
Sofia Boutella Delphine Lasalle
Bill Skarsgård Merkel
Sam Hargrave James Gasciogne
Jóhannes Haukur Jóhannesson Yuri Bakhtin
Til Schweiger Watchmaker
Barbara Sukowa Coroner
Attila Árpa East German Guard #1
Martin Angerbauer East German Guard #2
Lili Gesler Helena
Sara Natasa Szonda Audrey
Declan Hannigan Driver
Balázs Lengyel Gentleman
Daniel Hargrave Sniper
Greg Rementer Spotter
Daniel Bernhardt Soldier
Cale Schultz Boris
Attila Hasznosi Protester in Berlin (uncredited)
Balázs Veres Berlin Protester (uncredited)
Ronald Reagan Self (archive footage) (uncredited)
Name Job
Kurt Johnstad Screenplay
Jonathan Sela Director of Photography
Elísabet Ronaldsdóttir Editor
Monique Ganderton Stunt Coordinator, Stunts
Jon Valera Fight Choreographer
Balázs Varga Sound Mixer
Daniel Hargrave Stunts
Sam Hargrave Stunt Coordinator, Second Unit Director
Domonkos Párdányi Stunt Coordinator
Greg Rementer Stunts
Cale Schultz Stunts
John Houlihan Music Supervisor
Jörg Widmer Camera Operator
Katia Bokor Dialect Coach
Constantine Gregory Dialect Coach
Peter Schueller Dialect Coach
Dave Lovano Stunt Coordinator
Daniel Bernhardt Stunts
Lucy Bevan Local Casting
Szonja Szekerák Second Second Assistant Director
Zsolt Tolmár Second Assistant Director, Second Unit First Assistant Director
Ferenc Tóth Set Production Assistant
József Varjú Set Production Assistant
Caroline Veyssière Second Assistant Director
Susie Jones Script Supervisor
Gabriella Winkler Script Supervisor
Marisol Roncali Casting
Tibor Lázár Art Direction
Wolfgang Metschan Art Direction
Cindy Evans Costume Design
Lilla Németh Stunt Coordinator
Zsuzsa Mihalek Set Decoration
Mark Rosinski Set Decoration
Enzo Angileri Hairstylist
Rita Balla Makeup Artist
Csilla Blake-Horváth Makeup Supervisor, Hair Supervisor
Krisztina Fehér Hairdresser, Hairstylist
Winnie Mattheus Hairstylist, Makeup Artist
Paul Pattison Makeup Department Head, Key Makeup Artist, Makeup Designer, Hair Designer
Francesca Tolot Makeup Artist
Vickie M. Hsieh Production Supervisor
Mónika Nagy Production Manager
Jasmina Torbati Unit Production Manager, Line Producer
Rickie-Lee Roberts Second Assistant Director
Roxana Szarisz Third Assistant Director
Lisa C. Satriano First Assistant Director
István Balogh Property Master
Marcus Haendgen Property Master
Hardy Ilona Art Department Coordinator
Jonas Jansson Sound Designer
György Mihályi Boom Operator
Máté Péterffy Sound Recordist
Norbert Szekeres Boom Operator
Mac Ruth Sound Mixer
Gyula Krasnyánszky Pyrotechnic Supervisor
Tímea Bárdi Stunts
József Fodor Stunts
Kinga Kosá-Gavalda Stunts
Florian Hotz Stunt Coordinator
Géza Kovács Stunts
Balázs Lengyel Stunts
Richárd Nagy Stunts
Béla Orsányi Stunts
Gábor Piroch Stunts
Frank Bohn Wardrobe Supervisor
Zsoka Hoka Costume Supervisor
Bea Beliczai Location Manager
Klaus Große Darrelmann Location Manager
Charlie Hayes Location Manager
Peter Cseri Stand In
Vanessa Nagy Stand In
Imre Juhász Second Unit Director of Photography
Frank Buono Camera Operator
Botond Aszalós Camera Operator
Jan Brun Dolly Grip
Mark Hyde Key Grip
István Török Key Grip
Zoltán Lakatos Rigging Gaffer
Attila Pfeffer Steadicam Operator
Jonathan Prime Still Photographer
Kata Vermes Still Photographer
Zoltán Schrammel Techno Crane Operator
Hinrich Peters Lighting Technician
Alex Zeihn Lighting Technician
Balázs Várszegi Video Assist Operator
Emil Kovács Video Assist Operator
Bence Kalmár Assistant Art Director
László Szirmai Assistant Art Director
Maja Meschede Assistant Costume Designer
Lisa Parmet Assistant Costume Designer
Michael Kulzer Visual Effects Supervisor
Michael Wortmann Visual Effects Supervisor
Fredrik Nord Visual Effects Supervisor
Eva Mularonek Visual Effects Coordinator
Olivia Maier Visual Effects Coordinator
Gábor Kiszelly Special Effects Supervisor
Vincent Larsson Digital Intermediate
Jakub Sokołowski Digital Intermediate
Charlotta Weckström Digital Intermediate
Anneli Oscarsson Digital Intermediate
Matt Absher First Assistant Editor
Mattias Eklund Sound Editor
Sam Hart Graphic Novel
Antony Johnston Graphic Novel
