Popularity: 6 (history)
Director: | Don Hall, Qui Nguyen |
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Writer: | Qui Nguyen |
Staring: |
A journey deep into an uncharted and treacherous land, where fantastical creatures await the legendary Clades—a family of explorers whose differences threaten to topple their latest, and by far most crucial, mission. | |
Release Date: | Nov 23, 2022 |
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Director: | Don Hall, Qui Nguyen |
Writer: | Qui Nguyen |
Genres: | Animation, Family, Fantasy, Adventure, Science Fiction |
Keywords | monster, harmony, farmer, explorer, lgbt teen, alternative world, cliché |
Production Companies | Walt Disney Pictures, Walt Disney Animation Studios |
Box Office |
Revenue: $73,621,640
Budget: $180,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Jake Gyllenhaal | Searcher Clade (voice) |
Dennis Quaid | Jaeger Clade (voice) |
Jaboukie Young-White | Ethan Clade (voice) |
Gabrielle Union | Meridian Clade (voice) |
Lucy Liu | Callisto Mal (voice) |
Alan Tudyk | Narrator / Radio Host 1 / Duffle (voice) |
Jonathan Melo | Diazo (voice) |
Abraham Benrubi | Lonnie Redshirt (voice) |
Karan Soni | Caspian (voice) |
Adelina Anthony | Pulk (voice) |
Nik Dodani | Kardez (voice) |
Francesca Reale | Azimuth (voice) |
Emily Kuroda | Ro (voice) |
Reed Buck | Rory (voice) |
Katie Lowes | Radio Host 2 (voice) |
LaNisa Renee Frederick | Client #2 (voice) |
Dave Kohut | Client #3 (voice) |
Alice Kina Diehl | Client #4 (voice) |
Name | Job |
---|---|
Shannon Mills | Sound Designer, Supervising Sound Editor |
Laura H. Han | Animation |
Don Hall | Director |
Carrie Liao | Story Artist |
Tom MacDougall | Executive Music Producer |
Samson Neslund | Sound Designer |
Burny Mattinson | Story Artist |
David G. Derrick Jr. | Head of Story |
Henry Jackman | Original Music Composer |
Qui Nguyen | Co-Director, Screenplay |
Mehrdad Isvandi | Production Design |
Ian Gooding | Art Direction |
Larry Wu | Art Direction |
Sean Creveling | Production Supervisor |
Steven Crowe | Production Supervisor |
Steph Gortz | Production Supervisor |
Brandon Holmes | Production Supervisor |
Jonny Hylton | Production Supervisor |
Dave Kohut | Production Supervisor |
Nora Rogers | Production Supervisor |
Mia Calderone | Storyboard Artist |
Clio Chiang | Storyboard Artist |
Don Dougherty | Storyboard Artist |
Ryan Green | Storyboard Artist |
Teny Issakhanian | Story Artist, Storyboard Artist |
Jose Francisco Martinez | Visual Development |
Ryn Soorholtz | Production Coordinator |
David E. Fluhr | Sound Supervisor |
Gabriel Guy | Sound Re-Recording Mixer |
Oscar A. Ayala | Character Modelling Supervisor |
Chrisy Baek | Lighting Artist |
Bob Bennett | Effects Supervisor |
Chris Carignan | Visual Effects |
Deborah Carlson | Effects Supervisor |
Grace C. Kim | Casting Associate |
Adam DesCombes | First Assistant Editor |
Anthony Durazzo | Associate Editor |
Michael Weissman | First Assistant Editor |
Tyler Durham | Music Programmer |
Andrew Kinney | Orchestrator |
Thai Bettistea | Script Coordinator |
Paul Aichele | Animation Technical Director |
Theresa Adolph | Animation |
Manar Al Tawam | Animation |
David Badgerow | Animation |
Ozan Basaldi | Animation |
Tony Bonilla | Animation |
Abby Boyce | Animation |
Stephen Dahler | Animation |
Anthony DeRosa | Animation |
Pete Devlin | Animation |
Nathan Dillow | Animation |
Janel Drewis | Animation |
Andrew Feliciano | Animation Supervisor |
Jason Figliozzi | Animation Supervisor |
Michael Franceschi | Animation Supervisor |
Kitty Fung | Animation |
Pedro Daniel García Pérez | Animation |
Taylor Gessler | Animation |
Ben Girmann | Animation |
Hector Godoy Garcia | Animation |
Eric Goldberg | Head of Animation |
Dave Hardin | Animation |
Kim Hazel | Animation Supervisor |
Amy Henkels | Story Artist |
Jason Herschaft | Animation |
Seth Hippen | Animation |
Mitchell Jao | Animation |
Andrew Jennings | Character Technical Supervisor |
Louis Jones | Animation |
Ken Kaiser | Animation |
Yohei Koike | Animation |
Megan Kreiner | Animation |
Andrew Lawson | Animation |
Hannah Leung | Story Artist |
Jonathan Lin | Modeling |
Caitlin Low | Animation |
Kevin MacLean | Animation |
Boris Maras | Animation |
Paula Benedicto Martinez | Animation |
Naoko Mizutori | Animation |
Michael Anthony Navarro | Character Technical Supervisor |
