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Furiosa: A Mad Max Saga Poster

Furiosa: A Mad Max Saga

Fury is born.
2024 | 149m | English

(302763 votes)

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Popularity: 14 (history)

Details

As the world falls, young Furiosa is snatched from the Green Place of Many Mothers into the hands of a great biker horde led by the warlord Dementus. Sweeping through the wasteland, they encounter the citadel presided over by Immortan Joe. The two tyrants wage war for dominance, and Furiosa must survive many trials as she puts together the means to find her way home.
Release Date: May 22, 2024
Director: George Miller
Writer: Nico Lathouris, George Miller
Genres: Adventure, Action, Science Fiction
Keywords chase, spin off, masculinity, child abduction, wasteland, tyranny, anxious, warlord, prequel, desert, tyrant, revenge murderer, mother daughter relationship, bold, brisk, post-apocalyptic future, struggle for survival, grim, car
Production Companies Warner Bros. Pictures, Kennedy Miller Mitchell, Domain Entertainment
Box Office Revenue: $174,287,546
Budget: $168,000,000
Updates Updated: Aug 04, 2025 (Update)
Entered: May 01, 2024
Trailers and Extras

Full Credits

Name Character
Anya Taylor-Joy Furiosa
Chris Hemsworth Dementus
Tom Burke Praetorian Jack
Alyla Browne Young Furiosa
George Shevtsov The History Man
Lachy Hulme Immortan Joe / Rizzdale Pell
John Howard The People Eater
Angus Sampson Organic Mechanic
Charlee Fraser Mary Jabassa
Elsa Pataky Vuvalini General / Mr Norton
Nathan Jones Rictus Erectus
Josh Helman Scrotus
David Field Toe Jam
Rahel Romahn Vulture
David Collins Smeg
Goran D. Kleut The Octoboss
CJ. Bloomfield Big Jilly
Matuse Paz Fang
Ian Roberts Mr Harley
Guy Spence Mr Davidson
Robert Jones Squint
Clarence John Ryan Black Thumb
Tim Burns Hungry Eyes
Tim Rogers Snapper
Florence Mezzara Sad Eyes
Quaden Bayles War Pup
Peter Stephens Guardian of Gastown
Sean Millis Lone War Boy
Lee Perry The Bullet Farmer
Dylan Adonis Little Valkyrie
David Barnett The Cycling Man
Anna Adams Vuvalini
Peter Sammak Vuvalini
Shea Adams Cannibal
Josh Randall Savage
Karl Van Moorsel Hacker / Mortiflyer Bomb Setter
Dawn Klingberg Corpse Minder
Richard Norton The Prime Imperator
Stephen Amadasun Shotgun Praetorian
Nick Annas First Pick War Boy
Ripley Voeten Chosen War Boy
Matthew Van Leeve Mortiflyer Matt
Shane Dundas Gastown Gate Watchman
Jamie Cluff Gastown Gate Opener
Adam Thompson Gastown Gate Opener
Shyan Tonga Gastown Rider
Nellie Collins Winchman
Adam Washbourne Watch Tower Praetorian Guard
James Corcoran Watch Tower Praetorian Guard
Sasa Vitanovic Watch Tower Praetorian Guard
Tige Sixel Miller Watch Tower Praetorian Guard
Justice Jones Praetorian Pup
Maleeka Gasbarri Pregnant Wife
Keza Ishimwe Immortan's Harem
Nat Buchanan Immortan's Harem
Jacob Tomuri The Dogman / Mad Max
Mark Wales Brake Man
Bryan Probets Chumbucket
Danny Lim High Master Black Thumb
Darcy Bryce Pissboy
Chudier Gatwech Wretched Man Recruit
Shivantha Wijesinha Welder Recruit
Spencer Connelly Rakka The Brackish
Ben Smith-Petersen Ace Warboy
Toby Fuller Lookout Warboy
Jayden Irving Witness Warboy
Jesse Turner Bommyknocker Warboy
Jon Iles Bullet Farm Senior War Boy
Harrison Norris Hazz The Valiant
Ash Hodgkinson Valiant Lancer
Sean Renfrey The Echo Man
Xanthia Marinelli Treadmill Rat / Vuvalini (uncredited)
Alex Time Dementus Biker (uncredited)
Daniel Webber War Boy (uncredited)
Zhou Yeye Treadmill Rat (uncredited)
Nikos Andronicos Various (uncredited)
Kelli Bailey The Wretched (uncredited)
Marcia Coronado Vuvalini (uncredited)
Matt De Souza Treadmill Rat (uncredited)
Hiroshi Kasuga Gas Towner (uncredited)
Shakriya Tarinyawat Biker (uncredited)
Zhang Chongwei Corpse Minder (uncredited)
Name Job
Tom Holkenborg Sound Re-Recording Mixer, Original Music Composer
Jamieson Shaw Music Editor
Yulia Akerholt Dialogue Editor
Dean Hood Unit Production Manager
Danielle Blake Second Assistant Director
Robert Threadgold Controller
Nicholas Copping Unit Production Manager
