Popularity: 34 (history)
Director: | Pierre Perifel |
---|---|
Writer: | Etan Cohen, Aaron Blabey |
Staring: |
When the Bad Guys, a crew of criminal animals, are finally caught after years of heists and being the world’s most-wanted villains, Mr. Wolf brokers a deal to save them all from prison. | |
Release Date: | Mar 17, 2022 |
---|---|
Director: | Pierre Perifel |
Writer: | Etan Cohen, Aaron Blabey |
Genres: | Animation, Family, Comedy, Adventure, Crime |
Keywords | based on novel or book, snake, wolf, affectation, villain, spider, heist, anthropomorphism, shark, guinea pig, piranha, duringcreditsstinger, zealous, wonder, understated, sentimental, amused, awestruck, cheerful, cliché, complicated, empathetic, enchant, enthusiastic, euphoric, modest |
Production Companies | DreamWorks Animation |
Box Office |
Revenue: $250,162,278
Budget: $80,000,000 |
Updates |
Updated: Jul 28, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Sam Rockwell | Wolf (voice) |
Marc Maron | Snake (voice) |
Awkwafina | Tarantula (voice) |
Craig Robinson | Shark (voice) |
Anthony Ramos | Piranha (voice) |
Richard Ayoade | Professor Marmalade (voice) |
Zazie Beetz | Diane Foxington (voice) |
Alex Borstein | Police Chief Misty Luggins (voice) |
Lilly Singh | Tiffany Fluffit (voice) |
Barbara Goodson | Old Lady (voice) |
Dina Morrone | Museum Announcer / Diane's A.I. Assistant (voice) |
Michael Godere | Delivery Driver / Museum Guest 1 (voice) |
Kelly Cooney Cilella | Prison Guard 1 / Gala Guest 1 (voice) |
Walt Dohrn | Scientist / Gala Guest 3 (voice) |
David P. Smith | Prison Guard 2 / Gala Guest 2 / Protestor (voice) |
John Venzon | Museum Guest 2 / Panicked Cop (voice) |
Jesse Averna | Prison Guard 3 (voice) |
Name | Job |
---|---|
Pierre Perifel | Director |
Daniel Pemberton | Original Music Composer |
Etan Cohen | Screenplay |
Leo Matsuda | Storyboard Artist |
Susan Misner | Choreographer |
Rani Naamani | Animation Supervisor |
Maurissa Horwitz | Additional Editor |
James D. Bissell | Thanks |
James Ryan | Thanks |
John K. Carr | Thanks |
Shayna Cohen | Thanks |
Nick Fletcher | Thanks |
Jillian Gomez | Thanks |
Sam Hinton | Thanks |
Janine Jones-Clark | Thanks |
Elise Konialian | Thanks |
Emerlynn Lampitoc | Thanks |
Jerry Schmitz | Thanks |
Lisa Curtis Saunders | Pipeline Technical Director |
Matt Baer | Visual Effects Supervisor |
John Venzon | Editor |
Julian Slater | Sound Re-Recording Mixer, Supervising Sound Editor |
Michael Babcock | Sound Re-Recording Mixer |
Brandon Jones | Sound Designer |
Jason W. Jennings | Sound Designer |
Floriane Marchix | Art Direction |
Luc Desmarchelier | Production Design |
Nelson Yokota | Head of Story |
Todd Jansen | Head of Layout |
Christi Soper Hilt | Casting |
Liang-Yuan Wang | Lighting Supervisor |
Jorge A. Capote | Lead Animator, Character Designer |
Min Hong | Lead Animator |
Drew Adams | Animation |
Luiza Alaniz | Animation |
David Badgerow | Animation |
Ludovic Bouancheau | Animation |
Guillermo Careaga | Animation |
Prashanth Cavale | Animation |
Joseph Chong | Animation |
Albert Rubio | Animation |
Elisabeth Franklin | Animation |
David Couchariere | Animation |
Michelle Cowart | Animation |
Ares Deveaux | Animation |
Patrick Giusiano | Animation |
Ravi Kamble Govind | Animation |
Andrew Harkins | Animation |
Brendan Kirschbaum | Animation |
Lindsey Butterworth Langston | Animation |
Eric Lees | Animation |
David Lisbe | Animation |
Fredrik Nilsson | Animation |
Garrett O'Neal | Animation |
Tyler Phillips | Animation |
David Polk | Animation |
Reece Porter | Animation |
Marco Regina | Animation, Storyboard Artist |
Jeremy Schaefer | Animation |
Alex Ferreira Simões | Animation |
Alexander Snow | Animation |
Emily Springer | Animation |
Manar Al Tawam | Animation |
Kelly Vawter | Animation |
Ryan Vicik | Animation |
Dan Wagner | Animation |
Jeff Williams | Animation |
John Wong | Animation |
Taylor Krahenbuhl | Character Designer |
Julien Le Rolland | Character Designer |
Anthony Holden | Character Designer |
Jeremy Bernstein | Storyboard Artist |
Hanna Kim | Storyboard Artist |
Mike Surrey | Storyboard Artist |
Katherine de Vries | Storyboard Artist |
Young Ki Yoon | Storyboard Artist |
Adam Rosette | Storyboard Artist |
Alice Herring | Storyboard Artist |
Claire Morrissey | Storyboard Artist |
John Puglisi | Storyboard Artist |
Michael Lester | Storyboard Artist |
Jesse Averna | Additional Editor |
Tom Scott | Assistant Editor |
Stephen Castro | Assistant Editor |
Laura Minto | First Assistant Editor |
Christine Lojko Haslett | Associate Editor |
Katherine Ramos | Production Supervisor |
Katie Greathouse | Music Editor |
Sam Okell | Score Engineer, Mixing Engineer |
Andy Maxwell | Sound Recordist |
Andrew Skeet | Conductor, Orchestrator |
Chadd Ferron | Animation |
Yung Pham | Animation |
Robyne Powell | Animation |
John Hill | Animation Supervisor |
Antony Gray | Animation Supervisor |
Willy Harber | Animation Supervisor |
Liron Topaz | Animation Supervisor |
Benjamin Willis | Animation Supervisor |
Onur Yeldan | Animation Supervisor |
Tracy Larson | Production Manager |
Michael Lynn | Production Manager |
Chelsea Blecha | Visual Development |
Tom MacDougall | Visual Development |
Leo Sanchez Barbosa | Visual Development |
Rémi Salmon | Visual Development |
Angela Sung | Visual Development |