Haengsook Oh | Modeling |
Olga Parshina | Animation |
Nicklas Puetz | Character Technical Supervisor |
Mitja Rabar | Animation |
Zachary Rahman | Animation |
Krista Rogers | Animation |
Albert Rubio | Animation |
Mikee Sevilla | Animation |
Jonah Sidhom | Animation |
Chatrasal Singh | Animation |
Justin Sklar | Head of Animation |
Alexander Snow | Animation |
David Stodolny | Animation Supervisor |
Shay Stone | Animation |
Wes Storhoff | Animation |
Gregory Verreault | Animation |
Vitor Vilela | Animation Supervisor |
Malerie Walters | Animation |
Gina Warr | Lighting Supervisor |
Emma Wolfe | Modeling |
Mikey Wong | Animation |
Trevor Young | Animation |
Masahito Yoshioka | Visual Effects |
Robert Zhou | Visual Effects |
Emily Yi | Lighting Artist |
Irene Weng | Visual Effects Technical Director |
Rebecca Vallera-Thompson | Visual Effects Technical Director |
Lisa M. Tse | Visual Effects Technical Director |
Le Joyce Tong | Visual Effects |
Marie Tollec | Visual Effects |
Ka Yaw Tan | Lighting Artist |
Ashley Souza | Lighting Artist |
Catlin Scroggie | Lighting Artist |
Afonso Salcedo | Lighting Artist |
Olun Riley | Lighting Supervisor |
Luke Pikora | Lighting Artist |
R.J. Peña | Lighting Artist |
Miguel Perez | Lighting Artist |
Ash Ogasawara | Lighting Artist |
Robert L. Miles | Lighting Artist |
Chris Patrick O'Connell | Modeling |
James Joshua Lojo | Lighting Artist |
Kendall Litaker | Visual Effects Technical Director |
Walker Kennedy | Lighting Artist |
Austin Hirsch | Lighting Artist |
Luke Heathcock | Lighting Artist |
Brian Adams | Lighting Artist |
Brad Semenoff | ADR Supervisor |
Name | Title |
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Roy Conli | Producer |
Jennifer Lee | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 59 | 126 | 37 |
2024 | 5 | 52 | 83 | 40 |
2024 | 6 | 35 | 52 | 21 |
2024 | 7 | 46 | 84 | 28 |
2024 | 8 | 34 | 55 | 22 |
2024 | 9 | 24 | 34 | 17 |
2024 | 10 | 30 | 62 | 16 |
2024 | 11 | 26 | 46 | 18 |
2024 | 12 | 26 | 44 | 18 |
2025 | 1 | 28 | 57 | 19 |
2025 | 2 | 19 | 28 | 4 |
2025 | 3 | 7 | 26 | 2 |
2025 | 4 | 5 | 10 | 3 |
2025 | 5 | 4 | 11 | 2 |
2025 | 6 | 4 | 6 | 3 |
2025 | 7 | 3 | 5 | 2 |
2025 | 8 | 3 | 7 | 2 |
2025 | 9 | 5 | 11 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 721 | 839 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 741 | 865 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 864 | 920 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 754 | 850 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 556 | 700 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 698 | 823 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 814 | 814 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 833 | 833 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 689 | 769 |
The last fifteen minutes or so do redeem this to a certain extent, but otherwise it is a curiously disjointed story that seems drawn from "Island at the Top of the World" (1974) with bits of "Journey to the Centre of the Earth" (1959) and "The Lost World" (1960) thrown in for good measure. We start ... with the legendary explorer "Jaeger Clade" who is determined to find a way past the enclosing mountain peaks of their community. Like many a father, he drags along his unwilling son and when things come to an head, he proceeds alone leaving the younger man "Searcher" with his newly discovered crop of radioactive Brussels sprouts. Twenty-five years pass, and he has now grown up and successfully developed a farm of these particularly useful vegetables. He even has his own statue! Suddenly, though, the plants start to die and it falls to him and his own young son "Ethan" to embark on a perilous mission to the heart of the plant's root system and save it before it dies. These escapades are nicely and creatively animated with some fun to be had along the way, but there is simply too much sentiment, familial discord and cheesy dialogue to sustain this - as well as a dog that really annoys after a while. The characterisations are really undercooked and just about every box you can imagine is ticked as the story ultimately concludes with a bit of a nod to Oriental mythology. It is certainly watchable, but there is no need to shell out on a cinema ticket for it. Disney+ will do fine in due course when you can safely leave the kids to watch.