Merilyn Cook Unit Production Manager
Sophie Fabbri-Jackson Script Supervisor
Jason Bath Visual Effects Producer
Jessica Meier Sound Editor, Sound Re-Recording Mixer, Sound Effects Editor
Mark Goellnicht Camera Operator, Steadicam Operator
Simon Harding Camera Operator, Steadicam Operator
Jay Torta Camera Operator
David Elmes First Assistant "A" Camera
Brett Matthews First Assistant "B" Camera
Inaki De Ubago First Assistant "C" Camera
Naomi Sharp Second Assistant "A" Camera
Sid Tinney Second Assistant "B" Camera
Ben Allen Second Assistant "C" Camera
Chantal Jack Data Wrangler
Tim Wong Stunt Coordinator
Hayley Wright Stunt Double
Adam Lytle Stunt Double
Jesse Turner Stunt Double
Shea Adams Stunts
Cameron Ambridge Stunts
Andrea Berchtold Stunts
Isaac Bernauer Stunts
David Chea Stunts
Jane Dawkins Extras Casting
Kelly Graham Casting Associate
Jess Bentley Third Assistant Director
Diego O. Gonzalez Visual Effects
Guy Norris Second Unit Director
Eliot Knapman Editor
Eric Whipp Colorist
Robert Mackenzie Sound Re-Recording Mixer, Sound Designer, Supervising Sound Editor
Andrew Jackson Visual Effects Supervisor
Margaret Sixel Editor
Jordan Anastasi Boom Operator
James Ashton Sound Re-Recording Mixer, Sound Designer
Duncan Campbell Foley Mixer
Gunay Demirci First Assistant Sound Editor
Tom Heuzenroeder Sound Effects Editor
Sue Kerr First Assistant Sound Editor
Adrian Medhurst Foley Artist
Marisa Marsionis Assistant Dialogue Editor
James Nowiczewski Boom Operator
Claire Read Sound Assistant
Angus Robertson ADR Mixer
Sonja Stojkov Second Assistant Sound
Tara Webb Sound Effects Editor
Michal Zoltkowski Second Assistant Sound
Mark Scoon Executive In Charge Of Production
Nicholas Dare Art Direction
Jacinta Leong Art Direction
Katie Sharrock Set Decoration
Sophie Nash Supervising Art Director
Gabrielle Carey Set Designer
Laura Egan On Set Dresser
Darren Fieldhouse Construction Foreman
Greg Hajdu Construction Coordinator
Dane Hallett Concept Artist
Meg Hamilton Prop Maker
Mark Harman On Set Dresser
Matt Hatton Concept Artist
Aaron Jordin Painter
Annette Mackie Concept Artist
Kate McCowage Assistant Art Director
Mackenzie Platt Set Designer
Joanna Pullen Property Master
Kate Rawlins Assistant Art Director
Mark Sexton Storyboard Artist
Kevin Silva Concept Artist
Phillip Telford Carpenter
Tyler O'B Wallis Props
Lucy Wyborn Set Dresser
Nico Lathouris Writer
P.J. Voeten First Assistant Director
Jenny Beavan Costume Design
George Miller Director, Writer
Shane Baxley Conceptual Design
Lachlan Gilmore Painter
Simon Duggan Director of Photography
Colin Gibson Production Design
Ben Osmo Production Sound Mixer
Nikki Barrett Casting
Lesley Vanderwalt Makeup Designer, Hair Designer
Samantha Thompson Visual Effects Coordinator
Raelene Chapman Stunts
Stephen James Visual Effects Supervisor
Richard Norton Fight Choreographer
Guido Wolter Visual Effects Supervisor
Shaun Conway Gaffer
Michael Adcock Gaffer
Emerson Adcock Lighting Technician
Jasin Boland Still Photographer
Joseph Chebatte Lighting Technician
Toby Copping Key Grip
Kane Grosvenor Grip
Adam Kuiper Key Grip
Peter Whitby Lighting Technician
Adeline-Faye Petz Special Effects Makeup Artist
Brydie Stone Key Makeup Artist
Rebecca Allen Hair Designer
Bronwyn Doughty Makeup & Hair
Emma George Makeup & Hair
Samara Gildea Makeup & Hair
Courtney Lee Bowden Assistant Editor
Annie Zhang Assistant Editor
Larissa Lowthorp Creative Director
Luca Vannella Hair Designer
Ashlee Fidow Stunts
Name Title
Anthony Tittanegro Executive Producer
Andrew Lary Executive Producer
Dean Hood Executive Producer
Pete Chiappetta Executive Producer
Doug Mitchell Producer
George Miller Producer
Rachael Gill Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 114 154 85
2024 5 627 1602 137
2024 6 1264 5953 647
2024 7 2822 7517 1136
2024 8 893 1269 531
2024 9 413 624 319
2024 10 332 421 270
2024 11 245 307 197
2024 12 217 303 151
2025 1 197 274 137
2025 2 133 182 30
2025 3 56 194 4
2025 4 23 28 18
2025 5 19 22 17
2025 6 19 24 17
2025 7 16 19 13
2025 8 14 18 12
2025 9 14 20 12

