Popularity: 14 (history)
Director: | Joel Crawford, Januel Mercado |
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Writer: | Tommy Swerdlow, Tom Wheeler, Paul Fisher |
Staring: |
Puss in Boots discovers that his passion for adventure has taken its toll: He has burned through eight of his nine lives, leaving him with only one life left. Puss sets out on an epic journey to find the mythical Last Wish and restore his nine lives. | |
Release Date: | Dec 07, 2022 |
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Director: | Joel Crawford, Januel Mercado |
Writer: | Tommy Swerdlow, Tom Wheeler, Paul Fisher |
Genres: | Animation, Family, Comedy, Fantasy, Adventure |
Keywords | fairy tale, aftercreditsstinger, amused, sequel, spin off, fear of death, talking dog, talking cat |
Production Companies | DreamWorks Animation |
Box Office |
Revenue: $484,700,000
Budget: $90,000,000 |
Updates |
Updated: Aug 04, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Antonio Banderas | Puss in Boots (voice) |
Salma Hayek Pinault | Kitty Softpaws (voice) |
Harvey Guillén | Perrito (voice) |
Wagner Moura | Wolf (voice) |
Florence Pugh | Goldilocks (voice) |
Olivia Colman | Mama Bear (voice) |
Ray Winstone | Papa Bear (voice) |
Samson Kayo | Baby Bear (voice) |
John Mulaney | Jack Horner (voice) |
Da'Vine Joy Randolph | Mama Luna (voice) |
Anthony Mendez | Doctor (voice) |
Kevin McCann | Ethical Bug (voice) |
Bernardo de Paula | Governor / Little Boy's Father / Male Partier (voice) |
Betsy Sodaro | Jo Serpent / Additional Baker's Dozen Gang Member (voice) |
Artemis Pebdani | Jan Serpent (voice) |
Conrad Vernon | Gingy (voice) |
Cody Cameron | Pinocchio (voice) |
Kailey Crawford | Little Goldi (voice) |
Al Rodrigo | Bartender (voice) |
Bob Persichetti | Ohhh Cat (voice) |
Miguel Matrai | Little Boy (voice) |
Pilar Uribe | Governor's Assistant / Female Partier (voice) |
Heidi Gardner | Last Baker (voice) |
Joel Crawford | Band Member / Baker's Dozen Gang Member (voice) |
Januel Mercado | Band Member / Baker's Dozen Gang Member (voice) |
James Ryan | Little Jack Audience Member / Baker's Dozen Gang Member (voice) |
Natalia Cronembold | Waitress / Baker's Dozen Gang Member (voice) |
Paul Fisher | Additional Baker's Dozen Gang Member (voice) |
Aydrea Walden | Additional Baker's Dozen Gang Member (voice) |
Name | Job |
---|---|
Heitor Pereira | Original Music Composer |
Gaby Moreno | Songs |
Nate Wragg | Production Design |
Joseph Feinsilver | Art Direction |
Heidi Jo Gilbert | Head of Story |
Mark Edwards | Visual Effects Supervisor |
Chris Stover | Head of Layout |
Christi Soper Hilt | Casting |
Jacquelyn Karambelas | Associate Editor |
Natalia Cronembold | Associate Editor |
Karl Armstrong | Associate Editor |
Joseph Butler | First Assistant Editor |
Katie Parody | Assistant Editor |
Randy Spahr | Assistant Editor |
Andrea Blasich | Character Designer |
Jesús Alonso Iglesias | Character Designer |
Shiyoon Kim | Character Designer |
Jorge García | Lead Animator |
Antony Gray | Lead Animator |
Thomas Grummt | Lead Animator |
Lindsey Butterworth Langston | Animation |
Shir Baron | Animation |
Andrew Harkins | Animation |
Ryan Page | Animation |
Brooke Shay Bradford | Animation |
Martin P. Hopkins | Animation |
Yung Pham | Animation |
Prashanth Cavale | Animation |
Steven Hornby | Animation |
Ludovic Bouancheau | Head of Animation |
Michael Lynn | Production Manager |
Lisa Briggs Sachs | Production Manager |
Julien Bocabeille | Animation Supervisor |
Laurent Caneiro | Animation Supervisor |
Willy Harber | Animation Supervisor |
Jakob Hjort Jensen | Animation Supervisor |
Dan Wagner | Animation Supervisor |
Derek Cheung | Effects Supervisor |
Zachary Glynn | Effects Supervisor |
Michael Losure | Effects Supervisor |
Julian Slater | Sound Re-Recording Mixer, Supervising Sound Editor |
Jason W. Jennings | Sound Designer, Supervising Sound Editor |
Greg P. Russell | Sound Re-Recording Mixer |
Tyler Phillips | Animation |
Joseph Chong | Animation |
David Polk | Animation |
Reece Porter | Animation |
Steven R.V. Johnson | Animation |
David Couchariere | Animation |
Marek Kochout | Animation |
Robyne Powell | Animation |
Mark Roennigke | Animation |
Michelle Cowart | Animation |
Patrick Danaher | Animation |
Philippe Le Brun | Animation |
William Salazar | Animation |
Maarten Lemmens | Animation |
Hans Dastrup | Animation |
Ares Deveaux | Animation |
David Lisbe | Animation |
Jeremy Schaefer | Animation |
Emily Springer | Animation |