Visually wondrous but spectacularly dull, unbelievably unfunny, and lackluster from the inside out in every other aspect, _Strange World_ is a superficially stimulating with the entertainment value of a wet yet adventurous sponge. **Full review:** https://boundingintocomics.com/2022/12/02/strange ... -world-review-a-mundane-narrative-nurtured-by-invigorating-visuals/
Strange World had the potential to be another Disney classic, but unfortunately, some problems limited my total enjoyment. From the get-go, I need to mention that the animation is breathtaking, and is probably the best Disney has done so far. The animators got to flex their muscles with the fanta ... stic worlds and interesting creatures. It is so flush with color and energy; it was extremely pleasant on the eyes from start to finish. The overarching story was fun, and I enjoyed the premise of discovering a technology that is simultaneously progressing your civilization while also destroying it. It has a great message of preserving the world, even though it is extremely heavy-handed at times. The action was great, the exploration was mesmerizing, and the diversity of the world was superb. At a macro level, this movie worked for me in almost every way. The main issues I had with this film were the characters. Individually they are all interesting and unique, even though some of them are major caricatures. But the connections between them are all over the place. A lot of the motivations the characters have are inorganic and feel forced to push the narrative of parent vs child throughout generations. This left me having very little emotions when the characters clashed in high-tension arguments which limited a lot of the impact of the film. Although, the blue creature was cute, funny, and perfect! I loved him. This movie had a lot going on, and it suffers for it. As a kid movie, the plot and themes were all over the place, and it was sometimes confusing for me. Despite that, it is a visual spectacle filled with many laughs and fun adventures. Score: 67% | Verdict: Good | Theater Verdict: See It
For being a Disney movie made today (2022) this is a fairly decent one. Sure, they have crammed in some of the usual woke nonsense but at least there is not really any of the blatant preaching the more extreme of Disney’s woke mob have managed to cram into things the last couple of years. It of c ... ourse helps that it is a all new story and new characters so they didn’t wokeify and ruin some of the old classics. If one ignores the nonsense the story is pretty decent and so are the characters. Nothing to write home about but adequate. The coolest character is of course Jaeger. I quite liked him even though he sometimes was a bit dimwitted in his single mindedness. Searcher and his son Ethan are more bland and boring with one just wanting to be a farmer and the other one being the obligatory woke element in this movie. What really makes the movie rise slightly above being bland is the absolutely magnificent scenery. It is a strange world indeed. It is strange, weird, scary and beautiful all at the same time. This creature, Splat, that Ethan eventually befriends was a nice comical element. It is a shame though that they couldn’t create a better ending. I mean given what this strange world actually is surely there would be plenty of other options for harvesting energy instead of just more or less giving up. If the writers wanted to deliver some rubbish green message they failed miserably. Anyway, a decent enough movie. I did enjoy watching it.
Really, really good! I knew nothing about <em>'Strange World'</em> pre-watch, having only very briefly seen the poster(s) a few times online. The quick look I had at the character design from said poster(s) and the fact that I hadn't heard this talked about anywhere meant my expectactions were qu ... ite low. Happily, however, what I saw across the 102 minute run time pleased me. I do think the characters and voice cast could've been improved, but both of those departments are still good. I wasn't immediately keen on the animation style, though honestly I very quickly warmed to it; the world comes alive nicely. The story kept me interested from beginning to end, all that is portrayed is enjoyable. It obviously could've been greater, yet I still had fun with this. I felt way too much sorrow for Splat in that burn scene btw, it's always impressive how they can make you care for such side characters. Sorry to the little blue fella, <a href="https://disney.fandom.com/wiki/Morph?file=Treasure-planet-disneyscreencaps.com-2618.jpg" rel="nofollow">Morph</a> is still my guy though.