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2025 9 106 588
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2025 8 300 736
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2025 5 231 636
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2025 4 103 568
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2025 3 89 318
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2025 2 105 302
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2025 1 52 186
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2024 12 41 126
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2024 11 40 77
Year Month High Avg
2024 10 34 138
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2024 9 17 35
Year Month High Avg
2024 8 4 15

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Reviews

mynameritesh
N/A

Furiosa (⭐⭐⭐⭐) is a relentless, adrenaline-pumping actioner from #GeorgeMiller, set in a post-apocalyptic wasteland. The film's action sequences are brutal, exciting, and innovative, featuring engaging set pieces and characters. Despite a somewhat thin premise, the action remains a standout. #ChrisH ... emsworth delivers a compelling performance, his intimidating presence suggesting potential for a spin-off origin film for his character. #AnyaTaylorJoy is commendable, bringing sufficient depth to her role. However, the subplot exploring Furiosa's origins feels weak and underdeveloped. Overall, Furiosa serves as a worthy prequel with unparalleled action choreography, although the climax may feel off and stretched, potentially disappointing fans expecting a stronger ending.\r\n\r\nWatch or Not?\r\nIf you liked Mad Max Fury Road, then go for this, action lovers go for this. Keep expectations at bay.

May 24, 2024
msbreviews
7.0

FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/furiosa-a-mad-max-saga-review-a-flawed-yet-captivating-dive-into-a-powerful-iconic-protagonist/ "Furiosa: A Mad Max Saga deepens its titular protagonist and the respective post-apocalyptic world, offering a captivating origin story that enriches ... Fury Road, but its excessive runtime, predictability, and time spent addressing the other installment's flaws hinder its enjoyment. The action set pieces lack the same novelty factor and frenetic pace, but the stunts remain impressive. The performances of Anya Taylor-Joy and Alyla Browne as Furiosa deserve praise, as does Chris Hemsworth's insane portrayal of Dementus. Depending on the chosen viewing order, the perspective on both films changes drastically, but in the end, they remain essential recommendations to every movie lover out there." Rating: B+

May 24, 2024
Geronimo1967
7.0

The young "Furiosa" (Alyla Browne) is captured by some rogue bikers and despite the best efforts of her sharp-shooting mother is help captive by the menacing "Dementus" (Chris Hemsworth) who rather paternally calls her "Little D"! This dystopian world really consists of three powers. The "Immortan J ... oe" (Lachy Hulme) in an unassailable citadel where food and water are plentiful, the "Guardian of Gastown" (Peter Stephens) who runs the last refinery producing petrol and the "Bullet Farm" - a quarry. They have a loose bartering arrangement that allows each to hold their own territory and this is arrangement "Dementus" and his army of thousands wants to take control of. He does manage to secure a better deal with "Joe" but only if he trades his "Little D" as part of the bargain. Once she's been duly swapped and introduced to his harem, she determines that she needs a new ID! Years go by as she passes for a boy, moves up the food chain at the Citadel and is finally sent on war-rig duties trading gas for food. It's now that she (Anya Taylor-Joy) encounters the war-rig driver "Praeteorian Jack" (Tom Burke) and, thinking he might be a conduit for her to get back home, joins forces for some battles royal. As origin stories go, this is good end to end stuff, quickly paced and packed with action right from the beginning. Hemsworth is highly entertaining as the prose-spouting monster and there are loads of supporting characters - the likes of "Smeg", "Rictus Erectus" and "Scrotus" to characterise these gangs of violent and ruthless half-wits. ATJ doesn't really have that much to do for most of this, and has virtually no dialogue - but when she is on screen she works well with her ninja skills coming to the fore. I didn't love the ending, it drags a bit and is entirely predictable, but this holds up well for 2½ hours and the stunt work and live-action photography is impressive.