Chadd Ferron | Animation |
Alvaro Michelena | Animation |
Ryan Vicik | Animation |
Greg Whittaker | Animation |
Garrett O'Neal | Animation |
Patrick Giusiano | Animation |
Christopher Gonzalez | Animation |
Jeff Williams | Animation |
Paul Pirola | Foley Supervisor |
Mia Stewart | Dialogue Editor |
Tim Walston | Sound Designer |
Ken McGill | Sound Effects Editor |
Linda Yeaney | First Assistant Sound Editor |
Christopher Campagna | Foley Editor |
Adam Shaw | Foley Editor |
Sam Rogers | Foley Artist |
Ryan Squires | Foley Recordist |
Rick Hromadka | Sound Designer |
Gavin Greenaway | Conductor |
David Shipps | Orchestrator |
David Bleich | Visual Development |
Claire Keane | Visual Development |
Naveen Selvanathan | Visual Development |
Daniel Cacouault | Visual Development |
Wayne Tsay | Visual Development |
Sébastian Piquet | Visual Development |
Dane Stogner | Animation Supervisor |
Drew Adams | Animation |
Ivan Oviedo | Animation |
Kelly Vawter | Animation |
Justin Weg | Animation |
Marco Regina | Animation |
Daniel Edwards | Animation |
Brendan Kirschbaum | Animation |
Sean Sexton | Animation |
Sebastien Wojda | Animation |
Ashley Lambert | ADR Voice Casting |
John Wong | Animation |
Alexander Snow | Animation |
Adrien Liv | Animation |
Steve Vanseth | Animation |
Onur Yeldan | Animation |
Lori Chen | Production Assistant |
John Geller | Post Production Supervisor |
Catherine Chooljian | Animation |
John Han | Animation |
Isaac Avital | Animation |
Jun Hyuck Kim | Animation |
Neil Campbell Ross | Visual Development |
R. Orlando Duenas | Associate Editor |
Sheri Galloway | Assistant Editor |
Dylan Stayman | Assistant Editor |
Lauren Airriess | Visual Development |
Leighton Hickman | Visual Development |
He Jung Park | Visual Development |
Luca Pisanu | Visual Development |
Marcos Mateu-Mestre | Visual Development |
Chelsea Blecha | Visual Development |
Christa Alyse Carr | Visual Development |
Zac Retz | Visual Development |
Jeff Canham | Graphic Designer |
Matthew Paulson | Modeling |
Oscar A. Ayala | Modeling |
Craig Dowsett | Modeling |
Catherin Cubillan Reyes | Modeling |
Kull Shin | Modeling |
Hannah Kang | Modeling |
Joshua Brock | Modeling |
Pil Gyu Chang | Modeling |
Jaewon Lee | Modeling |
Joshua Tsukamoto | Modeling |
Bear Williams | Modeling |
Seungyoung Choi | Modeling |
Joachim de Brunier | Modeling |
Garrett Pond | Modeling |
Danny Willliams | Modeling |
Emmanuel Marenco | Modeling |
Haeng Sook Oh | Modeling |
Sarah Vawter | Modeling |
Daniela Kriston | Researcher |
Matt Flynn | Story Artist |
Anthony Holden | Story Artist |
Taylor Meacham | Story Artist |
Evon Freeman | Story Artist |
Hanna Kim | Story Artist |
Bill Riling | Story Artist |
Naz Ghodrati-Azadi | Story Artist |
Warren Leonhardt | Story Artist |
Marceline Tanguay | Story Artist |
Gary Graham | Story Artist |
Steven A. MacLeod | Story Artist |
Aaron Austin | Story Artist |
Kaan Kalyon | Story Artist |
Chris Mitchell | Story Artist |
Jeff Biancalana | Story Artist |
Danny Langston | Story Artist |
Lyle Nagy | Story Artist |
Michael Lester | Story Artist |
John Puglisi | Story Artist |
Alice Herring | Story Artist |
David Wolter | Story Artist |
Colin Jack | Story Artist |
Anthony Zierhut | Story Artist |
Camryn Miller | Production Coordinator |
Sam Yassa | Script Coordinator |
Melissa Baldwin | Thanks |
Jerry Schmitz | Thanks |
Stuart Sumida | Thanks |
Joel Crawford | Director |
James Ryan | Editor |
Januel Mercado | Co-Director |
Tommy Swerdlow | Screenplay, Story |
Tom Wheeler | Story |
Paul Fisher | Screenplay |
Fabio Lignini | Animation Supervisor |
Brian Menz | Animation |
Dan Navarro | Songs |
Rani Naamani | Animation |
Simon Wells | Story Artist |
Johane Matte | Story Artist |
Latifa Ouaou | Thanks |
Greg Baldwin | Thanks |
Mike Mitchell | Thanks |
Tom McGrath | Thanks |
Chris Sanders | Thanks |
Etan Cohen | Additional Writing |
KAROL G | Songs |
Robert Huth | Animation |
Elisabeth Franklin Constantine | Animation |
JP Sans | Animation |
Bill Díaz | Animation |
Cody Cameron | Story Artist |
Bob Persichetti | Thanks |
Ian McQue | Visual Development |
Name | Title |
---|---|
Mark Swift | Producer |
Chris Meledandri | Executive Producer |
Andrew Adamson | Executive Producer |
Heather Lanza | Associate Producer |
Organization | Category | Person | |
---|---|---|---|
Berlin International Film Festival | Best Director | Joel Crawford | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 185 | 238 | 145 |