Peter Maynez | Visual Development |
Camilo Castro | Visual Development |
Guillaume Fesquet | Visual Development |
Aurora Jimenez Seoane | Visual Development |
Ritchie Sacilioc | Visual Development |
Luca Pisanu | Visual Development |
Vahe Yefremian | Visual Development |
Yoni Brenner | Additional Writing |
Hilary Winston | Additional Writing |
Aaron Blabey | Book |
JP Sans | Head of Animation |
David Kwong | Thanks |
Name | Title |
---|---|
Etan Cohen | Executive Producer |
Damon Ross | Producer |
Rebecca Huntley | Producer |
Aaron Blabey | Executive Producer |
Patrick Hughes | Producer |
Organization | Category | Person | |
---|---|---|---|
Venice Film Festival | Best Animated Feature | N/A | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 66 | 95 | 52 |
2024 | 5 | 60 | 80 | 45 |
2024 | 6 | 68 | 118 | 41 |
2024 | 7 | 69 | 105 | 44 |
2024 | 8 | 63 | 111 | 44 |
2024 | 9 | 47 | 55 | 35 |
2024 | 10 | 101 | 192 | 40 |
2024 | 11 | 80 | 120 | 49 |
2024 | 12 | 72 | 148 | 48 |
2025 | 1 | 58 | 87 | 42 |
2025 | 2 | 43 | 62 | 8 |
2025 | 3 | 16 | 62 | 3 |
2025 | 4 | 11 | 17 | 8 |
2025 | 5 | 12 | 17 | 8 |
2025 | 6 | 11 | 15 | 9 |
2025 | 7 | 16 | 28 | 11 |
2025 | 8 | 32 | 35 | 28 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 37 | 58 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 67 | 420 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 242 | 644 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 184 | 569 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 284 | 718 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 194 | 734 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 180 | 673 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 199 | 548 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 275 | 706 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 171 | 512 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 150 | 520 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 869 | 939 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 505 | 757 |
The "Bad Guys" make the most secure location look like a candy store, and they tease the hapless police chief "Luggins" who seems incapable - despite having gazillions of officers - to catch them. Enter the new governor "Foxington" who basically ridicules them, declaims their achievement and provoke ... s them into pulling the ultimate crime - the theft of the golden dolphin. What now ensues is an "Ocean's 5" style logistics exercise as the five of them carefully plan the theft. The trophy is to be presented to the icon of decency "Professor Marmalade" but is he quite who he seems? Is the governor? These films are a bit ten-a-penny, and this one isn't really very special. The dialogue is entertainingly quick-fire now and again (especially the snake and the piranha); "Weaps" - the extra nimble taratunla provides the gadgetry and the animation is efficient with plenty of action once the film gets moving. The ending, though, is daft and hurried and who knew there were so many millions of guinea pigs in the world!? I saw this on my own on a big screen, but I think this will do just as well on the television.
I really enjoyed the movie. It's funny, the action scenes are very well done, the characters are charming, the dialogues are excellent and the animation style, in a mix of 2D and 3D, is the icing on the cake to complete an (almost) perfect animation. 'Almost' because the plot was pretty average. ... It's interesting and even brings a nice message, but I think it lacked a little more development, especially in making the movie more unpredictable. Halfway through the movie you already knew who the villain was and how the movie was going to end. They even added multiple 'twists' to make the story more unpredictable, but almost all of them were far-fetched and failed to surprise me. Despite that, this movie was a breath of originality from Dreamworks after a decade of bland animations. I'll give it a solid 8.
It’s a shame that the story isn’t nearly as appealing as the animation in _The Bad Guys_. The film is smart and funny with slick animation. _The Bad Guys_ is a delightful heist that you crave to be a part of. **Full review:** https://hubpages.com/entertainment/The-Bad-Guys-2022-Review-A-Visually- ... Stylish-Animated-Caper
MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "The Bad Guys is one of the lightest, most pleasant, genuinely positive viewings of the year. With a clear distinction between being "good" and "bad", stereotypes and preconceived notions are brilliantly addressed in a sweet redemption story ... that doesn't try to reinvent the wheel. The voice cast is exceptional, elevating an admittedly formulaic narrative in a remarkably impactful manner. Despite being more geared towards children, the entertainment levels are high enough for any generation. The blend of 2D and 3D animation works flawlessly, offering an overall distinct look compared to what audiences are used to. In the end, it's yet another recommendation for families." Rating: B
Visually great and stylistically cool! Wish it was a bit less derivative, but the character dynamics and lightness really keep that from being too big of a detractor for me. I had fun! Also: love the fact that the guy who says “Marmalade” in PADDINGTON 2 is named Professor Marmalade in this. ...