May 28, 2024
MovieGuys
6.0

Whilst Furiosa isn't a bad action film, I suspect its lacklustre response from audiences, reflects not whats on offer but whats absent. On the upside is loads of heart stopping action, amazing cinematic's, great sets, plus strong performances from the cast. A lesser aspect of the downside is ... the unnecessarily drawn out back story, replete with details about the key character, no one cares about, which, in turn, leads to the main fault in this film.......ITS NOT ABOUT MAD MAX Rockatansky. Lets be honest, no one's really interested in peripheral characters or their back story, they want the REAL DEAL. That's where this film was always going to fall flat with viewing audiences. If this film had been about Mad Max with a back story covering as yet unrevealed aspects of the life of the younger and older Max, in the latter case played by the actor who made the franchise famous, Mel Gibson, then I suspect Hollywood would have a real HIT on their hands. In summary, you don't make a major film about the back story of a peripheral character from a franchise, you make the film about the MAIN character, its as simple as that. I'm amazed this wasn't obvious.

Jun 11, 2024
r96sk
8.0

I enjoyed <em>'Furiosa: A Mad Max Saga'</em>, which is a rightful addition to the <em>'Mad Max'</em> franchise. I personally would say that the run time is way too long, like this does not need to be a 2hr 20min+ movie. With that said, I still got the desired amount of entertainment from this 202 ... 4 flick. Chris Hemsworth is outstanding, easily the most I've wanted to see a character onscreen from this series; he fits the role perfectly. Anya Taylor-Joy puts in a very good showing as well, her character doesn't say much so a lot of the performance is reliant on her visual emotions - which Taylor-Joy portrays on point. The rest of the cast are on the same level to me, all support the show well without rising near the lead two; similar-ish story for the whole franchise, in truth. Visually the movie looks cracking, while the action matches prior installments in providing the vast majority of what makes these films so worth the watch. This prequel/spin-off is one I'd put in the top bracket from this series, it's up there with <em>'Mad Max: Fury Road'</em> - which does just slightly edge ahead.

May 31, 2024
jphastings
N/A

I really enjoyed this film! It is _a lot_ of explosions and brutality, but it was continually compelling — even as I questioned why I was so invested. At 2h20m it definitely made me feel my sleepy age (I saw it on my 39th birthday, and I was squinting and yawning by the end!) but I felt more impress ... ed that a relatively slow paced film gripped me for so long. It's a proper odyssey, with poor Furiosa only wanting to get home; but the trials she faces grow organically out of the plot and the universe, and give Furiosa a depth I didn't expect from a character/actor who's almost entirely expressionless through the film. This entry in the Mad Max continuum (though I've only watched [the first](https://www.themoviedb.org/movie/9659-mad-max), and [Fury Road](https://www.themoviedb.org/movie/76341-mad-max-fury-road)) steers away from exploring the whats and whys of the apocalyptic world they live in, tempting though I'm sure it was in a 2024 that has _so many_ parallels, and instead lets us draw our own conclusions. The men in power who lie and rabble-rouse to get the power they desire, just so they can watch the world burn (again); how much we all embrace making ourselves vulnerable for the hope of human connection; the power dynamics and game theory in a world where two thirds of what you need is only necessary because of collective attitudes. I'm certain I'll watch this again—and as a stand-alone film—which, for a long and relatively simple plot, is something very uncommon for me. I hope you enjoy it too! (Originally posted on [byJP](https://www.byjp.me/posts/reviews/movies/furiosa-a-mad-max-saga/))

Jun 18, 2024
chandlerdanier
8.0

Yeah, Furiosa. What a furious young lady. Thor does a good job. Well executed lore and world building. Sure does suck to be a lady in this wasteland. Fun to see education breakdown. Didn't even mind the runtime so maybe it should be a 10. ...