Ethan Smith Unit Production Manager
Josy Capkun Second Assistant Director
Matyas Fekete Assistant Editor
Varun Viswanath Assistant Editor
Hilton Jones Assistant Editor
Axel Hedberg Assistant Editor
Mitch Dorf ADR Mixer
Ingela Jönsson Foley Artist
Nick Jimenez ADR Recordist
Mark McBryde ADR Mixer
Viktor Belágyi Set Dresser
Enci Bognar Graphic Designer
Henning Brehm Graphic Designer
József Kiss Construction Manager
Balazs Kovacs Construction Manager
Márk Kun Set Dresser
Zsuzsi Nonn Graphic Designer
Dalia Salamah Graphic Designer
Péter Behan Armorer
Elena Baranova Dialect Coach
Barbara Berkery Dialect Coach
Eleanor Boyce Dialect Coach
Zoltán Bus Armorer
Julian Bucknall First Assistant "A" Camera
Krisztián Galanics Second Assistant "C" Camera
István Gottmann First Assistant "C" Camera
Tibor Gulyás Second Assistant "A" Camera
Martin Hemzsel Assistant Camera
Tamás Jánossa First Assistant "B" Camera
Zsolt Big Nagy Epk Camera Operator
Laura Nathalie Naschenlas Second Assistant Camera
Csaba Nemesházi Second Assistant "B" Camera
Mathias Riemann Best Boy Grip
Albrecht Silberberger Gaffer
Balázs Vákár Gaffer
Todd Harris Storyboard Artist
Luise Eigner Casting
Zsolt Csutak Local Casting
Zsuzsa Kismarty-Lechner Supervising Art Director
Babette Bröseke Hairstylist, Makeup Artist
Móni Csomós Makeup Supervisor, Hair Supervisor
Gabriele Hahn-Laue Hairstylist, Makeup Artist
Nóra Kapás Makeup Artist
Klaudia Király Hairstylist
Grit Kosse Hairstylist, Makeup Artist
Monika Lienig Hairstylist, Makeup Artist
Wolfgang Lienig Hairstylist, Makeup Artist
Silka Lisku Hairstylist
Réka Maróti Hairstylist, Makeup Artist
Karla Meirer Hairstylist, Makeup Artist
Ernst-Oskar Modrow Contact Lens Technician
Erzsébet Bodor Contact Lens Technician
Brigitta Mogony Hairstylist, Makeup Artist
Jeannette Tripodi Hairstylist, Makeup Artist
Lili Turi Hairstylist, Makeup Artist
Kevin Carter Contact Lens Technician
Judit Farkas-Arful Makeup Artist
Dóra Horváth Kertai Makeup Artist
Rita Horváth Prosthetics
Gábor Molnár Contact Lens Designer
Shaun Smith Makeup Effects
Noemi Varro Assistant Hairstylist
Nora Feher Assistant Production Manager
Ádám Gonda Assistant Unit Manager
Tim Pedegana Post Production Supervisor
Richard Szabó Unit Manager
Dennis Becker Assistant Director, Second Second Assistant Director
Veronika Binder Assistant Director, Set Production Assistant
András Boza Third Assistant Director
Kat Dietl Assistant Director, Set Production Assistant
Milán Gajdos Set Production Assistant
Mielle Gerard Assistant Director, Set Production Assistant
Hajós Péter Set Production Assistant
Christiana Hug Assistant Director
András Krucsai Second Second Assistant Director
Frank Kusche Second Unit First Assistant Director
Marian Mächler Assistant Director, Set Production Assistant
Benedek Nagy Second Assistant Director
Joe Newson Set Production Assistant
Oliver Santa Set Production Assistant
David Leitch Director
Tyler Bates Original Music Composer
David Scheunemann Production Design
Mary Vernieu Local Casting
Gyula Tóth Stunts
Iván Orsányi Stunts
Péter Sokorai Stunts
László Roráriusz Location Manager
Balázs Szedlacsek Assistant Art Director
Name Title
Kurt Johnstad Executive Producer
A.J. Dix Producer
Nick Meyer Executive Producer
Eric Gitter Producer
Antony Johnston Co-Producer
Beth Kono Producer
Jeff Morrone Executive Producer
Joe Nozemack Executive Producer
Steven V. Scavelli Executive Producer
Marc Schaberg Executive Producer
Peter Schwerin Producer
Ethan Smith Executive Producer
Lisa Widén Associate Producer
Fredrik Zander Co-Executive Producer
Anthony Muir Co-Executive Producer
David Guillod Executive Producer
Charlize Theron Producer
Ildikó Kemény Co-Producer
Kelly McCormick Producer
David Minkowski Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 47 69 26
2024 5 52 104 29
2024 6 34 58 26
2024 7 30 53 22
2024 8 37 76 21
2024 9 25 39 17
2024 10 34 63 16
2024 11 34 60 24
2024 12 34 45 20
2025 1 40 64 28
2025 2 28 45 7
2025 3 11 35 2
2025 4 7 11 5
2025 5 6 12 4
2025 6 8 16 4
2025 7 5 6 3
2025 8 6 16 3
2025 9 5 9 2

