National Anthem
2024 | 99m | English
Popularity: 0.6 (history)
| Director: | Luke Gilford |
|---|---|
| Writer: | Luke Gilford, David Largman Murray, Kevin Best |
| Staring: |
| A 21-year old construction worker in rural New Mexico joins a community of queer ranchers and rodeo performers in search of their own version of the American dream. | |
| Release Date: | Jul 12, 2024 |
|---|---|
| Director: | Luke Gilford |
| Writer: | Luke Gilford, David Largman Murray, Kevin Best |
| Genres: | Drama, Romance |
| Keywords | rodeo, new mexico, open relationship, single mother, lgbt, alcoholic mother, rodeo performer, gay theme, homoerotic, independent film, day labor |
| Production Companies | LD Entertainment, Inspirado |
| Box Office |
Revenue: $268,183
Budget: $0 |
| Updates |
Updated: Feb 05, 2026 Entered: Apr 25, 2024 |
| Name | Character |
|---|---|
| Charlie Plummer | Dylan |
| Eve Lindley | Sky |
| Rene Rosado | Pepe |
| Mason Alexander Park | Carrie |
| Robyn Lively | Fiona |
| Joey DeLeon | Cassidy |
| Lee Knight | Lee |
| Fernando Casablancas | Levi |
| Alexander Alayon Jr. | Road Worker |
| Mark Sivertsen | Rick |
| Kalorie Karbdashian-Williams | Charlene |
| James Cady | Jimmy |
| D'Angelo Lacy | National Anthem Singer |
| Kimberley Christann Pember | Fiona's Friend |
| Rocko Reyes | Day Laborer |
| Nicki Starr | Mistress of Ceremonies |
| Calvin 'Brandi' Fields | Temple |
| Delia Rawdon | Looper (uncredited) |
| Name | Job |
|---|---|
| Luke Gilford | Writer, Director |
| Amber Bansak | Editor |
| Josh Schaeffer | Editor |
| Kelly McGehee | Production Design |
| David Largman Murray | Writer |
| Katelin Arizmendi | Director of Photography |
| Shiloh Kidd | Art Direction |
| Graham Wichman | Set Decoration |
| Madeline McCue | Makeup Department Head |
| Kevin Best | Writer |
| Jamie Ember | Casting |
| Joseph Middleton | Casting |
| Emily Batson | Costume Design |
| Liz Gallacher | Music Supervisor |
| Sierra Barton | Key Makeup Artist |
| Chase Heard | Hair Department Head |
| Mitchell Grobman | Post Production Supervisor |
| Molly Bernitz | Second Assistant Director |
| Jessica Dickard | Second Assistant Director |
| Michael Egli | Second Second Assistant Director |
| Josh Montes | First Assistant Director |
| Kurt Blondis | Propmaker |
| Brian DeNike | Leadman |
| Kimberly A. Fleming | Property Master |
| Bree Merkwan | Props |
| David Lee Servoss | Set Dresser |
| Jared Thomas | Art Department Production Assistant |
| Jessica Arkoff | Supervising Sound Editor |
| Patrick Christensen | ADR Mixer |
| Jeremy B. Davis | Sound Re-Recording Mixer |
| Matthew T. Duncan | Sound Re-Recording Mixer |
| Georgina Hahn | Boom Operator |
| Brandyn Marko | Assistant Sound Editor |
| Samuel Nacach | Sound Effects Editor |
| Jesus Rodriguez | ADR Recordist |
| Mike Xu | Dialogue Editor |
| Marc Terrien | Stunt Driver |
| Derek Lacasa | Stunts |
| Dylan Hice | Stunts |
| Stefano Egleston | Casting Assistant |
| Dani Payne | Casting Associate |
| Sophie Loftus | Assistant Costume Designer |
| Anna-Judite Vegtel | Wardrobe Supervisor |
| Diana Scarbrough | Script Supervisor |
| Ryan Walker Page | Choreographer |
| Perfume Genius | Songs |
| Edgar Rosa | Line Producer |
| Kendra Tuthill | Art Department Coordinator |
| Nick Urata | Original Music Composer |
| Alex Bickel | Colorist |
| Name | Title |
|---|---|
| Zackary Drucker | Executive Producer |
| Luke Gilford | Executive Producer |
| Jacob Yakob | Executive Producer |
| Jasmine Daghighian | Producer |
| Mickey Liddell | Producer |
| Gina Marcheschi | Producer |
| David Largman Murray | Executive Producer |
| Pete Shilaimon | Producer |
| Beau Ward | Executive Producer |
| Michael Glassman | Executive Producer |
| Troy Nankin | Executive Producer |
| Kevin Garland | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 8 | 26 | 2 |
| 2024 | 5 | 13 | 36 | 6 |
| 2024 | 6 | 11 | 27 | 4 |
| 2024 | 7 | 19 | 43 | 10 |
| 2024 | 8 | 23 | 57 | 8 |
| 2024 | 9 | 12 | 16 | 8 |
| 2024 | 10 | 15 | 24 | 8 |
| 2024 | 11 | 13 | 26 | 6 |
| 2024 | 12 | 10 | 16 | 7 |
| 2025 | 1 | 7 | 11 | 4 |
| 2025 | 2 | 5 | 10 | 1 |
| 2025 | 3 | 3 | 6 | 0 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 3 | 4 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
| 2025 | 11 | 0 | 3 | 0 |
| 2025 | 12 | 0 | 0 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 984 | 984 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 34 | 198 |
“Dylan” (Charlie Plummer) lives with his mum and younger brother and works, where he can, in construction to put food on the table. One day, he picks up some work with a travelling rodeo circus - loads of aspiring Buffalo Bills. The thing is, most of them are gay and aside from roping the ponies the ... y put on some drag shows and have all the concomitant relationship issues that you’d expect to find amongst a community that is tightly night and highly strung. He is welcomed by all, and swiftly takes a shine to “Sky” (Eve Lindley) who is in an open relationship with “Pepe” (Rene Rosado) and for the rest of this film we follow that turbulent scenario set against more of his own family’s discord and his own desires to save his cash to buy an SUV and travel the land. There is something really quite visceral about Plummer’s efforts here and the grand expanse of scenery is really well captured by the photography, but the story. It’s all just too safe. It’s sort of like inserting a straight dynamic into “Priscilla, Queen of the Desert”, only this really does lack for much humour and is, especially towards the end, a rather earnest and plodding melodrama that I thought just ran out of steam. It’s a story about love, lust and acceptance, but delivers nothing we haven’t seen before across an whole range of cinema genres. Indeed, it’s almost compartmentalised to ensure the main plot has virtually nothing at all to do with the film’s USP. It had the potential to rock the boat a bit, but I was really quite disappointed, sorry.