Jun 24, 2024
TheSceneSnobs
5.0

This installment of the Mad Max saga was disappointing. Personally, I would have preferred a continuation of Furiosa's story with Charlize Theron rather than an origin story. However, once Anya Taylor-Joy was cast, my excitement returned. Her performance in The Menu is one of my favorites, and she h ... as never given a bad performance. Despite my anticipation, I walked out of this movie feeling underwhelmed. The film feels a bit detached from the franchise. Returning to an origin story, especially in this series, feels like a misstep. The strength of the first four movies lies in their forward momentum and the development of their characters. We've already seen the beginning in Mad Max; what the audience craves is progress, ideally with Max at the forefront but I would like to see 'Furiosa' along for future rides. While the cinematography is undeniably gorgeous, the editing leaves much to be desired. The film spends too much time on areas that don't align with what makes a Mad Max film great. For example, the original films excelled in their high-octane action sequences and tight pacing, whereas this installment meanders, losing the kinetic energy that defines the series and limits an entire war to a montage. Chris Hemsworth's portrayal of Dementus is a mixed bag. He brings a certain fun to the role, but his character often feels frustratingly inconsistent. There are moments where Dementus' choices seem out of character or simply don’t make sense, disrupting the narrative flow and diminishing the overall impact of the film. Some could argue that his demented nature is the reason for his decisions but even that idea falls flat. One of the most disappointing aspects is that this movie lacks the fun, rewatchable quality of its predecessors. The previous films in the series are known for their relentless pace and compelling characters, making them enjoyable to revisit. This installment, however, doesn’t capture that same magic, leaving it feeling somewhat deflated in comparison. While 'Furiosa' offers some stunning visals and strong performances, it ultimately fails to live up to the legacy of its predecessors. The decision to focus on an origin story rather than continuing Furiosa's journey feels like a missed opportunity. Fans of the franchise may find some enjoyment in the film, but it doesn’t possess the same exhilarating spirit that made the earlier movies iconic. Moving forward, it would be more satisfying to see the series return to its roots, focusing on character-driven narratives that push the story forward. A continuation of Furiosa’s journey or a new chapter with Max would likely resonate more with audiences, capturing the essence of what makes Mad Max an enduring and beloved franchise.

Jul 12, 2024
CuzzinCoo
N/A

**Wonder Woman ** Lately, it seems Hollywood has been casting great actresses in strong female roles but pairing them with subpar writing. This movie is not one of those. I went in with the mindset of "here we go again," but came out surprisingly satisfied. The story, acting, and action are all t ... op-notch, and it seamlessly leads into "Mad Max: Fury Road" without missing a beat. Don't skip this one—it's probably the best in the franchise.

Jul 12, 2024
screenzealots
5.0

There’s no doubt that “Furiosa” is a strong, entertaining, and high quality film, but director George Miller‘s latest installment in the Mad Max franchise falls short in delivering the same fresh and original experience as “Fury Road.” Miller builds on the legacy of the 2015 Oscar-winning hit, but t ... he film still struggles with a repetitive narrative (and a tired retread of visuals) that fails to capture the groundbreaking innovations that made its predecessor such a worldwide phenomenon. I liked this movie a lot, but I certainly didn’t love it. As the world collapses, young Furiosa (Alyla Browne) is forcibly taken from the Green Place of Many Mothers and captured by a formidable Biker Horde led by the Warlord Dementus (Chris Hemsworth). As they traverse the Wasteland, they encounter the Citadel, ruled by Immortan Joe (Lachy Hulme). Amidst the power struggle between these two tyrants, Furiosa (Anya Taylor-Joy) must endure numerous trials to gather the resources needed to find her way back home. The film tells the origin story of the renegade warrior (and certified badass) Furiosa before her encounter with Mad Max. It’s a prequel to “Fury Road,” and this movie builds a satisfying history to the unlikely female hero. The first half of the story is the most compelling, as the narrative traces Furiosa’s journey from a young girl held captive in a brutal world to her development into a fierce combatant. The first part of her history is also filled with the most emotional depth, outlining the motivations of her character and the harsh realities that shaped her. It adds layers of complexity to the character, which is why I found this part of the movie to be the most engaging. The second half began to wear me down as it falls into a repetitive cycle of desert chases and action scenes that feel all too familiar. While they’re executed with Miller’s signature flair, they seem lacking in innovation. The whole “been there, done that” vibe really puts a damper on things. I think part of the problem here is that “Fury Road” set such a high bar with its inventive visual style and storytelling, and a lot of that is replicated (flaming fireballs, armored trucks, vast expanses of golden deserts…even some of the exact same stunts are in play). This makes the film too predictable and slightly disappointing, especially when that element of surprise and eye-popping awe has come to define the franchise. The action is a blast and the post-apocalyptic setting and costumes are exceptional, but the envelope isn’t quite pushed as far as it could’ve been. The brightest spot is, without question, Simon Duggan‘s cinematography. This is a gorgeous looking movie from beginning to end, and the visuals capture the brutality as well as the stark beauty of the wasteland. The special effects are also flawless, but all of these technical achievements (and strong performances from the cast) can’t quite compensate for the weaker elements — although I would venture to guess that diehard fans aren’t going to care. “Furiosa” is a worthy addition to the Mad Max saga, even if it doesn’t reach the creative heights nor deliver the groundbreaking experience that delighted all of us with “Fury Road.” By: Louisa Moore / SCREEN ZEALOTS