Trending Position


Year Month High Avg
2025 9 582 794
Year Month High Avg
2025 8 195 744
Year Month High Avg
2025 7 311 673
Year Month High Avg
2025 6 278 749
Year Month High Avg
2025 5 139 725
Year Month High Avg
2025 4 277 667
Year Month High Avg
2025 3 370 771
Year Month High Avg
2025 2 380 696
Year Month High Avg
2025 1 440 756
Year Month High Avg
2024 12 340 762
Year Month High Avg
2024 11 509 778
Year Month High Avg
2024 10 539 716
Year Month High Avg
2024 9 265 678
Year Month High Avg
2024 8 516 768

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Reviews

Ruuz
8.0

I have seen it said of _Atomic Blonde_ that it is hollow piece wrapped in an attractive shell. I would respond by saying that "attractive" hardly does the shell justice, it's absolutely fucking gorgeous. Otherwise though that sounds about right. No, in all seriousness, the plot itself is more tha ... n fine. Even the absolute worst aspects from any individual part of _Atomic Blonde_, no matter how much you pick them apart, more than pass the litmus test for minimum acceptable standard. It truly is a case of style over substance, and that is something that I can understand the complaint for. But it's style **over** substance, not style **instead of** substance. At no point did I feel that the story was cobbled together as an excuse to get to the next setpiece. The story was what it was (a pretty genuine throwback to the espionage thrillers of the late and post-Cold War era) and the aesthetic, the music, the design, was simply how that story was chosen to be delivered. And a brilliant choice at that. Walking in, I was already certain that I was going to like the film, because even if it was just an extended version of the trailer, then it appealed enough to my personal tastes that I was in for a good time. Walking out, I knew that taking everything beyond those factors into account, I didn’t just like _Atomic Blonde_, I loved it. _Final rating:★★★★ - Very strong appeal. A personal favourite._