2024 | 5 | 189 | 249 | 136 |
2024 | 6 | 197 | 243 | 149 |
2024 | 7 | 206 | 241 | 172 |
2024 | 8 | 173 | 227 | 136 |
2024 | 9 | 176 | 266 | 131 |
2024 | 10 | 162 | 229 | 125 |
2024 | 11 | 181 | 289 | 145 |
2024 | 12 | 154 | 179 | 130 |
2025 | 1 | 151 | 178 | 106 |
2025 | 2 | 117 | 154 | 23 |
2025 | 3 | 50 | 178 | 3 |
2025 | 4 | 24 | 26 | 21 |
2025 | 5 | 24 | 30 | 20 |
2025 | 6 | 22 | 26 | 17 |
2025 | 7 | 17 | 20 | 14 |
2025 | 8 | 15 | 21 | 13 |
2025 | 9 | 16 | 22 | 14 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 144 | 616 |
Year | Month | High | Avg |
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2025 | 8 | 180 | 647 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 350 | 715 |
Year | Month | High | Avg |
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2025 | 6 | 313 | 676 |
Year | Month | High | Avg |
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2025 | 5 | 328 | 733 |
Year | Month | High | Avg |
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2025 | 4 | 286 | 700 |
Year | Month | High | Avg |
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2025 | 3 | 85 | 529 |
Year | Month | High | Avg |
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2025 | 2 | 65 | 495 |
Year | Month | High | Avg |
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2025 | 1 | 125 | 491 |
Year | Month | High | Avg |
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2024 | 12 | 211 | 517 |
Year | Month | High | Avg |
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2024 | 11 | 145 | 469 |
Year | Month | High | Avg |
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2024 | 10 | 201 | 452 |
Year | Month | High | Avg |
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2024 | 9 | 185 | 399 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 261 | 563 |
Puss in Boots: The Last Wish had a lot to live up to as most of my critic and casual friends have been praising the film, and for the most part the film delivers. From the opening frames, the unique art style fills the screen and is incredibly captivating. There is some excellent combination of 3 ... D animation with 2D styles that I have not seen before. The combat frame rate shift was also a nice touch that worked better than I was expecting. Action was top notch with some incredible set pieces and superb choreography. The Last Wish deals with some pretty heavy themes for an animated children's movie. Death is something that all humans will have to face which was handled in such a nuanced and mature way here. From panic attacks to haunting imagery, death looms large throughout the entire film and serves as a menacing villain. The journey our heroes take to confront this fear is very heartwarming and will resonant with most audience members. With most DreamWorks pictures, the comedy is targeted at both children and adults. I did find myself laughing out loud at plenty of jokes, but just as many landed flat for me. This would be more of an issue, but this is an incredibly balanced film with great action and dramatic moments that leave little room for a few flat jokes to make a large impact on my experience. I genuinely believe that this movie has restored the Shrek universe and can propel the future projects upward. Hype has officially been restored for Shrek 5! Score: 86% Verdict: Great
I did not expect the sequel to a decent spin-off Dreamworks film from over a decade ago to be one of the most poignant, introspective, genuinely hilarious, and heartwarming films of the year. But here we are. After an overly cheesy, somewhat clunky opening sequence, The Last Wish very quickly beg ... ins developing its zany assortment of characters into distinct quirky personalities with sympathetic desires and clear goals. The film juggles several character arcs and it's almost miraculous how it successfully handled all of them with proper set up and satisfying, emotionally weighty payoffs. The screenplay is wacky, witty, and also bursting with heart as it deals with weighty themes of trusting others and finding purpose in any circumstances. And it tackles these themes in ways that are always understandable to all ages but never insultingly oversimplified. What I also didn't expect was that the action sequences would be so well-choreographed and beautifully animated, and that the movie would often be terrifying and violent at times. I adored this film. I think it's Dreamworks' best film since Megamind and it's easily the best true family film of the year.