Jul 16, 2024
JPV852
6.0

Some decent action sequences as expected though, from my memory, doesn't come close to the epic chaos from Fury Road. The acting for the most part was fine and Chris Hemsworth seemed to be having some fun in his villain role while Anya Taylor-Joy was fine as Furiosa. However, having this coming out ... 9 years after Fury Road and a spin-off of a character that frankly I had little interest in, was the downfall of this prequel. Beyond that, the plot itself wasn't enthralling and at times I was pretty bored. I wish we got an actual Mad Max: Fury Road sequel with Tom Hardy; why they went this route is puzzling, but not to mention taking so long to get it out. It's not too surprising this bombed at the box office and was the death nail of the franchise. **2.75/5**

Aug 09, 2024
Mangoturtle
8.0

George Miller definitely had it him to make it epic. I hadn't seen Fury Road since it came out, so I took the liberty to watch it and finish it an hour before I went to go see Furiosa, and personally, I liked Furiosa more. The antagonist felt a lot more connected to the plot and the world bui ... lding was better, you were able to get more of a scope of the world. Anya Taylor-Joy is one of my favorite actresses, everything she's in is good and this is no exception. The cinematography of this movie was also more creative. The only drawback for me was that the vehicle designs did not seem as special as Fury Road's. They just seemed like the basic motorcycles and 18 wheelers, which isn't that bad, it's just a little sad. Overall a great watch, better than any of the fast and furious movies for sure. MangoMeter: 8/10

Oct 21, 2024
Dark Jedi
9.0

I do not know if I expected another woke Hollywood turd and therefore was really positively surprised or if the movie is just really good but, to me, this is a really good movie. I had heard rumblings about it being bad but, again too me, that is just not true. It is also claimed that it didn’t d ... o as well as expected at the box office but then this is oftentimes clueless Hollywood bean counters with unrealistic and overinflated expectations causing this. This is the kind of action filled, crazy and fairly violent movie that you would expect from a Mad Max movie. The action is good, the characters are good, the settings are good (the Bullet Farm was mostly a whole in the ground and a bit underwhelming though), and the story is actually not bad at all. Also, there is no woke, far left preaching that I could notice in the movie which in todays world is a great plus. Overall I really liked the movie and its two and a half hour run length did not really feel too long. If I should complain about something it would be that they just skipped over the war between Dementus and Immortan Joe with some bla bla about humans always having fought wars. The movie also felt a bit “sanitized”, that is lacking grittiness and gore, for being a Mad Max movie. The R rating that it apparently got in the US is pretty ridiculous. In France it got a 13+ rating. However, that is minor nitpicking.

Oct 27, 2024
kevin2019
6.0

"Furiosa: A Mad Max Saga" is enjoyable enough and George Miller is an amazing director, but the film is overlong and it does have a tendency to meander too much of the time. It is basically nothing more than a high octane succession of action scenes at its core, but don't get yourself too excited by ... the prospect of this. The scenes in question lack the raw excitement of the original trilogy and this is principally because most of the action is obviously taking place in the comfortable security of the studio. This is disappointing, especially when compared to the downright reckless derring-do of the original films where the absolutely superb stunt teams risked life and limb in pursuit of the imaginative and timeless sequences they captured on film for our enjoyment back in the hazardous days where health and safety precautions barely existed at all whereas today the most serious injury you are apt to receive is when your harness suddenly goes a little crazy and bounces you off the nearest green screen.

Dec 27, 2024