Jun 23, 2021
Dark Jedi
10.0

This is a good solid cold war spy story with plenty of action. I have to say that I liked this movie a lot. I expected a fairly shallow over the top action flick with a sexy but not very bright kick-ass chick as the main protagonist. To my surprise I got something quite a bit more than that. Sure ... the movie is quite “Hollywoodish”, it is supposed to be a action movie after all, but it is surprisingly well done and Charlize Theron is great as the sexy, not at all stupid and very much kick-ass chick. As a bit of a twist the story is told in the form of a debriefing at the MI6 headquarter. This type of storytelling can be a bit miss or hit since, unless the writer is good at it, it has a tendency to spoil the movie and the events already when the movie starts. I would say that in this one they got it right. The movie is frequently quite dark and gritty which of course is fitting with the former East Germany setting. To my great delight they did not stoop to the usual dark, almost black and white, boring type of footage that you too frequently get. Instead the dark and gritty scenes are filmed in a “darkish” blue hue and the scenes actually have a lot of color in them. The story is a fairly standard spy-is-given-a-mission-behind-the-wall-and-it-all-goes-to-hell one. As a story goes it is really not much to write home about and it has the usual plot holes and illogical twists. What makes this movie good is how it is implemented. As I have already mentioned Charlize Theron is great in her role. She is sharp tongued, hot and kicks ass. Unlike many protagonists in movies like this one she not only administers pain but she receives it as well. Actually the movie starts with scenes of her showing off bruises all over her body (yes all of it). To fill out the picture we get some brutal, and I mean brutal, KGB agents, the traitorous colleague, the defector and a few other characters. Together they embark on a roller coaster ride of spy work, chases, (brutal) ass kicking etc. All of it very well done as far as I am concerned. It is not the silly fx loaded blow-everything-up kind of action but instead up-personal-beat-them-up action. I have to say that I quite liked the end of the movie as well. The twist at the end was maybe not the biggest surprise of the year but I definitely liked it. I really do not like movies that fizzles out with a bunch of loose ends and objectives not achieved. This movie is, to my great enjoyment, not one of those. To me this movie was really good. Certainly better than I expected.

May 16, 2024
rozmiarek
N/A

IN MY DREAMS I AM LORIANNE BROUGHTON, IN REALITY I AM MONA LISA VITO. OH WELL A GIRL CAN DREAM. CHARLIZE THERION IS ICEY COLD PERFECTION. ...

Dec 03, 2021
rozmiarek
N/A

IN MY DREAMS I AM LORIANNE BROUGHTON, IN REALITY I AM MONA LISA VITO. OH WELL A GIRL CAN DREAM. CHARLIZE THERION IS ICEY COLD PERFECTION. ...

Dec 03, 2021
GenerationofSwine
1.0

It SHOULD have been good. It is a spy movie with a basic spy movie plot. It promises double crosses and intrigue. But it never really delivers on the suspense and tension that are the principle trope of good spy movies...and it never really delivers on the empty mindless popcorn stuffing atmosphe ... re that are the basic tropes of action movies. So in the end you're left with a movie that isn't tense and suspenseful enough to be "3 Days of the Condor" or "The Americans" and a movie that isn't as mindless action packed fun as James Bond. All the elements were there, but they never seemed to pull them off. It's like that old Native American saying, "if you chase two rabbits you'll lose them both." And that's really what happened here. it tried to be two different kinds of spy movie in one and never really made it into either. You're left wondering why you bothered. Had they picked one and went whole headlong for that goal, it could have been stellar. Instead it's luke warm at best.

Jan 13, 2023
SoSmooth1982
4.0

The movie wasn't that good. It does have a lot of action though. Some pretty sweet fight scenes too. ...

Apr 17, 2023
r96sk
8.0

<em>'Atomic Blonde'</em> entertains! A very stylish action-packed 115 minutes. Loved watching Charlize Theron in the lead role, a great performance from her. The whole cast are very good, though James McAvoy and Sofia Boutella stood out most to me. Some of the dialogue could've been better, while ... the story does get a bit overly entwined. Still, there is no doubt that I had fun with this 2017 flick; which was David Leitch's official directorial debut. I've seen all five movies of his now and I've enjoyed all of them, albeit to varying degrees. <em>'Bullet Train'</em> is definitely my favourite! 🚆

May 11, 2024