I can't think for a minute that this would have worked at all, had it not for been for the entertainingly over-the-top voice talents of Antonio Banderas in the title roll. His cat is a sort of combination of Cyrano de Bergerac and Casanova - full of flair, dashing and adept with his flourishing blad ... e. Until, that is, he has a run-in with a church bell that brings him face to face with his mortality. He has only one of his nine lives left, and death is poised to come claim him! Shattered, he seeks refuge in a home for cats where he encounters "Perrito" - a small, naive and lost little dog who is determined to befriend him. Meantime, the not so little "Jack Horner" and "Goldilocks" and her three bears are looking for a map that will guide them to a wishing star that, well, it does what it says on the tin. The bears decide to track down our eponymous hero to help them procure it, but he and his feline rival "Kitty" (and their new doggy pal) decide to join forces and must face a series of tortuous escapades in the race to succeed in their quest. It must be 45 years since I last read the "Goldilocks" story and try as I might, I just couldn't remember it as it gradually evolves as one of the threads of this enjoyably crafted montage of fable and charisma. It's pretty action packed with Banderas proving his singing hasn't really improved much since "Evita" (1996). It's a family movie for sure with messages of loyalty, affection, determination etc.; but there is still enough in the dialogue for those older folks in the auditorium to raise a smile and keep it interesting for 100 minutes. The animation is super and this character driven adventure is well worth seeing on a big screen if you can. Maybe not one for tiny kids - but for us bigger ones, this is fun.
This one sort of slipped through the cracks didn't it? I mean, it has a very good, very heartwarming story that helps define a character's growth over the length of the plot. It has a story about hope and sacrifice and struggle. It is a good movie. How does a movie this good get made today? ... Isn't this sort of the opposite of everything that current Hollywood stands for? Where is the strong female lead replacing Puss in Boots as the hero? Where are the identity politics? Where is the nonstop shaming of Straight White Men? Where is the depiction of half the country as absolute evil? How can they make a western movie that doesn't shame the west at every possible turn? I have absolutely no idea how this could have been made, but what I can say is that it is fantastic, it is moving, it is fun for the whole family and it has a decent nonpolitical message. The main character is heroic. This is just... well, this is a movie that doesn't seem like it could possibly be made in today's Hollywood.
Really good movie better then the first. I loved the beard it was pretty funny looking. The storyline was way better then part one. ...
A sequel miles better than the (good) original - that's a rarity! Those behind <em>'Puss in Boots: The Last Wish'</em> absolutely smashed it out the park with this one. I had heard murmurs of hype about it so was expecting it to be very good, yet it still managed to surpass my expectations. It fe ... atures a great story with well utilised characters, of which there are quite a few. Soon after hitting play I wasn't actually sure about the animation, for one Puss himself looked different to how I remember him from <em>'Shrek'</em>. However, those thoughts quickly disappeared because the style is, in fact, gorgeous. You can tell the people making this had heart in it, rather than just milking the IP for another installment. Antonio Banderas remains a joy as Puss in Boots, a character that wouldn't be as memorable without him. Harvey Guillén comes in with a standout showing, I do think Perrito is the least interesting visually but the character (and voice) is what makes the dog a successful addition. John Mulaney (thought it was Zach Braff, ngl) is a positive newbie too. Florence Pugh, Olivia Colman, Ray Winstone and Samson Kayo are also pluses, as are Salma Hayek and Wagner Moura. Evidently, it's a quality cast. A minor shame we didn't get anyone big back from the original series, though I do approve with how this one concludes in that regard.